Items where Division is "Visual Cultures"

  • Goldsmiths Departments, Centres and Research Units (28675)
  • Visual Cultures (2475)
  • Centre for Research Architecture (226)
    Number of items at this level: 2424.
    2026
  • Arrows of Desire: Peter Wollen Selected Writings 1963-2002. (2026)
  • Fire and Ice: Peter Wollen Selected Writings 1960-2004. (2026)
  • Knight's Moves: Peter Wollen Selected Writings 1966-2003. (2026)
    • 2025
  • The Edinburgh Companion to Curatorial Futures. (2025)
  • Radio Brown Atlantis. (2025)
  • Seeing Oceans: How Artistic Research Contributes to New Ways of Looking at Ocean Life. (2025)
  • The Museum and the Computational Imaging Technology of Mobile Phones. (2025) Ainsworth, Peter picture_as_pdf
  • Slow Looking: Noah Davis. (2025) Andrews, Jorella G.
  • Peripheral Visions. (2025) Bajec, Manca
  • Remembering Rain: Pluvial Poesis and Marronage in Dionne Brand’s At the Full and Change of the Moon. (2025) Duncan, Ifor picture_as_pdf
  • Median Line: A Century Of Border Violence and The Alluvial Geopolitics Of The Evros/Meriç/Maritsa River Border. (2025) Duncan, Ifor and Levidis, Stefanos
  • More Brilliant than the Sun: Adventures in Sonic Fiction (2nd edition). (2025) Eshun, Kodwo
  • Black Atlantis. (2025) Hameed, Ayesha
  • Decolonising Ocean Matter. (2025) Mooshammer, Helge picture_as_pdf
  • Ocean as Metaphor and Embodiment. (2025) Mörtenböck, Peter
  • Revengeful Nature: Posthumanist frontiers in speculative architecture. (2025) Mörtenböck, Peter and Mooshammer, Helge
  • The Corps-à-corps of Queer Love: Sex with Hegel and Derrida. (2025) O' Dwyer, Killian picture_as_pdf
  • The Gift in Lube: Derrida, Lubrication and Fisting. (2025) O' Dwyer, Killian
  • Tongue-Ties: Auto-Affection in the Mouths of Hegel and Derrida. (2025) O' Dwyer, Killian picture_as_pdf
  • Unbridled: Dragging Nudity in Ann Oren's Piaffe. (2025) O' Dwyer, Killian description
  • Life After: Visual Cultures Public Programme Summer Term 2025. (2025) O' Dwyer, Killian; Bradley, Callum and Terziyska, Yoli
  • Queer Inversions: When Orientation and Desire Remains Undecidable in Leyla Yilmaz's 'Not Knowing'. (2025) O' Dwyer, Killian and Petrillo, Gesufrancesco
  • On Collaboration. (2025) O'Sullivan, Simon D. picture_as_pdf
  • On Theory-Fiction. (2025) O'Sullivan, Simon D.
  • Writing, Performance, and Myth-Work. (2025) O'Sullivan, Simon D.
  • The material force of categories. (2025) Percival, Tomas and Bergstrom-Katz, Sasha picture_as_pdf
  • Tsunami Listening. (2025) Roberdeau, Wood picture_as_pdf
  • Asset Manager Entrapments. (2025) Rosamond, Emily picture_as_pdf
  • Finance Aesthetics Book Launch. (2025) Rosamond, Emily
  • Performing Currency: Money Art in America. (2025) Rosamond, Emily picture_as_pdf
  • Performing Infrastructure. (2025) Rosamond, Emily picture_as_pdf
  • Re-Imagining the Homo Economicus. (2025) Rosamond, Emily picture_as_pdf
  • Between October and November. (2025) Saadawi, Ghalya
  • (Re)search results: Search engines and the logic of efficiency in scholarship. (2025) Sutherland, Thomas and Wark, Scott
  • Flair du temps. (2025) Turner, Lynn picture_as_pdf
  • Ray of Light. (2025) Turner, Lynn picture_as_pdf
  • Resistencia sanguínea: Soñando un futuro para la sangre. (2025) Turner, Lynn
  • Saying Ceanothus: The Indefinite Garden. (2025) Turner, Lynn
  • 'The becoming literary of the clitoral: the inclination of sexual différance after Artemisia Gentileschi'. (2025) Turner, Lynn
    • 2024
  • Counterfield II. (2024)
  • Erotics of Deconstruction: Auto-Affection After Derrida. (2024) picture_as_pdf
  • Visual Cultures as World Forming. (2024)
  • Actuating Phenomenology, virtue ethics and art to prefigure a grace-filled politics. (2024) Andrews, Jorella G.
  • The Horns and the Craftsmen: Artistry as Powerful, Peaceable Warfare. (2024) Andrews, Jorella G.
  • Pictorial Rationalities, Radical Description, and Thinking from Below,. (2024) Andrews, Jorella G.
  • Red Ribbon Living Well Gilead Sewing Project 2024. (2024) Andrews, Jorella G.
  • Red Ribbon Living Well Sewing Workshops (March-May 2024). (2024) Andrews, Jorella G.
  • Using Phenomenology in Contemporary Arts, Humanities, and Social Sciences Research. (2024) Andrews, Jorella G.
  • "We are here … We are on the move": Empowerment through visual and textile storytelling. (2024) Andrews, Jorella G.
  • The Wisdom of Images: Image-Led and Material Thought in Practice and Theory. (2024) Andrews, Jorella G.
  • Red Ribbon: We are here: We are on the move. (2024) Andrews, Jorella G.; Hussain, Inaya; Hamza, Husseina and Jacca, Joyce
  • Infrastructure Soundscapes. (2024) Bajec, Manca and Rogelja, Igor description
  • Visual Writing Workshop. (2024) Bajec, Manca; Rogelja, Igor and Galai, Yoav
  • From the bright world paradigm to shadow aesthetics: deconstructing visual metaphors of over-illumination. (2024) Collee, Lauren picture_as_pdf
  • Attestation 3. (2024) Doussan, Jenny picture_as_pdf
  • Discussion of Vision, Art and Language. (2024) Doussan, Jenny
  • Redeeming Fashion: Between Benjamin and Agamben on Baudelaire. (2024) Doussan, Jenny picture_as_pdf
  • River Cinema I. (2024) Duncan, Ifor
  • Weaponising a river / Median Line: a century of border violence and the alluvial geopolitics of the Evros/Meric/Maritsa River border. (2024) Duncan, Ifor and Levidis, Stefanos
  • On the Implications of Black Studies for Counter-Forensics and Counter-Forensics for Black Studies. (2024) Eshun, Kodwo
  • 'The Struggle Against This Colonial Barrage': Listening for Black Industrialism in the Theoretical Positions of Black Audio Film Collective circa 1986. (2024) Eshun, Kodwo
  • We become an ode opening its windows to be recited. (2024) Eshun, Kodwo
  • We will alight onto ourselves and return if we should awaken. (2024) Eshun, Kodwo
  • look upon our land through the speech of stars. (2024) Eshun, Kodwo
  • To Release the Unnameable. (2024) Eshun, Kodwo; Goodman, Steve and Pethick, Emily
  • Thinking with Dub Cinema: Echoes of Dissent Vol. 3. (2024) Eshun, Kodwo; Henderson, Louis and Denise, Lynee
  • Kodwo Eshun in conversation with Marianne Keating. (2024) Eshun, Kodwo and Keating, Marianne
  • We will move to the land of birds as a flock of previous humans. (2024) Eshun, Kodwo and Sagar, Anjalika
  • What the Owl Knows. (2024) Eshun, Kodwo and Sagar, Anjalika
  • Psychiatric Abolition: Deinstitutionalisation and Containment. (2024) Faramelli, Anthony
  • Institutional Psychotherapy from Saint-Alban to La Borde by Jean Oury, translated by Anthony Faramelli and Marlon Miguel. (2024) Faramelli, Anthony and Miguel, Marlon
  • Tracing violence and cruelty in Mexico’s visual culture. Images of violence and their effects on subjectivity and the social bond. (2024) Fernandez Ayarzagoitia, Mercedes picture_as_pdf
  • Sounding Elsewhere, Sounding Everywhere: Listening to the Background from Motown and Beyond. (2024) Finney, Rachael picture_as_pdf
  • Embodied storytelling and the ecological entanglements of distress: practice research of somatic movement through polycrisis. (2024) Formosa, Fabienne
  • The Monument is the Struggle. (2024) Graham, Janna; Andrews, Jorella G.; Paquete Pereira, Lara; Ohene-Djan, James; Jacca, Joyce and Tracey, Jarrett
  • Heavy Water | of Coordinates, Containers and Containment. (2024) Hameed, Ayesha
  • Keynote Lecture. (2024) Hameed, Ayesha
  • Keynote Lecture Henry ‘Box’ Brown Lecture. (2024) Hameed, Ayesha
  • “Listen!”. (2024) Hameed, Ayesha
  • A Tidalectic Atlas of the Plantationocene. (2024) Hameed, Ayesha
  • "þ thorns þ", with Sara Garzón, Rose Choreographic School, Sadler Wells. (2024) Hameed, Ayesha
  • Assembly of Sleepless Matter: On traces of Jewish and transit migrant Cemeteries in Greece. (2024) Haskiel, Yara
  • Son[i]a #398 On Terminal Tourism. (2024) Hernández Velázquez, Y. M. audio_file
  • That Which Cannot be Returned. (2024) Hernández Velázquez, Y. M.
  • Between the Biennials: Cultural Networks in Times of Geopolitical Crisis. (2024) Hines, Carmen Lael; Mörtenböck, Peter and Mooshammer, Helge
  • The Visceral Underground: Knowledge Gaps and Paranoia across the Blue Line. (2024) Jundi, Mustapha picture_as_pdf
  • The Archives and the Critical State of Unrest. (2024) Krapivina, Ksenija picture_as_pdf
  • Digital Valuation: Lessons in relevance from the prototyping of a recommendation app. (2024) Lury, Celia; Day, Sophie E.; Simon, Andre; Tironi, Martín; Valderrama, Matías and Wark, Scott
  • Advisory Board Member, Suleman Annual Grant for Arts (SAGA). (2024) Madani, Adnan
  • On Pyrrho and Time. (2024) Martinon, Jean-Paul
  • Visual Cultures as World-Forming. (2024) Martinon, Jean-Paul and Madani, Adnan
  • “A step beside yet upon a ground”: Derrida and Spivak on Practice and Context. (2024) McAuliffe, Sam
  • In/formal Marketplaces. (2024) Mörtenböck, Peter and Mooshammer, Helge
  • My Home is my Future – Co-Living and the New Ethos of Community Building. (2024) Mörtenböck, Peter and Mooshammer, Helge
  • The Transformative Role of Marketplaces in 21st Century Cities. (2024) Mörtenböck, Peter; Mooshammer, Helge and Fanni, Maryam
  • Against the Flow: When the Gift and Sexual Biopolitics Bleed Together. (2024) O' Dwyer, Killian
  • Creature Cameos: Filming Who or What. (2024) O' Dwyer, Killian
  • (Non)Life on the Line: Crisis Calls with Animals. (2024) O' Dwyer, Killian
  • Plastic Bits: Genitals and Sexual Plasticity. (2024) O' Dwyer, Killian
  • Review: Siôn Parkinson, Stinkhorn: How Nature’s Most Foul-Smelling Mushroom Can Change the Way We Listen (Sternberg Press, 2024). (2024) O' Dwyer, Killian
  • Under the Skin: The Interval Between Sex and Meaning. (2024) O' Dwyer, Killian
  • The Ancient Device. (2024) O'Sullivan, Simon D.
  • Fictioning and Myth-Work. (2024) O'Sullivan, Simon D.
  • From Magic and Myth-Work to Care and Repair. (2024) O'Sullivan, Simon D.
  • On Fictioning Avatars and Egregores. (2024) O'Sullivan, Simon D.
  • On Roleplaying Games and Fictioning. (2024) O'Sullivan, Simon D.
  • On Theory-Fiction and Other Genres. (2024) O'Sullivan, Simon D.
  • Tek Fok (tape launch and performance). (2024) O'Sullivan, Simon D. and Burrows, David
  • Race, by Proxy. (2024) Phan, Thao and Wark, Scott picture_as_pdf
  • Solastalgic Aesthetics and Living Extinctions in SGAAWAAY K’UUNA (Edge of the Knife). (2024) Roberdeau, Wood
  • ThruMmming With Knowledge. (2024) Rogoff, Irit picture_as_pdf
  • Amazon. (2024) Rosamond, Emily picture_as_pdf
  • Entrapments: Models, Affects, and Cultures of Asset Manager Society. (2024) Rosamond, Emily
  • Queer Temporality and the Poetics of Entrapment in Asset Manager Society. (2024) Rosamond, Emily
  • Thinking the Future of Money in the Humanities Network Meeting. (2024) Rosamond, Emily picture_as_pdf
  • The Structure of Desire in Ghassan Salhab's "The River" (2022). (2024) Saadawi, Ghalya picture_as_pdf
  • Air Pressure: A conversation between Lawrence Abu Hamdan and Ghalya Saadawi. (2024) Saadawi, Ghalya and Abu Hamdan, Lawrence
  • A New Ecological Contract: Tools to See Otherwise. (2024) Schilling Cuellar, Linda and Portal Carrasco, Fernando
  • Cryoception. (2024) Schuppli, Susan picture_as_pdf
  • Species of Accumulation & the Necromass of Natural History. (2024) Springer, Anna-Sophie picture_as_pdf
  • Lapping it up: an introduction for these erotics of deconstruction. (2024) Turner, Lynn picture_as_pdf
  • Sanguine Resistance: dreaming of a future for blood. (2024) Turner, Lynn picture_as_pdf
  • A Call to Bear Witness. (2024) Varvia, Christina
  • Bodies in e-motion: Hélène Cixous and Sarah Kofman encountering Rembrandt. (2024) Vráblíková, Lenka picture_as_pdf
  • “The Czech Are Excellent Mushroom Hunters:” The Visual Politics of Fungi in (Post)Socialism. (2024) Vráblíková, Lenka
  • Gardening Ecofeminisms. Sympozium jako živná půda [Gardening Ecofeminisms: Symposium as a culture medium]. (2024) Vráblíková, Lenka and Kubelová, Lenka
  • Platformisation and Personalisation: The Making of "Contingent" Online Audiences. (2024) Wark, Scott picture_as_pdf
  • Mapping Interconnected Threads: Contemporary Dioula Handwoven Cloth, Motif Development, and Creativity in Côte d’Ivoire 1970-2023. (2024) Wingfield, Emma picture_as_pdf
    • 2023
  • Coastal Waterways, Cultural Heritage and Environmental Planning. (2023)
  • IN/FORMAL Marketplaces: Experiments With Urban Reconfiguration. (2023)
  • Sur Analysis: Institutional Psychotherapy and Institutional Analysis. (2023)
  • Volatility in Finance, Art, and Culture. (2023)
  • Spaced Out in Paradise: Post-Punk Futurities, Politics, Transitions, and Other Voices in Brazil. (2023) Afi, Bruno Drumond
  • Anne Wilson: The Davis Street Drawing Room. A Carte de tendre. (2023) Andrews, Jorella G.
  • Close Looking - Yuki Katsura. (2023) Andrews, Jorella G.
  • Collaboration: Goldsmiths and Red Ribbon Living Well. (2023) Andrews, Jorella G.
  • Deptford People's Heritage Museum workshop at National Maritime Museum International Slavery Remembrance Day 2023. (2023) Andrews, Jorella G.
  • “Extravagance, Liveliness, Livelihood: Intertwining Body, Materials, and Action: A Conversation with Leah Durner”. (2023) Andrews, Jorella G.
  • Fashion: tissue, textile, toile. (2023) Andrews, Jorella G.
  • Holdings (2020-23). (2023) Andrews, Jorella G.
  • In the Studio with Mary Abma. (2023) Andrews, Jorella G.
  • Mandy El-Sayegh in conversation with Jorella Andrews. (2023) Andrews, Jorella G.
  • Paul Cézanne: Drawing as Deep De-scription. (2023) Andrews, Jorella G.
  • Quodlibet and Cortesia: Alastair Gordon’s Painterly Debates with Art, Nature, and ‘the Real’. (2023) Andrews, Jorella G.
  • Red Ribbon Living Well: World AIDS Day 2023. (2023) Andrews, Jorella G.
  • Slow looking: Frans Hals’s portrait of a newly-wed. (2023) Andrews, Jorella G.
  • Working with resistance towards a non-dual “poetry” - and politics – “of truth". (2023) Andrews, Jorella G.
  • “Working with resistance – What can textiles teach us?”. (2023) Andrews, Jorella G.
  • Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 3. (2023) Andrews, Jorella G. and Red Ribbon Living Well Support Group
  • Red Ribbon Living Well: Free Travelling Blankets Film Project Film and Photoshoot. (2023) Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya
  • Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 1. (2023) Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya
  • Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 2. (2023) Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya
  • Cross-Departmental Textiles Workshop. (2023) Andrews, Jorella G.; Wakeford, Nina; Kerridge, Tobie and Cameron, Jane
  • Goldsmiths Textile Collection Workshop One: What Can Textiles Teach Us? (2023) Andrews, Jorella G.; Watson, Grant and Cameron, Jane
  • Goldsmiths Textile Collection Workshop Two: What Can Textiles Teach Us? (2023) Andrews, Jorella G.; Watson, Grant and Cameron, Jane
  • A Week in August Revisited. (2023) Bajec, Manca picture_as_pdf
  • Inhuman drag: Getting under the sk(e)ins of the posthuman in conversation with Charity Kase. (2023) Bradley, Callum
  • In-Human Appetites and Mineral Becomings: Earthly Wit(h)nessing in Caitlin Berrigan’s Imaginary Explosions. (2023) Bradley, Callum and Perkins, Georgia
  • Science Fiction Devices. (2023) Burrows, David and O'Sullivan, Simon D.
  • External Examiner. (2023) Charalambides, Sarah
  • Active Residues. (2023) Cnaani-David, Ofri
  • Expert Witness at the trial of Pyotr Pavlensky. (2023) Doussan, Jenny
  • Protesting Law with the Law: The Case of Pyotr Pavlensky. (2023) Doussan, Jenny picture_as_pdf
  • Fugitive Rivers: Maroon Ecologies and Édouard Glissant’s La Lézarde. (2023) Duncan, Ifor
  • Necro-Hydrology. (2023) Duncan, Ifor
  • 'Aliens wherever they have to go': Friendship's Death. (2023) Eshun, Kodwo
  • On the Aesthetic of Black Industrialism in the work of Trevor Mathison. (2023) Eshun, Kodwo
  • On the Black Industrialism of Trevor Mathison of Black Audio Film Collective: A Lecture by Kodwo Eshun. (2023) Eshun, Kodwo
  • Plus Brilliant que le soleil: Aventures en fiction sonore. (2023) Eshun, Kodwo
  • Recursion, Interrupted. (2023) Eshun, Kodwo
  • A Sphere of Water Orbiting A Star. (2023) Eshun, Kodwo
  • To Be Hoist by Your Own Petard: Studying the Study of Lynette Yiadom-Boakye. (2023) Eshun, Kodwo
  • Pixelating Assembly: Not Sinking, Swarming. (2023) Eshun, Kodwo and Mende, Doreen
  • ...But There are New Suns. (2023) Eshun, Kodwo and Sagar, Anjalika
  • I See Infinite Distance Between Any Point and Another. (2023) Eshun, Kodwo and Sagar, Anjalika
  • A Sphere of Water Orbiting a Star. (2023) Eshun, Kodwo and Sagar, Anjalika
  • A Sphere of Water Orbiting a Star. (2023) Eshun, Kodwo and Sagar, Anjalika
  • The Otolith Group with Denise Ferreira da Silva. (2023) Eshun, Kodwo; Sagar, Anjalika and Ferreira da Silva, Denise
  • Photo and Film: A Screening and Conversation with The Otolith Group. (2023) Eshun, Kodwo; Sagar, Anjalika; Wilson, Leslie M.; Getachew, Adom and Nsabimana, Natacha
  • Crisis and Resistance: Institutional Psychotherapy and the Politics of Care. (2023) Faramelli, Anthony
  • Introduction: Why Institutional Analysis, Why Now? (2023) Faramelli, Anthony
  • Organizing the precarious: Autonomous work, real democracy and ecological precarity. (2023) Graham, Janna and Papadopoulos, Dimitris
  • Black Atlantis: The Plantationocene. (2023) Hameed, Ayesha
  • Conversation with Sonya Dyer. (2023) Hameed, Ayesha
  • Curator “Language without language, Language inspite of language” Video Programme Videonale.Scope. (2023) Hameed, Ayesha
  • “Ilemuria”. (2023) Hameed, Ayesha
  • Keynote Lecture. (2023) Hameed, Ayesha
  • Keynote Lecture “The Plantationocene” Bordering Plants. (2023) Hameed, Ayesha
  • Of the Act of Mending. (2023) Hameed, Ayesha
  • Of the Act of Mending (In conversation). (2023) Hameed, Ayesha
  • Poetry: “Some sad rushes onstage” and “/SET RESET/ACT/SCENE” in The Voice that Remains. Eds Paul O’Neill and Annabelle Antas. (2023) Hameed, Ayesha
  • Two Ships/Time Travel/Bodies Under the Sea. (2023) Hameed, Ayesha
  • Keynote Lecture “The Soil and the Sea of the Plantationocene”. (2023) Hameed, Ayesha and Gunkel, Henriette
  • Keynote Lecture “Time Travelling Devices”. (2023) Hameed, Ayesha; Gunkel, Henriette and O'Sullivan, Simon D.
  • The Last Resort. On Terminal Tourism. (2023) Hernández Velázquez, Y. M.
  • What we did on our Holidays. (2023) Hernández Velázquez, Y. M.
  • The Futures of the Museum. (2023) Hernández Velázquez, Y. M. and Dyangani Ose, Elvira
  • Introduction: Volatility in Finance, Art, and Culture. (2023) Lee, Benjamin and Rosamond, Emily
  • Gardening Ecofeminisms. (2023) Lenka, Vráblíková; Kateřina, Vídenová and Amálie, Bulandrová
  • The Gardener and the Terrorist. (2023) Madani, Adnan
  • Member, Board of Studies of the Graduate Programme (MPhil in Art and Design), Indus Valley School of Art and Architecture, Karachi. (2023) Madani, Adnan
  • Maternal Spectres: Reproduction of Cinematic Images and the Feminisation of Workforces in South Asia. (2023) Majumder, Sanjita picture_as_pdf
  • The Museum's Fourth Future. (2023) Martinon, Jean-Paul
  • The Frame of World-as-Resource. (2023) McAuliffe, Sam
  • Part and Whole: On Some Uses of Landscape in the Films of Huillet and Straub. (2023) McAuliffe, Sam
  • Sensorial Ecologies: Sonic Literacy and Restorative Listening in Watery Worlds. (2023) Mendes, Margarida picture_as_pdf
  • Le Mardi Gras Listening Collective (Echoes of Dissent Vol. 1) - Louis Moreno, Edward George, et al. (2023) Moreno, Louis
  • Roundtable: Struggles in the Concrete – Architecture, Architectural History and the Marxist Tradition - An Architecture Space and Society Centre Conference. (2023) Moreno, Louis
  • Versioning as Method : Music, space and the musical de-estrangement of difference. (2023) Moreno, Louis
  • On Broadwater Farm: Dub Housing and other planes of consistency (part one) Edward George in conversation with Louis Moreno. (2023) Moreno, Louis and George, Edward
  • Jah Shaka and CLR James (A Conversation with Edward George and Dhanveer Singh Brar - organised by Louis Moreno with Numbers). (2023) Moreno, Louis; George, Edward and Brar, Dhanveer Singh
  • Monopolated Light & Power presentation (San Mei Gallery). (2023) Moreno, Louis; George, Edward; Sharma, Ash and Rekret, Paul
  • Critical Landscapes. (2023) Mörtenböck, Peter and Mooshammer, Helge
  • Data Is a Relation Not a Property. (2023) Mörtenböck, Peter and Mooshammer, Helge
  • Data Is a Relation Not a Property. (2023) Mörtenböck, Peter and Mooshammer, Helge
  • Good Life. (2023) Mörtenböck, Peter and Mooshammer, Helge
  • In/formal Marketplaces. (2023) Mörtenböck, Peter and Mooshammer, Helge
  • Incorporating Informality. (2023) Mörtenböck, Peter and Mooshammer, Helge picture_as_pdf
  • Incorporating Informality. (2023) Mörtenböck, Peter and Mooshammer, Helge
  • Netzwerke, Datenströme, Plattformkapital: Bau*kultur ist kein Take-away. (2023) Mörtenböck, Peter and Mooshammer, Helge
  • A World of Matter. (2023) Mörtenböck, Peter and Mooshammer, Helge
  • The Future is Public: Platform Urbanism and Its Discontents. (2023) Mörtenböck, Peter; Mooshammer, Helge and Gerdes, Benjamin
  • The Gift in Lube: Erotics of Facilitation. (2023) O' Dwyer, Killian
  • Keeping (Revolutionary) Time: Conducting Political Counterpoints in Todd Field's 'Tár'. (2023) O' Dwyer, Killian
  • Secret(e) Sex: Secretions that Supplant Shame. (2023) O' Dwyer, Killian
  • Avatars, Egregores and the Writing of the Self. (2023) O'Sullivan, Simon D.
