Browse by Goldsmiths authors: Perchard, Tom

Number of items: 64.
Article
  • Technology, Listening and Historical Method: Placing Audio in the Post-War British Home. (2017) Perchard, Tom
  • Growing Old Together: Pop Studies and Music Sociology Today. (2017) Perchard, Tom
  • Introduction: The Critical Imperative. (2017) Powers, Devon and Perchard, Tom
  • Mid-Century Modern Jazz: Music and Design in the Postwar Home. (2017) Perchard, Tom
  • New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century. (2015) Perchard, Tom
  • Doing Musical Fieldwork with James G. Spady. (2013) Perchard, Tom
  • Eric Drott, Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968-1981 (Book Review). (2013) Perchard, Tom
  • Hugues Panassié contra Walter Benjamin: Bodies, masses and the iconic jazz recording in mid-century France. (2012) Perchard, Tom
  • Thelonious Monk meets the French critics: Art and Entertainment, Improvisation, and its Simulacrum. (2011) Perchard, Tom
  • Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié’s writing on jazz. (2011) Perchard, Tom
  • Hip hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. (2011) Perchard, Tom
  • Robin D. G. Kelley, 'Thelonious Monk: The Life and Times of an American Original’ (Book Review). (2009) Perchard, Tom
  • Writing Jazz Biography: Race, Research and Narrative Representation. (2007) Perchard, Tom
  • Eithne Quinn, 'Nuthin’ but a “G” Thang: The Culture and Commerce of Gangsta Rap’ (Book Review). (2005) Perchard, Tom
  • Book
  • Twentieth-Century Music in the West. (2022) Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim and Rogers, Holly
  • After Django: Making Jazz in Postwar France. (2015) Perchard, Tom
  • From Soul to Hip Hop (The Library of Essays on Popular Music). (2014)
  • Lee Morgan: La vita, la musica e il suo tempo. (2009) Perchard, Tom
  • Lee Morgan: His Life, Music and Culture. (2006) Perchard, Tom
  • Book Section
  • The Vocalized Tone. (2019) Perchard, Tom
  • 'Introduction'. (2014) Perchard, Tom
  • Broadcast
  • Historical consultant, Rock ‘n’ Roll Guns for Hire: The Story of the Sideman. BBC Films. (2017) Perchard, Tom
  • Programme guest, Jazz Now. BBC Radio 3. (2016) Perchard, Tom
  • Historical consultant, Things Called Jazz that are Not Jazz. BBC Radio 4. (2016) Perchard, Tom
  • Programme guest, BBC Radio 3, 'Jazz Library: Barney Wilen'. (2011) Perchard, Tom
  • Programme guest, BBC Radio 3, 'Jazz Library: Clifford Brown'. (2010) Perchard, Tom
  • Programme guest, BBC Radio 3, 'Jazz Library: Booker Little'. (2009) Perchard, Tom
  • Programme guest, BBC Radio 3, 'Jazz Library: Lee Morgan'. (2008) Perchard, Tom
  • Writer and presenter, Resonance FM series, 'Memoir City'. (2006) Perchard, Tom
  • Conference or Workshop Item
  • Hearing, Seeing, Talking, Touching: Pop Music Experiences in the Postwar British Home. (2018) Perchard, Tom
  • Towards a History of Pop Music in the 20th-Century Home. (2018) Perchard, Tom
  • Reimagining Popular Music History. (2017) Perchard, Tom
  • Historiography and Popular Music. (2017) Perchard, Tom
  • Experiments in Critical Music Writing. (2017) Perchard, Tom
  • What Next for the History of Popular Music? (2017) Perchard, Tom
  • Towards a History of Pop Music in the British Home. (2016) Perchard, Tom
  • Utopia in the Living Room. (2016) Perchard, Tom
  • The Look of Listening: Audio Technology and the British Home, 1955-70. (2016) Perchard, Tom
  • Popular Music teaching at Goldsmiths. (2015) Perchard, Tom
  • Panel respondent, Voice, Memory, Song symposium, University of Oxford. November 2014. (2014) Perchard, Tom
  • ‘New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic” and Music Theory in the 21st-Century’. (2014) Perchard, Tom
  • ‘“A Good Jazzman is a Dead Jazzman”: the History, Memory and Materiality of a French Jazz Past’. (2014) Perchard, Tom
  • Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’. (2012) Perchard, Tom
  • “We must expand the domain of jazz so we never have to leave it”: André Hodeir and the search for a European jazz art. (2012) Perchard, Tom
  • Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology. (2012) Perchard, Tom
  • Jazz Trumpet and the Semiotics of Vulnerability. (2012) Perchard, Tom
  • Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. (2012) Perchard, Tom
  • Monk Meets the French Critics. (2012) Perchard, Tom
  • Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud. (2011) Perchard, Tom
  • Re-reading Primitivism in Hugues Panassié’s Writing on Jazz. (2011) Perchard, Tom
  • Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum. (2011) Perchard, Tom
  • Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. (2011) Perchard, Tom
  • Four Histories of 20th-Century Music. (2011) Perchard, Tom
  • Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism. (2009) Perchard, Tom
  • Thelonious Monk Meets the French Critics: Improvisation and its Simulacra. (2009) Perchard, Tom
  • Edited Book
  • From Soul to Hip Hop. (2014)
  • Edited Journal
  • Special Issue: The Critical Imperative. (2017)
  • Professional Activity
  • Advisory Council member, Institute of Musical Research. Perchard, Tom
  • Contributor, 'The Wire', 2001-2007. Perchard, Tom
  • Editorial Board member, 'Jazz Research Journal'. Perchard, Tom
  • Regular referee, 'Popular Music'. Perchard, Tom
  • Project
  • Leverhulme Trust Major Research Fellowship (£145,059): Popular Music in the British Home, 1945-90: Technology, Experience and Daily Life. (2023) Perchard, Tom
  • AHRC Early Career Fellowship (£64,800). Jazz in France, 1934-75: Contesting the Politics of Nation, Art and World through Music. (2012) Perchard, Tom
  • AHRB/C PhD award (2002-5). (2005) Perchard, Tom