Browse by Goldsmiths authors: Matsumoto, Naomi

Number of items: 46.
  • The Challenge of Music History: 10 Works from the 'Musical Canon' and Their Meanings. (2025) Matsumoto, Naomi
  • "Madama Butterfly": Prospettive occidentali e giapponesi a confronto. (2025) Matsumoto, Naomi picture_as_pdf
  • Dreaming of Wagner: Performing Gluck and the Aspiration for a National Theatre in Japan. (2025) Matsumoto, Naomi description
  • Puccini's 'Madama Butterfly' and the Puccini-esque in Japan: Adaptation, Popularisation and the Search for the Cultural Fusion. (2025) Matsumoto, Naomi picture_as_pdf
  • Christophe Ballard/Michel Richard de Lalande Ballet de La Jeunesse. (2024) Canova-Green, Marie-Claude and Matsumoto, Naomi picture_as_pdf
  • Exoticism or Eclecticism? Carnival at Court and the Mascarade du Roy de la Chine. (2024) Canova-Green, Marie-Claude and Matsumoto, Naomi picture_as_pdf
  • Representing Insanity and the Crisis of Identity through Henry Purcell's 'Bess of Bedlam'. (2024) Matsumoto, Naomi
  • Realising Arianna: the Problematic Accompaniments of Claudio Monteverdi's Lamento d'Arianna. (2023) Matsumoto, Naomi
  • Representational Conventions and Varieties of Operatic Madness: The Gap between Dramaturgy and Diagnosis. (2023) Matsumoto, Naomi picture_as_pdf
  • Music Historiography: How and why music history has been written. (2023) Matsumoto, Naomi picture_as_pdf
  • Critical Edition of Anonymous, Lo Spedale. (2022) Matsumoto, Naomi picture_as_pdf
  • Notice sur l'établissement de la musique. (2022) Matsumoto, Naomi
  • Madam Butterfly and the Forging of Japanese Identity. (2021) Matsumoto, Naomi picture_as_pdf
  • The Other Reversed? Japan’s Assimilation of Carmen, 1885 to 1945. (2020) Matsumoto, Naomi
  • Music as Heritage: Historical and Ethnographic Perspectives. (2019)
  • The Mad Scene: Portrayals of Insanity in Opera. (2019) Matsumoto, Naomi
  • Introduction: Historical and Ethnographic Perspectives on Music as Heritage. (2019) Norton, Barley and Matsumoto, Naomi
  • Pio Enea Obizzi: Power and Authorship. (2018) Matsumoto, Naomi
  • L'opera dei pupi, Torneo, and Early Opera: Shared Traditions and Intangible Experiences. (2018) Matsumoto, Naomi
  • Giovanni Vittorio Rosi's Musical Theatre: Opera, Operetta and the Westernisation of Modern Japan. (2017) Matsumoto, Naomi
  • Goldsmiths Research Questions: How does opera represent madness? (2017) Matsumoto, Naomi
  • "Ghost Writing”: an Exploration of Presence and Absence in Lucia di Lammermoor (1835)’. (2016) Matsumoto, Naomi
  • Staging Verdi and Wagner. (2015) picture_as_pdf
  • Book Review: James Kennaway (ed.), Music and the Nerves, 1700–1900 (Basingstoke: Palgrave Macmillan, 2014),. (2015) Matsumoto, Naomi
  • Charles Marshall’s “Dioramic” Scenery: Staging Verdi in Victorian London. (2015) Matsumoto, Naomi
  • Michael Costa at the Haymarket: the Establishment of the Modern Role of 'The Director of Music'. (2014) Matsumoto, Naomi picture_as_pdf
  • Il plagio vs "una piacevole reminiscenza al nostro orecchio". The Siege of Rochelle (1835) di Michael Balfe e il "lavoro culturale" della critica estetica. (2014) Matsumoto, Naomi
  • Nature in Music, Music in Nature: Imitation, Quotation and Representation. (2014) Matsumoto, Naomi
  • SHIZENGAKU: the Search for a Coming Aesthetic. (2014)
  • Instrumental Music and the Industrial Revolution. (2012) Matsumoto, Naomi
  • Anonymous: Lo Spedale. (2012) Matsumoto, Naomi
  • Liner notes to Angelo Ephrikian (dir.), Jacopo Peri: L’Euridice. (2012) Matsumoto, Naomi
  • Liner notes to Cappella Marciana, Voce Mea ad Dominum: Celebrations of the 400th Anniversary of the death of G. Croce da Chioggia. (2012) Matsumoto, Naomi
  • Liner notes to Paolo Cammozzo (dir.), Laudate Dominum: Masters of the Chapel of St Mark’s. (2012) Matsumoto, Naomi
  • Liner notes to Quintetto Vocale Italiano, Gesualdo. (2012) Matsumoto, Naomi
  • Pierto A. Ziani: Le fortune di Damira e Rodope. (2011) Matsumoto, Naomi
  • Manacled Freedom: 19th-Century Vocal Improvisation and the Flute-Accompanied Cadenza in Donizetti’s Lucia di Lammermoor. (2011) Matsumoto, Naomi picture_as_pdf
  • Pio Enea degli Obizzi and the Opera Torneo Genre – Towards an Understanding of the Commercialisation of Early Italian Opera’. (2011) Matsumoto, Naomi
  • Englishness and Burlesque on the London Stage: the Case of The Dragon of Wantley. (2010) Matsumoto, Naomi
  • The dating of MS, GB-Lcm: n. 927, The Dragon of Wantley. (2009) Matsumoto, Naomi
  • The Identity of the librettist of Monteverdi’s Il ritorno d’Ulisse in patria. (2008) Matsumoto, Naomi
  • Motoo Ohtaguro interviews Prokofiev. (2008) Matsumoto, Naomi
  • 1001 Classical Recordings. (2007) Matsumoto, Naomi
  • An anonymous setting of L’Ospedale and the question of an “asylum opera” genre. (2006) Matsumoto, Naomi
  • The operatic mad scene: its origins and early development up to c.1700. (2005) Matsumoto, Naomi
  • Global Presentations of Madness in Musical Theatres: a Comparative Study of Britten’s Curlew River and Juro Motomasa’s Sumidagawa. (2002) Matsumoto, Naomi