  • Plastique Fantastique Exquisite Corpse Meme-Animals. (2023) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Science Fictioning Tarot. (2023) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Science Fictioning Tarot. (2023) O'Sullivan, Simon D. and Burrows, David
  • "Guardam!": Sicilia! and the Claim on Attention. (2023) Prendeville, Brendan
  • Experiments in Eco-poiesis: herman de vries and an Art of Immediacy. (2023) Roberdeau, Wood picture_as_pdf
  • The Seeds of Vandana Shiva: Story, Politics, Life and the Ravages of Biotech. (2023) Roberdeau, Wood
  • Genealogy and Futurity. (2023) Rogoff, Irit picture_as_pdf
  • Communities, cohorts and counter-speculators. (2023) Rosamond, Emily
  • Conditionally Assetized Online Cultural Labour. (2023) Rosamond, Emily
  • Critical Finance Studies: Approaching the Field. (2023) Rosamond, Emily
  • Cultural Studies of Finance and Society. (2023) Rosamond, Emily
  • The Sanctioned Personality. (2023) Rosamond, Emily
  • Social networks and serendipitous desire. (2023) Rosamond, Emily
  • Techniques of Aberrant Extraction: Transacting Surplus Acts in an Age of Speculation. (2023) Rosamond, Emily
  • Thinking the Future of Money in the Humanities Workshop. (2023) Rosamond, Emily
  • YouTube Personalities as Infrastructure: Assets, Attention Choreographies and Cohortification Processes. (2023) Rosamond, Emily
  • Dragging Affordances. (2023) Rosamond, Emily; Cnaani, Ofri; Heathfield, Adrian and Clarke, Elly
  • Clickbait capitalism: Economies of desire in the twenty-first century. (2023) Rosamond, Emily; Samman, Amin; Hager, Sandy and Gammon, Earl
  • Clickbait Capitalism: A Panel Discussion. (2023) Samman, Amin; Gammon, Earl and Rosamond, Emily
  • Unearthing and Reversing: Exhausting the Water Cycle. (2023) Schilling Cuellar, Linda
  • Listening to Ice. (2023) Schuppli, Susan
  • Ray of Light. (2023) Turner, Lynn description
  • Red Threads. (2023) Turner, Lynn picture_as_pdf
  • Secrets and Lies: Embassytown, Ethics and Eating in the Darkness. (2023) Turner, Lynn
  • The becoming literary of the clitoral: sexual differance after Artemisia Gentileschi. (2023) Turner, Lynn
  • On the most powerful catalyst on the planet. (2023) Türetken, Füsun picture_as_pdf
  • Itinerant Witnesses Conference. (2023) Varvia, Christina
  • Bodies in E-motion: Sarah Kofman and Hélène Cixous Encountering Rembrandt. (2023) Vráblíková, Lenka
  • The University. (2023) Vráblíková, Lenka
  • Jak se od hub ucit spolupraci - pruvodce prochazkou lesem [Learning Collaboration from Fungi - guided walk in forest]. (2023) Vráblíková, Lenka and Mitchell, Elspeth
  • Voice, Language, Fungi: A Conversation with Guiliana Furci. (2023) Vráblíková, Lenka; Mitchell, Elspeth and Zúñiga, Xalli
  • Archaeology, Architecture and the Politics of Verticality. (2023) Weizman, Eyal
    • 2022
  • Fieldwork for Future Ecologies: Radical practice for art and art-based research. (2022)
  • Pharmacologies of Media. (2022)
  • Celebrating Red Ribbon Living Well December 2021 ― December 2022. (2022) Andrews, Jorella G.
  • A Close Encounter with Paul Cézanne. (2022) Andrews, Jorella G. picture_as_pdf
  • In the Studio with Walter Hayn and Jorella Andrews. (2022) Andrews, Jorella G.
  • Pictorial Rationalities and why they matter in our struggles for identity and community. (2022) Andrews, Jorella G.
  • Finance and the Financialization of Capitalism. (2022) Ascher, Ivan; Hardin, Carolyn; Klein, Steven; Montgomerie, Johnna and Rosamond, Emily
  • Proto-Immersive States: Impacts of Tourism on the Adriatic Seas and Coasts. (2022) Bajec, Manca
  • P. (2022) Doussan, Jenny
  • Drought in the Rivers of Forgetting. (2022) Duncan, Ifor
  • 'Arcifinious'. (2022) Duncan, Ifor and Levidis, Stefanos
  • Collaborative Poetics: Conversations with Lalela I. (2022) Engel, Kathy; Marie, Maia; Nkomo, Refilwe; Vráblíková, Lenka; Moiloa Gapare, Molemo; Flores Garrido, Natalia; Masola, Athanbile; Moeketsi, Itumeleng; Moyo, Kundai; Slabbert, Annika; Sango, Anna; Itumeleng, Faith and Tshikalange, Lali
  • Spectacles and specters: a performative theory of political trials. (2022) Ertür, Başak
  • What the Owl Knows. (2022) Eshun, Kodwo
  • O Horizon. (2022) Eshun, Kodwo and Sagar, Anjalika
  • Techno, Berlin und die grosse Freiheit. (2022) Eshun, Kodwo and Sagar, Anjalika
  • What the Owl Knows. (2022) Eshun, Kodwo and Sagar, Anjalika
  • DXG: Octonionic Constellation: Thinking Octavia Butler with Rasheedah Phillips of Black Quantum Futurism. (2022) Eshun, Kodwo; Sagar, Anjalika and Philips, Rasheedah
  • Forms of Afterlife. (2022) Eshun, Kodwo; Sepaka, Angiama; Eshun, Esi; da Silva Ferreira, Denise; Hassan, Salah and Sagar, Anjalika
  • Re-making Networked Platforms: A Practice Based Exploration of Networked Retreat. (2022) Evans, Dave picture_as_pdf
  • Everybody Wants to be a Fascist Online: Psychoanalysis and the Digital Architecture of Fascism. (2022) Faramelli, Anthony and Piper, Imogen
  • Spaces of Refuge: The Clinical Practice of Félix Guattari and Institutional Psychotherapy. (2022) Faramelli, Anthony and Wilson, Rachel
  • Responding to Women and Creativity. (2022) Grant, Catherine
  • “Approximate Oceans” with Stefan Helmreich. (2022) Hameed, Ayesha
  • (The Art of Living Well and Dying Well). (2022) Hameed, Ayesha
  • Black Atlantis: The End of Eating Everything. (2022) Hameed, Ayesha
  • Brown Atlantis Solo Exhibition. (2022) Hameed, Ayesha
  • Dark Matter: A History of the Afrofuture (BBC Four). (2022) Hameed, Ayesha
  • The Decentering Machine. (2022) Hameed, Ayesha
  • Documenta 15, Alice Yard. (2022) Hameed, Ayesha
  • How to Do Things with Sound. (2022) Hameed, Ayesha
  • Indigo Waves and Other Stories: Re-Navigating the Afrasian Sea and Notions of Diaspora. (2022) Hameed, Ayesha
  • Migrations to the North, Forced Repatriation and the New Middle Passage (Panel). (2022) Hameed, Ayesha
  • The Ocean as Archive. (2022) Hameed, Ayesha
  • Poetry. “Songs for Petals” in CLIMATE: Our Right to Breathe. (2022) Hameed, Ayesha
  • Poetry. “Two Ships” in Biennials as Sites of Historical Narration —Thinking through Göteborg International Biennial for Contemporary Art, ed Lisa Rosendahl. (2022) Hameed, Ayesha
  • Radio Brown Atlantis Solo Exhibition. (2022) Hameed, Ayesha
  • “Radio Brown Atlantis” (audio and text commission). (2022) Hameed, Ayesha
  • À l'ombre de nos fantômes/ In the Shadows of our Ghosts. (2022) Hameed, Ayesha
  • Coleccionismo, Universalismo, Extinción. (2022) Hernández Velázquez, Y. M.
  • Encuentro Pensando los Museos Hoy. Mesa 1: Acuerdos y desacuerdos críticos de las nuevas museologías. (2022) Hernández Velázquez, Y. M. video_file
  • Hacia Nuevas Formas de Crítica Institucional. (2022) Hernández Velázquez, Y. M.
  • La Universidad que Nunca Fue. (2022) Hernández Velázquez, Y. M. video_file
  • Flirting with Middle Eastern Modernity. (2022) Itani, Racha picture_as_pdf
  • Forensic Architecture - Witnesses. (2022) Kallehauge, Mette Marie; Jørgensen, Lærke Rydal; Kjeldsen, Kjeld; Weizman, Eyal and Varvia, Christina picture_as_pdf
  • Forensic Architecture - Witnesses. (2022) Kjeld, Kjeldsen; Kallehauge, Mette Marie and Varvia, Christina
  • Figure: Concept and Method. (2022) Lury, Celia; Viney, William and Wark, Scott
  • Introduction: Figure, Figuring and Configuration. (2022) Lury, Celia; Viney, William and Wark, Scott
  • CHASE selection panel 2022. (2022) Madani, Adnan
  • The Frame as Borderland: Islam, Allegory and the DIstance from Here. (2022) Madani, Adnan picture_as_pdf
  • Aesthetic Education: Visual Cultures Public Programme Autumn Term 2022. (2022) McAuliffe, Sam
  • The Changeability of the World: Utopia and Critique. (2022) McAuliffe, Sam
  • Rising, Falling. (2022) McAuliffe, Sam
  • Utopian Realism. (2022) McAuliffe, Sam
  • Art Monthly Talk Show on Resonance FM. (2022) McCormack, Chris
  • Feminist ethnomycology and the politics of visual culture. (2022) Mitchell, Elspeth and Vráblíková, Lenka
  • Out of Office: Mycorrhizal encounters and the art of feminist un/learning. (2022) Mitchell, Elspeth and Vráblíková, Lenka
  • Always Crashing in the Same City: Immobilien, Psychisches Kapital und Planetares Begehren. (2022) Moreno, Louis
  • Internal Empire : The Neoclassical Architecture of Racial Capitalism. (2022) Moreno, Louis
  • Podcast recording of walking tour of Euston, Somers Town & King's Cross (July 2022). (2022) Moreno, Louis
  • Unhoused Music. (2022) Moreno, Louis
  • Seven Theses on P-Funk. (2022) Moreno, Louis and Brar, Dhanveer Singh
  • Azamba publics: containment, care and curating in the “expanded private sphere”. (2022) Mpondaa, Victoria and Graham, Janna
  • Zukunft anwenden. (2022) Mörtenböck, Peter
  • Data Publics, Platform Urbanism and the New Challenges of Practising Dialogue. (2022) Mörtenböck, Peter and Mooshammer, Helge
  • The Platform Is My Boyfriend, Jung Architecture Podcast 119. (2022) Mörtenböck, Peter and Mooshammer, Helge
  • Platform Urbanism. (2022) Mörtenböck, Peter and Mooshammer, Helge
  • Avatars and Egregores. (2022) O'Sullivan, Simon D.
  • Fictioning a Pilgrimage (or Fieldwork on the Fiction of the Self). (2022) O'Sullivan, Simon D.
  • On Tabletop Roleplaying Games and Fictioning. (2022) O'Sullivan, Simon D.
  • The Stars My Destination. (2022) O'Sullivan, Simon D.
  • A Thousand Devices. (2022) O'Sullivan, Simon D.
  • Plastique Fantastique Exquisite Corpse Meme-Animals. (2022) O'Sullivan, Simon D. and Burrows, David
  • Images That Sweat: On the Spectacular Realism of Lino Brocka’s Macho Dancer. (2022) Ramos Martinez, Manuel
  • The Most Beautiful Film Ever Made. (2022) Ramos Martinez, Manuel
  • Counter-attacking Pollution in Three Aerial Acts. (2022) Roberdeau, Wood
  • Fog (a Delegation for Atmosphere). (2022) Roberdeau, Wood picture_as_pdf
  • Cloud Relationality. (2022) Rosamond, Emily
  • Platformed Personality Capitalism: Twitter, Tiered Status and Assetized Selves. (2022) Rosamond, Emily
  • Race and Risk: Exploring Online Responses to the Euro 2020 Final. (2022) Rosamond, Emily
  • Reputation Regimes. (2022) Rosamond, Emily picture_as_pdf
  • How Could Private and Public Partners Adapt their Roles? (2022) Rosamond, Emily; Vermeir, Katleen and Heiremans, Ronny
  • Critical Incision: Hypochondria, Autotheory, and the Health-Illness Dialectic. (2022) Saadawi, Ghalya
  • Matthew Fuller and Eyal Weizman, Investigative Aesthetics: Conflict and Commons in the Politics of Truth, reviewed by Ghalya Saadawi. (2022) Saadawi, Ghalya
  • Tactics of Alienation. (2022) Saadawi, Ghalya
  • Vapid Virtues, Real Stakes: Diagnosis for Left Art Protocols. (2022) Saadawi, Ghalya picture_as_pdf
  • After the Boom: Finance and Society Studies in the 2020s and Beyond. (2022) Samman, Amin; Boy, Nina; Coombs, Nathan; Hager, Sandy; Hayes, Adam; Rosamond, Emily; Wansleben, Leon and Westermeier, Carola
  • Charlotte Salomon. (2022) Schmetterling, Astrid
  • Else Lasker-Schüler. (2022) Schmetterling, Astrid
  • Erna Pinner: In Frankfurt und in der Welt / Erna Pinner: In Frankfurt and in the World. (2022) Schmetterling, Astrid
  • COLD RIGHTS. (2022) Schuppli, Susan
  • Community Satellite Station. (2022) Schuppli, Susan
  • Gondwana. (2022) Schuppli, Susan
  • ICE RECORDS: Sonic explorations of the climate records captured in ice sheets and glaciers. (2022) Schuppli, Susan
  • Singing Ice: Ladakhi folk songs about mountains, glaciers, rivers, and steams. (2022) Schuppli, Susan
  • Sanguine Resistance: dreaming of a future for blood. (2022) Turner, Lynn
  • Habeas Corpus Expert Witness! (2022) Varvia, Christina picture_as_pdf
  • Notes on the Politics of an Expanded Body. (2022) Varvia, Christina
  • Composting Reading Club: Session 1. (2022) Vráblíková, Lenka
  • Conjuring Live Bodies: Reading Sarah Kofman’s encounter with Rembrandt. (2022) Vráblíková, Lenka
  • Myko-vize - Houby v současné vizuální kultuře a antikoloniální ekofeminismus. (2022) Vráblíková, Lenka
  • Othering Myco-Vision: Fungi in European Modernity. (2022) Vráblíková, Lenka
  • 'You keep belittling us and we are sick of it!': Four lessons learned from feminist interventions in Czech art schools. (2022) Vráblíková, Lenka
  • Jak se ucit s houbami? (2022) Vráblíková, Lenka and Mitchell, Elspeth picture_as_pdf
  • Toward temporary communities: collective listening, walking, reading, breathing, and sounding. (2022) Vráblíková, Lenka; Petramentaite, Ruta and Moyo, Kundai
  • In "The Cloud": Figuring and Inhabiting Media Milieus. (2022) Wark, Scott
  • Lithium. (2022) Wark, Scott picture_as_pdf
  • A Media-Theoretical Armamentarium: From the Pharmakon to Pharmacologies of Media. (2022) Wark, Scott and Soncul, Yiğit
    • 2021
  • Curating Ethics. (2021)
  • Forensic Architecture Reports #1: The Police Shooting of Mark Duggan. (2021) picture_as_pdf
  • Grenzfälle. Dokumentarische Praxis zwischen Film und Literatur bei Merle Kröger und Philip Scheffner. (2021)
  • The JVC Palestine Portfolio. (2021)
  • Pause. Fervour. Reflections on a Pandemic. (2021)
  • Platform Urbanism and Its Discontents. (2021)
  • Visual Cultures as Time Travel. (2021)
  • Art and Aesthetics in and after Phenomenology of Perception. (2021) Andrews, Jorella G. video_file
  • Art and Aesthetics in and after Phenomenology of Perception: Post-Launch Discussion. (2021) Andrews, Jorella G. video_file
  • His Artistry; His Imagery: Visuality, spiritual formation, intercession. (2021) Andrews, Jorella G.
  • How can Objects and Images help us Reflect, Share and Educate? (2021) Andrews, Jorella G.
  • How to find great galleries and exhibitions (and what to do when you get there). (2021) Andrews, Jorella G.
  • How to find great galleries and exhibitions (and what to do when you get there) 2nd Edition. (2021) Andrews, Jorella G.
  • Identity as Openness. (2021) Andrews, Jorella G.
  • Interviewing Images Workshop. (2021) Andrews, Jorella G.
  • "Interviewing" Images & Objects: Community Engagement Workshops and Projects. (2021) Andrews, Jorella G.
  • The Mark Fisher Memorial Lecture 2021: Notes from the Underground with Test Dept. (2021) Andrews, Jorella G.
  • Pictorial Rationality, Trans-culturalism, and the Work of Art. (2021) Andrews, Jorella G.
  • Public Art, Personal Depth. (2021) Andrews, Jorella G.
  • Rights of Passage Session 2: Powerful Voices (Deptford Peoples Heritage Museum). (2021) Andrews, Jorella G.
  • Talking History: Cezanne - A Life. (2021) Andrews, Jorella G.
  • Using “extreme list-making” to explore objects and images: What Could Deptford People’s Heritage Museum Be? An Online Community Gathering and Launch Event. (2021) Andrews, Jorella G.
  • Visual Cultures Now - Field Reports, Public Programme Lecture Series, 2020-21. (2021) Andrews, Jorella G. image
  • Welcome Home: Red Ribbon Living Well Support Group Celebrate World AIDS Day 2021 (plus preparatory workshops). (2021) Andrews, Jorella G.
  • Performing on the streets: Infrastructures of subaltern resistance in Pakistan. (2021) Awan, Nishat
  • Monumenting Our Pasts: Monuments, What Are They Now? (2021) Bajec, Manca picture_as_pdf
  • Prologue: weaver of Past Potentials. (2021) Bajec, Manca
  • Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early Twenty-First Century. (2021) Brar, Dhanveer Singh
  • Notes on Listening and Hearing. (2021) Brar, Dhanveer Singh and Moreno, Louis
  • Nancy Holt's Pine Barrens. (2021) Crone, Bridget picture_as_pdf
  • Il Naufragio Inizia Da Qui (The Shipwreck Starts Here). (2021) Duncan, Ifor
  • The Meteorological Occult: Submergences in the Venetian Fog. (2021) Duncan, Ifor
  • ‘The Colony is a Prison’: The ‘Redemption of Africa’ in the Gold Coast of Richard Wright. (2021) Eshun, Kodwo
  • Signifying Deceit: Richard Wright's Anti- Colonial-Anti- Capitalist-Anti Communism. (2021) Eshun, Kodwo
  • The Transitional Coalition: Reciprocal Readings of Transition and the Congress for Cultural Freedom between 1962 and 1967. (2021) Eshun, Kodwo
  • Thinking with the Generative Capacities of a Black Aesthetics of Abstraction. (2021) Eshun, Kodwo; Mehretu, Julie; Dennis, Oswald Nolan; English, Darby; Ntombela, Nontobeko and Nasr, Edwin
  • The Otolith Group. Xenogenesis. (2021) Eshun, Kodwo; Sagar, Anjalika and Morley, Megs
  • Investigative Aesthetics: Conflicts and Commons in the Politics of Truth. (2021) Fuller, Matthew and Weizman, Eyal
  • Experiments in Art Writing. (2021) Grant, Catherine
  • Introduction to "Why Have There Been No Great Women Artists?". (2021) Grant, Catherine
  • Visual Cultures as Time Travel. (2021) Gunkel, Henriette and Hameed, Ayesha
  • 11th Gothenburg Biennale. (2021) Hameed, Ayesha
  • AGGREGATES. (2021) Hameed, Ayesha
  • Another World is Podable, Episode 31: The Revolution Continues with Dr. Ayesha Hameed talking about Creating New Futures and her Incredible Project "Black Atlantis. (2021) Hameed, Ayesha
  • Black Atlantis: Retrograde Futurism. (2021) Hameed, Ayesha
  • Free Thinking BBC Radio 3. (2021) Hameed, Ayesha
  • I sing of the sea, I am mermaid of the trees. (2021) Hameed, Ayesha
  • Momenta Biennale, Wet Futures. (2021) Hameed, Ayesha
  • The Ocean. (2021) Hameed, Ayesha
  • A Rough History (of the Destruction of Fingerprints). (2021) Hameed, Ayesha
  • Sea Changes and Other Futurisms. (2021) Hameed, Ayesha
  • Sex Ecologies, Kunsthall Trondheim and RAW Material Company, Dakar. (2021) Hameed, Ayesha
  • Short Story. “The Variable” in The Intermission: Reflections On a Year of Upheaval. (2021) Hameed, Ayesha
  • The Uncanny Ocean: A Proposition by Ayesha Hameed. (2021) Hameed, Ayesha
  • A Conversation on Time Travel. (2021) Hameed, Ayesha and Gunkel, Henriette
  • Ayesha Hameed in dialogue with Nina Mangalanayagam. (2021) Hameed, Ayesha and Mangalanayagam, Nina
  • Instituting and Organising “From the Pockets”: A Field Report from a Museum in the Making. (2021) Hamza, Husseina; Jacca, Joyce; Jarrett, Tracey and Graham, Janna
  • The Islands. (2021) Hernández Velázquez, Y. M.
  • Who Needs 'Exhibition Studies'? (2021) Hernández Velázquez, Y. M.
  • Im Gespräch mit Kodwo Eshun und Nicole Wolf, Einschreibungen der Zeit und die Möglichkeitsform - HAVARIE / Havarie. (2021) Kröger, Merle; Scheffner, Philip and Eshun, Kodwo
  • ‘Wo beginnen’ [‘Where to Begin? Revision as Method’]. (2021) Lebow, Alisa and Ertür, Başak
  • Curating Time, Contingency, Anachronism, Flirtation. (2021) Lopez Zambrano, Paula
  • Rana Begum's Abstraction. (2021) Madani, Adnan picture_as_pdf
  • Alexis Kagame. (2021) Martinon, Jean-Paul
  • Curators Serving the Public Good. (2021) Martinon, Jean-Paul
  • Music as Spectral Infrastructure. (2021) Moreno, Louis
  • The Presence of the Past in the Platform, or the Cultural Logic of Absolute Rent. (2021) Moreno, Louis picture_as_pdf
  • Die digitale Stadt – Visionen für 2050. (2021) Mörtenböck, Peter and Mooshammer, Helge
  • El potencial de la arquitectura inmobiliaria para el desarrollo sostenibile de las ciudades. (2021) Mörtenböck, Peter and Mooshammer, Helge
  • How Will We Live Together? (2021) Mörtenböck, Peter and Mooshammer, Helge
  • Living on Platforms. (2021) Mörtenböck, Peter and Mooshammer, Helge
  • My Home Is My Future – Co-Living und das neue Ethos der Gemeinschaftsbildung. (2021) Mörtenböck, Peter and Mooshammer, Helge picture_as_pdf
  • Platform. (2021) Mörtenböck, Peter and Mooshammer, Helge
  • Platform Austria. (2021) Mörtenböck, Peter and Mooshammer, Helge
  • Platform Austria – We Like. (2021) Mörtenböck, Peter and Mooshammer, Helge
  • Platform Urbanism and Its Discontents. (2021) Mörtenböck, Peter and Mooshammer, Helge picture_as_pdf
  • Platform Urbanism and Its Discontents. (2021) Mörtenböck, Peter and Mooshammer, Helge
  • Platform Urbanism and Its Discontents: Trajectories Towards a Post-Pandemic Urbanity. (2021) Mörtenböck, Peter and Mooshammer, Helge
  • Walk on the Wild Side: Sweet Homes in Emirates City, Ajman. (2021) Mörtenböck, Peter and Mooshammer, Helge picture_as_pdf
  • We Like / Platform Austria. (2021) Mörtenböck, Peter and Mooshammer, Helge
  • A World of Matter. (2021) Mörtenböck, Peter and Mooshammer, Helge
  • A World of Matter. (2021) Mörtenböck, Peter and Mooshammer, Helge
  • Gran Bretagna con Austria: Private vs. Public Spaces. (2021) Mörtenböck, Peter; Mooshammer, Helge; Kessler, Madeleine; Verghese, Manijeh; Ferrer, Felipe and Babina, Lucia
  • Sensitive City and the Unifying Role of Design. (2021) Mörtenböck, Peter; Mooshammer, Helge; Zucconi, Guido; d'Allesandro, Jesus and Cabral, Lidia
  • Invited respondent, 'State of the Art', Contemporary Art Practice Symposium. (2021) O'Sullivan, Simon D.
