Items of Type Thesis

Number of items: 89.
  • Colour for the Advancement of Deep Learning in Computer Vision. (2020) Akanuma, Asei
  • Procedural Films: Algorithmic Affect in Research Media Art Practice. (2020) Anikina, Alexandra
  • Online Participation and Dissent in Turkey: From the Gezi Protests to the 15 July Coup Attempt. (2020) Apak, Oylun
  • Re-Imagining Counter-Discourse: Socio-Spatial Transgressions in Poswar Lebanese Literary Productions. (2020) Aridi, Farah
  • Animals, Touch, and Books: Surface Matters in the HIV/AIDS Archive. (2020) Arriola, Aimar Olabarria
  • Fields of Commoning: Attempts at Creating (Un)Common Worlds in New Cross. (2020) Austin Locke, Toby
  • Annah, Infinite and Ablenormativity As Imperial Duress: Relations, Assumptions, Power and Abuse in Cripping Annah la Javanaise. (2020) Barokka, Khairani
  • The Moose and the Motor: Climate Change, Place, and Environmental Interference in Rural Northern Sweden. (2020) Bartlett, Flora Mary
  • Interactive Machine Learning for User-Innovation Toolkits – An Action Design Research approach. (2020) Bernardo, Francisco
  • Travels with Alex: Music for viola obbligato and various ensembles. (2020) Bolley, Richard picture_as_pdf
  • Making ‘Race’ at the Urban Margins: Latin American and Caribbean Migration in Multicultural Chile. (2020) Bonhomme, Macarena
  • Making ‘Race’ at the Urban Margins: Latin American and Caribbean Migration in Multicultural Chile. (2020) Bonhomme, Macarena
  • The fear journey into art. (2020) Brown, Millie picture_as_pdf
  • The Material-Media Histories of Maralinga. (2020) Burns, David Benjamin
  • Cognitive mechanisms underlying body representation. A study on body metrics and body perception. (2020) Caggiano, Pietro
  • Granular realism: Ontology and counter-dominant practices of spatial photography. (2020) Caine, Ariel
  • Representations of the Female Bildungsroman in Modern Narratives of Travel. (2020) Carlton, Angela
  • Genetics: International Public Knowledge, Perceptions and Engagement. (2020) Chapman, Robert
  • When the Common Ground Seems Shattered: From Self-Precarisation to Partial Relationality in kleines postfordistisches Drama and Precarias a la Deriva. (2020) Charalambides, Sarah
  • Transnational families and digital technologies: Parenting at a distance among Chinese families. (2020) Chen, Hong
  • Global women at risk: Psychological landscape of young South Korean women studying and working in London. (2020) Cho, Chang-Eun
  • The Gender Politics of Performance in Post-Agreement Northern Ireland: Reckoning with Interdependence. (2020) Coupe, Alexander
  • The Embodied Practitioner: Towards A Decolonised Cross-Cultural Performance Practice Within A Glocal Singapore Context. (2020) De Roza, Elizabeth
  • Activist Sound: Field Recording, Phonography, and Soundscapes of Protest. (2020) DeLaurenti, Christopher
  • Charities from Below?: The cases of the emergence, evolution and resourcing strategies of Philanthropic Actions in the Creative and Cultural Industries in Jamaica. (2020) Dixon, Edward Joseph
  • The Meaning of Growth: A Hermeneutical Reading of the Discourse of ‘Growthism’. (2020) Douglas, Richard
  • Can the Archive Speak? Mapping Feminist and Queer Genealogies of Colour in the Netherlands. (2020) Frank, Chandra Nirmala
  • House Arrest. (2020) Fry, Katharine picture_as_pdf
  • Surface-Machines. Spatio-temporal politics at the recording surface of Bulgarian post-communism. (2020) Genova, Neda
  • A Virtual Architecture Framework for Immersive Learning Environments. (2020) Gerard, Pierre-François
  • The First Version of Serge Prokofiev’s The Fiery Angel With a Critical Edition of the Composer’s Compositional Sketch. (2020) Gima, Ondrej
