Browse by Goldsmiths authors: Alston, Adam

Item Type Date No Grouping

Decadent scenography: Angel Rose Denman, Hollywood Goth. (2025) Alston, Adam picture_as_pdf

"It is the spectator, and not life, that art really mirrors": Dorian Gray 2.0. (2024) Alston, Adam

Staging Decadence: Decadent Costume. (2024) Alston, Adam

Decadent Plays, 1890-1930. (2024)

Staging Decadence: Theatre, Performance, and the Ends of Capitalism. (2023) Alston, Adam

Nando Messias: decadence, performance and the archive (Staging Decadence residency - Goldsmiths). (2023) Alston, Adam; Messias, Nando and Williams, Sam

Decadence and the Antitheatrical Prejudice. (2023) Alston, Adam

Staging Decadence: Dress to Kill. (2023) Alston, Adam

Decadence @ Iklectik. (2022) Alston, Adam; Condé, Alice and Prashar-Savoie, Anjali

Staging Decadence (Documentary). (2022) Alston, Adam and Parry, Owen image

Staging Decadence (salon). (2022) Alston, Adam; Parry, Owen and Rich Mix, Arts Centre

Carnal acts: Decadence in theatre, performance and live art. (2021) Alston, Adam picture_as_pdf

Survival of the sickest: On decadence, disease and the performing body. (2021) Alston, Adam picture_as_pdf

Volupté: Interdisciplinary Journal of Decadence Studies, Volume 4, Issue 2 (Winter 2021): Decadence and Performance. (2021)

Decadent Plays. (2021) Alston, Adam; Desmarais, Jane H. and Meth, Jonathan

HERE RAW: Staging Decadence. (2021) Alston, Adam; Parry, Owen and HERE, Arts Centre

‘Burn the witch’: Decadence and the occult in contemporary feminist performance. (2021) Alston, Adam picture_as_pdf

Staging Decadence (project website). (2020) Alston, Adam and Ideh, Amelia

Immersive theatre in austerity Britain: Les Enfants Terribles’ riot in the Saatchi Gallery and the liquidation of differencEngine. (2019) Alston, Adam description

Holstein’s hair: The Politics of Decadence in The Famous Lauren Barri Holstein’s Splat! (2019) Alston, Adam description

Digesting Ritual. (2019) Couch, Amanda and Alston, Adam

Immersive theatre and the aesthetics of decadence: on the ruined worlds of Punchdrunk, SHUNT and Hammer Film Productions. (2017) Alston, Adam description

Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. (2017) picture_as_pdf

'Tell no-one': Secret Cinema and the Paradox of Secrecy. (2016) Alston, Adam description

The Promise of Experience: Immersive Theatre in the Experience Economy. (2016) Alston, Adam description

Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation. (2016) Alston, Adam picture_as_pdf

Making Mistakes in Immersive Theatre: Spectatorship and Errant Immersion. (2016) Alston, Adam description

Performing labour in Look Left Look Right's Above and Beyond. (2015) Alston, Adam description

Politics in the Dark: Risk Perception, Affect and Emotion in Lundahl and Seitl’s Rotating in a Room of Images. (2013) Alston, Adam description

Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre. (2013) Alston, Adam

Reflections on Intimacy and Narcissism in Ontroerend Goed's Personal Trilogy. (2012) Alston, Adam description

Contemporary Theatre "Philanthropy" and the Purchase of Participatory Privilege. (2012) Alston, Adam and Daker, Rebecca

Damocles and the Plucked: Audience Participation and Risk in Half Cut. (2012) Alston, Adam

Funding, Product Placement and Drunkenness in Punchdrunk's The Black Diamond. (2012) Alston, Adam