  • 'On Collaboration'. (2021) O'Sullivan, Simon D.
  • On Fictioning. (2021) O'Sullivan, Simon D.
  • Plastique Fantastique Ritual to Call Forth the Termite Queen. (2021) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Ritual to Call Forth the Termite Queen and Plastique Fantastique Ritual to call forth a Black Hole. (2021) O'Sullivan, Simon D. and Burrows, David
  • Asymmetry: How Patterns of Impossibility Mark Dimensions in Knowledge Systems. (2021) Paganellli, Mattia picture_as_pdf
  • Racial formations as data formations. (2021) Phan, Thao and Wark, Scott
  • What personalisation can do for you! Or: how to do racial discrimination without ‘race’. (2021) Phan, Thao and Wark, Scott
  • Painting, from the eighteenth century into the early nineteenth. (2021) Prendeville, Brendan
  • Eart: A Manifesto of Possibilities. (2021) Rana, Rashid
  • ‘Learning from Ice’ (with Susan Schuppli). (2021) Roberdeau, Wood
  • The Disenchanted: Contending with Practice Based Research. (2021) Rogoff, Irit picture_as_pdf
  • Algorithmic Rating. (2021) Rosamond, Emily
  • Anna Engelhardt interviews Emily Rosamond on her forthcoming book Reputation Warfare. (2021) Rosamond, Emily
  • Associate Editor, Finance and Society. (2021) Rosamond, Emily
  • Derivative Character Investments: Social Impact Bonds as Path-Changing Devices. (2021) Rosamond, Emily
  • In the Realm of the Weak Tie: Social Networks, Turning Points and Serendipitous Desire. (2021) Rosamond, Emily
  • Portfolio of Personalities: Social Media, Micro-Celebrity and Self-Assetization. (2021) Rosamond, Emily
  • Post-Truth as Bullying. (2021) Rosamond, Emily picture_as_pdf
  • Swarm Signals. (2021) Rosamond, Emily picture_as_pdf
  • Cold Cases. (2021) Schuppli, Susan
  • HEAR: Himalayan Experiments in Acoustic Research. (2021) Schuppli, Susan
  • LEARNING FROM ICE: NOT PLANET EARTH. (2021) Schuppli, Susan
  • Research Reflections & Recordings. (2021) Schuppli, Susan
  • The Axioms of Petroculture: Art and Political Transformation in the Second Age of Oil. (2021) Trevatt, Thomas
  • How like a (Fig) Leaf: supplanting shame, growing differences. (2021) Turner, Lynn picture_as_pdf
  • The Space of the Body: A working definition. (2021) Varvia, Christina picture_as_pdf
  • Image-Sections: The Evidentiary Capacity of Images to Sample the Lifeworld and Have an Operative Life. (2021) Varvia, Christina and Alzakout, Amel
  • Feministická etnomykologie a politika vizuální kultury [Feminist Ethnomycology and the Politics of Visual Culture]. (2021) Vráblíková, Lenka
  • Othering Mushrooms: Migratism and its racist entanglements in the Brexit campaign. (2021) Vráblíková, Lenka
  • Out of Office: Mycorrhizal encounters and the art of feminist un/learning. (2021) Vráblíková, Lenka and Mitchell, Elspeth
  • A Postdigital Angel of History? On ‘Meme Theory’. (2021) Wark, Scott
  • Investigative Commons. (2021) Weizman, Eyal; Varvia, Christina; Krämer, Elisabeth; Andritsou, Dimitra; Franke, Anselm and Kaleck, Wolfgang
  • Socializing Evidence. (2021) Weizman, Eyal; Varvia, Christina; Krämer, Elisabeth; Andritsou, Dimitra; Franke, Anselm and Kaleck, Wolfgang
  • Sich der Spaltung widersetzen. Von Geistern, Fiktionen und dokumentarischer Praxis bei Merle Kröger und Philip Scheffner. (2021) Wolf, Nicole
  • Cyber-Proletariat and the New Subaltern Space. (2021) Zhu, Bangjia Joni
    • 2020
  • Counterfield Publication #1. (2020)
  • DATA PUBLICS: Public Plurality in an Era of Data Determinacy. (2020)
  • Decolonizing Art History: A Questionnaire. (2020)
  • Machine Diagnosis. (2020) Amaro, Ramon picture_as_pdf
  • Threshold Value. (2020) Amaro, Ramon
  • Towards Black Individuation and a Calculus of Variations. (2020) Amaro, Ramon and Khan, Murad
  • Autoimmune actions in the ableist academy: A crip response. (2020) Andrews, Alice
  • Circling squares: Phenomenology, change-making, and the idea of the creation as theophany. (2020) Andrews, Jorella G.
  • Interviewing Images: How visual research using IPA (Interpretative Phenomenological Analysis) can illuminate the change-making possibilities of place, space, and dwelling. (2020) Andrews, Jorella G.
  • Interviewing Images: How visual research using IPA (Interpretative Phenomenological Analysis) can illuminate the change-making possibilities of place, space, and dwelling. (2020) Andrews, Jorella G.
  • Labyrinth Walking/Labyrinth Walking Resources: Goldsmiths Mental Health Awareness Day Sessions. (2020) Andrews, Jorella G.
  • Material Thought - Make Good Lecture. (2020) Andrews, Jorella G.; Gordon, Alastair and Smith, James K.A.
  • Material Futures, with Jorella Andrews and James K.A Smith | Morphe Arts, Make Good Lecture. (2020) Andrews, Jorella G. and Smith, James K.A.
  • Animals, Touch, and Books: Surface Matters in the HIV/AIDS Archive. (2020) Arriola, Aimar Olabarria
  • Effects of Europeanised memory in “artworks as monuments”. (2020) Bajec, Manca picture_as_pdf
  • Annah, Infinite and Ablenormativity As Imperial Duress: Relations, Assumptions, Power and Abuse in Cripping Annah la Javanaise. (2020) Barokka, Khairani
  • Beefy's Tune (Dean Blunt Edit). (2020) Brar, Dhanveer Singh description
  • Music and Economic Planning. (2020) Brar, Dhanveer Singh; Moreno, Louis; Harney, Stefano; Moten, Fred; Okiji, Fumi; Rekret, Paul and Rose-Antoinette, Ronald
  • What is this ‘Black’ in Black Studies? From Black British Cultural Studies to Black Critical Thought in UK Arts and Higher Education. (2020) Brar, Dhanveer Singh and Sharma, Ash
  • The Material-Media Histories of Maralinga. (2020) Burns, David Benjamin
  • When the Common Ground Seems Shattered: From Self-Precarisation to Partial Relationality in kleines postfordistisches Drama and Precarias a la Deriva. (2020) Charalambides, Sarah
  • When the Common Ground Seems Shattered: Self-enclosed individualism and partial relationality in creative practice. (2020) Charalambides, Sarah
  • Swampy Ecologies. (2020) Crone, Bridget
  • Weaponizing a River. (2020) Duncan, Ifor and Levidis, Stefanos
  • La barricade. (2020) Ertür, Başak
  • From 953 AD to 1 Gigayear: Cheikh Anta Diop's Future Vector of Energy. (2020) Eshun, Kodwo picture_as_pdf
  • That Person or Thing that Which Attains to the Ground of Anything. (2020) Eshun, Kodwo
  • ZONE 2. (2020) Eshun, Kodwo
  • Peter Wollen - Writing, Politics, Film. (2020) Eshun, Kodwo; Mulvey, Laura and Russell, Wendy
  • The Otolith Group: The Third Part of The Third Measure Film Screening and Conversation. (2020) Eshun, Kodwo; Sagar, Anjalika; Bradley, Rizvana and Campt, Tina
  • The Third Part of the Third Measure. A Film About Julius Eastman. Film Screening and Discussion. (2020) Eshun, Kodwo; Sagar, Anjalika; Hisama, Elie; Jean- Francois, Isaac and Hartman, Saidiya
  • The Aesthetics of Decoloniality in Psychotherapy: Institutional Psychotherapy and Fanon's Ethico-Aesthetic Paradigm. (2020) Faramelli, Anthony picture_as_pdf
  • Mirrors and Masks: The Political Space of Zapatismo. (2020) Faramelli, Anthony
  • From Distant Horizon to the ‘Uncoercive Rearrangement of Desire’: Institutional Pedagogy and Collaborative Learning in an Instance of Arts and Curatorial Education. (2020) Faramelli, Anthony and Graham, Janna
  • How Media and Conflicts Make Migrants. (2020) Forkert, Kirsten; Oliveri, Federico; Bhattacharyya, Gargi and Graham, Janna
  • The Ghost in the Projector: New Pakistani Cinema & its Hauntings. (2020) Gaur, Meenu and Madani, Adnan description
  • Affective commoning: Collective curating in the post-socialist space. (2020) Gkitsa, Dimitra
  • ‘Techniques for Living Otherwise’: Naming, Composing and Instituting Otherwise. (2020) Graham, Janna
  • "Austerity and Utopia" L’Internationale Online Commission. (2020) Hameed, Ayesha
  • Black Atlantis: The Plantationocene. (2020) Hameed, Ayesha
  • Black Atlantis: The Plantationocene. (2020) Hameed, Ayesha
  • Black Atlantis: the Plantationocene. (2020) Hameed, Ayesha
  • Black Med with Invernomuto. (2020) Hameed, Ayesha
  • Keynote Lecture “Black Atlantis”. (2020) Hameed, Ayesha
  • Radio Brown Atlantis. (2020) Hameed, Ayesha
  • Songs for Petals. (2020) Hameed, Ayesha
  • "TRAVEL APPARATUS". (2020) Hameed, Ayesha
  • Topic: “The End of Eating Everything”. (2020) Hameed, Ayesha
  • You Cannot Close Your Eyes to New Horizons: A Storytelling Session. (2020) Hameed, Ayesha
  • The Artworld. A Tourist Guide by Yaiza Hernández Velázquez – The Coming South. (2020) Hernández Velázquez, Y. M.
  • Heart of Darkness. (2020) Hernández Velázquez, Y. M.
  • The Salon is now in session: a reflection on UNISA’s decolonial reading. (2020) Khosi, Motlatsi and Vráblíková, Lenka
  • External Juror, British Council Digital Collaboration Fund (South Asia). (2020) Madani, Adnan
  • On Reman Sadani's "Walkout 1". (2020) Madani, Adnan
  • Terra Nullius. (2020) Madani, Adnan
  • A Constellation of Refusals: Blackness in Contemporary African Video Art. (2020) Malatjie, Lorraine Porcia
  • Afterword: Respect for Derrida in/and Africa. (2020) Martinon, Jean-Paul
  • Curating as Ethics. (2020) Martinon, Jean-Paul picture_as_pdf
  • Out of Office: Feminist Reading & Mushroom Hunting in Meanwood Park. (2020) Mitchell, Elspeth and Vráblíková, Lenka
  • Studying Curatorial-Abilities: Environmenting, Improvising, Inhabiting States of Affairs. (2020) Moosavi Jafari, Fereshte S.
  • Fracking Sociality: Architecture, real estate, and the internet’s new urbanism. (2020) Moreno, Louis
  • Stadtform oder Plattform? Architektur, Bürger/User-Beteiligung und die Frage des Gemeinwohls. (2020) Mörtenböck, Peter
  • Access Is The New Capital. (2020) Mörtenböck, Peter and Mooshammer, Helge
  • Introduction: Data is not a property but a relation. (2020) Mörtenböck, Peter and Mooshammer, Helge
  • Live-Work-Play. (2020) Mörtenböck, Peter and Mooshammer, Helge
  • Notorious Markets: Zur (vermeintlichen) Architektur informeller Ökonomie. (2020) Mörtenböck, Peter and Mooshammer, Helge
  • Platform urbanism: City-making in the age of platforms. (2020) Mörtenböck, Peter and Mooshammer, Helge
  • We Like - Platform Austria. (2020) Mörtenböck, Peter and Mooshammer, Helge
  • Co-Living Spaces - Von offenen Kommunen zu Plattformen für gemeinschaftliches Wohnen. (2020) Mörtenböck, Peter and Obrist, Michael
  • How to Live Together: A Dialogue Between Roland Barthes and Isaïe Nzeyimana. (2020) Nyampeta, Christian picture_as_pdf
  • Soundbites Vol. 1: Airways, Breathing, Circulation. (2020) O' Dwyer, Killian
  • Anamorphosis: from the Visual Field to Speculative Writing. (2020) O'Sullivan, Simon D.
  • Myth-Science as Residual Culture and Magical Thinking. (2020) O'Sullivan, Simon D. description
  • Plastique Fantastique 'Beware Mars with Earth in Ascendance', part of 'Transmissions Season 2'. (2020) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique 'Earth Year Zero', part of 'BlakeFest'. (2020) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique 'Welcome to Termite City', part of group exhibition 'Re-Enchanted Matter'. (2020) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique 'Zoom Ritual to Tell Stories' (5 parts), part of group exhibition 'This is a Not-Me'. (2020) O'Sullivan, Simon D. and Burrows, David
  • What is the future of MYTH post-covid-19? (2020) O'Sullivan, Simon D. and Burrows, David
  • Testifying to the Image: The video of the assault on Rodney King as evidence, as event, and as exhibition. (2020) Ringborg, William Theodor
  • Biopolitics of the Plasticene. (2020) Roberdeau, Wood
  • Scaling Up – Local densities and Global Arts Circulations. (2020) Rogoff, Irit
  • Financial Narratives in Crisis. (2020) Rosamond, Emily picture_as_pdf
  • From Reputation Capital to Reputation Warfare: Online Ratings, Trolling, and the Logic of Volatility. (2020) Rosamond, Emily
  • What Was to Have Happened? Tenses for a Cancelled Future. (2020) Rosamond, Emily
  • Semio-Technical Traffics. (2020) Rosamond, Emily; Ørum, Kristoffer and Elmstrom, Iben
  • A Book Review in the Form of a Polemic Chad Elias's Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon and the Old New World Order. (2020) Saadawi, Ghalya
  • Else Lasker-Schüler in Jerusalem. (2020) Schmetterling, Astrid
  • LEARNING FROM ICE: Svalbard Arctic Archipelago. (2020) Schuppli, Susan
  • Material Witness: Media, Forensics, Evidence. (2020) Schuppli, Susan
  • The Smart City of Gaza Technologies of Containment and the Urban Condition. (2020) Sebregondi, Francesco
  • Carefree: Scenographies of Care. (2020) Turner, Lynn
  • How like a (Fig) leaf. (2020) Turner, Lynn
  • Lit: sexual poetics of sanguine resistance. (2020) Turner, Lynn
  • Poetics of Deconstruction: On the Threshold of Differences. (2020) Turner, Lynn description
  • Telegrams. (2020) Turner, Lynn description
  • Unlocatable Violence: Reconstructing lost spatial and temporal relationships. (2020) Varvia, Christina
  • Out of Office walk on Loughborough Campus. (2020) Vráblíková, Lenka
  • Reading the Sexual Economy of Academic Freedom with Sarah Kofman and Jacques Derrida: A feminist deconstruction of Kant’s concept of the University. (2020) Vráblíková, Lenka
  • Transmediale’s Postdigital Proposition. (2020) Wark, Scott
    • 2019
  • Fandom as Methodology: A Sourcebook for Artists and Writers. (2019) picture_as_pdf
  • We Travel the Space Ways: Black Imaginations, Fragments and Diffractions. (2019)
  • à corps. (2019)
  • corps à. (2019)
  • Vox-Exo: Horrors of a Voice. (2019) Adams, Tristam
  • The Secessionist Manifestos of Certain Received Wisdoms. (2019) Akomfrah, John and Eshun, Kodwo
  • Advisory Board member of Barbican Centre "AI - More than Human" Exhibition. (2019) Amaro, Ramon
  • Artificial Intelligence: warped, colorful forms and their unclear geometries. (2019) Amaro, Ramon
  • As If. (2019) Amaro, Ramon html
  • Darkness, as a first act of creation. (2019) Amaro, Ramon
  • Uncovering Race: What Machine Learning Reveals About Humans and Algorithms. (2019) Amaro, Ramon
  • Abstraction. (2019) Andrews, Jorella G.
  • Decolonising the Self: Phenomenological Strategies. (2019) Andrews, Jorella G.
  • Erasure and epoche: phenomenological strategies for thinking in and with devastation. (2019) Andrews, Jorella G. picture_as_pdf
  • ‘Interviewing Images’: Using IPA (Interpretative Phenomenological Analysis) in visual arts research. (2019) Andrews, Jorella G.
  • Making our way in semi-obscurity. (2019) Andrews, Jorella G.
  • Mystical Materialities: Jorella Andrews on recent re-orientations towards Christian mystic traditions in art. (2019) Andrews, Jorella G.
  • Practices of Stewardship: Albion Millennium Green and the Albion Millennium Green Labyrinth as an Agent of Care. (2019) Andrews, Jorella G.
  • Trustee, Association for Art History. (2019) Andrews, Jorella G.
  • Using Phenomenology in Contemporary Arts Research: an introduction. (2019) Andrews, Jorella G.
  • Using Phenomenology in Contemporary Arts Research: an introduction. (2019) Andrews, Jorella G.
  • Painting, Largesse and Life: A Conversation with Leah Durner. (2019) Andrews, Jorella G. and Durner, Leah
  • Using Phenomenology in Contemporary Arts Reserach & Pedagogy Workshop 2: Phenomenological encounters with non-western and diasporic objects-images-architeves-&-artworlds (Phenomenology, displacement and decoloniality). (2019) Andrews, Jorella G.; Say, Jeffrey and Veal, Clare
  • Returning Life to Life: The Factory of Cine sin Autor. (2019) Bella Piñeiro, María
  • Live Body: An interview with Anne E. Berger. (2019) Berger, Anne Emmanuelle and Vráblíková, Lenka
  • Icosahedron. (2019) Blas, Zach html
  • Alien Sound: Ambient Music and the Limits of the Human. (2019) Brar, Dhanveer Singh
  • No work. All Play. (2019) Brar, Dhanveer Singh description
  • The Power of Gods and the Forces of Nature - On Music and Popular Modernisms. (2019) Brar, Dhanveer Singh and Rekret, Paul
  • Fictioning: The Myth-Functions of Contemporary Art and Philosophy. (2019) Burrows, David and O'Sullivan, Simon D.
  • Personal tagging in Zotero Groups: A “messy” and collaborative resource list for BA Design students. (2019) Charalambides, Sarah
  • Wounds of Unbecoming: an introduction to the work of Tai Shani. (2019) Crone, Bridget picture_as_pdf
  • "Future" in The Bloomsbury Handbook of 21st Century Feminist Theory. (2019) Crone, Bridget and Gunkel, Henriette picture_as_pdf
  • From Tigersprung to the Appropriation of Unreality: Between Benjamin and Agamben on Baudelaire. (2019) Doussan, Jenny
  • Undercurrents: Submergence and the Hidroituango Megadam. (2019) Duncan, Ifor
  • Conscription and Critique. (2019) Ertür, Başak
  • Law of Denial: The Armenian Genocide at the European Court of Human Rights. (2019) Ertür, Başak
  • Note sulla difficoltà di scrivere a proposito della violenza di Stato. (2019) Ertür, Başak
  • INFINITY minus Infinity. (2019) Eshun, Kodwo
  • The Otolith Group: Xenogenesis Short Guide. (2019) Eshun, Kodwo
  • To Win the War, You Fought It Sideways: Kojo Laing's Major Gentl and the Achimota Wars. (2019) Eshun, Kodwo
  • 'We are the Gods Trapped in Cocoons': Neural Entertainment in Get Out. (2019) Eshun, Kodwo
  • Artist Talk: Tony Cokes and Kodwo Eshun. (2019) Eshun, Kodwo and Cokes, Tony
  • The Otolith Group: Xenogenesis. (2019) Eshun, Kodwo and Sagar, Anjalika
  • Liberation On and Off Screen: Black Panther and Black Liberation Theory. (2019) Faramelli, Anthony
  • Performance Art Can Change Your Life! Shame Attacking and Parrhesia as Feminist Practices of Freedom. (2019) Fox, Oriana M.
  • Erotic Responsiveness: An Ethics of Auto/biographical Art-Writing. (2019) Georgiou, Diana
  • Consciousness-Raising and Beyond. (2019) Grant, Catherine
  • The Graveyards of Community Gathering: Archiving Lesbian and Feminist Life in London. (2019) Grant, Catherine description
  • A Letter Sent, Waiting to be Received: Queer Correspondence, Feminism and Black British Art. (2019) Grant, Catherine
  • More than a schoolgirl crush: Amy Adler and the adolescent fan. (2019) Grant, Catherine
  • Returning to Riddles. (2019) Grant, Catherine
  • Fandom as Methodology: Introduction. (2019) Grant, Catherine and Random Love, Kate
  • Alienation and Queer Discontent. (2019) Gunkel, Henriette
  • Future. (2019) Gunkel, Henriette and Crone, Bridget
  • Lift Off...An Introduction. (2019) Gunkel, Henriette and Lynch, Kara
  • Academy of the Fine Arts Vienna screening. (2019) Hameed, Ayesha
  • And Evil Earth maybe it’s time for a rumble. (2019) Hameed, Ayesha
  • Black Atlantis. (2019) Hameed, Ayesha
  • Black Atlantis: Bodies and Storms. (2019) Hameed, Ayesha
  • Black Atlantis: Retrograde Futurism. (2019) Hameed, Ayesha
  • “Black Atlantis” at Symposium ‘Black Mediterranean’. (2019) Hameed, Ayesha
  • "The Bloop" and "Jupiter". (2019) Hameed, Ayesha
  • “The Bloop”; “Jupiter". (2019) Hameed, Ayesha
  • Glasgow Film Festival. (2019) Hameed, Ayesha
  • Gothenburg Biennale. (2019) Hameed, Ayesha
  • Lubumbashi Biennale. (2019) Hameed, Ayesha
  • “Retrograde Futurism” in Book Launch Panel for Work, Body, Leisure (Architectural Association). (2019) Hameed, Ayesha
  • Soot Breath: Trans-boarding. (2019) Hameed, Ayesha
  • The Time and Sound of the Nautical Border. (2019) Hameed, Ayesha
  • A Transatlantic Periodic Table. (2019) Hameed, Ayesha
  • Wadi Rum Film Festival. (2019) Hameed, Ayesha
  • And Evil Earth, Maybe It’s Time For A Rumble. (2019) Hameed, Ayesha and Muyanga, Neo
  • GIBCA Conversations: dialogue with curator Lisa Rosendahl. (2019) Hameed, Ayesha and Rosendahl, Lisa
  • Contentious Crossings: Struggles and Alliances for Freedom of Movement across the Mediterranean Sea. (2019) Heller, Charles and Pezzani, Lorenzo
  • Cortocircuitos del Museo y la Autonomía. (2019) Hernández Velázquez, Y. M.
  • Debate: "Beyond Capitalist Realism" | Internationalism After the End of Globalisation. (2019) Hernández Velázquez, Y. M.
  • Imagining Curatorial Practice after 1972. (2019) Hernández Velázquez, Y. M.
