O A R The Oxford Artistic & Practice Based Research Platform Shooting Back in (That's All There Is Issue 3)

A co-authored article on my film House of Women (2017) written with film scholar Dr Catherine Lord from the University of Amsterdam.

This is the first of three academic essays contributing to an artist's monograph based on the film trilogy Dissolution, which comprises House of Women, 2017, The Fruit is There to be Eaten, 2018, The Eternal Return, 2019 based on a critical reappraisal of the work of British directors Michael Powell and Emetic Pressburger.

This article features in O A R The Oxford Artistic & Practice Based Research Platform. A journal and research platform engaging with research that is innovative, dynamic, artistic, experimental, and anchored in practice (www.oarplatform.com)

The article can be accessed here: http://www.oarplatform.com/house-of-preposterous-women-michelle-williams-gamaker-re-auditions-kanchi/

Citation: Lord, Catherine, with Michelle Williams Gamaker. ‘House of Preposterous Women: Michelle Williams Gamaker re-auditions Kanchi.’ OAR: The Oxford Artistic and Practice Based Research Platform Issue 3 (2018)