Browse by Goldsmiths authors: Blinder, Caroline
Number of items: 40.
Article
Masks and Mirrors: Concealment and Disclosure in Ralph Eugene Meatyard’s
The Family Album of Lucybelle Crater (1969-1972). (2026)
Blinder, Caroline
Richard Misrach and Kate Orff's Petrochemical America: Cartographies of the Picturesque. (2020)
Blinder, Caroline
US Topographics: Imaging National Landscapes. (2020)
Blinder, Caroline and Lloyd, Christopher
Looking for Harlem: The absent Narrator in Roy DeCarava and Langston Hughes' The Sweet Flypaper of Life (1955). (2018)
Blinder, Caroline
The Oxford Research Encyclopaedia - The Phototext in the 19th and 20th century. (2017)
Blinder, Caroline
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American Alphabet: Photo-Textual Politics in Paul Strand and Nancy Newhall's Time in New England (1950). (2016)
Blinder, Caroline
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The Radical Camera: New York's Photo League 1936–1951: Mason Klein and Catherine Evans (eds). (2013)
Blinder, Caroline
`Looking for Love in all the Wrong Places': Brassaï in André Breton's 'Mad Love'. (2005)
Blinder, Caroline
The Transparent Eyeball: On Emerson and Walker Evans. (2004)
Blinder, Caroline
La Révolte Enfantine: On Georges Bataille's “La Morale de Miller” and Jean-Paul Sartre's “Un Nouveau Mystique”. (1998)
Blinder, Caroline
'A Deadly Fascination: Heterology and Fascism in the Writings of Georges Bataille, Yukio Mishima, and Henry Miller'. (1993)
Blinder, Caroline
Book Section
An Unmade Book: Walker Evans’s 1970s Letter Polaroids. (2023)
Blinder, Caroline
The Lyrical Gaze: On James Agee and Helen Levitt’s 1944 film In The Street. (2023)
Blinder, Caroline
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‘No Ideas but in Seeing’: Jim Jarmusch’s Paterson (2016). (2020)
Blinder, Caroline
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Smokescreens to Smokestacks: True Detective and the American Sublime. (2017)
Blinder, Caroline
description
Ruses and Ruminations: The Architecture of Let Us Now Praise Famous Men. (2017)
Blinder, Caroline
description
‘Ruses and Ruminations: The Architecture of Let Us Now Praise Famous Men’. (2017)
Blinder, Caroline
Fragments of the Future: Walker Evans’s Polaroids. (2016)
Blinder, Caroline
James Agee. (2012)
Blinder, Caroline
Sitting Pretty: Municipal Chairs in the Photography of Doisneau and Kertész. (2012)
Blinder, Caroline
Through an American Lens : Camera Work (1903-17); 291 (1915-16); Manuscripts (1922-3). (2012)
Blinder, Caroline
Wright Morris. (2012)
Blinder, Caroline
‘Brassaï’s Chair , Henry Miller and The Eye of Paris’. (2011)
Blinder, Caroline
Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau. (2011)
Blinder, Caroline
Animating the Gudgers : On the Problems of a Cinematic Aesthetic in Let Us Now Praise Famous Men. (2010)
Blinder, Caroline
Introduction. (2010)
Blinder, Caroline
The Bachelor’s Drawer: Art and Artefact in the Work of Wright Morris. (2009)
Blinder, Caroline
‘Not so Innocent: Vision and Culpability in Weegee’s Photographs of Children’. (2009)
Blinder, Caroline
All things Either Good or Ungood: American Pictures Revisited in Jacob Holdt’s United States 1970-1975. (2008)
Blinder, Caroline
Entries on Anais Nin, Erskine Caldwell, and Surrealism. (2006)
Blinder, Caroline
A Kind of Patriotism: Jack Kerouac's Introduction to Robert Frank's The Americans. (2006)
Blinder, Caroline
Entries on André Breton, Jack Kerouac, and Edgar Allan Poe. (2005)
Blinder, Caroline
Its Beautiful Visual Entirety: Kerouac's introduction to Frank's The Americans. (2005)
Blinder, Caroline
‘Love Under the Sky: On Robert Frank and Jack Kerouac’. (2005)
Blinder, Caroline
‘Between the Unimagined and the Imagined: Photographic Aesthetics and Literary Illumination in James Agee’s Let Us Now Praise Famous Men’. (1999)
Blinder, Caroline