Browse by Goldsmiths authors: Redhead, L

Item Type Date No Grouping

Article

Listening Intertextually in Beat Furrer's Music Theatre Works. (2024) Redhead, L

Teaching music theory in UK higher education today: contexts and commentaries. (2024) Attah, Tom; Cavett, Esther; Dueck, Byron; Miller, Sue and Redhead, L

‘Developing Live-interactive Approaches to New Music for Organ and Electronics Through Collaboration’. (2023) Redhead, L

Music Composition and Epistemic Injustice. (2022) Redhead, L

Iterative Processes: Notating, Composing, and Performing as Journey Forms. (2022) Redhead, L picture_as_pdf

Vibrant Echoes: A Material Semiotics of the Voice in Music by Iris Garrelfs and Marlo Eggplant. (2020) Redhead, L

hearmleoþ-gieddunga: temporal and material layeredness. (2020) Redhead, L

Language as a Material Process. (2020) Redhead, L

Introduction: Musik und Sprache: Music/Language/Speech. (2020) Redhead, L

Chris Newman’s Song to God (1994) for Solo Organ: Blurred Repetition, Visual Communication, and Embodied Information. (2019) Redhead, L

The Avant Garde as Exform. (2018) Redhead, L

Performing Temporal Processes. (2017) Redhead, L; Zaldua, Alistair; Gisby, S and Stone, S

entoptic landscape and ijereja: music as an iterative process. (2017) Redhead, L

The Beautiful and the Political. (2015) Redhead, L

/’(h)weTH: VOICE - BREATH - BODY - FORM/S. (2015) Armstrong, R and Redhead, L

Introduction: Musical Borrowing and Quotation in the Twentieth and Twenty-first Centuries. (2014) ap Sion, Pwyll and Redhead, L

Quotation and Psychogeographic Experience as Repetition in the Music of Bernhard Lang and Chico Mello. (2014) Redhead, L

Audio

thinking through knowing through doing. (2024) Redhead, L

the octopus. (2020) Redhead, L audio_file

hearmleoþ—gieddunga. (2018) Redhead, L; Zaldua, Alistair and Cannon, J picture_as_pdf

Corey Mwamba and Lauren Redhead - Live at Contra Pop. (2018) Mwamba, C and Redhead, L

[dis]Located Space[s] (Rob Canning). (2018) Canning, R and Redhead, L

ijereja. (2016) Redhead, L

Diapason: Music for Organ and Electronics. (2015) Redhead, L and Zaldua, Alistair

concerto. (2014) Redhead, L

entoptic landscape. (2014) Redhead, L audio_file

Book Section

Sound as a Method: Creative Textual Practices as Critical Re-writings. (2024) Redhead, L picture_as_pdf

‘Nothing Really Changes’: Material Processes in and as Time in hearmleoþ—gieddunga. (2022) Redhead, L description

The Medium is Now the Material: The ‘Folklore’ of Chris Newman and Michael Finnissy. (2019) Redhead, L

Collaborative and Distributed Processing in Contemporary Music-Making: Overview. (2018) Glover, R and Redhead, L

A Common Method? Distributed Creativity in Composition and/as Practice Research. (2018) Redhead, L

Introduction. (2016) Hawes, V and Redhead, L

Notation as Process: 
Interpretation of Open Scores 
and the ‘Journey Form’. (2016) Redhead, L

'New Music' as Patriarchal Category. (2015) Redhead, L

Composition

The Whale. (2019) Redhead, L

puer natus est. (2019) Redhead, L

12 fragments for transverse flute. (2018) Redhead, L

humata, hukhta, huvarshta. (2018) Redhead, L

ore. (2018) Redhead, L

a common method. (2017) Redhead, L

for Luc Brewaeys. (2016) Redhead, L

boxmusic. (2015) Redhead, L

parergons. (2015) Redhead, L

Conference or Workshop Item

The Practice of Practice Research. (2023) Redhead, L video_file

Using Collaborative Event Ethnography to Explore Embodied Approaches to Performing Experimental Music. (2022) Redhead, L video_file

Practice Research: Accessibility and Reproducibility Enhancing searchability: archiving practice research. (2021) Redhead, L

The Organ as Live Interface. (2016) Redhead, L and Zaldua, Alistair

Edited Book

Collaborative and Distributed Processes in Contemporary Music-Making. (2018)

Music and/as Process. (2016)

Edited Journal

Musik und Sprache: Music/Language/Speech. (2020)

Musical Borrowing and Quotation in the Twentieth and Twenty-First Centuries. (2014)

Film/Video

Performing ‘the radicality of unknowing who we are becoming’. (2021) Redhead, L

Language as a Material Process. (2021) Redhead, L

Ijereja - Music as an interative process performance lecture. (2016) Redhead, L video_file

Performance

what are notes anyway? (2024) Redhead, L; Kirby, Jenn and Zaldua, Alistair video_file

Creative Textual Practices as Critical Re-writings. (2022) Redhead, L

vox humana. (2020) Redhead, L and Zaldua, Alistair

hearmleoþ-gieddunga: performance at Summit Salford, 26.09.19. (2019) Redhead, L and Zaldua, Alistair audio_file

Printed Ephemera

False relationships: Nicola Lefanu, I am Bread. (2014) Redhead, L

Report

Technology and Contemporary Classical Music: Methodologies in Practice-Based Research. (2024) Kanga, Zubin; Dyer, Mark; Rowley, Caitlin; Packham, Jonathan; Benjamin, Mira; Climent, Ricardo; Gioti, Artemi-Maria; Gorton, David; Hayden, Sam; Howard, Emily; Hunt, Edmund; Laidlow, Robert; McLaughlin, Scott; Nickel, Luke and Redhead, L

Other

54 stops, grésillement, alphabet des rauschens: collaboration and/as performance autoethnography. (2024) Redhead, L

hearmleoþ-gieddunga (research portfolio). (2022) Redhead, L

the octopus (research portfolio). (2022) Redhead, L

the whale: Creative Textual Practices. (2022) Redhead, L

ijereja and entoptic landscape: Music as an Iterative Process. (2018) Redhead, L picture_as_pdf

Sound and Space: Music for Organ and Electronics. (2014) Redhead, L picture_as_pdf