  • Ponerse en el mapa. Cosmopolitismo provinciano en los años del Boom. (2019) Hernández Velázquez, Y. M.
  • Who Needs “Exhibition Studies”? (2019) Hernández Velázquez, Y. M. picture_as_pdf
  • Ayesha Hameed and Moira Hille “In conversation”. (2019) Hille, Moira and Hameed, Ayesha
  • Member, Indus Valley School of Art and Architecture, Liberal Arts Review Panel. (2019) Madani, Adnan
  • Phasmid Project, Fig.1 and Fig.2. (2019) Madani, Adnan and Alesworth, David
  • Marx 1845 or the Fateful Rejection of Anschauung. (2019) Martinon, Jean-Paul
  • Race and Universality: Meillassoux Meets Eze and Wiredu. (2019) Martinon, Jean-Paul
  • Autosociobiography: Annie Ernaux and the Collective Sensorium. (2019) McAuliffe, Sam
  • Black Dust: Raymond Queneau and The Encyclopedia of the Inexact Sciences. (2019) McAuliffe, Sam
  • Critique and Society: Whose Society? (2019) McAuliffe, Sam
  • Painting, Writing and the Time of an Encounter (Félix Fénéon, by way of André du Bouchet). (2019) McAuliffe, Sam
  • Precarious Ascent: Trace and Terrain in René Daumal's Mount Analogue. (2019) McAuliffe, Sam
  • A Professional Conscience: On an Episode of Self-Accusation in Raymond Queneau's The Last Days. (2019) McAuliffe, Sam
  • à corps: the corpus of deconstruction. (2019) Mercier, Thomas Clément and Vráblíková, Lenka
  • Why wasn't the rentier euthanised? A review of The New Enclosure: The Appropriation of Public Land in Neoliberal Britain. (2019) Moreno, Louis
  • End-of-the-World Trade: On the Speculative Economies of Art and Extraction. (2019) Moreno, Louis and Vishmidt, Marina
  • Co-Living Platforms - Is Complexity Producible? (2019) Mörtenböck, Peter
  • The Art of Crafting Formal-Informal Linkages: On the Enduring Appeal of Belo Horizonte’s Hippie Fair. (2019) Mörtenböck, Peter and Mooshammer, Helge
  • City as Interface. Self-generating Urban Environments and the Question of Labour. (2019) Mörtenböck, Peter and Mooshammer, Helge picture_as_pdf
  • Data is Not a Property But a Relation. (2019) Mörtenböck, Peter and Mooshammer, Helge
  • Data is a Relation not a Property. (2019) Mörtenböck, Peter and Mooshammer, Helge
  • Die räumliche Wirkungsmacht ökonomischer Verschiebungen. (2019) Mörtenböck, Peter and Mooshammer, Helge
  • Digital Sharing & Data Commons. (2019) Mörtenböck, Peter and Mooshammer, Helge
  • Frontier Climates – Managing the Global Commons. (2019) Mörtenböck, Peter and Mooshammer, Helge picture_as_pdf
  • The Propertied and the Propertyless. (2019) Mörtenböck, Peter and Mooshammer, Helge
  • Fictioning. (2019) O'Sullivan, Simon D.
  • Fictioning and Fabulation. (2019) O'Sullivan, Simon D.
  • From Mythopoesis to Myth-Science. (2019) O'Sullivan, Simon D.
  • Mythopoesis and Art Scenes. (2019) O'Sullivan, Simon D.
  • Mythopoesis, Fabulous Images, and Memories of a Sorcerer. (2019) O'Sullivan, Simon D.
  • Masked-Puja for Meme-Tech-Animals. (2019) O'Sullivan, Simon D. and Burrows, David
  • The Myth-Functions of Contemporary Art and Philosophy. (2019) O'Sullivan, Simon D. and Burrows, David
  • The Seed Archive Breakout and the Burning of Elon Musk. (2019) O'Sullivan, Simon D. and Burrows, David
  • The Seed Archive Breakout and the Burning of Elon Musk. (2019) O'Sullivan, Simon D. and Burrows, David
  • Zero City/Mars Year 0. (2019) O'Sullivan, Simon D. and Burrows, David
  • Moving Together: Affect, Time and The Political in-between Bodies. (2019) Ozbay, Semiha Muge
  • Cohabiting the Microcosm and Macrocosm. (2019) Roberdeau, Wood
  • Eco-Aesthetic Opacity and the Moving Image. (2019) Roberdeau, Wood
  • Experiments in Eco-poiesis: The Long-term Praxis of herman de vries. (2019) Roberdeau, Wood
  • Feed Our Progress. (2019) Roberdeau, Wood
  • Living Extinctions: Visual Cultures Public Programme Autumn Term 2019. (2019) Roberdeau, Wood and Turner, Lynn
  • Walking to School Through a Camp: A Short Tale of Infrastructure. (2019) Rogoff, Irit picture_as_pdf
  • Addressivity in Online Platforms. (2019) Rosamond, Emily
  • Character Capital: Social Impact Bonds and the Financialization of Behaviour. (2019) Rosamond, Emily
  • Developing an Experimental Retreat-Based Model for Fine Art Theory-Practice Teaching and Learning. (2019) Rosamond, Emily
  • The Emancipated Trait: Characteristics Beyond Character in Online Surveillance. (2019) Rosamond, Emily
  • From Reputation Capital to Reputation Warfare. (2019) Rosamond, Emily
  • The Future-Oracular. (2019) Rosamond, Emily
  • The Future-Oracular: Prediction, Divination and the Politics of Certainty. (2019) Rosamond, Emily
  • The Hidden Track. (2019) Rosamond, Emily
  • Le capital de tempérament : les Actions à impact social et la financiarisation du comportement. (2019) Rosamond, Emily
  • Roundtable: History in Financial Times. (2019) Rosamond, Emily
  • Tall Grass Tells the Time. (2019) Rosamond, Emily
  • This Community of Self: Algorithmic Friendship and the Performative Profile. (2019) Rosamond, Emily
  • Volatile Measures: the Financialization of Online Reputation. (2019) Rosamond, Emily
  • Mimesis; Narrative; Against Hegemony! (2019) Rosamond, Emily; Charlesworth, Dave; Cove, Ben; Estna, Merike; Gainan, Justin; Goodwin, Katie; Hughes, Catherine; Kiernander, Trevor; Pathan, Alia; Selby, Lisa; Systems House, M.; Taylor, Ross; Tilley, Annabel; Whatmore, Poppy and Zaharia, Madalina
  • Artist Talk: Semio-Technical Traffics. (2019) Rosamond, Emily; Ørum, Kristoffer and Elmstrom, Iben
  • Disaster Film. (2019) Schuppli, Susan
  • LEARNING FROM ICE: Ice Cores. (2019) Schuppli, Susan
  • Recomposing the image of the world: micropolitical art interventions in the 21st Century. (2019) Shepherd, Jessica
  • Oceans in Crisis. (2019) Territorial Agency; Hameed, Ayesha; Jackson, Jeremy; Otolith Group and Reymann, Markus
  • ‘How like a (Fig) leaf: supplanting shame’. (2019) Turner, Lynn
  • In lieu of conclusion: cardio-pedagogy in Derrida and White God. (2019) Turner, Lynn
  • Raising Animals: two powers of horror between the cellar and the kennel. (2019) Turner, Lynn
  • Raising animals: the becoming-time of space between cellar and kennel. (2019) Turner, Lynn
  • Photography, Politics and Childhood: Exploring children’s multimodal relations with the public sphere. (2019) Varvantakis, Christos; Nolas, Sevasti-Melissa and Aruldoss, Vinnarasan
  • Editorial (Critical Encounters: The "European" Refugee Crisis). (2019) Varvantakis, Christos; Rozakou, Katerina; Anastasiadi, Ifigeneia; Karathanasis, Pafsanias and Aivaliotis, Konstantinos
  • corps à: body/ies in deconstruction. (2019) Vráblíková, Lenka and Mercier, Thomas Clément
  • The subject of circulation: on the digital subject's technical individuations. (2019) Wark, Scott
  • Circulation and its Discontents. (2019) Wark, Scott and Wark, McKenzie
  • In the Wake of Gujarat: The Social Relations of Translation and Futurity. (2019) Wolf, Nicole
    • 2018
  • The Edinburgh Companion to Animal Studies. (2018)
  • Afrofuturism. (2018) Amaro, Ramon
  • Machine learning, surveillance, and the politics of visibility. (2018) Amaro, Ramon
  • Precognition. (2018) Amaro, Ramon
  • The archive as a space in-between history and the production of blackness. (2018) Amaro, Ramon
  • Advocacy for Art History/Visuals Cultures (via the Association for Art History): 2018- Present. (2018) Andrews, Jorella G.
  • Challenging Identities. (2018) Andrews, Jorella G.
  • The Courage to Persevere: Contemporary re-interrogations of faith and their public implications. (2018) Andrews, Jorella G.
  • Decolonising the Self: Phenomenological Strategies. (2018) Andrews, Jorella G. desktop_windows
  • Description, the unorphaned eye, and the cultivation of care. (2018) Andrews, Jorella G.
  • How to Turn Around Trouble: Merleau-Pontean Institution, Aesthetics and the Metaphor of ‘Woman’-as-Hinge. (2018) Andrews, Jorella G.
  • How to Turn Around Trouble: Merleau-Pontean Institution, Aesthetics and the Metaphor of ‘Woman’-as-Hinge,. (2018) Andrews, Jorella G.
  • How to find great galleries and exhibitions (and what to do when you get there). (2018) Andrews, Jorella G.
  • The Question of Painting: Rethinking Thought with Merleau-Ponty. (2018) Andrews, Jorella G.
  • Starting from below: Phenomenological Interventions in Art History and Visual Culture. (2018) Andrews, Jorella G. audio_file
  • Using Phenomenology in Contemporary Arts Research and Pedagogy (Handbook for 3-day Workshop led by Jorella Andrews). (2018) Andrews, Jorella G.
  • Using Phenomenology in Contemporary Arts Research/Interviewing Images: Academic Workshops September 2018 - Present. (2018) Andrews, Jorella G.
  • Using Phenomenology in Contemporary Arts-based Research and Pedagogy. Two-day Workshop. (2018) Andrews, Jorella G.
  • A Fearless Look at the Unspeakable: Visual Cultures Public Programme Sping Term 2018. (2018) Andrews, Jorella G. and Martinon, Jean-Paul
  • Depressive Alcoholic Mother. (2018) Beasley, Becky
  • Body Horror. (2018) Blas, Zach html
  • Contra-Internet. (2018) Blas, Zach
  • Informatic Opacity. (2018) Blas, Zach
  • Is the internet a urinal? (2018) Blas, Zach html
  • The Jubilee of 2033. (2018) Blas, Zach description
  • SANCTUM. (2018) Blas, Zach
  • Klein's Prologues. (2018) Brar, Dhanveer Singh
  • Klein's Prologues. (2018) Brar, Dhanveer Singh
  • Runs Reprise. (2018) Brar, Dhanveer Singh
  • Vibration Totale - 6th December 2018. (2018) Brar, Dhanveer Singh and Kobel, Malte image
  • At a Greater Distance than Sound: Wynter’s ‘new hypothesis’ and the ‘culture of dread’. (2018) Brar, Dhanveer Singh and Moreno, Louis
  • Time Let Me Play: Ideas of Childhood Innocence. (2018) Brar, Dhanveer Singh; Rekret, Paul and Sandhu, Sukhdev
  • John Chilver in conversation with Emily Rosamond. (2018) Chilver, John and Rosamond, Emily
  • Time and Entanglement in Comparative Monument (Shellal). (2018) Crone, Bridget
  • Respondent - On Agamben and gesture. (2018) Doussan, Jenny
  • Sovereign Will. (2018) Doussan, Jenny
  • States of Opacity. Lahore Biennial. (2018) Dyangani Ose, Elvira
  • '36 - '77: A Tremulous Temporal Entity. (2018) Eshun, Kodwo
  • '36 to '77: A Tremulous Private Entity. (2018) Eshun, Kodwo
  • Geomythologies. (2018) Eshun, Kodwo
  • Mais brillante que el sol: Incursiones en la Ficción Sónica. (2018) Eshun, Kodwo
  • Marc Karlin’s Voyages around Susan Meiselas’ Nicaragua Photographs [Catalogue Essay]. (2018) Eshun, Kodwo
  • The Message of the Forest. (2018) Eshun, Kodwo
  • The Nucleus of the Great Union. (2018) Eshun, Kodwo
  • O Horizon. (2018) Eshun, Kodwo
  • Santiniketan Studies. (2018) Eshun, Kodwo
  • Thinking with Mark Fisher. (2018) Eshun, Kodwo
  • Xenogenesis. (2018) Eshun, Kodwo
  • Resistance, Revolution and Fascism: Zapatismo and Assemblage Politics. (2018) Faramelli, Anthony
  • Spaces of Crisis and Critique: Heterotopias Beyond Foucault. (2018) Faramelli, Anthony; White, Robert G; Faramelli, Anthony and Hancock, David
  • Study Group on Black Aesthetics. (2018) Ferreira da Silva, Denise; Hameed, Ayesha; Sharma, Ashwani; Sagar, Anjalika and Eshun, Kodwo
  • The Production of a Factographic Object. (2018) Fisher, Andrew picture_as_pdf
  • Thinking with Conditions: from Public Programming to Radical Pedagogy in and Beyond Contemporary Art. (2018) Graham, Janna
  • ‘Where are we when we think?’ Space, time and emancipatory education in galleries. (2018) Graham, Janna
  • Rückwärts in Richtung queerer Zukunft. (2018) Gunkel, Henriette picture_as_pdf
  • An Act of Citizenship - Mozambican Films from Kuxa-Kanema to a Cinema of Re-sistance. (2018) Gunkel, Henriette and Annas, Max
  • Black Atlantis. (2018) Hameed, Ayesha
  • Black Atlantis – Dancefloors and Seafloors. (2018) Hameed, Ayesha
  • Black Atlantis, Ø Hyperdub. (2018) Hameed, Ayesha
  • Black Atlantis: 'The end of eating everything'. (2018) Hameed, Ayesha
  • Black Atlantis: Retrograde Futurism. (2018) Hameed, Ayesha
  • “Black Atlantis” at "You Send Me" panel discussion. (2018) Hameed, Ayesha
  • "The Bloop“ and "Jupiter". (2018) Hameed, Ayesha
  • Echoes of the South Atlantic talk. (2018) Hameed, Ayesha
  • Keynote Lecture “Retrograde Futurism”. (2018) Hameed, Ayesha
  • Landfall and Departure: Epilogue (Listening to the Sea). (2018) Hameed, Ayesha
  • “Precarious terrain and entangled situations”. (2018) Hameed, Ayesha
  • “Respondent” to Denise Ferreira da Silva. (2018) Hameed, Ayesha
  • Retrograde Futurism. (2018) Hameed, Ayesha
  • “Retrograde Futurism” in Book Launch Panel for Work, Body, Leisure. (2018) Hameed, Ayesha
  • “A Rough History (of the destruction of fingerprints)”. (2018) Hameed, Ayesha
  • The Shaping of a Message. (2018) Hameed, Ayesha
  • Visual Cultures as Time Travel. (2018) Hameed, Ayesha and Gunkel, Henriette
  • “Family Function”. (2018) Hameed, Ayesha and Kane, Hamedine
  • In the Shadow of Our Ghosts. (2018) Hameed, Ayesha and Kane, Hamedine
  • “Working Practices: a collaboration with Clark House”. (2018) Hameed, Ayesha and Kane, Hamedine
  • “In Conversation” with Imran Perretta. (2018) Hameed, Ayesha and Perretta, Imran
  • Liberating the Curator / Liberating the Museum. (2018) Hernández Velázquez, Y. M.
  • A constituent education. (2018) Hernández Velázquez, Y. M.
  • Ghostships & Other Narratives. (2018) Hille, Moira; Hameed, Ayesha; Arabindan-Kesson, Anna; Guerin, Ayasha; De Lucia, Lori A. and McKelvin, Patricia
  • A Labour of Love: The Politics of Presenting Contemporary Art as Part of Commemorations to Mark the United Kingdom’s Bicentenary of the Abolition of the Slave Trade Act 1807- 2007. (2018) Hylton, Richard
  • Mapping the Sisyphean Archives: Archival/Anarchival Performativity of Repetition and Failure in Contemporary Archival Art. (2018) Ji, Gaeun
  • Outside on the Inside: Musical improvisation according to contemporary materialist thought. (2018) Lovett, Matthew
  • Cloud Memories, Desert Dreams. (2018) Madani, Adnan description
  • The frame as borderland: Secular gazes and believing bodies in Bani Abidi’s The Distance From Here (2010). (2018) Madani, Adnan description
  • The Birth of Language or the Necessity of Rule. (2018) Martinon, Jean-Paul
  • Marguerite Duras and the Master Image. (2018) McAuliffe, Sam
  • The Radio Question. (2018) McAuliffe, Sam
  • Always crashing in the same city: real estate, psychic capital and planetary desire. (2018) Moreno, Louis
  • The Urban Process Under Planetary Accumulation by Dispossession. (2018) Moreno, Louis and Bang Shin, Hyun
  • Beyond Architecture on Demand: Rethinking Urban Futures in the Age of Platforms. (2018) Mörtenböck, Peter
  • Crowdfunded Urban Development: Urban narratives as vehicles for new financial markets. (2018) Mörtenböck, Peter and Mooshammer, Helge
  • Crowdfunded Urbanism: Invest in the City you Desire. (2018) Mörtenböck, Peter and Mooshammer, Helge
  • Tent Cities, Peoples Kitchens, Free Universities: The global villages of occupation movements. (2018) Mörtenböck, Peter and Mooshammer, Helge
  • Urban frontiers in the global struggle for capital gains. (2018) Mörtenböck, Peter and Mooshammer, Helge
  • Global Demands: Architecture Research in a Globalised World. (2018) Mörtenböck, Peter; Mooshammer, Helge; Mehrotra, Rahul; Rao, Vyjayanthi; Cruz, Teddy and Forman, Fonna
  • Überlegungen zur Geschichte der “Gastarbeit”. (2018) Nowotny, Stefan
  • Fictioning Five Heads (on the Art—Anthropology Hybrid). (2018) O'Sullivan, Simon D.
  • Fictioning the Landscape. (2018) O'Sullivan, Simon D. description
  • Fictioning: Mythopoesis, Myth-Science, Mythotechnesis. (2018) O'Sullivan, Simon D.
  • Mythopoesis/Myth-Science/Mythotechnesis: Case study, Plastique Fantastique. (2018) O'Sullivan, Simon D.