  • Affective commoning: Collective curating in the post-socialist space. (2020) Gkitsa, Dimitra
  • Sonic Knowledge Production in Archaeoacoustics: Echoes of elsewhere? (2020) Goh, Su-Ann picture_as_pdf
  • “If the present is a struggle, the future will be ours”: The FUBA’s student movement and the generation of activism through political aesthetic practice in Buenos Aires, Argentina. (2020) Gonzalez-Acosta, Jose Ignacio
  • Agatha Christie, Playwright. (2020) Green, Julius picture_as_pdf
  • A Line in the Sand: Race, Purity and Comfort in Argentine Gated Communities. (2020) Greene, Ricardo
  • Designing Unlikely Futures? A/symmetry & A-firmative Speculation in the European Borderscape. (2020) Healy, Liam
  • Stable Jobs, Precarious Lives: Rural Public Servants in Ethiopia. (2020) Howard, Sarah
  • Young people subject to immigration control in London: Precarious lives. (2020) Hughes, Vanessa
  • Modelling variations in human learning in probabilistic decision-making tasks. (2020) Hunt, Dominic
  • Books as Cultural Diplomacy, A Case Study of The British Foreign Office’s Information Research Department (IRD), 1948–1956. (2020) Igrek, Musa picture_as_pdf
  • Haunted/Haunting Digital Archives of the Fukushima Nuclear Disaster: Weaving Ghost Stories around the Ongoing Disaster in the Past, Present and Future. (2020) Iida, Mayu
  • Trait Impulsivity, cigarette smoking and e-cigarette use. (2020) Kale, Dimitra
  • Expanded Aurality: Doing Sonic Feminism in the White Cube. (2020) Kazlauskaite, Sandra picture_as_pdf
  • The Analysis and Performance of Minimalist Keyboard Music: Three Case Studies. (2020) Kean, Paul David
  • Understanding Democratic Governance: an inductive analysis of collective co-production in the NHS in England. (2020) Kerridge, Thomas Alexander
  • Music from Beyond the Curtain: Soviet Recordings and Cold War Cultural Relations, 1950s – 70s. (2020) Kondrashina, Evgeniya
  • The Consequences of Vicarious Intergroup Exclusion. (2020) Lantos, Dorottya
  • Mediated Seeing: Unpacking Visitor Photography in Art Museums and Galleries. (2020) Lee, Chien
  • SPACE / SOUND / BODY: A new collective subjectivity in church and cathedral spaces / Extended, hyper and augmented organ. (2020) Lekkerkerker, Jacob
  • Creative Realisation in Collaborative Composition: Exploring Hulusi Embellishing Techniques in 21st Century Flute Repertoire. (2020) Lin, Lin
  • Geological Filmmaking. (2020) Litvintseva, Alexandra (Sasha)
  • Sounds of collective memories: A decolonial counter-representation of Afro-Ecuadorian Marimba Esmeraldeña and Bomba del Chota. (2020) López Yánez, María Gabriela
  • Making sense of a changing world.  An ethnographic study of a class of young emergent bilingual children. (2020) MacDougall, Isobel
  • A semantic-driven framework for IT support of clinical laboratory standards. (2020) Maikore, Fatima Sabiu
  • A Constellation of Refusals: Blackness in Contemporary African Video Art. (2020) Malatjie, Lorraine Porcia
  • Local Halting Criteria for Stochastic Diffusion Search Using Nature-inspired Quorum Sensing. (2020) Martin, Andrew Owen
  • The Cremation Project with Ada & Carter and Art in/to Writing in Kenneth Goldsmith’s Fidget and Day. (2020) Mason, Andrea
  • Youth Media and the Business of Content: conflict, agency and counter-hegemony in a branded age. (2020) Medeiros, Vince
  • Digital Arts Based Research Methods for Teenage and Young Adult (TYA) Cancer Patients. (2020) Miller, Rebecca
  • Studying Curatorial-Abilities: Environmenting, Improvising, Inhabiting States of Affairs. (2020) Moosavi Jafari, Fereshte S.
