Browse by Goldsmiths authors: Harma, Tanguy

Number of items: 27.
Article
  • From Kerouac back to Thoreau: The Pull towards Nature, a Revolt against Culture? (2022) Harma, Tanguy picture_as_pdf
  • Norman Mailer's Existentialism; Or, the Divine Essence of Psychopathy. (2021) Harma, Tanguy picture_as_pdf
  • Jack Kerouac: Book of Dreams. (2018) Harma, Tanguy
  • 'The Words I Put in Your Mouth: The Sexual Politics of Rambling, Direct and Indirect Style in Kerouac's Tristessa'. (2014) Harma, Tanguy picture_as_pdf
  • The Semiotics of Power: Corrupting Sign Systems in Contemporary American Exceptionalism and in Breat Easton Ellis’s American Psycho and Don DeLillo’s Cosmopolis. (2014) Harma, Tanguy description
  • The Glamorisation of Death in Kerouac's Tristessa. (2014) Harma, Tanguy html
  • 'A Spenglerian Re-reading of Allen Ginsberg's 'Howl''. (2013) Harma, Tanguy description
    • Book
  • The Paradox of Thanatos: Jack Kerouac and Allen Ginsberg From Self-Destruction to Self-Liberation. (2022) Harma, Tanguy
    • Book Section
  • 'Vers un Existentialisme Beat?'. (2018) Harma, Tanguy picture_as_pdf
    • Conference or Workshop Item
  • ‘Mind is shapely, Art is shapely': The Intuitive Poetics of Allen Ginsberg. (2022) Harma, Tanguy
  • Counterculture, Counterpower? "Disengagement: The Art of the Beat Generation". (2021) Harma, Tanguy
  • Transatlantic Ontologies: From Sartre Back to Emerson, Towards an American Existentialism. (2020) Harma, Tanguy
  • Outsiders Atomised: Beat, the Subversion from Within. (2019) Harma, Tanguy
  • Tripping on the Threshold of the Doors: The Difficult Negotiation of the Visionary in Ginsberg’s Drug Poems. (2019) Harma, Tanguy
  • ‘A Sense of Dooming Boom’: Kerouac’s Psychopathic Aesthetics of Speed in Big Sur. (2018) Harma, Tanguy
  • ‘The Figure of Thanatos: Processes of Self-creation and Self-destruction in Jack Kerouac and Allen Ginsberg’. (2018) Harma, Tanguy
  • Kerouac’s Vision of Anguish: An Interpretation of the Dynamics of Dis-integration in Big Sur. (2017) Harma, Tanguy description
  • 'The Intuitive Self Made Supreme: An Existentialist Reading of Emersonian Transcendentalism through Sartre’s Concepts of Nothingness and Engagement'. (2016) Harma, Tanguy
  • 'A Song of Beauty and Death: Kerouac’s Music of Sublimity in Tristessa'. (2016) Harma, Tanguy
  • From Sartre to Mailer: Civilisational Nothingness, Commitment, and the Immanence of the here-and-now in Allen Ginsberg’s 'Howl'. (2015) Harma, Tanguy
  • ‘‘All Wet Black Sunken Earth Danger’: Cosmic Alienation and Disintegration in Jack Kerouac’s Big Sur'. (2015) Harma, Tanguy
  • ‘The Words I Put in your Mouth: The Sexual Politics of Rambling and Direct Style in Jack Kerouac’s Tristessa’. (2014) Harma, Tanguy description
  • ‘A Commitment to Self-Destruction: The Glamorisation of Death in Jack Kerouac’s Tristessa through the Phenomenon of the Sublime’. (2014) Harma, Tanguy description
  • 'Allen Ginsberg's 'Howl': A Spenglerian Re-reading of the Poem'. (2013) Harma, Tanguy description
  • 'From Co-optation to Self-referentiality: Corrupting Sign Systems in William Gaddis’s Carpenter’s Gothic, Bret Easton Ellis’s American Psycho and Don DeLillo’s Cosmopolis'. (2013) Harma, Tanguy description
  • ‘Reclaiming Autonomy: The Rhetoric of Contrary’. (2012) Harma, Tanguy description
    • Thesis
  • From Self-destruction to Self-creation and Back Again: The Paradox of Thanatos in Jack Kerouac and Allen Ginsberg. (2018) Harma, Tanguy