  • The Seed Archive Breakout and the Burning of Elon Musk. (2018) O'Sullivan, Simon D. and Burrows, David
  • Traitor-Meme. (2018) O'Sullivan, Simon D. and Burrows, David
  • Traitor-Meme. (2018) O'Sullivan, Simon D. and Burrows, David
  • Traitor-Meme. (2018) O'Sullivan, Simon D. and Burrows, David
  • Tank Book Talks (with Will Davies and Ayesha Hameed). (2018) O'Sullivan, Simon D.; Davies, Will and Hameed, Ayesha
  • Work, Body, Leisure: How to read a story about Burn-Out. (2018) Otero, Marina
  • Democratic light: phenomenology and the worldliness of painting. (2018) Prendeville, Brendan description
  • After Baruchello: Agricultural Encounters in Contemporary Art. (2018) Roberdeau, Wood description
  • Monochrome Green: On Eco-Aesthetics, Reductionism and Abstraction. (2018) Roberdeau, Wood
  • Scalar Aesthetics of Ecocinema: The Wall and The Survivalist. (2018) Roberdeau, Wood
  • Becoming Research. (2018) Rogoff, Irit picture_as_pdf
  • Becoming Research. (2018) Rogoff, Irit picture_as_pdf
  • Choreopolitics in the Age of Big Data. (2018) Rosamond, Emily
  • Distortions. (2018) Rosamond, Emily
  • The Ethylene Trio, Part 3: Oracles. (2018) Rosamond, Emily
  • Inflation. (2018) Rosamond, Emily
  • The Investment-Image of Contemporary Art. (2018) Rosamond, Emily
  • It Sees. (2018) Rosamond, Emily
  • Moods of Identification. (2018) Rosamond, Emily
  • Profiling and Predictive Cultures. (2018) Rosamond, Emily
  • Respondent, Art After Money, Money After Art. (2018) Rosamond, Emily
  • Respondent, Rated Agency Book Launch. (2018) Rosamond, Emily
  • Second Selves: Auto/Biography, Figuration and the Financial Subject. (2018) Rosamond, Emily
  • The Sketch in the Work of Frances Stark, Jacolby Satterwhite, and Sue Tompkins. (2018) Rosamond, Emily
  • Small Things Considered - Ceteris Paribus. (2018) Rosamond, Emily
  • Surveillance Capitalist Aesthetics. (2018) Rosamond, Emily
  • Surveillance Capitalist Aesthetics. (2018) Rosamond, Emily
  • Testing. (2018) Rosamond, Emily
  • To sort, to match and to share: addressivity in online dating platforms. (2018) Rosamond, Emily
  • Volatile Measurement Environments. (2018) Rosamond, Emily
  • Zine//o//morph. (2018) Rosamond, Emily; Milne, Alexis and Oi, Lu Ma
  • The Common Sense - Q+A. (2018) Rosamond, Emily; Skinner, Kristie; Weeks, Harry and Gregory, Karen
  • On the Private in Private Higher Education, and Pedagogical Interventions in the Context of the American University of Beirut. (2018) Saadawi, Ghalya
  • Eavesdropping. (2018) Schuppli, Susan
  • Evidence in 74 million million million tons. (2018) Schuppli, Susan
  • External Assessor. (2018) Schuppli, Susan
  • Nature Represents Itself. (2018) Schuppli, Susan
  • Shapes of Decay: A Discussion about Art and Ecology. (2018) Schuppli, Susan
  • Should Videos of Trees have Standing? An Inquiry into the Legal Rites of Unnatural Objects at the ICTY. (2018) Schuppli, Susan
  • Space of Flows. (2018) Schuppli, Susan
  • Stretching the Truth. (2018) Schuppli, Susan
  • Unpacking the Processes of Artistic Knowledge. (2018) Schuppli, Susan
  • A short history of eavesdropping. (2018) Schuppli, Susan audio_file
  • Unravelling Malaysian Subjectivity: Political Identification and Bodily Experience in New Media Art. (2018) Sitharan, Roopesh
  • How like a (fig) leaf. (2018) Turner, Lynn
  • In lieu of conclusion: the bloodless coups of White God. (2018) Turner, Lynn description
  • Red: the cardio-pedagogy of White God. (2018) Turner, Lynn
  • Voice. (2018) Turner, Lynn description
  • Introducing The Edinburgh Companion to Animal Studies. (2018) Turner, Lynn; Broglio, Ronald and Sellbach, Undine description
  • Dispositifs of Touching: A Curatorial Study on the Plazas of Sovereignty. (2018) Vergara Vivanco, Leire
  • Maria Do Mar Pereira: Power, Knowledge and Feminist Scholarship: An Ethnography of Academia. (2018) Vráblíková, Lenka
  • Counter Investigations. (2018) Weizman, Eyal
  • The Long Duration of a Split Second at Turner Prize 2018. (2018) Weizman, Eyal
  • Maps of Defiance: Documenting the Genocide of the Yazidi People in Northern Iraq at London Design Biennale 2018. (2018) Weizman, Eyal
  • Is this just a story? Friendships and fictions for speculative alliances. The Yugantar film collective (1980-83). (2018) Wolf, Nicole
  • Metabolisms of the Feminist Archive and the Nowness of Yugantar (1980–83). (2018) Wolf, Nicole
  • What Cinema, what alliances, Now? Nicole Wolf on Sohail Daulatzai's "Fifty Years of 'The Battle of Algiers': Past as Prologue". (2018) Wolf, Nicole
  • Speculative Feminist Ciné Geography. (2018) Wolf, Nicole and Dutta, Madhusree
  • Archival Constellations. (2018) Wolf, Nicole and Schulte Strathaus, Stefanie
    • 2017
  • The Fisher-Function. (2017)
  • Futures and Fictions. (2017) picture_as_pdf
  • The Sensible Stage:Staging and the Moving Image. (2017)
  • Warten auf die Barbaren: Zum Gedenken an Edward W. Said. (2017)
  • Articulating Pain: Writing the Autoimmune Self. (2017) Andrews, Alice
  • Mapping Otherwise: Imagining other futures and other possibilities. (2017) Awan, Nishat
  • GAME:MONUMENT. (2017) Bajec, Manca
  • Metric Mysticism. (2017) Blas, Zach
  • im here to learn so :)))))). (2017) Blas, Zach and Wyman, Jemima image
  • Bass / Mascon. (2017) Brar, Dhanveer Singh
  • Eddie George’s Fugitive Saturations. (2017) Brar, Dhanveer Singh
  • Gaze: Utterance. (2017) Brar, Dhanveer Singh
  • Introduction to performance by Larry Achiampong. (2017) Brar, Dhanveer Singh
  • Atmosphere and Architecture in the Distributed Intelligence of Soundsystems: Glass Bead in conversation with Lee Gamble and Dhanveer Singh Brar. (2017) Brar, Dhanveer Singh and Gamble, Lee html
  • Down With Childhood. (2017) Brar, Dhanveer Singh; Rekret, Paul; Thompson, Marie and Sarkar, Ash
  • In Turkey, academics asking for peace are accused of terrorism. (2017) Butler, Judith and Ertür, Başak
  • Provocation: Self-precarisation. (2017) Charalambides, Sarah picture_as_pdf
  • Situating self-precarisation: Cultural production, subjectification and resistance in kleines postfordistisches Drama’s Kamera Läuft! (2017) Charalambides, Sarah
  • CalArts WHAP! Lecture Series: Bridget Crone. (2017) Crone, Bridget
  • Comparative Monument (Shellal): Steadfastness and the Temporal Body. (2017) Crone, Bridget
  • Flicker Time and Fabulation. (2017) Crone, Bridget
  • Image and the Appearance of the Image: Fear, Speed, Force. (2017) Crone, Bridget
  • Notes Towards a Sensible Stage. (2017) Crone, Bridget picture_as_pdf
  • Propositions for a stage: 24 frames of a beautiful heaven. (2017) Crone, Bridget
  • Propositions for a stage: 24 frames of a beautiful heaven. (2017) Crone, Bridget
  • Spectral Ecologies. (2017) Crone, Bridget
  • Spectral Ecologies. (2017) Crone, Bridget
  • A Feminist Space at Leeds: collective reflections on an “Event”. (2017) Daly, Ruth; Mitchell, Elspeth; Park, Gill; Vráblíková, Lenka and Zhao, Yelin
  • Unstable Mediation – Regarding the United Nations as a Visual Entity. (2017) Damaso, Mafaldo
  • Project Borderland: A Multi-Sited Curatorial and Anthropological Probing in Selected Parts of India. (2017) Dasgupta, Anshuman
  • Radical Bodies in Music Video: Feminism, Queerness, and Subversive Performance of Gender. (2017) Donnelly, Ryann
  • Forgotten Witnessing. (2017) Doussan, Jenny
  • ‘Becoming Post-apartheid and other history-related consideration in the collective work of Kemang Wa Lehulere. (2017) Dyangani Ose, Elvira
  • How about this? On a sense of togetherness. Elvira Dyangani and Magdalena Malm in conversation. (2017) Dyangani Ose, Elvira
  • Post-Agonistics: Pluralism, Realism and the Image. (2017) El Baroni, Bassam
  • Picturing Politics: Drawing Out the Histories of Collective Political Action in Contemporary Art. (2017) Ellul, Hannah
  • The onus of thought in the War on Terror. (2017) Ertür, Başak
  • Türkçe Basıma Sunuş: Çeviride Mülksüzleşme. (2017) Ertür, Başak; Butler, Judith and Athanasiou, Athena picture_as_pdf
  • Algorithmic Poetics. (2017) Eshun, Kodwo
  • The Algorithmic Poetics of @GlissantBot. (2017) Eshun, Kodwo
  • The Algorithmic Poetics of @GlissantBot. (2017) Eshun, Kodwo
  • Ceddo in the Future of 1976. (2017) Eshun, Kodwo
  • The Circuit of Enslavement. (2017) Eshun, Kodwo
  • Drexciya as Spectre [Catalogue Essay]. (2017) Eshun, Kodwo
  • The Eastman Complex. (2017) Eshun, Kodwo
  • Fukushima Artists Films. (2017) Eshun, Kodwo
  • Fukushima and Visual Inquiry. (2017) Eshun, Kodwo
  • @GlissantBot (2017-2023). (2017) Eshun, Kodwo
  • Glissantbot. (2017) Eshun, Kodwo
  • The Jet Propelled Take Off of the Black Star. (2017) Eshun, Kodwo
  • The Literal Technology of the Hartman Circuitry. (2017) Eshun, Kodwo
  • Modernization Theories and Modernist Poetics in Transition Magazine. (2017) Eshun, Kodwo
  • On Her Devolves The Labour: Cinematic Time Travel of the Song of the Shirt. (2017) Eshun, Kodwo
  • The Radiant. (2017) Eshun, Kodwo
  • Sunrise: A Song of Two Humans, Screening and Conversation with John Akomfrah. (2017) Eshun, Kodwo
  • The Third Part of The Third Measure, Screening and Conversation with Anthony Elms. (2017) Eshun, Kodwo
  • The Third Part of The Third Measure, Screening and Conversation with Boris Ondreicka. (2017) Eshun, Kodwo
  • When Matter Thinks. (2017) Eshun, Kodwo and Biemann, Ursula
  • The Decolonised Clinic: Fanon with Foucault. (2017) Faramelli, Anthony
  • Glissant versus Fanon. (2017) Faramelli, Anthony
  • La réduction des risques au Royaume-Uni et le double diagnostic. (2017) Faramelli, Anthony
  • Imaginative Variation: Photographic Scale and Photographic Horizons. (2017) Fisher, Andrew picture_as_pdf
  • Dos relatos sobre un «nosotros» Malestar en las fronteras entre arte, educación e investigación. (2017) Graham, Janna
  • Grammars of the Possible: Moving Beyond Binaries of Representation and Non-Representation in Gallery Education. (2017) Graham, Janna
  • Technologies for Living Otherwise: Arts Pedagogy as Social Reproduction and Movement Building. (2017) Graham, Janna
  • ‘A strong curatorial vision for the neighbourhood’: Countering the diplomatic condition of the arts in urban neighbourhoods. (2017) Graham, Janna
  • Learning and Playing: Re- enacting Feminist Histories. (2017) Grant, Catherine
  • Companions Meet as Spaces Fold. A Conversation. (2017) Gunkel, Henriette and McGeorge, Eline
  • Black Atlantis: The Plantationocene. (2017) Hameed, Ayesha
  • The Destruction of Fingerprints. (2017) Hameed, Ayesha
  • The Destruction of Fingerprints. (2017) Hameed, Ayesha
  • A Rough History (of the destruction of fingerprints) - film and performance. (2017) Hameed, Ayesha
  • A Rough History (of the destruction of fingerprints). (2017) Hameed, Ayesha
  • Sonic Utopias: The Last Angel of History. A Conversation between Ayesha Hameed, Kodwo Eshun and Louis Moreno. (2017) Hameed, Ayesha; Eshun, Kodwo and Moreno, Louis
  • 'Futures and Fictions: A Conversation between Henriette Gunkel, Ayesha Hameed and Simon O'Sullivan.'. (2017) Hameed, Ayesha; Gunkel, Henriette and O'Sullivan, Simon D.
  • El arte de la institución. (2017) Hernández Velázquez, Y. M.
  • Edging Disciplines. (2017) Martinon, Jean-Paul description
  • Time Unshackled. (2017) Martinon, Jean-Paul
  • Decorum and Insolence in Robert Walser’s Dialectic of Manners. (2017) McAuliffe, Sam
  • Fable. (2017) McAuliffe, Sam
  • Image and Thought in Adorno, Blanchot and Deleuze. (2017) McAuliffe, Sam
  • The Imagination of Detail: Barthes and the Politics of Utopia. (2017) McAuliffe, Sam description
  • Inner Voice. (2017) McAuliffe, Sam
  • The Way Out: Kant and Kafka on Nature and History. (2017) McAuliffe, Sam
  • Women cooking art: Hospitality and contemporary art practices. (2017) Meneses Romero, Mariana
  • Choreo-graphy: The Deinstitutionalisation of the Body and the Event of Writing. (2017) Moon, Je Yun
  • David Harvey. (2017) Moreno, Louis
  • Frontier Climates. (2017) Mörtenböck, Peter and Mooshammer, Helge
  • Other Markets. (2017) Mörtenböck, Peter and Mooshammer, Helge
  • Other Markets: The Global Struggle of Informal Trading Places. (2017) Mörtenböck, Peter and Mooshammer, Helge
  • Tent Cities, People’s Kitchens, Free Universities – The Global Villages of Occupation Movements. (2017) Mörtenböck, Peter and Mooshammer, Helge
  • Accelerationism, Hyperstition and Myth-Science. (2017) O'Sullivan, Simon D. description
  • Accelerationism, Prometheanism and Mythotechnesis. (2017) O'Sullivan, Simon D.
  • Fictioning and Practice as Research. (2017) O'Sullivan, Simon D.
  • Fictioning the Landscape: Robert Smithson and Ruins in Reverse. (2017) O'Sullivan, Simon D.
  • The Finite-Infinite Relation: A Conversation with Simon O’Sullivan. (2017) O'Sullivan, Simon D.
  • From Financial Fictions to Mythotechnesis. (2017) O'Sullivan, Simon D.
  • From Science Fiction to Science Fictioning: SF’s Traction on the Real. (2017) O'Sullivan, Simon D. description
  • Memories of a Deleuzian: To Think is Always to Follow the Witches Flight. (2017) O'Sullivan, Simon D.
  • Myth-Science and the Fiction of the Self. (2017) O'Sullivan, Simon D.
  • Mythopoesis or Fiction as Mode of Existence: Three Case Studies from Contemporary Art. (2017) O'Sullivan, Simon D. folder_zip
  • Mythopoesis, Fabulous Images and Memories of a Sorceror. (2017) O'Sullivan, Simon D.
  • Mythopoesis, Scenes and Performance Fictions: Two Case Studies (Crass and Thee Temple ov Psychick Youth). (2017) O'Sullivan, Simon D.
  • Non-Philosophy and Fiction as Method. (2017) O'Sullivan, Simon D.
  • Bi-Son-Oil-Men. (2017) O'Sullivan, Simon D. and Burrows, David
  • Past-Future-Catcher-Repeater. (2017) O'Sullivan, Simon D. and Burrows, David
  • Past-Future-Catcher-Repeater. (2017) O'Sullivan, Simon D. and Burrows, David
  • Traitor-Meme. (2017) O'Sullivan, Simon D. and Burrows, David
  • Traitor-Meme. (2017) O'Sullivan, Simon D. and Burrows, David
  • Welcome Traitor Meme! (2017) O'Sullivan, Simon D. and Burrows, David
  • Ontology Interrupted: Prigogine, Stengers and the Abdication of Physics. (2017) Paganellli, Mattia
  • The Verb, Noun and Dash of Consciousness: on two aspects of the quotidian condition. (2017) Pavlovits, Daniel Imre
  • Training for Exploitation?: Politicising Employability and Reclaiming Education by Precarious Workers Brigade. Foreword: Silvia Federici. (2017) Precarious Workers Brigade, PWB and Federici, Silvia
  • Competing futures, precarious community: realism in post-war Britain. (2017) Prendeville, Brendan
  • An Accidental Document of the Beginnings of the Civil War in Madrid: Notes on Carne de Fieras. (2017) Ramos Martinez, Manuel html
  • Kurt Schwitters and 27 Senses: Resonances in Norway, England and Time. (2017) Roberdeau, Wood
  • Time and (Un)doing. (2017) Roberdeau, Wood
  • A Withdrawing Vital Material. (2017) Roberdeau, Wood
  • Keeping in Reserve: Rethinking Earth Crises through Acts and Architectures of Reservation. (2017) Rodrigues, Joana Trigueiros Rafael Sampaio
  • The Way We Work Now. (2017) Rogoff, Irit
  • Who do WE face? (2017) Rogoff, Irit description
  • Developing Student-Centred Metacognitive Parameters for Writing Feedback. (2017) Rosamond, Emily
  • Financial Vision and the Disinterested Gaze of Power. (2017) Rosamond, Emily
  • The Future-Oracular: Prediction, Divination and the Politics of Certainty. (2017) Rosamond, Emily
  • Identity Trouble. (2017) Rosamond, Emily
  • The Infinite Mix. (2017) Rosamond, Emily description
  • It Sees (Notes Toward a Cultural History of Financial Vision). (2017) Rosamond, Emily
  • New Fluidities: Borders in the Age of Continuous Transformation. (2017) Rosamond, Emily
  • On Reputation and Addiction. (2017) Rosamond, Emily
  • Plymouth Contemporary. (2017) Rosamond, Emily
  • Removing the Cap: Institutional Affectivity and the Financialization of British Art Education. (2017) Rosamond, Emily
  • Reputation Addiction. (2017) Rosamond, Emily
  • Reputation Capital/Reputation Warfare: Two Versions of the Optimal. (2017) Rosamond, Emily
  • Reputation Management, Surveillance Capitalism and the Politics of Nudging. (2017) Rosamond, Emily
  • Reputation Power. (2017) Rosamond, Emily
  • Theatre of Information. (2017) Rosamond, Emily
  • Discussion: Telepathy as Feminist Methodology. (2017) Rosamond, Emily and Zubillaga, Luciano
  • Charlotte Salomon. Bilder eines Lebens. (2017) Schmetterling, Astrid
  • Uriel Orlow’s Unmade Film: A Multidirectional Archive for Palestinian and Israeli Traumatic Memory. (2017) Schmetterling, Astrid
  • Atmospheric Feedback Loops. (2017) Schuppli, Susan
  • Computing the Law / Searching for Justice. (2017) Schuppli, Susan
  • Consultant to the V&A. (2017) Schuppli, Susan
  • Ex-Ante. (2017) Schuppli, Susan
  • The Images of War. (2017) Schuppli, Susan
  • Le subterfuge des écrans / The Subterfuge of Screens. (2017) Schuppli, Susan
  • Material Truths. (2017) Schuppli, Susan
  • Moscow Biennale. (2017) Schuppli, Susan
  • Resolution is not the Point. (2017) Schuppli, Susan
  • Ural Industrial Biennial. (2017) Schuppli, Susan
  • Subjectility : On Reading Artaud. (2017) Shaw, Jonathan Keith
  • ‘Give them some more time’: the ends of sacrifice in White God. (2017) Turner, Lynn description
  • The Oestrus Complex: soliciting the sexual contract of whale song. (2017) Turner, Lynn description
  • Podcasting: The Becoming-Space of Voices’. (2017) Turner, Lynn description
  • Sacrifice and Decision: cinematic carnophallogocentrism. (2017) Turner, Lynn
  • Media after the “Medial a Priori”. (2017) Wark, Scott
  • Forensic Architecture: Hacia una estética investigativa. (2017) Weizman, Eyal
  • Forensic Architecture: Towards an Investigative Aesthetics. (2017) Weizman, Eyal
  • Forensic Architecture: Violence at the Threshold of Detectability. (2017) Weizman, Eyal
  • 77sqm_9:26min. (2017) Weizman, Eyal; Varvia, Christina; Rowat, Simone and Levidis, Stefanos
  • Visible Art Awards 2017. (2017) Wielander, Judith and Luccheti, Mateo
  • ‘To make a film means to take a position’ (Sarah Maldoror). (2017) Wolf, Nicole
    • 2016
  • Erinnerungsorte in Bewegung. Zur Neugestaltung des Gedenkens an Orten nationalsozialistischer Verbrechen. (2016)
  • Post-Punk Then and Now. (2016)
  • Something is Rotten in the State. (2016)
  • Travelling Communiqué: Studying Practices of decolonial thinking through the presidential Photo Archive of Josip Broz Tito at the Museum of Yugoslav History. (2016)
  • Visual Cultures as Opportunity. (2016)
  • Digital Hysteria: A proposal on violence and humanism. (2016) Amaro, Ramon
  • The Forge of Vision: A Visual History of Modern Christianity David Morgan. (2016) Andrews, Jorella G.
  • Philosophy, Art and Religion. (2016) Andrews, Jorella G.
  • The Socialities of Things. (2016) Andrews, Jorella G. picture_as_pdf
  • This is Rembrandt. (2016) Andrews, Jorella G.
  • ‘Where is called Thinking?’. (2016) Andrews, Jorella G.
  • Immeasurable Extravagance: Proposals for an Economy of Abundance in an Age of Scarcity. (2016) Andrews, Jorella G. and Durner, Leah
  • Diasporic Agencies: Mapping the City Otherwise. (2016) Awan, Nishat
  • Digital Narratives and Witnessing: The Ethics of Engaging with Places at a Distance. (2016) Awan, Nishat description
  • Edges of Europe: Visuality, ethics and witnessing in social research. (2016) Awan, Nishat
  • Introduction to Border Topologies. (2016) Awan, Nishat
  • Migrant Narratives of Citizenship: A Topological Atlas of European Belonging. (2016) Awan, Nishat
  • Biennial of Moving Image. Geneva. 2016. (2016) Bellini, Andrea; Dyangani Ose, Elvira; Bourgeois, Caroline and Alemani, Cecilia
  • “‘A Cage of Information,’ or, What is a Biometric Diagram?”. (2016) Blas, Zach
  • Contra-Internet. (2016) Blas, Zach description
  • "Gay Bombs: Getting Started". (2016) Blas, Zach
  • Opacities: An Introduction. (2016) Blas, Zach description
  • “Vacuoles of Noncommunication: From Invisible Adversary to Invisible Revolt". (2016) Blas, Zach description
  • "Biometrics and Opacity: A Conversation". (2016) Blas, Zach and Gaboury, Jacob description
  • On Forensic Architecture: A Conversation with Eyal Weizman. (2016) Bois, Yve-Alain; Feher, Michel; Foster, Hal and Weizman, Eyal
  • Amiri Baraka (1934 - 2014). (2016) Brar, Dhanveer Singh
  • Architektural Planning. (2016) Brar, Dhanveer Singh
  • Architekture and Teklife in the Hyperghetto: The Sonic Ecology of Footwork. (2016) Brar, Dhanveer Singh description
  • Black Secret Technology. (2016) Brar, Dhanveer Singh
  • Ghettoville. (2016) Brar, Dhanveer Singh
  • Poverty, Abstraction, Debt: Actress’ Ghettoville. (2016) Brar, Dhanveer Singh
  • Walking Bsss. (2016) Brar, Dhanveer Singh and Okiji, Fumi
  • Can we be strong in our weakness? Conversation between female trouble and Samlingen. (2016) Charalambides, Sarah
  • Precarity as activism: Breaking through existing logics of security and insecurity. (2016) Charalambides, Sarah picture_as_pdf
  • Situating gender in precarity: Against “each one for herself”. (2016) Charalambides, Sarah picture_as_pdf
  • Situating precarity in feminist art practice. (2016) Charalambides, Sarah picture_as_pdf
  • When the common ground is shattered: Drifting through feminised precarious space. (2016) Charalambides, Sarah picture_as_pdf
  • Autonomy and precarisation: A talk by Isabell Lorey with a screening of kleines postfordistisches Drama’s Kamera Lauft! (2016) Charalambides, Sarah and Berry, Josephine description
  • Modern Art Oxford | Dr Bridget Crone on Mona Hatoum's early performance work. (2016) Crone, Bridget
  • Opera as Method in the Work of Grace Schwindt. (2016) Crone, Bridget
  • The Visitor Talks Plus One: Bridget Crone. (2016) Crone, Bridget
  • The Politics of Public Space and the Emergence of the Commons in Contemporary Athens. (2016) Dimitriou, Orsalia
  • Writing Lines: Agamben contra Nietzsche. (2016) Doussan, Jenny
  • Crime Scenes | A Hundred Years of Photographic Evidence. (2016) Dufour, Diane; Lebart, Luce; Delage, Christian and Weizman, Eyal
  • Betye Saar: Uneasy Dancer. (2016) Dyangani Ose, Elvira
  • Hypothesis for an Institution. (2016) Dyangani Ose, Elvira picture_as_pdf
  • Nástio Mosquito: T.T.T.-Template Temples of Tenacity. (2016) Dyangani Ose, Elvira
  • Theaster Gates - True Value. (2016) Dyangani Ose, Elvira
  • States of Opacity. Art, Politics and New Social Imaginaries. International Symposium at Dakart 2016. (2016) Dyangani Ose, Elvira and Ambrožič, Mara
  • Slight Agitation. 4/4 Laura Lima. (2016) Dyangani Ose, Elvira; Bashar, Shumon; Roelstraete, Dieter and Liber, Cédric
  • Betye Saar: Uneasy Dancer. (2016) Dyangani Ose, Elvira and Mainetti, Mario picture_as_pdf
  • Quaderno: Template Temples of Tenacity: Nástio Mosquito. (2016) Dyangani Ose, Elvira and Mainetti, Mario
  • Barricades: resources and residues of resistance. (2016) Ertür, Başak
  • "Le Chevalier d'Éon": wagering in a wilderness of mirrors (English) / "Le Chevalier d'Éon": Aynaların Yabanında Bahse Tutuşmak (Turkish). (2016) Ertür, Başak picture_as_pdf
  • The conspiracy archive: Turkey's deep state on trial. (2016) Ertür, Başak
  • Introduction. (2016) Ertür, Başak and Martel, James
  • Artist Talk. (2016) Eshun, Kodwo
  • Between Times: Marc Karlin Weekend, Meanwhile. (2016) Eshun, Kodwo
  • Co-Op Dialogues 1996-2016. (2016) Eshun, Kodwo
  • Continental Afrofutures Lecture One. (2016) Eshun, Kodwo
  • Continental Afrofutures Lecture Two. (2016) Eshun, Kodwo
  • Decolonizing Nature. (2016) Eshun, Kodwo
  • An Endless Suddenness. (2016) Eshun, Kodwo
  • Fear of a Wet Planet. (2016) Eshun, Kodwo
  • The Final Scene of Hyenas: A Parenthetical Incorporation. (2016) Eshun, Kodwo
  • The Final Scene of Hyenas: An Parenthetical Incorporation. (2016) Eshun, Kodwo
  • The Forgotten Space. (2016) Eshun, Kodwo
  • Genres of the Human. (2016) Eshun, Kodwo
  • A Hunter Shooting Waterbirds. (2016) Eshun, Kodwo
  • In Conversation with Apitchatpong Weerasethakul. (2016) Eshun, Kodwo
  • The Many Lives of Peter Wollen Part 2. (2016) Eshun, Kodwo
  • Methods of Animating the Second Wars of Existence in Kojo Laing’s Achimota City. (2016) Eshun, Kodwo
  • Narrating the Race to Zero. (2016) Eshun, Kodwo
  • On Opacity in Senghor and Glissant, States of Opacity: Art, Politics and New Social Imaginaries. (2016) Eshun, Kodwo
  • Prolonging 1961: A Communique Sent to the Future [Catalogue Essay]. (2016) Eshun, Kodwo
  • Screening and Discussion, Song of Ceylon, Basil Wight, 1934. (2016) Eshun, Kodwo
  • Screening of Anathema in conversation with Mark Fisher. (2016) Eshun, Kodwo
  • Uski Roti, Mani Kaul. (2016) Eshun, Kodwo
  • We Are Methane. (2016) Eshun, Kodwo
  • We Wanted This Sense of Fluxing In and Out of History: Kodwo Eshun in Conversation with Sue Clayton. (2016) Eshun, Kodwo
  • The Weakest Link in Every Chain I Always Want To Find It: Green Gartside in Conversation with Kodwo Eshun. (2016) Eshun, Kodwo
  • 'The Weakest Link in Every Chain I Always Want to Find It': Green Gartside in conversation with Kodwo Eshun. (2016) Eshun, Kodwo
  • The object spoke to me but what it said I cannot say [Catalogue Essay]. (2016) Eshun, Kodwo
  • In conversation with Louis Moreno and Ayesha Hameed. (2016) Eshun, Kodwo; Moreno, Louis and Hameed, Ayesha
  • On the Scales of Photographic Abstraction. (2016) Fisher, Andrew
  • The Weird and the Eerie. (2016) Fisher, Mark
  • The Anatomy of an AND. (2016) Graham, Janna
  • Babak Ghazi. (2016) Grant, Catherine
  • A Time of One's Own. (2016) Grant, Catherine description
  • Black Atlantis: The Plantationocene. (2016) Hameed, Ayesha
  • A Rough History (of the destruction of fingerprints). (2016) Hameed, Ayesha
  • Technihil: The Cultural Import of Cognitive Neuroscience. (2016) Lindblom, Jon
  • Formations of the Contemporary : Islam, Globalization and Art. (2016) Madani, Adnan
  • Art Sabka?: Pakistani Cinema Reflected. (2016) Madani, Adnan; Abidi, Bani; Dadi, Iftikhar and Talpur, Mohammad Ali
  • Theaster Gates - True value. (2016) Mainetti, Mario and Dyangani Ose, Elvira picture_as_pdf
  • "To prophesy post hoc": the curious afterlives of oddball archives. (2016) Martin, David L picture_as_pdf
  • "To prophesy post hoc": the curious afterlives of oddball archives. (2016) Martin, David L
  • On This Side of Life: Monstrosity and Mechanicity in Canguilhem and Derrida. (2016) McAuliffe, Sam
  • Kalliopi Lemos's Sculpture of Subjection. (2016) Millner-Larsen, Nadja description
  • Andere Märkte: Zur Architektur der informellen Ökonomie. (2016) Mörtenböck, Peter and Mooshammer, Helge
  • From Urban Talent to Commodity City: Marketplaces in the Informal Economy. (2016) Mörtenböck, Peter and Mooshammer, Helge
  • Visual Cultures as Opportunity. (2016) Mörtenböck, Peter and Mooshammer, Helge
  • Suspending the Archive: Interview given to Jelena Fuzinato, Giovanna Esposito Yussif and Ksenia Kaverina. (2016) Nowotny, Stefan; Fuzinato, Jelena; Esposito Yussif, Giovanna and Kaverina, Ksenia
  • Instituierende Praxen: Bruchlinien der Institutionskritik (2nd revised edition including a new introduction). (2016) Nowotny, Stefan and Raunig, Gerald
  • Accelerationism, Prometheanism and Mythotechnesis. (2016) O'Sullivan, Simon D.
