Browse by Goldsmiths authors: Fleming, Cass

Number of items: 36.
Article
  • UM CONSTANTE PROCESSO DE EXPANSÃO [A Constant Process of Expansion]. (2021) Fleming, Cass
  • Editorial, Special Issue 'Against the Canon'. (2020) Evans, Mark; Fleming, Cass and Reed, Sara
  • Playing outside the frame: revealing the hidden contributions of the women in the French tradition of actor training. (2020) Fleming, Cass
  • ‘The Michael Chekhov Centre UK Past, Present and Future: an Inter-Generational Dialogue.’ An edited selection of interviews with Sarah Kane, Graham Dixon and Martin Sharp. Co authors: Tom Cornford, Cass Fleming and Sinéad Rushe in Franc Chamberlain and Andrey Kirillov (eds), ‘Michael Chekhov in the Twenty-first Century: New Sources, New Contexts, New Perspectives.’. (2013) Fleming, Cass
    • Book Section
  • Cross Currents and Conclusions. (2020) Fleming, Cass and Cornford, Tom
  • Introduction Chekhov Technique: Past, Present and Future. (2020) Fleming, Cass
  • Theatre of the Future: Chekhov Technique for Devised Theatre and Catalyst Directing. (2020) Fleming, Cass
  • 'Jacques Copeau' in The Great European Stage Directors, Vol 3, Copeau, Komisarjevsky and Guthrie. (2018) Fleming, Cass and Evans, Mark
    • Conference or Workshop Item
  • Reflections on Jarman Garden. (2024) Fleming, Cass
  • Master-less: Women Teaching Physical Theatre. (2021) Fleming, Cass
  • Suzanne Bing: The Interior Rhythm and Musicality of Play. (2021) Fleming, Cass
  • Michael Chekhov: Imagination and Community. (2021) Fleming, Cass
  • MICHA and the Chekhov Matriarchy. (2019) Fleming, Cass
  • Michael Chekhov Technique for Devised Theatre and Catalyst Direction. (2016) Fleming, Cass and Mitchell, Roanna
  • Master Class and Research Presentation, Young Vic Theatre. (2016) Fleming, Cass
  • Chekhov Technique for Catalyst Direction. (2016) Fleming, Cass
  • Chekhov Technique for Catalyst Direction. Practice Research Project Lecture, Young Vic Theatre. (2016) Fleming, Cass
  • Michael Chekhov in the Twenty First Century: New Pathways – The Little Prince in process. (2015) Fleming, Cass; Mitchell, Roanna and Cornford, Tom
  • Genealogies of Actor Training: The work of Suzanne Bing. (2014) Fleming, Cass
  • Master Class and Research Presentation, Royal National Theatre Studio. (2013) Fleming, Cass
  • Michael Chekhov's Embodied Play Methodology. (2009) Fleming, Cass
    • Digital
  • Teaching with the Special Issue ‘Against the Canon’. Theatre, Dance and Performance Training Journal Blog. (2020) Evans, Mark; Fleming, Cass; Loukes, Rebecca; Reed, Sara and Russell, Amy
    • Edited Book
  • Michael Chekhov Technique in the Twenty-First Century: New Pathways. (2020) Fleming, Cass
    • Edited Journal
  • Special Issue Theatre, Dance and Performance Training 'Against the Canon'. (2020)
    • Film/Video
  • 'Faculti - Playing Outside the Frame' film by Faculti Academic Streaming. (2023) Fleming, Cass
    • Performance
  • Public Research and Development Performance of The Little Prince. (2016) Fleming, Cass
  • Public work in progress performance of The Little Prince. (2016) Fleming, Cass
  • Public scratch performance of The Little Prince. (2016) Fleming, Cass
  • Jarman Garden. (2004) Fleming, Cass and Gove, B.
  • Passed Between Us. (2002) Fleming, Cass and SJ, G.
    • Project
  • The Chekhov Collective Practice Research Centre - Research Object. (2023) Fleming, Cass and Mitchell, Roanna
  • The Third Space. (2020) Fleming, Cass and Mitchell, Roanna
  • Michael Chekhov in the 21st Century: New Pathways Project. (2018) Fleming, Cass and Cornford, Tom
  • The Little Prince. (2016) Fleming, Cass
  • Practice Research: Master Classes and Research Presentations on Michael Chekhov Technique for Professional Directors (2013-2016). (2016) Fleming, Cass
    • Thesis
  • A Genealogy of the Embodied Theatre Practices of Suzanne Bing and Michael Chekhov: The Use of Play in Actor Training. (2013) Fleming, Cass