Inhuman drag: Getting under the sk(e)ins of the posthuman in conversation with Charity Kase
This article is the culmination of a collaborative process with drag artist Charity Kase. Providing both transcriptions of our conversation and sections of theoretical commentary, I come to test and transform what constitutes the (post)human. Aspects of Charity’s drag – its mediality and virtuality, its hybrid monstrosity and beauty and its anthropomorphic abjections of bodies and environments – embrace the disordered and damaged dimensions of human life on earth. This article introduces an inhuman turn, emphasizing how bodily borders are broken down when the inside is re-turned through staged fantasy and shared imaginaries, as a strategy for challenging phallo- and anthropocentric stereotypes, and the opening of a potential within for becoming without. Tracing some differences in my and Charity’s senses of what drag can do, this article offers up a figure for post/in/ human possibilities.
Item Type | Article |
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Additional Information |
© [Callum Bradley, 2023]. The definitive, peer reviewed and edited version of this article is published in Queer Studies in Media and Popular Culture, Volume 8, Issue Posthuman Drag, Apr 2023, p. 31 - 46 |
Keywords | difference; fabrication; fabulation; fantasy; mediality; monstrous |
Departments, Centres and Research Units | Visual Cultures |
Date Deposited | 16 May 2024 14:14 |
Last Modified | 16 May 2024 14:14 |