  • Deleuze Against Control: from Fictioning to Myth-Science. (2016) O'Sullivan, Simon D. description
  • Diagrams. (2016) O'Sullivan, Simon D.
  • Diagrams for the Production of Subjectivity. (2016) O'Sullivan, Simon D.
  • Feminist World Building: from Myth-Science to Performance Fiction. (2016) O'Sullivan, Simon D.
  • Myth-Science and the Fictioning of Reality. (2016) O'Sullivan, Simon D.
  • Non-Philosophy and Performance (or, Fiction as Method). (2016) O'Sullivan, Simon D.
  • On Diagrams. (2016) O'Sullivan, Simon D.
  • On the Diagram (and the Practice of Diagrammatics). (2016) O'Sullivan, Simon D.
  • Residual Culture and Magical Thinking. (2016) O'Sullivan, Simon D.
  • Residual Culture and Magical Thinking. (2016) O'Sullivan, Simon D.
  • Bi-Son-Oil-Men. (2016) O'Sullivan, Simon D. and Burrows, David
  • Loop Stories that AIs tell their Children. (2016) O'Sullivan, Simon D. and Burrows, David
  • Loop Stories that AIs tell their Children. (2016) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Review of the Kibbo Kift: Seven Celebrations/Seven Critiques/Seven Parallels. (2016) O'Sullivan, Simon D. and Burrows, David description
  • Summoning the Bit Coin Fairy. (2016) O'Sullivan, Simon D. and Burrows, David
  • First Person as Molecular Subjectivities: Turkey and Turkishness. (2016) Pekun, Didem
  • “Actors Simply Explode”: To Act in the Cinema of Jean-Marie Straub and Danièle Huillet. (2016) Ramos Martinez, Manuel
  • The Cinema of No. (2016) Ramos Martinez, Manuel html
  • Nombrar, Resistir – de los títulos en el cine de Straub y Huillet. (2016) Ramos Martinez, Manuel description
  • People Fever, On the Popular Passions of Peter Watkins' La Commune (Paris 1871). (2016) Ramos Martinez, Manuel description
  • Exposing the Event. A Curatorial Investigation of the Aesthetics of Novelty in the Portuguese Revolution. (2016) Rito, Carolina
  • You Must Carry Me Now: The Cultural Lives of Endangered Species by Bryndís Snæbjörnsdóttir and Mark Wilson. (2016) Roberdeau, Wood
  • An Anecdoted Archive of Exhibition Lives. (2016) Rogoff, Irit html
  • Starting in the Middle: NGOs and Emergent Forms For Cultural Institutions. (2016) Rogoff, Irit description
  • freethought: Bergen Assembly. (2016) Rogoff, Irit image
  • Counter Knowledges and Permissions. (2016) Rogoff, Irit and Attia, Kader description
  • Infrastructure. (2016) Rogoff, Irit; Moreno, Louis; Mollona, Massimiliano; Harney, Stefano and Sternfeld, Nora html
  • Counter Knowledges. (2016) Rogoff, Irit and Sonderegger, Ruth description
  • Algorithmic Witnesses. (2016) Rosamond, Emily
  • Algorithmic Witnesses. (2016) Rosamond, Emily
  • “All Data is Credit Data”: Reputation, Regulation and Character in the Entrepreneurial Imaginary. (2016) Rosamond, Emily
  • Character, Creditworthiness and Reputation: on Representational Logics of Control in the Surveillance Economy. (2016) Rosamond, Emily
  • Dating Big Data: OkCupid's OkTrends. (2016) Rosamond, Emily
  • Decision Aperture in Light Heat (simmer in the measure). (2016) Rosamond, Emily
  • Financial Witness: Investing in Rehabilitation in an Actuarial Age. (2016) Rosamond, Emily
  • First Person Finance. (2016) Rosamond, Emily
  • Francis Alÿs, Ciudad Juárez Projects. (2016) Rosamond, Emily
  • Ghosted Clients, Oriented Strands: Composites and Class in Ian Gonczarow's Painting. (2016) Rosamond, Emily
  • Office/Surface/Tension. (2016) Rosamond, Emily
  • Office/Surface/Tension. (2016) Rosamond, Emily
  • Pixelated City. (2016) Rosamond, Emily
  • A Premonition of the Act, Rose English / with, and, or, without, Florian Roithmayr, Camden Arts Centre. (2016) Rosamond, Emily
  • Risky Behaviour: Social Impact Bonds and the Financialization of Rehabilitation. (2016) Rosamond, Emily
  • Shared Stakes, Distributed Investment: Socially Engaged Art and the Financialization of Social Impact. (2016) Rosamond, Emily
  • Socially Engaged Art and the Financialization of Social Impact. (2016) Rosamond, Emily
  • The Surveillance Economy: Toward a Geopolitics of Personalization. (2016) Rosamond, Emily
  • That's one way of belonging, that's one way of getting the future to circle around the sharkifin of the present. (2016) Rosamond, Emily
  • Weathervane (a score, a spell, a story, a sculpture). (2016) Rosamond, Emily
  • What Moves Us: Immersive Economies and Composite Bodies. (2016) Rosamond, Emily
  • What is Reputation Capital? Character, Power and the Reputation Economy. (2016) Rosamond, Emily
  • Wifi Coming Through the Wallpaper. (2016) Rosamond, Emily
  • The premise does its job and then it's rolled up, it's rolled up like a carpet. (2016) Rosamond, Emily
  • A trigger for each of the oracle's moods, as if she could cut through the thick through the thick crust. (2016) Rosamond, Emily
  • Say What? (2016) Rosamond, Emily; Craig, Kit; Lawler, Alex; Prevett, Jim; Selby, Lisa; Harris, Rowena and Zaharia, Madalina
  • You must answer in the form of a question! (2016) Rosamond, Emily; Harris, Rowena; Prevett, James; Zaharia, Madalina and Craig, Kit
  • Demystifying Japanese Uniqueness. Representations of Life and Death in Contemporary Japanese Fiction Cinema. (2016) Savina, Anastasiya
  • Delay Decay. (2016) Schuppli, Susan
  • Forensic Architecture. (2016) Schuppli, Susan
  • Sound of Sand. (2016) Schuppli, Susan
  • The Sun Placed in the Abyss. (2016) Schuppli, Susan
  • Trace Evidence. (2016) Schuppli, Susan
  • Betrayal. (2016) Simon, Joshua
  • Interview with Eyal Weizman and Stefan Laxness on the theme of 'Open in Action' Open Access Week 2016. (2016) Spillane, Jeremiah and Sahin, Ozden
  • Bilderverbot: Adorno and the Ban on Images. (2016) Truskolaski, Sebastian
  • 'An Unforgettable Image': Staging Beckett's Short Plays. (2016) Tubridy, Derval picture_as_pdf
  • Interviewee: Lynn Turner. Interviewer: Ron Broglio. (2016) Turner, Lynn description
  • Telefoam: species on the shores of Cixous and Derrida. (2016) Turner, Lynn
  • Voice (podcasting). (2016) Turner, Lynn description
  • Derrida Today. (2016) Turner, Lynn and Anderson, Nicole
  • From Performativity to Aporia: Taking 'tremendous responsibility' towards feminism and the university. (2016) Vráblíková, Lenka
  • Roxana and other feminist (hi)stories: Book review of A. E. Berger’s “The Queer Turn in Feminism". (2016) Vráblíková, Lenka
  • The Artist as Translator. (2016) Waldmeier, Martin
  • Forensic Architecture at Venice Architecture Biennale 2016. (2016) Weizman, Eyal
  • A World of Fragile Parts. (2016) Weizman, Eyal
  • The walls have eyes: Buildings reveal the conflict they witness (Interview). (2016) Weizman, Eyal
  • Porous Container and Time and relations. (2016) Wolf, Nicole
  • Sea Sight. (2016) Wolf, Nicole
    • 2015
  • Gilbert Simondon: Media and Technics. (2015)
  • 'In Movement: Women in Africa and the African Diaspora.'. (2015)
  • Botched Taxidermy: New Animal Bodies in Contemporary Art. (2015) Aloi, Giovanni picture_as_pdf
  • Extraterritorial Images: Visual Presence and Absence in the Representation of the Gaza Freedom Flotilla. (2015) Amir, Maayan
  • This is Cézanne. (2015) Andrews, Jorella G. image
  • Postcolonial Ghosts in New Turkish Cinema: A Deconstructive Politics of Memory in Dervis Zaim’s ‘The Cyprus Trilogy’. (2015) Arinc, Cihat
  • Mapping Occupy. (2015) Awan, Nishat and Hoskyns, Teresa
  • Contra-Internet. (2015) Blas, Zach
  • “Queer Darkness”. (2015) Blas, Zach and Cassils, Heather
  • “Has the Internet Become a Human or a Thing, or Have We Become the Internet?”. (2015) Blas, Zach; Kholeif, Omar; Bridle, James and Dullaart, Constant
  • Performative Contradiction and Revolution: Reconsidering Romania. (2015) Bogdan, Jolan
  • Black Outbreak. (2015) Brar, Dhanveer Singh picture_as_pdf
  • Ghetto Thermodynamics. (2015) Brar, Dhanveer Singh picture_as_pdf
  • 'James Brown', 'Jamesbrown', James Brown: Black (music) from the getup. (2015) Brar, Dhanveer Singh description
  • Monarch Drone Communiqué. (2015) Burrows, David; Jackson, Mark; O'Sullivan, Simon D. and Tait, Stuart
  • Just me and the market: Self-Precarisation as activism. (2015) Charalambides, Sarah picture_as_pdf
  • Precarious self-employment. (2015) Charalambides, Sarah picture_as_pdf
  • Precarity as Activism. (2015) Charalambides, Sarah
  • Liquid States and the Image. (2015) Crone, Bridget
  • The Sensible Stage, Diagrams Symposium, GRADcam. (2015) Crone, Bridget description
  • Swamps and stages: affective immersion and strategic discontinuity in the films of Manuel de Landa and Ryan Trecartin. (2015) Crone, Bridget description
  • A Story Within A Story. 8th edition of Göteborg International Biennial for Contemporary Art, GIBCA 2015. (2015) Dyangani Ose, Elvira
  • A Story Within a Story. Catalogue. 8th edition of the Göteborg International Biennial for Contemporary Art (GIBCA). (2015) Dyangani Ose, Elvira
  • A Story within A Story: GIBCA 2015. (2015) Dyangani Ose, Elvira
  • 'A Tendency to Forget, An Urgency to Remember' Introduction and Interview to Angela Ferreira. (2015) Dyangani Ose, Elvira
  • RECTO VERSO. (2015) Dyangani Ose, Elvira; Bashar, Shumon; Liber, Cédric and Roelstraete, Dieter
  • Spectacles and spectres: political trials, performativity and scenes of sovereignty. (2015) Ertür, Başak
  • Anathema, People to Be Resembling and In the Year of the Quiet Sun, Screening and Discussion. (2015) Eshun, Kodwo
  • Artists Moving Image Practice in Britain: From 1990 to today. (2015) Eshun, Kodwo
  • Bad New Days: Discussion with Hal Foster and Alex Potts, The Old is dying and the new cannot be born: States, Strategies, Socialisms. (2015) Eshun, Kodwo
  • Conversation with Diedrich Diederichsen and Nina Montman. (2015) Eshun, Kodwo
  • Eadward Muybridge Zoopraxographer: Screening and Discussion with Thom Andersen. (2015) Eshun, Kodwo
  • The Energetic Impulse [Catalogue Essay]. (2015) Eshun, Kodwo
  • Forms of Discontent in Handsworth Songs The Eros Effect. (2015) Eshun, Kodwo
  • From Left to Night. (2015) Eshun, Kodwo
  • In Conversation with Bonaventure Ndikung. (2015) Eshun, Kodwo
  • In conversation with Ursula Biemann. (2015) Eshun, Kodwo
  • In the Year of the Quiet Sun. (2015) Eshun, Kodwo
  • Keynote Lecture. (2015) Eshun, Kodwo
  • Kodwo Eshun in conversation with Lucas van der Velden [Exhibition Catalogue]. (2015) Eshun, Kodwo
  • Leben BRD, Harun Farocki: Cinema and Speculation. (2015) Eshun, Kodwo
  • Listening to Dambudzo Marachera. (2015) Eshun, Kodwo
  • Listening to FESTAC ’77: In Conversation with Ntone Edjagbe. (2015) Eshun, Kodwo
  • Novaya Zemlya. (2015) Eshun, Kodwo
  • On the Use and Abuse of Youtube for Life. (2015) Eshun, Kodwo
  • The Radiant. (2015) Eshun, Kodwo
  • Rereading the African Writers Series: In Conversation with James Currey. (2015) Eshun, Kodwo
  • Respondent to Tavia Nyong’o. (2015) Eshun, Kodwo
  • Sci-fi futures and the production of subjectivities. (2015) Eshun, Kodwo
  • Statecraft: An Incomplete Timeline of Independence Determined by Digital Auction [Catalogue Essay]. (2015) Eshun, Kodwo
  • The Third Part of the Third Measure. (2015) Eshun, Kodwo
  • Voyages: When Cinema tracks Photojournalism, The Old is dying and the new cannot be born: States, Strategies, Socialisms. (2015) Eshun, Kodwo
  • World 3. (2015) Eshun, Kodwo
  • with Billy Woodberry, Barbara McCullough and June. (2015) Eshun, Kodwo
  • From Left to Night. (2015) Eshun, Kodwo and Sagar, Anjalika
  • Amour Fou and the Ecstasy of Destruction or Love in Neoliberal Times. (2015) Faramelli, Anthony picture_as_pdf
  • Feminism Lives! (Again). (2015) Grant, Catherine
  • “‘We’ve been to the moon and back’ - das afrofuturistische Partikulare im universalisierten Imaginären” [‘We’ve been to the moon and back’ – afrofuturist particularism within the universal imaginary]. (2015) Gunkel, Henriette
  • Introduction: In Movement. Women in Africa and the African Diaspora. (2015) Gunkel, Henriette; Matebeni, Zethu and Raissiguier, Catherine
  • A Rough History (of the destruction of fingerprints). (2015) Hameed, Ayesha
  • Circle/ Rhythm/ Ritual. (2015) Hameed, Ayesha; Eshun, Kodwo and Diederichsen, Diedrich
  • A Lexicon of Afterlives: Visions of Future/s: Towards radical collective imaginations. (2015) Hameed, Ayesha and Gunkel, Henriette
  • Liquid Trajectories : Documenting Illegalised Migration and the Violence of Borders. (2015) Heller, Charles
  • War Hotels. (2015) Licha, Jacques Emanuel
  • Animality and Alterity : Species Discourse and the Limits of 'the Human' in Contemporary South African Art. (2015) Lipschitz, Ruth Adele
  • The Equivocal Concept: The Work of Bourahima Ouattara. (2015) Martinon, Jean-Paul
  • Im-mundus or Nancy’s Globalising-World-Formation. (2015) Martinon, Jean-Paul
  • Shame: Intentionality in Reverse. (2015) Martinon, Jean-Paul
  • A Margin of Error: Bildersprache and its Critique in Otto Neurath, Adorno, K.P. Brehmer. (2015) McAuliffe, Sam
  • Utopia and Critique. (2015) McAuliffe, Sam
  • The Itinerant: On the delayed arrival of images from International Solidarity with Palestine that resonate towards a geopolitical exigency in exhibiting processes under globalising conditions. (2015) Mende, Doreen picture_as_pdf
  • Global Informality: Bottom-Up Trade and Transnational Realignments. (2015) Mörtenböck, Peter picture_as_pdf
  • Blendende Werte: Die globale Zirkulation von Architektur- Kapital. (2015) Mörtenböck, Peter and Mooshammer, Helge
  • Blendende Werte: Die globale Zirkulation von Architektur- Kapital. (2015) Mörtenböck, Peter and Mooshammer, Helge
  • Informal Market Worlds: The Architecture of Economic Pressure - ATLAS. (2015) Mörtenböck, Peter and Mooshammer, Helge
  • Materials of Commemoration: The Changing Landscape of Mauthausen. (2015) Mörtenböck, Peter and Mooshammer, Helge
  • Sammlungen des Protests: Von der Occupy-Bewegung zum Verwahren des Protests. (2015) Mörtenböck, Peter and Mooshammer, Helge
  • A World of Matter. (2015) Mörtenböck, Peter and Mooshammer, Helge
  • A World of Matter. (2015) Mörtenböck, Peter and Mooshammer, Helge
  • Informal Market Worlds: The Architecture of Economic Pressure - READER. (2015) Mörtenböck, Peter; Mooshammer, Helge; Cruz, Teddy and Forman, Fonna
  • Informal Worlds Reader. (2015) Mörtenböck, Peter; Mooshammer, Helge and Pieterse, Edgar
  • World of Matter. (2015) Mörtenböck, Peter; Mooshammer, Helge; Tavares, Paulo; Huber, Frauke; Martin, Uwe H. and Biemann, Ursula
  • Ent/Grenzen, Übersetzen / Un/Bordering, Translating. (2015) Nowotny, Stefan
  • Fictioning as Myth-Science (after Deleuze, against Control): Nothing is True, Everything is Permitted. (2015) O'Sullivan, Simon D.
  • Memories of a Deleuzian: To Think is Always to Follow the Witches Flight. (2015) O'Sullivan, Simon D.
  • Myth-Science. (2015) O'Sullivan, Simon D.
  • Myth-Science. (2015) O'Sullivan, Simon D.
  • ‘Myth-Science Communique: Evolution of Neuropatheme 2.0 (Time Stretcher Tool)’, film, exhibition and ‘Diagram of (Urb-Fux Glitter) Addiction’ performance, with David Burrows and others (part of ‘Alternative 23, 2.0’. (2015) O'Sullivan, Simon D.
  • Myth-Science and Art Practice. (2015) O'Sullivan, Simon D.
  • Myth-Science and the Fictioning of Reality. (2015) O'Sullivan, Simon D.
  • Myth-Science: Art Practice as Fictioning. (2015) O'Sullivan, Simon D.
  • Myth-Science: Art Practice as Fictioning. (2015) O'Sullivan, Simon D.
  • Diagram of (Urb-Fux Glitter) Addiction. (2015) O'Sullivan, Simon D. and Burrows, David
  • Diagram of (Urb-Fux Glitter) Addiction. (2015) O'Sullivan, Simon D. and Burrows, David
  • Diagram of (Urb-Fux Glitter) Addiction’. (2015) O'Sullivan, Simon D. and Burrows, David
  • Eleven Theses for An Initial degree of Roughness: Transubstantiation, Materiality and Art. (2015) Paganellli, Mattia and Worrallo, Dane
  • The Underground Frontier : technoscience and resource extraction. (2015) Pereira, Godofredo Nobre Enes
  • Liquid Traces. Spatial practices, aesthetics and humanitarian dilemmas at the maritime borders of the EU. (2015) Pezzani, Lorenzo
  • It's time man. It feels Imminent. Politics at the moment of exposition. (2015) Pierce, Sarah picture_as_pdf
  • Realism in 20th Century Painting (Mandarin edition). (2015) Prendeville, Brendan
  • Sam Cornish, Stockwell Depot, 1967-79. (2015) Prendeville, Brendan
  • Sculpting with air. (2015) Prendeville, Brendan
  • Book Review: TJ Demos, The Migrant Image: The Art and Politics of Documentary during Global Crisis. (2015) Ramos Martinez, Manuel
  • Marx Immemorial, Workers and Peasants in the Cinema of Straub and Huillet. (2015) Ramos Martinez, Manuel
  • Names in Dispute – What Titles Can Do in the Films of Straub and Huillet. (2015) Ramos Martinez, Manuel
  • The Oxidation of the Documentary – The Politics of Rust in Wang Bing’s Tie Xi Qu: West of the Tracks. (2015) Ramos Martinez, Manuel
  • Nature vs. Culture: Xenotext and the Poetic Limit. (2015) Roberdeau, Wood
  • Poetic|Baroque|Differential. (2015) Roberdeau, Wood
  • Readymade Rurality and Ecological Non-knowledge: Imagining the Art Farm. (2015) Roberdeau, Wood
  • Untitled. (2015) Roberdeau, Wood
  • Critical Environments: Visual Cultures Public Programme Spring Term 2015. (2015) Roberdeau, Wood and Turner, Lynn
  • Oblique Points of Entry. (2015) Rogoff, Irit description
  • The Background Speaks: David Mabb's Announcer and the Emergence of Information. (2015) Rosamond, Emily
  • Character in the Age of Big Data. (2015) Rosamond, Emily
  • Economies of (Mis)Trust: Reputation as Capital in the Digital Age. (2015) Rosamond, Emily
  • The Fog Generator. (2015) Rosamond, Emily
  • Phantom Limbs and the Image-Object: Toward a Feminist Materialist Account of the Points of Contact Between Tangible and Digital Space. (2015) Rosamond, Emily
  • Politics of the Shared Interior: on Digital Intimacy and Tangible Space. (2015) Rosamond, Emily
  • Rafael Lozano-Hemmer: Obra Sonora. (2015) Rosamond, Emily
  • Speculative Labour: On the Work of Charlotte Warne Thomas. (2015) Rosamond, Emily picture_as_pdf
  • Surveillance, Preemption and the Production of Character in the Age of Big Data. (2015) Rosamond, Emily
  • Technologies of Attribution: Characterizing the Citizen-Consumer in Surveillance Performance. (2015) Rosamond, Emily
  • Transfusing Abstraction: Darren Harvey-Regan's Metalepsis. (2015) Rosamond, Emily
  • The Umwelt and the Operational Image. (2015) Rosamond, Emily
  • Weathervane. (2015) Rosamond, Emily description
  • "It makes her blind she said”: Love, Exhaustion and the Roadblock. (2015) Saadawi, Ghalya
  • Cultural Value of Architecture in Homes and Neighbourhoods. (2015) Samuel, Flora; Awan, Nishat; Butterworth, Carolyn; Handler, Sophie and Lintonbon, Jo
  • ‘Biographien jüdischer Frauen: Zur Aktualität Charlotte Salomons’. (2015) Schmetterling, Astrid
  • 10th Shanghai Biennale. (2015) Schuppli, Susan
  • Law and Disorder. (2015) Schuppli, Susan picture_as_pdf
  • Material Witness. (2015) Schuppli, Susan
  • “Radical Contact Prints”. (2015) Schuppli, Susan
  • “Slick Images: The Photogenic Surface of Disaster.”. (2015) Schuppli, Susan
  • Tape 342: A timeline of testimony. (2015) Schuppli, Susan
  • Uneasy Listening. (2015) Schuppli, Susan
  • “War Dialling: Image Transmissions from Saigon.”. (2015) Schuppli, Susan
  • Indefinite Workings : What Dwellings Elicit and On What Architecture Depends. (2015) Singer, Manuel
  • Trans on Telly: Popular Documentary and the Production of Transgender Knowledge. (2015) Stewart, Jay
  • Intercorporeality - Merleau-Ponty’s Ontology of Flesh and Butoh Dance Practice. (2015) Szynkarczuk, Pawel
  • ‘Animal Melancholia: on the scent of Dean Spanley’. (2015) Turner, Lynn description
  • Critical Companions: Derrida, Haraway & Other Animals. (2015) Turner, Lynn description
  • Fort Spa: Biopoetics in Elizabeth A. Wilson, Sandor Ferenczi & Jacques Derrida. (2015) Turner, Lynn
  • Fort Spa: In at the Deep End with Derrida and Ferenczi. (2015) Turner, Lynn description
  • Subjects of Creation. On Materialist Abstraction and the Enactment of Ideas. (2015) Töpfner, Christian
  • Editorial: Platforms for the New. (2015) Wark, Scott and Sutherland, Thomas
  • Forensic Architecture in All of This Belongs to You, Victoria and Albert Museum. (2015) Weizman, Eyal
  • Forensis. (2015) Weizman, Eyal
  • Images à charge, La construction de la preuve par l'image. (2015) Weizman, Eyal
  • The Roundabout Revolutions. (2015) Weizman, Eyal
  • The Urban-Data Complex. (2015) Weizman, Eyal
  • Violence at the Threshold of Detectability: Negative Positivism. (2015) Weizman, Eyal
  • The Conflict Shoreline: Colonialism as Climate Change. (2015) Weizman, Eyal and Sheikh, Fazal
  • Burden of Proof: The Construction of Visual Evidence. (2015) Weizman, Eyal and Varvia, Christina
    • 2014
  • Commons and Commoning in New Cross. (2014)
  • Die Sprachen der Banlieues. (2014)
  • Forensis: The Architecture of Public Truth. (2014)
  • Nanopolitics Handbook. (2014)
  • 'Sport und Körper' [Sport and the Body]. (2014)
  • 'Uses of Memory’, Cuaderno SESC Videobrasil 10. (2014)
  • Showing Off! A Philosophy of Image. (2014) Andrews, Jorella G.
