Publication

Number of items: 20.
2022
  • Postcolonial paths of pop: a suburban psychogeography of George Michael and Wham! (2022) Negus, Keith and Sledmere, Adrian
    • 2021
  • Eurasian entanglements: notes towards a planetary perspective of popular music histories. (2021) Negus, Keith and Shin, Hyunjoon
    • 2017
  • Special Issue: The Critical Imperative. (2017) UNSPECIFIED
  • The X Factor and Reality Television: Beyond Good and Evil. (2017) Graham, Stephen description
  • Mid-Century Modern Jazz: Music and Design in the Postwar Home. (2017) Perchard, Tom
  • Introduction: The Critical Imperative. (2017) Powers, Devon and Perchard, Tom
    • 2016
  • Review: "Folk City: New York and the American Folk Music Revival", Stephen Petrus & Ronald D. Cohen. (2016) Bennett, Alexis
  • Review: John Richardson, An Eye for Music: Popular Music and the Audio-Visual Surreal. (2016) Bennett, Alexis
  • Introduction: the mediations of music and alcohol. (2016) Negus, Keith and Street, John
  • The Mediations of Music and Alcohol. (2016) Negus, Keith and Street, John
    • 2015
  • 'James Brown', 'Jamesbrown', James Brown: Black (music) from the getup. (2015) Brar, Dhanveer Singh description
  • Frank Zappa and the And. Edited by Paul Carr (Book Review). (2015) Graham, Stephen
  • Songwriters and song lyrics: architecture, ambiguity and repetition. (2015) Negus, Keith and Astor, Pete
    • 2011
  • Ronald Schleifer, Modernism and Popular Music (Cambridge: 2011) (Book Review). (2011) Graham, Stephen
  • Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié’s writing on jazz. (2011) Perchard, Tom
    • 2010
  • Bob Dylan's Phonographic Imagination. (2010) Negus, Keith
    • 2005
  • Elvis Costello at 50. (2005) Negus, Keith
  • Eithne Quinn, 'Nuthin’ but a “G” Thang: The Culture and Commerce of Gangsta Rap’ (Book Review). (2005) Perchard, Tom
    • 2001
  • 'Believe'? Vocoders, digitalised female identity and camp. (2001) Dickinson, Kay
    • 2000
  • 'Roots'?: the relationship between the global and the local within the Extreme Metal scene. (2000) Harris, Keith