  • The Distorted Self: the multidimensionality of size representation of the hands and face in typical, atypical and clinical populations. (2020) Mora, Laura
  • Facilitating Heterarchic Collaboration: Practice-led Research and the Promotion of Egalitarian Compositional Creativity. (2020) Murray, Sam
  • Questioning the Poetics of Relation and Home in Selected Works of Derek Walcott and Dennis Brutus. (2020) Nche Andzeuh, Joan
  • How to Live Together: A Dialogue Between Roland Barthes and Isaïe Nzeyimana. (2020) Nyampeta, Christian picture_as_pdf
  • Audiovisual performance composition using electromagnetic waves. (2020) Oreggia, Eleonora Maria Irene
  • Robust estimation of statistical temporal networks for financial time series modeling: theoretical formulation and temporal patterns typology. (2020) Pantelidakis, Stilianos
  • The Korean Wave and Media Exchange in Global Culture Industry. (2020) Park, Sung-Woo
  • How Is the University Influenced by Neoliberalism? The Composition and Practice of Accountability in Taiwan Higher Education. (2020) Peng, Ming-Te
  • How the Movement Contesting Border Regimes in Berlin Constructs Human Rights. The Interplay Between Collective Action, Collective Identities and Human Rights. (2020) Perolini, Marco
  • The social life of money among Ghanaian Londoners. (2020) Puskas, Ashley
  • Testifying to the Image: The video of the assault on Rodney King as evidence, as event, and as exhibition. (2020) Ringborg, William Theodor
  • Developing a Community-led Music Intervention to Support Antenatal Mental Health in The Gambia. (2020) Sanfilippo, K R M
  • Drawing from the site of absence – Observing, forgetting, and representing groups. (2020) Sapochnik, Carlos
  • The Smart City of Gaza Technologies of Containment and the Urban Condition. (2020) Sebregondi, Francesco
  • The Seekers Found: Radical Religion during the English Revolution – A study in their construction by themselves, their opponents and their historians. (2020) Smith, Philip Michael
  • Music in selected play productions of Wole Soyinka and Femi Osofisan. (2020) Sotimirin, Olatunji Samson
  • Practice-Based Design for Professional Learning and Knowledge Sharing: Adapting the ‘Key Situation Model’ for Social Work in England. (2020) Staempfli, Adi
  • Billie Holiday and the Gendered Politics of Jazz Creativity. (2020) Taylor, Jasmin
  • How is the abstract knowledge of craft and material properties shared with the user in simulation role-play video games? (2020) Thompson, Shanique
  • The Psychopathological Antecedents of Conspiracy Belief. (2020) Thresher-Andrews, Christopher Thomas
  • The Price of a Woman (novel) and Bride Price and Literary Activism in Uganda (critical commentary). (2020) Turner, Felicity Atuki
  • The Narrative of Thought Experiments: Development and Uses of Fictional Narrative in Thought Experiments in Philosophy of Mind. (2020) Ward, Sophie
  • Radiological Deep Time Aesthetics. (2020) Weir, Andy
  • All this is for you and contemporary uses of omniscient narration: theories and case studies. (2020) White, Rachel
  • ‘Knife Crime’; Policing the Crisis in the 21st Century. (2020) Williams, Elain
  • White working class women, subjectivity and neoliberalism. A school based exploration of young women’s experiences and how these experiences have shaped their planned trajectories in the UK context. (2020) Worwood, Kelly
  • Can the Conventions of Indigenous Kunqu Opera Training be Useful for the Contemporary Actor? (2020) Xiang, Yunlin
  • Level Up: Live Performance and Collective Creativity in Grime Music. (2020) de Lacey, Alex