  • Visual Cultures In Conversation: Nicholas Mirzoeff's The Right to Look, Journal of Visual Culture Podcast 2014. (2014) Andrews, Jorella G. and Mirzoeff, Nicholas
  • Agential Exchanges: Thinking the empirical in relation to productivity. (2014) Awan, Nishat
  • Diasporic experience and the need for topological methods. (2014) Awan, Nishat
  • A Slight Nausea: An Interior. (2014) Beasley, Becky
  • “Contra-Internet Aesthetics”. (2014) Blas, Zach
  • "Informatic Opacity". (2014) Blas, Zach
  • “Adjust Opacity”. (2014) Blas, Zach and Satterwhite, Jacolby
  • Alexander Weheliye, Habeas Viscus: Racializing Assemblages and Black Feminist Theories of the Human (Duke University Press, 2015). (2014) Brar, Dhanveer Singh
  • The Sinthome/Z-Point Relation or Art as Non-Schizoanalysis. (2014) Burrows, David and O'Sullivan, Simon D.
  • Are You Allergic to the 21st Century? HOME, Manchester. (2014) Carter, Claire Makhlouf
  • New Keywords: Migration and Borders. (2014) Casas-Cortes, Maribel; Cobarrubias, Sebastian; De Genova, Nicholas; Garelli, Glenda; Grappi, Giorgio; Heller, Charles; Hess, Sabine; Kasparek, Bernd; Mezzadra, Sandro; Neilson, Brett; Peano, Irene; Pezzani, Lorenzo; Pickles, John; Rahola, Federico; Riedner, Lisa; Scheel, Stephan and Tazzioli, Martina
  • In Support: A Theoretical and Practical Investigation into Forms of Display. (2014) Condorelli, Céline
  • Book Review: Pascal Gielen, Instituting Art in a Flat World. (2014) Crone, Bridget description
  • The Cinemas Project: Exploring the Spectral Spaces of Cinema in Regional Victoria. (2014) Crone, Bridget
  • The Cinemas Project: Exploring the Spectral Spaces of Cinema. (2014) Crone, Bridget description
  • Cultural Threads. (2014) Doussan, Jenny
  • Fashion, Epistemology, and the Forgettable: Rethinking the Archive. (2014) Doussan, Jenny
  • Para‐ontology and the Governmental Machine. (2014) Doussan, Jenny
  • ‘The right to the city. The appropriation of public space in Nick Cave’s work’. (2014) Dyangani Ose, Elvira
  • The Gezi Uprising and Particularities of Discontent. (2014) Ertür, Başak
  • Coup de Genre: The Trials and Tribulations of Bülent Ersoy. (2014) Ertür, Başak and Lebow, Alisa
  • The Airstrip – Decampment of Modernism Part III and Two Museums. (2014) Eshun, Kodwo
  • Assembly: A Survey of Recent Artists Film and Video in Britain 2008 - 2013. (2014) Eshun, Kodwo
  • Forum: The Attraction of Representation. (2014) Eshun, Kodwo
  • Gather round me, my writers, musicians, artists: my name is NAM. (2014) Eshun, Kodwo
  • In Conversation with Green Gartside (Scritti Politti). (2014) Eshun, Kodwo
  • In Conversation with Sue Clayton. (2014) Eshun, Kodwo
  • In the Year of the Quiet Sun. (2014) Eshun, Kodwo
  • In the Year of the Quiet Sun. (2014) Eshun, Kodwo
  • In the Year of the Quiet Sun. (2014) Eshun, Kodwo
  • In the Year of the Quiet Sun, Screening and Discussion. (2014) Eshun, Kodwo
  • Medium Earth. (2014) Eshun, Kodwo
  • Narcissus in Uniform [Catalogue Essay]. (2014) Eshun, Kodwo
  • One Out of Many Afrophilias. (2014) Eshun, Kodwo
  • Panel discussion with John Akomfrah, Mark Fisher and Bea Campbell. (2014) Eshun, Kodwo
  • Reconstructing the Methods for reformatting Oxygen Isotopes in nature and in the Laboratory as Oxygen Tops Nature Oratory for Optical Character Recognition Scanners. (2014) Eshun, Kodwo
  • Screening and Discussion. (2014) Eshun, Kodwo
  • Screening and Discussion. (2014) Eshun, Kodwo
  • The Sixth Side of the Pentagon and Far from Vietnam. (2014) Eshun, Kodwo
  • The Song of the Shirt. (2014) Eshun, Kodwo
  • Sovereign Sisters. (2014) Eshun, Kodwo
  • Sovereign Sisters. (2014) Eshun, Kodwo
  • A Special Arrow was Shot in the Neck. (2014) Eshun, Kodwo
  • Statecraft. (2014) Eshun, Kodwo
  • Statecraft: An Incomplete Timeline of Independence Determined by Digital Auction. (2014) Eshun, Kodwo
  • Stealing one’s own corpse: Afrofuturism as Speculative Heresy. (2014) Eshun, Kodwo
  • Who Does the Earth Think It Is? (2014) Eshun, Kodwo
  • It may be useful to assume the policeman’s perspective now and then. (2014) Eshun, Kodwo and Sagar, Anjali
  • Photo-surveillance and the emplaced déraciné. (2014) Fisher, Andrew picture_as_pdf
  • Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. (2014) Fisher, Mark
  • ‘“What Is It That You’d Say You Do Here?” The Post-Fordist Comedy of Management. (2014) Fisher, Mark
  • Des femmes et leurs education. (2014) Grant, Catherine
  • Hidden in Plain Sight: Lisa Castagner’s Hidden Self-Portraits. (2014) Grant, Catherine
  • Feminism@Goldsmiths. (2014) Greenan, Althea; George, Rosalyn P.; Joncus, Berta; Richmond, Vivienne and Wolf, Nicole
  • Black Atlantis. (2014) Hameed, Ayesha
  • Black Atlantis. (2014) Hameed, Ayesha
  • The Destruction of Fingerprints. (2014) Hameed, Ayesha
  • Discussant and Respondent “The Free Sea” GV Art, London. (2014) Hameed, Ayesha
  • Majub's Journey screening and discussion. (2014) Hameed, Ayesha
  • Monitor Reruns. (2014) Hameed, Ayesha
  • The Time and Sound of the Nautical Border. (2014) Hameed, Ayesha
  • Perception management – Deterring potential migrants through information campaigns. (2014) Heller, Charles
  • Dheisheh (Cisjordanie). Retours. Penser le futur dans l’extraterritorialité (un projet architectural). (2014) Hilal, Sandi; Petti, Alessandro and Weizman, Eyal
  • Strange Encounters:Performance in the Anthropocene. (2014) Marques Florencio, Joao Pedro
  • A Trace of What Has Not Occurred. (2014) McAuliffe, Sam
  • Whoever Sees God Dies. (2014) McAuliffe, Sam
  • Die Sprachen der Banlieues. (2014) Mennel, Birgit and Nowotny, Stefan
  • Black Mask: Revolution as Being. (2014) Millner-Larsen, Nadja
  • Performing Building Sites : Curating in/on/through space. (2014) Moreira, Inês
  • Mob deep: The underground current of urban revolution. (2014) Moreno, Louis
  • The Sound of Detroit: Notes, Tones and Rhythms from Underground. (2014) Moreno, Louis
  • The urban process under financialised capitalism. (2014) Moreno, Louis
  • Die bewegte Stadt: Demokratiepolitische Potenziale sozialer Bewegungen am Beispiel der Occupy-Bewegung. (2014) Mörtenböck, Peter
  • Gunners and Runners. (2014) Mörtenböck, Peter
  • Network Economies of Waste. (2014) Mörtenböck, Peter
  • Marktplätze der Öffentlichkeit. (2014) Mörtenböck, Peter and UNSPECIFIED
  • Europäische Protestkultur: Platzbesetzungen zwischen Justizgewalt und Musealisierung. (2014) Mörtenböck, Peter and Mooshammer, Helge
  • Performance des Protests. (2014) Mörtenböck, Peter and Mooshammer, Helge
  • Strittige Öffentlichkeiten: Die Besetzung der Ökonomie. (2014) Mörtenböck, Peter and Mooshammer, Helge
  • A World of Matter. (2014) Mörtenböck, Peter and Mooshammer, Helge
  • A World of Matter. (2014) Mörtenböck, Peter and Mooshammer, Helge
  • Art Practice as Fictioning (or, Myth-Science). (2014) O'Sullivan, Simon D.
  • Art Practice as Fictioning (or, myth-science). (2014) O'Sullivan, Simon D.
  • Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique). (2014) O'Sullivan, Simon D.
  • Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique). (2014) O'Sullivan, Simon D.
  • Art Practice as Non-Schizoanalysis and Myth-Science (Case Study: Plastique Fantastique). (2014) O'Sullivan, Simon D.
  • Diagrams and the Production of Subjectivity. (2014) O'Sullivan, Simon D.
  • A Life Between the Finite and Infinite: Remarks on Deleuze, Badiou and Western Buddhism. (2014) O'Sullivan, Simon D.
  • Mapping the Diagonal: on Myth-Science and the Missing Subject of Accelerationism. (2014) O'Sullivan, Simon D.
  • Myth-Science: Art Practice as Fictioning. (2014) O'Sullivan, Simon D.
  • Plastique Fantastique Welcome Neuropatheme a.k.a. subject without experience a.k.a. fux-the-shadow, empty-the-cave, no-head-ass-ee-fal, etc, one-off 12-inch dub plate. (2014) O'Sullivan, Simon D.
  • The Chymical Wedding. (2014) O'Sullivan, Simon D. and Burrows, David
  • Myth-Drone. (2014) O'Sullivan, Simon D. and Burrows, David
  • Myth-Drone. (2014) O'Sullivan, Simon D. and Burrows, David
  • Myth-Science. (2014) O'Sullivan, Simon D. and Burrows, David
  • ‘Myth-Science Communique: Evolution of Neuropatheme 2.0 (Time Stretcher Tool)’, film, exhibition and ‘Diagram of (Urb-Fux Glitter) Addiction’ performance. (2014) O'Sullivan, Simon D. and Burrows, David
  • Myth-Science Songs of Animal and Cyber Evolution. (2014) O'Sullivan, Simon D. and Burrows, David
  • ‘Myth-Science’ and ‘Monarch-Drone’. (2014) O'Sullivan, Simon D. and Burrows, David
  • ‘Myth-Science’, performance, with David Burrows and others. (2014) O'Sullivan, Simon D. and Burrows, David
  • Pimpz and Hookerz. (2014) O'Sullivan, Simon D. and Burrows, David
  • Pimpz and Hookerz. (2014) O'Sullivan, Simon D. and Burrows, David
  • Pimpz and Hookerz. (2014) O'Sullivan, Simon D. and Burrows, David
  • ‘Ribbon Probe’, various posters and films and ‘Myth-Science’ performance. (2014) O'Sullivan, Simon D. and Burrows, David
  • Myth-Science-Colloquium. (2014) O'Sullivan, Simon D.; Burrows, David and AAS
  • Perfect Day. (2014) Pennell, Jacqueline D.
  • That uncertain object: David Sylvester’s conception of criticism as a personal affair. (2014) Prendeville, Brendan
  • ‘On What is Worth Investigating, an Interview with Martin J. Kemp’. (2014) Ramos Martinez, Manuel
  • ‘Flower Children in the Blinding Light, A Conversation with Anthony Stern’. (2014) Ramos Martinez, Manuel and Matos Cabo, Ricardo
  • Quiet Totemism. (2014) Roberdeau, Wood
  • Sites of Vital Materiality: Art History’s Apiaries and Ecologies of Everyday Life. (2014) Roberdeau, Wood
  • Economic Figuration. (2014) Rosamond, Emily
  • Futures of the Future: Agriculture Between Business and Culture. (2014) Rosamond, Emily
  • Perte de Signal at the Kinetica Art Fair. (2014) Rosamond, Emily
  • Species of Futurity in Business, Law and Finance. (2014) Rosamond, Emily
  • States of Statue. (2014) Rosamond, Emily
  • before breakfast we talked about the furthest visible point before it all disappeared. (2014) Rosamond, Emily; Pickering, Kate and Ounanian, Steven
  • Animism. (2014) Schuppli, Susan
  • Can the Sun Lie? (2014) Schuppli, Susan
  • “Deadly Algorithms: Can Legal Codes hold Software accountable for Code that Kills?”. (2014) Schuppli, Susan
  • Entering Evidence: Cross-Examining the Court Records of the ICTY. (2014) Schuppli, Susan picture_as_pdf
  • Evidence on Trial. (2014) Schuppli, Susan
  • Forensics / Tape 342. (2014) Schuppli, Susan
  • GEO-MEDIA. (2014) Schuppli, Susan
  • Hlysnan: On the Notion & Politics of Listening. (2014) Schuppli, Susan
  • Uneasy Listening. (2014) Schuppli, Susan
  • Anarchists against the Law. (2014) Schuppli, Susan; Sfard, Michael and Hameed, Ayesha
  • PAPERWEIGHT RADIO: ANIMALS (S2, EP2). (2014) Turner, Lynn
  • Telefoam. (2014) Turner, Lynn description
  • Telefoam: species on the shores of Derrida and Cixous. (2014) Turner, Lynn description
  • Arafat’s Tomb. (2014) Weizman, Eyal
  • The Architecture of Ariel Sharon. (2014) Weizman, Eyal
  • Forensic Architecture in Insert2014. (2014) Weizman, Eyal
  • Forensis. (2014) Weizman, Eyal
  • Holey Land. (2014) Weizman, Eyal
    • 2013
  • The Animal Question in Deconstruction. (2013)
  • Bon Appetit. (2013) picture_as_pdf
  • The Curatorial: A Philosophy of Curating. (2013)
  • Frieda Grafe. 30 Filme: Volume I. (2013)
  • Frieda Grafe. 30 Filme: Volume II. (2013)
  • Frieda Grafe. 30 Filme: Volume III. (2013)
  • On the Verge of Photography: Imaging Beyond Representation. (2013)
  • Visual Cultures As Recollection. (2013)
  • Visual Cultures as Seriousness. (2013)
  • Wet ⇌ Dry ⇌ thick ⇌ thiN ⇌ (GettiNG beyoND the raW aND the cookeD). (2013)
  • Intending Objects and “Signs which have no meaning”. (2013) Andrews, Jorella G.
  • Visual Cultures as Objects and Affects. (2013) Andrews, Jorella G. and O'Sullivan, Simon D.
  • Visual Cultures as Objects and Affects. (2013) Andrews, Jorella G. and O'Sullivan, Simon D.
  • Mapping Migrant Territories as Topological Deformations of Space. (2013) Awan, Nishat and Langley, Phil
  • The Institute of Radical Spatial Education. (2013) Awan, Nishat; Schneider, Tatjana and Till, Jeremy
  • From Supply Lines to Resource Ecologies. (2013) Biemann, Ursula; Mörtenböck, Peter and Mooshammer, Helge
  • “Escaping the Face: Biometric Facial Recognition and the Facial Weaponization Suite”. (2013) Blas, Zach
  • Face Cages. (2013) Blas, Zach
  • Living the Dream in Women in Revolt. (2013) Butt, Gavin
  • Performance Matters Archive. (2013) Butt, Gavin; Heathfield, Adrian and Keidan, Lois
  • This is Not a Dream. (2013) Butt, Gavin and Walters, Ben
  • Costume Party – Script, Frame and Stages. (2013) Crone, Bridget
  • Curating, Dramatization and the Diagram. (2013) Crone, Bridget
  • Seeing Red. (2013) Crone, Bridget
  • The Sensible Stage : An encounter with bodies, images and other sensate materials. (2013) Crone, Bridget picture_as_pdf
  • Swarm Machines Ladders and Lookouts (the work of Ryan Trecartin and Lizzie Fitch). (2013) Crone, Bridget
  • Talking Squid. (2013) Crone, Bridget
  • Eros, Plague, Olfaction: Three Allegories of the Curatorial. (2013) Doussan, Jenny
  • Origin and Immanence: Benjamin’s Art Historiography in the Trauerspiel Book. (2013) Doussan, Jenny
  • The Origin of Agamben’s Infancy. (2013) Doussan, Jenny
  • Time and Presence in Agamben’s Critique of Deconstruction. (2013) Doussan, Jenny
  • Time, Language, and Visuality in Agamben's Philosophy. (2013) Doussan, Jenny
  • Ibrahim El-Salahi: A Visionary Modernist. (2013) Dyangani Ose, Elvira
  • Random Anecdotes. (2013) Dyangani Ose, Elvira
  • In the Year of the Quiet Sun. (2013) Eshun, Kodwo
  • Medium Earth. (2013) Eshun, Kodwo
  • Photographic Scale. (2013) Fisher, Andrew
  • Indirect Action: Some Misgivings About Horizontalism. (2013) Fisher, Mark
  • It’s easier to imagine the end of the world than the end of Capitalism. (2013) Fisher, Mark
  • “A social and psychic revolution of almost inconceivable magnitude”: Popular Culture’s Interrupted Accelerationist Dreams. (2013) Fisher, Mark
  • Between Script and Score: Notation and Movement in the Work of Cornelius Cardew. (2013) Gibson, Beatrice
  • The Effort of Perfection: Performing Adolescence. (2013) Grant, Catherine
  • Network Society and the Spectacle: Photography and Exhibitionism. (2013) Grant, Catherine and Burbridge, Ben
  • Désiré. (2013) Gunkel, Henriette
  • Some Reflections on Postcolonial Homophobia, Local Interventions, and LGBTI Solidarity Online: The Politics of Global Petitions. (2013) Gunkel, Henriette
  • Spiegelungen von color bars? Keller in Südafrika, 1951” [Reflections of the color bars? Keller in South Africa, 1951. (2013) Gunkel, Henriette
  • The Image of Gaddafi. (2013) Hameed, Ayesha
  • Perils of the Sea. (2013) Hameed, Ayesha
  • Rituals and Masks at the Border. (2013) Hameed, Ayesha
  • 'Streams, Torrents and Waves'. (2013) Hameed, Ayesha
  • What Does the Moving Image Desire? (2013) Hameed, Ayesha
  • Thought into being: finitude and creation. (2013) Haworth, Michael
  • Third-Way Aesthetics. (2013) Hernández Velázquez, Y. M.
  • The lawless line. (2013) Hilal, Sandi; Petti, Alessandro; Weizman, Eyal and Perugini, Nicola
  • Expose Yourself to Art : Towards a Critical Epistemology of Embarrassment. (2013) Jones, Gwyneth Siobhan
  • After "Rwanda": In Search of a New Ethics. (2013) Martinon, Jean-Paul
  • The End of Man. (2013) Martinon, Jean-Paul
  • Nocturnal Space. (2013) McAuliffe, Sam
  • Second Nature (Lukács, Benjamin, Adorno). (2013) McAuliffe, Sam
  • Demandless Times. (2013) Millner-Larsen, Nadja
  • The Architecture of Informal Trade. (2013) Mörtenböck, Peter
  • Krisenexperimente: Symbolische, physische und soziale Besetzungen von Stadtraum. (2013) Mörtenböck, Peter
  • Platzbewegungen: Expeditionen in den Raum der Versammlung’. (2013) Mörtenböck, Peter
  • Informal Market Worlds: Instruments of Change. (2013) Mörtenböck, Peter and Mooshammer, Helge
  • Nieokreslonosc handlu - rynki nieformalne w Europie. (2013) Mörtenböck, Peter and Mooshammer, Helge
  • Of Multi-Directional Forces: Interdependencies between Material, Social and Other Resources. (2013) Mörtenböck, Peter and Mooshammer, Helge
  • The Political Aesthetics of Counter-Terrorism Design. (2013) Mörtenböck, Peter and Mooshammer, Helge
  • Translating Citizenship: On Some Pitfalls and the Politics of Meaning in the Definition of “Europeanness”. (2013) Nowotny, Stefan
  • Art Practice as Non-Schizoanalysis. (2013) O'Sullivan, Simon D.
  • A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity. (2013) O'Sullivan, Simon D.
  • Diagrams and the Production of Subjectivity. (2013) O'Sullivan, Simon D.
  • Felix Guattari. (2013) O'Sullivan, Simon D.
  • Joy as a Technology in the Production of Subjectivity (a Diagrammatic reading of Spinoza's Ethics). (2013) O'Sullivan, Simon D.
  • Schizoanalysis and Art Practice. (2013) O'Sullivan, Simon D.
  • The Seven Courts of the Mall (or, We Have Always Been Medieval). (2013) O'Sullivan, Simon D.
  • Spinoza and the Production of Subjectivity (or, the Three Kinds of Knowledge, and the Passage Between). (2013) O'Sullivan, Simon D.
  • Towards a Speculative Subjectivity. (2013) O'Sullivan, Simon D.
