Browse by Goldsmiths authors: Redhead, L

Number of items: 66.
  • Sound as a Method: Creative Textual Practices as Critical Re-writings. (2024) Redhead, L picture_as_pdf
  • what are notes anyway? (2024) Redhead, L; Kirby, Jenn and Zaldua, Alistair video_file
  • thinking through knowing through doing. (2024) Redhead, L
  • 54 stops, grésillement, alphabet des rauschens: collaboration and/as performance autoethnography. (2024) Redhead, L
  • Technology and Contemporary Classical Music: Methodologies in Practice-Based Research. (2024) Kanga, Zubin; Dyer, Mark; Rowley, Caitlin; Packham, Jonathan; Benjamin, Mira; Climent, Ricardo; Gioti, Artemi-Maria; Gorton, David; Hayden, Sam; Howard, Emily; Hunt, Edmund; Laidlow, Robert; McLaughlin, Scott; Nickel, Luke and Redhead, L
  • Listening Intertextually in Beat Furrer's Music Theatre Works. (2024) Redhead, L
  • Teaching music theory in UK higher education today: contexts and commentaries. (2024) Attah, Tom; Cavett, Esther; Dueck, Byron; Miller, Sue and Redhead, L
  • The Practice of Practice Research. (2023) Redhead, L video_file
  • ‘Developing Live-interactive Approaches to New Music for Organ and Electronics Through Collaboration’. (2023) Redhead, L
  • Music Composition and Epistemic Injustice. (2022) Redhead, L
  • Using Collaborative Event Ethnography to Explore Embodied Approaches to Performing Experimental Music. (2022) Redhead, L video_file
  • ‘Nothing Really Changes’: Material Processes in and as Time in hearmleoþ—gieddunga. (2022) Redhead, L description
  • Creative Textual Practices as Critical Re-writings. (2022) Redhead, L
  • Iterative Processes: Notating, Composing, and Performing as Journey Forms. (2022) Redhead, L picture_as_pdf
  • hearmleoþ-gieddunga (research portfolio). (2022) Redhead, L
  • the octopus (research portfolio). (2022) Redhead, L
  • the whale: Creative Textual Practices. (2022) Redhead, L
  • Performing ‘the radicality of unknowing who we are becoming’. (2021) Redhead, L
  • Practice Research: Accessibility and Reproducibility Enhancing searchability: archiving practice research. (2021) Redhead, L
  • Language as a Material Process. (2021) Redhead, L
  • Vibrant Echoes: A Material Semiotics of the Voice in Music by Iris Garrelfs and Marlo Eggplant. (2020) Redhead, L
  • the octopus. (2020) Redhead, L audio_file
  • hearmleoþ-gieddunga: temporal and material layeredness. (2020) Redhead, L
  • Language as a Material Process. (2020) Redhead, L
  • Introduction: Musik und Sprache: Music/Language/Speech. (2020) Redhead, L
  • Musik und Sprache: Music/Language/Speech. (2020) UNSPECIFIED
  • vox humana. (2020) Redhead, L and Zaldua, Alistair
  • Chris Newman’s Song to God (1994) for Solo Organ: Blurred Repetition, Visual Communication, and Embodied Information. (2019) Redhead, L
  • hearmleoþ-gieddunga: performance at Summit Salford, 26.09.19. (2019) Redhead, L and Zaldua, Alistair audio_file
  • The Medium is Now the Material: The ‘Folklore’ of Chris Newman and Michael Finnissy. (2019) Redhead, L
  • The Whale. (2019) Redhead, L
  • puer natus est. (2019) Redhead, L
  • Collaborative and Distributed Processes in Contemporary Music-Making. (2018) UNSPECIFIED
  • Collaborative and Distributed Processing in Contemporary Music-Making: Overview. (2018) Glover, R and Redhead, L
  • A Common Method? Distributed Creativity in Composition and/as Practice Research. (2018) Redhead, L
  • hearmleoþ—gieddunga. (2018) Redhead, L; Zaldua, Alistair and Cannon, J picture_as_pdf
  • Corey Mwamba and Lauren Redhead - Live at Contra Pop. (2018) Mwamba, C and Redhead, L
  • The Avant Garde as Exform. (2018) Redhead, L
  • [dis]Located Space[s] (Rob Canning). (2018) Canning, R and Redhead, L
  • 12 fragments for transverse flute. (2018) Redhead, L
  • humata, hukhta, huvarshta. (2018) Redhead, L
  • ijereja and entoptic landscape: Music as an Iterative Process. (2018) Redhead, L picture_as_pdf
  • ore. (2018) Redhead, L
  • Performing Temporal Processes. (2017) Redhead, L; Zaldua, Alistair; Gisby, S and Stone, S
  • a common method. (2017) Redhead, L
  • entoptic landscape and ijereja: music as an iterative process. (2017) Redhead, L
  • Introduction. (2016) Hawes, V and Redhead, L
  • Music and/as Process. (2016) UNSPECIFIED
  • Notation as Process: 
Interpretation of Open Scores 
and the ‘Journey Form’. (2016) Redhead, L
  • The Organ as Live Interface. (2016) Redhead, L and Zaldua, Alistair
  • ijereja. (2016) Redhead, L
  • Ijereja - Music as an interative process performance lecture. (2016) Redhead, L video_file
  • for Luc Brewaeys. (2016) Redhead, L
  • The Beautiful and the Political. (2015) Redhead, L
  • /’(h)weTH: VOICE - BREATH - BODY - FORM/S. (2015) Armstrong, R and Redhead, L
  • 'New Music' as Patriarchal Category. (2015) Redhead, L
  • Diapason: Music for Organ and Electronics. (2015) Redhead, L and Zaldua, Alistair
  • boxmusic. (2015) Redhead, L
  • parergons. (2015) Redhead, L
  • False relationships: Nicola Lefanu, I am Bread. (2014) Redhead, L
  • Introduction: Musical Borrowing and Quotation in the Twentieth and Twenty-first Centuries. (2014) ap Sion, Pwyll and Redhead, L
  • Musical Borrowing and Quotation in the Twentieth and Twenty-First Centuries. (2014) UNSPECIFIED
  • Quotation and Psychogeographic Experience as Repetition in the Music of Bernhard Lang and Chico Mello. (2014) Redhead, L
  • concerto. (2014) Redhead, L
  • Sound and Space: Music for Organ and Electronics. (2014) Redhead, L picture_as_pdf
  • entoptic landscape. (2014) Redhead, L audio_file