Browse by Goldsmiths authors: Perchard, Tom

Item Type Date No Grouping

Article

Technology, Listening and Historical Method: Placing Audio in the Post-War British Home. (2017) Perchard, Tom

Growing Old Together: Pop Studies and Music Sociology Today. (2017) Perchard, Tom

Introduction: The Critical Imperative. (2017) Powers, Devon and Perchard, Tom

Mid-Century Modern Jazz: Music and Design in the Postwar Home. (2017) Perchard, Tom

New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century. (2015) Perchard, Tom

Doing Musical Fieldwork with James G. Spady. (2013) Perchard, Tom

Eric Drott, Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968-1981 (Book Review). (2013) Perchard, Tom

Hugues Panassié contra Walter Benjamin: Bodies, masses and the iconic jazz recording in mid-century France. (2012) Perchard, Tom

Thelonious Monk meets the French critics: Art and Entertainment, Improvisation, and its Simulacrum. (2011) Perchard, Tom

Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié’s writing on jazz. (2011) Perchard, Tom

Hip hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. (2011) Perchard, Tom

Robin D. G. Kelley, 'Thelonious Monk: The Life and Times of an American Original’ (Book Review). (2009) Perchard, Tom

Writing Jazz Biography: Race, Research and Narrative Representation. (2007) Perchard, Tom

Eithne Quinn, 'Nuthin’ but a “G” Thang: The Culture and Commerce of Gangsta Rap’ (Book Review). (2005) Perchard, Tom

Book

Twentieth-Century Music in the West. (2022) Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim and Rogers, Holly

After Django: Making Jazz in Postwar France. (2015) Perchard, Tom

From Soul to Hip Hop (The Library of Essays on Popular Music). (2014)

Lee Morgan: La vita, la musica e il suo tempo. (2009) Perchard, Tom

Lee Morgan: His Life, Music and Culture. (2006) Perchard, Tom

Book Section

The Vocalized Tone. (2019) Perchard, Tom

'Introduction'. (2014) Perchard, Tom

Broadcast

Historical consultant, Rock ‘n’ Roll Guns for Hire: The Story of the Sideman. BBC Films. (2017) Perchard, Tom

Programme guest, Jazz Now. BBC Radio 3. (2016) Perchard, Tom

Historical consultant, Things Called Jazz that are Not Jazz. BBC Radio 4. (2016) Perchard, Tom

Programme guest, BBC Radio 3, 'Jazz Library: Barney Wilen'. (2011) Perchard, Tom

Programme guest, BBC Radio 3, 'Jazz Library: Clifford Brown'. (2010) Perchard, Tom

Programme guest, BBC Radio 3, 'Jazz Library: Booker Little'. (2009) Perchard, Tom

Programme guest, BBC Radio 3, 'Jazz Library: Lee Morgan'. (2008) Perchard, Tom

Writer and presenter, Resonance FM series, 'Memoir City'. (2006) Perchard, Tom

Conference or Workshop Item

Hearing, Seeing, Talking, Touching: Pop Music Experiences in the Postwar British Home. (2018) Perchard, Tom

Towards a History of Pop Music in the 20th-Century Home. (2018) Perchard, Tom

Reimagining Popular Music History. (2017) Perchard, Tom

Historiography and Popular Music. (2017) Perchard, Tom

Experiments in Critical Music Writing. (2017) Perchard, Tom

What Next for the History of Popular Music? (2017) Perchard, Tom

Towards a History of Pop Music in the British Home. (2016) Perchard, Tom

Utopia in the Living Room. (2016) Perchard, Tom

The Look of Listening: Audio Technology and the British Home, 1955-70. (2016) Perchard, Tom

Popular Music teaching at Goldsmiths. (2015) Perchard, Tom

Panel respondent, Voice, Memory, Song symposium, University of Oxford. November 2014. (2014) Perchard, Tom

‘New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic” and Music Theory in the 21st-Century’. (2014) Perchard, Tom

‘“A Good Jazzman is a Dead Jazzman”: the History, Memory and Materiality of a French Jazz Past’. (2014) Perchard, Tom

Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’. (2012) Perchard, Tom

“We must expand the domain of jazz so we never have to leave it”: André Hodeir and the search for a European jazz art. (2012) Perchard, Tom

Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology. (2012) Perchard, Tom

Jazz Trumpet and the Semiotics of Vulnerability. (2012) Perchard, Tom

Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. (2012) Perchard, Tom

Monk Meets the French Critics. (2012) Perchard, Tom

Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud. (2011) Perchard, Tom

Re-reading Primitivism in Hugues Panassié’s Writing on Jazz. (2011) Perchard, Tom

Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum. (2011) Perchard, Tom

Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. (2011) Perchard, Tom

Four Histories of 20th-Century Music. (2011) Perchard, Tom

Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism. (2009) Perchard, Tom

Thelonious Monk Meets the French Critics: Improvisation and its Simulacra. (2009) Perchard, Tom

Edited Book

From Soul to Hip Hop. (2014)

Edited Journal

Special Issue: The Critical Imperative. (2017)

Professional Activity

Advisory Council member, Institute of Musical Research. Perchard, Tom

Contributor, 'The Wire', 2001-2007. Perchard, Tom

Editorial Board member, 'Jazz Research Journal'. Perchard, Tom

Regular referee, 'Popular Music'. Perchard, Tom

Project

Leverhulme Trust Major Research Fellowship (£145,059): Popular Music in the British Home, 1945-90: Technology, Experience and Daily Life. (2023) Perchard, Tom

AHRC Early Career Fellowship (£64,800). Jazz in France, 1934-75: Contesting the Politics of Nation, Art and World through Music. (2012) Perchard, Tom

AHRB/C PhD award (2002-5). (2005) Perchard, Tom