Browse by Goldsmiths authors: Pryer, Anthony J.

Number of items: 44.
Article
  • Review of 'Lydia Goehr and Daniel Herwitz, eds., The Don Giovanni Moment: Essays on the Legacy of an Opera' (New York: Columbia University Press, 2006). (2010) Pryer, Anthony J.
  • Review of 'Jessica Waldoff, Recognition in Mozart’s Operas' (New York: Oxford University Press, 2006). (2009) Pryer, Anthony J.
  • Mozart's Operatic Audition. The Milan Concert, 12 March 1770: A reappraisal and revision. (2004) Pryer, Anthony J.
  • Review of 'Collean Reardon, Holy Concord Within Sacred Walls: Nuns and Music in Siena, 1575-1700' (Oxford: Oxford University Press, 2002). (2002) Pryer, Anthony J.
  • Review of 'Reinhard Strohm and Bonnie Blackburn, eds., Music as Concept and Practice in the Late Middle Ages, The New Oxford History of Music, Vol.III, part 1' (Oxford: Oxford Uiversity Press, 2002). (2002) Pryer, Anthony J.
  • Review of 'Fiona Kisby, ed., Music and Musicians in Renaissance Cities and Towns' (Cambridge: Cambridge University Press, 2001). (2001) Pryer, Anthony J.
  • Review of 'Ian Spink, Henry Lawes: Cavalier Songwriter' (Oxford, Oxford University Press; 2001). (2001) Pryer, Anthony J.
  • Review of 'Victor Crowther, The Oratorio in Bologna, 1650-1730 (Oxford: Oxford University Press, 2000)'. (2000) Pryer, Anthony J.
  • Review of 'Robert Spaethling, editor and translator, Mozart's Letters, Mozart's Life (London: Faber and Faber, 2000)'. (2000) Pryer, Anthony J.
  • Machaut and the Moderns: A Distant Mirror. (2000) Pryer, Anthony J.
  • Review of Der Stein der Weisen, singspiel by Mozart, Henneberg, Schack, Gerl and Schikaneder, performed at St Jude on the Hill, Hampstead. (2000) Pryer, Anthony J.
  • Review of 'Julie E. Cumming, The Motet in the Age of Du Fay' (Cambridge University Press, 1999). (2000) Pryer, Anthony J.
  • Review of 'John Whenham, Monteverdi Vespers 1610 (Cambridge University Press, 1998)' and 'Claudio Monteverdi: Songs and Madrigals, trans. Denis Stevens, (Long Barn Books, 1999)'. (2000) Pryer, Anthony J.
  • Review of 'Dolores Pesce, ed., Hearing the Motet: Essays on the Motet of the Middle Ages and the Renaissance' (Oxford: Oxford University Press, 1998). (1999) Pryer, Anthony J.
  • Review of 'Jessie Ann Owens, Composers at Work: the Craft of Musical Composition 1450-1600' (Oxford University Press, 1998). (1999) Pryer, Anthony J.
  • Review of 'Jerrold Levinson, Music in the Moment (Ithaca, NY; Cornell University Press, 1999)'. (1999) Pryer, Anthony J.
  • Trouble in Arcadia: Music Aesthetics and the Bounds of Culture. (1999) Pryer, Anthony J.
  • 'Groomed for Notoriety'. Review of 'Margaret Bent and Andrew Wathey, eds., Fauvel Studies (Oxford, 1998)', and 'Timothy McGee,The Sound of Medieval Song (Oxford, 1998)'. (1998) Pryer, Anthony J.
  • Review of 'Nicholas Cook, Music: A Very Short Introduction (Oxford, 1998)'. (1998) Pryer, Anthony J.
  • Review of 'Kenneth Levy, Gregorian Chant and the Carolingians (Princeton, 1998)'. (1998) Pryer, Anthony J.
  • 'Curators and Creators'. Review of 'Bernard Sherman, Inside Early Music (New York and Oxford, 1997)', and 'Paul Henry Lang, Musicology and Performance (New Haven, 1997)'. (1998) Pryer, Anthony J.
  • Review of 'Roger Scruton, The Aesthetics of Music (Oxford, 1997)'. (1997) Pryer, Anthony J.
  • Review of 'Luis Gasser, Luis Milan on Sixteenth-Century Performance Practice (Bloomington, Indiana University Press; 1997)'. (1997) Pryer, Anthony J.
  • Introduction to the Complete Secular Music of Guillaume Dufay (c. 1400-1474). (1997) Pryer, Anthony J. description
  • Review of 'Robert L Kendrick Celestial Sirens: Nun's Music in Early Modern Milan (Clarendon Press, Oxford; 1996)'. (1997) Pryer, Anthony J.
  • Review of 'Lawrence Kramer, Classical Music and Postmodern Knowledge (University of Claifornia Press, 1995)'. (1997) Pryer, Anthony J.
  • Monteverdi, two sonnets and a letter. (1997) Pryer, Anthony J.
  • 'That Quality of Charm and Grace'. Review of 'Martha Feldman, City Culture and the Madrigal at Venice (California UP, 1996)' and 'Iain Fenlon and Tim Carter (eds.), Con che soavità: studies in Italian opera, song and dance, 1580-1740 (Oxford, Clarendon Press, 1995)'. (1996) Pryer, Anthony J.
  • Review of 'Iain Fenlon, Music, Print and Culture in Early Sixteenth-Century Italy (British Library, 1994)'. (1996) Pryer, Anthony J.
  • Nattiez's 'Music and Discourse': Situating the Philosophy. (1996) Pryer, Anthony J.
  • Re-thinking History. (1994) Pryer, Anthony J.
  • Guillaume de Machaut, c. 1300-1377. (1977) Pryer, Anthony J.
  • Book
  • Claudio Monteverdi: Sacrae Cantiunculae; Madrigali Spirituali; Canzonette a 3 Voci. (2012) Pryer, Anthony J.
  • Book Section
  • The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the ‘Text’. (2014) Pryer, Anthony J.
  • ‘Real’ Nature, ‘Aesthetic’ Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration (in Japanese Translation). (2014) Pryer, Anthony J.
  • Hanslick, Legal Processes and Scientific Methodologies: How Not to Construct an Ontology of Music. (2013) Pryer, Anthony J. description
  • 'Real' Nature, 'Aesthetic' Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration. (2013) Pryer, Anthony J.
  • Monteverdi, Two Sonnets and a Letter. (2011) Pryer, Anthony J.
  • Approaching Monteverdi: His Cultures and Ours, Chapter 1. (2007) Pryer, Anthony J.
  • Thirty items for the revised edition of the Oxford Companion to Music: Braille Notation, Chironomy, Coloration, Corona, Degree, Durum, Diastematic Neumes, Franconian Notation, Graphic Notation, Half-Coloration, Ligatures, Mensural Music, Mensural Notation, Middle C Modus, Mollis, Prolatio, Shape Note, Tempus, Accidental, Clef, Dot, Intabulation, Intavolatura, Liquescent Nuemes, Mensurstrich, Musica Ficta, Notation, Tablature, Time Signature. (2002) Pryer, Anthony J.
  • Authentic Performance, Authentic Experience and "Pur ti miro" from Poppea. (1996) Pryer, Anthony J.
  • Settling Old Scores: The Authentic Performance Argument. (1996) Pryer, Anthony J.
  • Conference or Workshop Item
  • The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the "Text". (2010) Pryer, Anthony J.
  • Vivaldi's Four Seasons and the Globalization of Musical Taste. (2004) Pryer, Anthony J.