  • All the Fantasies of the People. (2013) O'Sullivan, Simon D. and Burrows, David
  • Cloud Gives Birth to New Animal: Plastique Fantastique Feedback Loop to Call Forth Neuropatheme. (2013) O'Sullivan, Simon D. and Burrows, David
  • Eight Diagrams/Avatars: All the Fantasies of the People. (2013) O'Sullivan, Simon D. and Burrows, David
  • 'Gabba, Gabba, Gabba, All Hail the Great Gobbler!'. (2013) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Diagram of the Parasite Fox-Owl and the Host Phenome-Human-Algorithmic-Feedback-Loop. (2013) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Patheme-Matheme Diagram of the Slave Dog. (2013) O'Sullivan, Simon D. and Burrows, David
  • Welcome Neuropatheme Feed-Back Loop. (2013) O'Sullivan, Simon D. and Burrows, David
  • Deleuze for Artists. (2013) O'Sullivan, Simon D. and Cull, Laura
  • Suspended
 Subjectivity:
 Intention
 in
 Making 
Art. (2013) Park, So-Young
  • Trashy Tendencies: Indeterminate acts of refusal in contemporary art and performance practice. (2013) Parry, Owen
  • Architecture after Revolution. (2013) Petti, Alessandro; Hilal, Sandi and Weizman, Eyal
  • New Cross Commoners interview for European Alternatives. (2013) Plotegher, Paolo
  • Notes for a Possible Configurations of New Institutions. (2013) Plotegher, Paolo
  • Schizo-Walks (Robert Walser). (2013) Plotegher, Paolo
  • A Heartfelt Gesture: Separation and Feeling, Darkness and Illusion in Caravaggio. (2013) Prendeville, Brendan
  • Painting the Invisible: time, matter and the image in Bergson and Michel Henry. (2013) Prendeville, Brendan
  • Cinema In Dispute: Audiovisual Adventures of the Political Names ‘Worker’, ‘Factory’, ‘People’. (2013) Ramos Martinez, Manuel
  • Ranciere's Politics of the Image. (2013) Ramos Martinez, Manuel
  • ‘Restless Space, a Conversation with Ron Arad’. (2013) Ramos Martinez, Manuel
  • Centralizing the Periphery: Social Art, Eco-aesthetics and Liminal Space. (2013) Roberdeau, Wood
  • Gastronomic Worldviews of Transubstantiation. (2013) Roberdeau, Wood
  • Guest speaker: https://research.gold.ac.uk/id/eprint/27458/. (2013) Roberdeau, Wood
  • The Expanding Field. (2013) Rogoff, Irit
  • All Things Now Measured in Loveliness. (2013) Rosamond, Emily
  • (Im)material Pedagogies. (2013) Rosamond, Emily
  • ‘K. Hannah Holtschneider, The Holocaust and Representations of Jews: History and Identity in the Museum’ (Book Review). (2013) Schmetterling, Astrid
  • Visual Cultures As Recollection. (2013) Schmetterling, Astrid and Turner, Lynn
  • “Atmospheric Correction.”. (2013) Schuppli, Susan
  • “Half Truths”. (2013) Schuppli, Susan
  • “The Most Dangerous Film in the World (Reprint).”. (2013) Schuppli, Susan
  • “Probative Pictures: Image Proofs in Errol Morris’s Standard Operating Procedure.”. (2013) Schuppli, Susan
  • “Public Service Announcements: Art for the Coming Community.”. (2013) Schuppli, Susan
  • “Walk-Back Technology: Dusting for Fingerprints and Tracking Digital Footprints.”. (2013) Schuppli, Susan
  • Bun-Ching Lam's and Samuel Beckett's Quatre Poèmes/Four Songs: Music, Image, Text. (2013) Tubridy, Derval picture_as_pdf
  • Animal & Sexual Differences: Kelly Oliver’s Continental Bestiary. (2013) Turner, Lynn
  • Hors d’oeuvre: some footnotes to the Spurs of Dorothy Cross. (2013) Turner, Lynn
  • Insect Asides. (2013) Turner, Lynn
  • Insect Asides (Deconstruction is/in Performance Philosophy). (2013) Turner, Lynn
  • Tympan Alley: Posthumanist Performatives in Dancer in the Dark. (2013) Turner, Lynn
  • amuse gueule 'Bon Appetit'. (2013) Turner, Lynn and Kelley, Lindsay
  • The Image is the Bone. (2013) Weizman, Eyal
  • The Matter of Memory. (2013) Weizman, Eyal
  • Foundations, Movements and Dissonant Images: documentary film and its ambivalent relations to the nation state. (2013) Wolf, Nicole
  • Kya Hua is Shahar Ko? / What has happened to this city? History, Context and Reflections on Re-screening a Political Film. (2013) Wolf, Nicole
  • Kya Hua is Shahar Ko? / What has happened to this city? History, Context and Reflections on Re-screening a Political Film. (2013) Wolf, Nicole
  • “Projecting Tambaku Chaakilo Oob Ali. Reflections towards a versatile archive of political cinemas”. (2013) Wolf, Nicole
  • Versatile Archives and cinematic friendships. (2013) Wolf, Nicole
  • The Architectural Free Zone - Reunion Island and the Politics of Vegetation. (2013) Zourgane, Philippe
    • 2012
  • Creative Writing and Art History. (2012)
  • Indian Documentary Studies: Contours of a Field. (2012)
  • "Indian Documentary Studies: Contours of a Field." Special Issue. (2012)
  • Undutiful Daughters: New Directions in Feminist Thought and Practice. (2012)
  • What Can a Body Do?: Praktiken und Figurationen des Körpers in den Kulturwissenschaften. (2012)
  • Treating (with) Autoimmunity. (2012) Andrews, Alice
  • Treating (with) Autoimmunity II. (2012) Andrews, Alice
  • Re-mapping Kurdistan. (2012) Awan, Nishat
  • “Five Videos: Zach Blas / Queer Technologies’ Escape”. (2012) Blas, Zach
  • "On Electronic Civil Disobedience: Interview with Ricardo Dominguez". (2012) Blas, Zach
  • “Queerness, Openness”. (2012) Blas, Zach
  • “Virus, Viral”. (2012) Blas, Zach
  • The Common Turn in Performance. (2012) Butt, Gavin
  • External Examiner for MA Curating Programmes, University of Essex. (2012) Crone, Bridget
  • Eye Music for Dancing. (2012) Crone, Bridget
  • Benjamin in Moscow. (2012) Doussan, Jenny
  • Exceptional Aesthetics. (2012) Doussan, Jenny
  • Intentionality and Objecthood. (2012) Doussan, Jenny
  • The Scent of the Jonquil. (2012) Doussan, Jenny
  • Across The Board. (2012) Dyangani Ose, Elvira picture_as_pdf
  • ‘The Poetics of the Infra-ordinary: The Aesthetic of Recognition in Contemporary African Art’. (2012) Dyangani Ose, Elvira
  • Plenty of History. (2012) Ertür, Başak
  • Corona: Reorientation Point for New Planetary Values. (2012) Eshun, Kodwo
  • Dan Graham: Rock My Religion. (2012) Eshun, Kodwo
  • People to Be Resembling. (2012) Eshun, Kodwo
  • The Radiant. (2012) Eshun, Kodwo
  • Photographic Scale. (2012) Fisher, Andrew
  • Postcapitalist Desire. (2012) Fisher, Mark
  • Photography and Exhibitionism: An Introduction. (2012) Grant, Catherine and Burbridge, Ben
  • Introduction: A Politics of Visibility. (2012) Gunkel, Henriette
  • Queer Times Indeed? Südafrikas Reaktionen auf die mediale Inszenierung der 800 Meter Läuferin Caster Semenya.”. (2012) Gunkel, Henriette
  • Review: Rez. Judith Halberstam, The Queer Art of Failure. Duke University Press, 201. (2012) Gunkel, Henriette
  • Praxis Sex Machen/Sex Haben [Practice: To Make/To Have Sex]. (2012) Gunkel, Henriette and Stieglitz, Olaf
  • Praxis (Sich-)Fortbewegen” [Practice: To Move (Forward)]. (2012) Gunkel, Henriette and Yekani, Elahe Haschemi
  • The Image of Gaddafi. (2012) Hameed, Ayesha
  • The Law of the Jungle Can't Last. (2012) Hameed, Ayesha
  • On Laughter and Violence. (2012) Hameed, Ayesha
  • The Petrification of the Image. (2012) Hameed, Ayesha
  • Sarai Reader 09: The Exhibition, New Delhi. (2012) Hameed, Ayesha
  • Trace. (2012) Hameed, Ayesha
  • Power unplugged: decolonizing architecture in Palestine. (Forthcoming). (2012) Hilal, Sandi; Petti, Alessandro and Weizman, Eyal
  • Mengele's Skull: The Advent of a Forensic Aesthetics. (2012) Keenan, Thomas and Weizman, Eyal
  • Valentin Mudimbe or the Work of Invention. (2012) Martinon, Jean-Paul html
  • Adorno and the Aporia of Aesthetic Autonomy. (2012) McAuliffe, Sam
  • The Eschatology of the Voice. (2012) McAuliffe, Sam
  • A Review of “Henri Lefebvre on Space: Architecture, Urban Research and the Production of Theory”. (2012) Moreno, Louis
  • Not for Sale. (2012) Mörtenböck, Peter
  • Other Markets: The visual culture of informal trade. (2012) Mörtenböck, Peter
  • Visual Culture’. (2012) Mörtenböck, Peter
  • At Home in the World. (2012) Mörtenböck, Peter and Mooshammer, Helge
  • OCCUPY: Räume des Protests. (2012) Mörtenböck, Peter and Mooshammer, Helge
  • Occupy: Demonstrationen von Protest. (2012) Mörtenböck, Peter and Mooshammer, Helge
  • Deleuze for Artists. (2012) O'Sullivan, Simon D.
  • Five Diagrams of the Finite-Infinite Relation. (2012) O'Sullivan, Simon D.
  • On the Production of Subjectivity. (2012) O'Sullivan, Simon D.
  • On the Production of Subjectivity. (2012) O'Sullivan, Simon D.
  • On the Production of Subjectivity. (2012) O'Sullivan, Simon D.
  • On the Production of Subjectivity: Five Diagrams of the Infinite-finite Relation. (2012) O'Sullivan, Simon D.
  • Performance Fictions. (2012) O'Sullivan, Simon D.
  • A Portrait of the Philosopher as an Old Man. (2012) O'Sullivan, Simon D.
  • Towards a Minor Art Practice. (2012) O'Sullivan, Simon D.
  • Cloud Gives Birth to New Animal: Plastique Fantastique Feedback Loop to Call Forth Neuropatheme. (2012) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Patheme-Matheme. (2012) O'Sullivan, Simon D. and Burrows, David
  • ‘THERE IS NOT AND NEVER HAS BEEN ANYTHING TO UNDERSTAND!’. (2012) O'Sullivan, Simon D. and Burrows, David
  • The paradoxical economy of crisis: ‘Crisis of experience’ and the ana-economy of Else. (2012) Paganellli, Mattia
  • What can I do with the nothing I have? Forms of non- oppositional struggle against capitalist subjectivation. (2012) Plotegher, Paolo
  • Nanopolitics: A First Outline of Our Experiments in Movement. (2012) Plotegher, Paolo; Dowling, Emma; Hansen, Bue Rubner and Zechner, Manuela
  • Sensibilidades que esperimentan en la ciudad neoliberal. (2012) Plotegher, Paolo; Zechner, Manuela and Hansen, Bue Rubner
  • 'The Angel's Ear and She Is Love: New Sculpture by Charles Hewlings'. (2012) Prendeville, Brendan
  • 'Modernism and figuration'. (2012) Prendeville, Brendan
  • Meal Time as Medium: Duration and the work of AO&. (2012) Roberdeau, Wood
  • Poetic Recuperations: The Ideology and Praxis of Nouveau Réalisme. (2012) Roberdeau, Wood
  • Electricity Enslaved: Tonal Imagery of Progress, Incorporation, Extinction. (2012) Rosamond, Emily
  • Imaginary Sculptures for an Infinite Economy. (2012) Rosamond, Emily
  • Narrative Interrupted: Painting Between Progression and Duration. (2012) Rosamond, Emily
  • Object Lessons: David Askevold's Learning About Cars and Chocolates. (2012) Rosamond, Emily
  • Un-designing: Serge Murphy, Architecture and Felt Time. (2012) Rosamond, Emily
  • Not, not Contemporary: The Eye of the Storm. (2012) Saadawi, Ghalya
  • Obtuse, Flitting by, and Nevertheless There – Image Archives in Practice. (2012) Schaber, Ines
  • “I am Jussuf of Egypt”: Else Lasker-Schüler’s Orientalist Drawings. (2012) Schmetterling, Astrid
  • Atmosfärisk Korrigering. (2012) Schuppli, Susan
  • “Impure Matter: A Forensics of WTC Dust.”. (2012) Schuppli, Susan
  • Material Malfeasance: Trace Evidence of Violence in Three Image-Acts. (2012) Schuppli, Susan
  • A memorial in exile in London’s Olympics: orbits of responsibility. (2012) Schuppli, Susan
  • The Architecture of Conflict. (2012) Schuppli, Susan and Kraemer, Steffen
  • Secrets and Lies: eating in the darkness in China Mieville's Embassytown. (2012) Turner, Lynn description
  • Unhoming Pigeons: The Postal Principle in Lynn Hershman Leeson and Hussein Chalayan. (2012) Turner, Lynn
  • Negativita ve studování na umělecké škole [Negativity in the studying in the Art School]. (2012) Vráblíková, Lenka
  • Joan of Art: In Defence of Subjectivity. (2012) Watson, Michael
  • 062: Eyal Weizman: Forensic Architecture: Notes from Fields and Forums. (2012) Weizman, Eyal
  • The Book of Destruction. (2012) Weizman, Eyal
  • Forensic Architecture. (2012) Weizman, Eyal
  • Forensic Architecture. (2012) Weizman, Eyal
  • Hollow Land: The Architecture of Israel’s Occupation (updated second edition). (2012) Weizman, Eyal
  • The Morning After: Profaning colonial Architecture. (2012) Weizman, Eyal; Hilal, Sandi and Petti, Alessandro
  • The Return to the Common: DAAR: Decolonizing Architecture Art Residency. (2012) Weizman, Eyal; Hilal, Sandi and Petti, Alessandro
  • Mobilizing Dissent: The Possible Architecture of the Governed’. (2012) Weizman, Ines and Weizman, Eyal
  • I am the very beautiful city. Conversations with Bombay, documented. (2012) Wolf, Nicole
  • Resonance/ Nachhall. (2012) Wolf, Nicole
    • 2011
  • Girls! Girls! Girls! in Contemporary Art. (2011)
  • Manual for conspiracy. (2011)
  • Mengele’s Skull: Special Issue of Cabinet Journal. (2011)
  • Special Issue: Creative Writing and Art History. (2011)
  • Trans-Local-Act: Cultural practices within and across. (2011)
  • Autoimmune Illness as a Death-drive: An Autobiography of Defence. (2011) Andrews, Alice
  • Autoimmunity: 
Deconstructing Fictions of Illness and the Terrible Future to Come. (2011) Andrews, Alice
  • Book Review: Enduring Death: The Hauntings of Literature and Art. (2011) Andrews, Alice
  • Contemporary Art, "Counter-Environmentalism," and the Politics of A-Signification. (2011) Andrews, Jorella G.
  • The Photographic Stare. (2011) Andrews, Jorella G.
  • Other productions of space. (2011) Awan, Nishat and Schneider, Tatjana
  • Instances of ecological motivations in the production and use of space. (2011) Awan, Nishat; Schneider, Tatjana and Till, Jeremy
  • Spatial Agency: Other ways of doing architecture. (2011) Awan, Nishat; Schneider, Tatjana and Till, Jeremy
  • Facial Weaponization Suite. (2011) Blas, Zach
  • SPECULATIVE. (2011) Blas, Zach and O'Leary, Christopher
  • Fleeting Island: The Production of Space in Santorini. (2011) Chatziyannaki, Zoe
  • The Enigma of Art in the Thought of Martin Heidegger. (2011) Davies, Russell
  • Why Art Should Be Concerned about Science and the Other Way Around: The Western Project of Modernity. (2011) Decamous, Gabrielle picture_as_pdf
  • Agamben for and against Nietzsche's Eternal Return. (2011) Doussan, Jenny
  • Intention and Exception: A Critique of the Work of Giorgio Agamben. (2011) Doussan, Jenny picture_as_pdf
  • The Scent of the Jonquil (first edition). (2011) Doussan, Jenny
  • Anathema. (2011) Eshun, Kodwo
  • Out of photography … Interview with Ariella Azoulay. (2011) Fisher, Andrew and Rubenstein, Daniel
  • We're not all in this together: Public Space and Antagonism in the Wake of Capitalist Realism. (2011) Fisher, Mark
  • The privatisation of stress. (2011) Fisher, Mark
  • Consciousness of Semblance: Participation in Art and Politics. (2011) García Düttmann, Alexander
  • Kafka and the Life of the Letter. (2011) García Düttmann, Alexander
  • Teilnahme: Bewusstsein des Scheins [Participation: Consciousness of Semblance]. (2011) García Düttmann, Alexander description
  • Baby Butches and Reluctant Lolitas: Collier Schorr and Hellen van Meene. (2011) Grant, Catherine picture_as_pdf
  • Fans of Feminism: Re-writing Histories of Second-wave Feminism in Contemporary Art. (2011) Grant, Catherine
  • ‘A narrative of what wishes what it wishes it to be’: An Introduction to ‘Creative Writing and Art History’. (2011) Grant, Catherine
  • Re/Positioning African Media Studies. Die Herausforderung, Postkolonialität und Medialität zusammenzudenken. (2011) Gunkel, Henriette
  • “...after a short illness“ – Vom Umgang mit Tod und dem Status der eigenen Endlichkeit im Kontext Südafrikas. (2011) Gunkel, Henriette
  • Review: Vukani – Awake! (1962) A cinematic context. (2011) Gunkel, Henriette and Annas, Max
  • The Body in the Jungle. (2011) Hameed, Ayesha
  • Border Crossings. (2011) Hameed, Ayesha
  • “Giv Présente: Lancement des Nouveautés”. (2011) Hameed, Ayesha
  • "La Commune". (2011) Hameed, Ayesha
  • New Schools Programme Toronto. (2011) Hameed, Ayesha
  • The Object that Remains. (2011) Hameed, Ayesha
  • “TERRITOIRES/TERRITORIOS: Une sélection d’oeuvres d’artistes espagnoles et canadiennes”. (2011) Hameed, Ayesha
  • Yaron Lapid: The New Zero. (2011) Hameed, Ayesha
  • Between Freedoms: Jean-Luc Nancy’s Haunting Categorical Imperative. (2011) Martinon, Jean-Paul
  • Of Part and Whole: Derrida and the Nuclear Thing. (2011) McAuliffe, Sam
  • Informal Urbanism’ – Interview with Alfredo Brillembourg and Hubert Klumpner. (2011) Mörtenböck, Peter
  • Urban-Think Tank: Ein Dialog. (2011) Mörtenböck, Peter
  • Grauzonen des Handelns. (2011) Mörtenböck, Peter and Mooshammer, Helge
  • Making Do. (2011) Mörtenböck, Peter and Mooshammer, Helge
  • Networked Cultures - Collections of Alternative Approaches. (2011) Mörtenböck, Peter and Mooshammer, Helge
  • A Practice Without Discipline. (2011) Mörtenböck, Peter and Mooshammer, Helge
  • Shifting Waters. (2011) Mörtenböck, Peter and Mooshammer, Helge
  • Space (Re)Solutions: Intervention and Research in Visual Culture. (2011) Mörtenböck, Peter and Mooshammer, Helge
  • Supply Lines: Visions of Global Resource Circulation. (2011) Mörtenböck, Peter and Mooshammer, Helge
  • Trade Flow: Architectures of Informal Markets. (2011) Mörtenböck, Peter and Mooshammer, Helge
  • Anti-Oedipus and the Production of the Subject. (2011) O'Sullivan, Simon D.
  • 'The Care of the Self versus the Ethics of Desire'. (2011) O'Sullivan, Simon D.
  • The Care of the Self versus the Ethics of Desire. (2011) O'Sullivan, Simon D.
  • Deleuze and Contemporary Art. (2011) O'Sullivan, Simon D.
  • Lacan’s Ethics and Foucault’s 'Care of the Self': Two Diagrams of the Production of Subjectivity (and of the Subject’s Relation to Truth). (2011) O'Sullivan, Simon D.
  • ‘Mythopoetic Practice’ and ‘Diagrams’. (2011) O'Sullivan, Simon D.
  • Performance Fictions: Case Study, Plastique Fantastique. (2011) O'Sullivan, Simon D.
  • Performance Fictions: Towards a Mythopoetic Art Practice. (2011) O'Sullivan, Simon D.
  • 'Performance Fictions: Towards a Mythopoetic Art Practice (Case Study: Plastique Fantastique)'. (2011) O'Sullivan, Simon D.
  • Two Diagrams of the Production of Subjectivity. (2011) O'Sullivan, Simon D.
  • A History of the Visitation. (2011) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique. (2011) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique. (2011) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Golem. (2011) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Mathemes. (2011) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Re-Naming Ritual to Summon (part-shell e-ject demon) Buz-Blud-Witz. (2011) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique TV. (2011) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique: Diagram of the Body Full of Holes (Thought without Subject): Welcome Black Hare Demon, the Anorexic Death Machine. (2011) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique: Impossible Objects. (2011) O'Sullivan, Simon D. and Burrows, David
  • Shrine-Down-Under: virtual Summoning of the-Thing-from-the-Void (Fox-Owl demon). (2011) O'Sullivan, Simon D. and Burrows, David
  • Three Real Plastique Fantastique Communiqués. (2011) O'Sullivan, Simon D. and Burrows, David
  • Linea verde, il limes senza legge. (2011) Petti, Alessandro; Perugini, Nicola; Hilal, Sandi and Weizman, Eyal
  • Beauty, Anger, Joy (al padron non far sapere). (2011) Plotegher, Paolo
  • Constructing Situations: Guy Debord's detournement of fiction. (2011) Plotegher, Paolo
  • Art as phenomenology? (2011) Prendeville, Brendan
  • Review: Alain Badiou (2010) Cinéma. (2011) Ramos Martinez, Manuel
  • Still Here, Here Again – Farocki, Godard and the Cinema’s Centenary. (2011) Ramos Martinez, Manuel
  • Affirming Difference: Everyday Aesthetic Experience after Phenomenology. (2011) Roberdeau, Wood
  • Developing the Negative. (2011) Roberdeau, Wood
  • Going Public by Boris Groys. (2011) Roberdeau, Wood
  • Factory-esque: Temporalities of Critique in Michael Landy's Breakdown. (2011) Rosamond, Emily
  • Luxurious Renunciations: Wealth, Destruction and Critical Duration in Michael Landy's Breakdown. (2011) Rosamond, Emily
  • Patterning Particularity: Adrienne Spier's Furniture Sculptures. (2011) Rosamond, Emily
  • Pavillon levé (dix jours à vaincre les mortes-eaux). (2011) Rosamond, Emily description
  • 'Szepty Bławatne / Das Flüstern der Stoffe / The Whispering of Fabric. Ulrike Grossarth'. (2011) Schmetterling, Astrid
  • Tape 342: That Dangerous Supplement. (2011) Schuppli, Susan
  • The Dolmen Press: “A Hazardous Venture”. (2011) Tubridy, Derval
  • Animal transference: a "mole-like progression" in C. J. Cherryh. (2011) Turner, Lynn picture_as_pdf
  • 'Tape' plays Teletribunals. (2011) Turner, Lynn description
  • Two genetically modified films. (2011) Turner, Lynn
  • Inter/Multi/Cross/Trans. The Uncertain Territory of Art Theory in the Age of Academic Capitalism. (2011) Velazquez, Yaiza Hernandez and Hernández Velázquez, Yaiza María
  • Arendt in Ethiopia. (2011) Weizman, Eyal
  • Forensic Architecture: The Place of Law in War. (2011) Weizman, Eyal
  • The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza. (2011) Weizman, Eyal
  • Persistence Resistance. Documentary Practices in India. (2011) Wolf, Nicole
  • The Time of Us. Shelly Silver’s ‘Here.His’. (2011) Wolf, Nicole
    • 2010
  • Barbarları Beklerken: Edward W. Said Anısına. (2010)
  • Kunst der Kritik. (2010)
  • Performing/Knowing. (2010)
  • Philosophy of photography. (2010)
  • The Autoimmune Death Drive: Freud, Derrida and the ethics of the biopolitical. (2010) Andrews, Alice
  • Autoimmunity, Illness and the Ethics of the New. (2010) Andrews, Alice
  • Derrida, Autoimmunity and the Technical Animal. (2010) Andrews, Alice
  • ‘How to be counter-environmental: art, research and the techniques of discovery’. (2010) Andrews, Jorella G.
  • Bodies of Evidence: Queering Disclosure in the Art of Jasper Johns. (2010) Butt, Gavin
  • Inheriting the Im-possible: Reading Tradition and Temporality in Pier Paolo Pasolini through Contemporary French Philosophy. (2010) Cavallini, Roberto
  • The Image: Disaffect in the theatre of representation. (2010) Crone, Bridget
  • Agamben’s Taking Place. (2010) Doussan, Jenny
  • Messianic time and the problem of political action in the work of Agamben. (2010) Doussan, Jenny
  • Recuperating the Platonic Idea. (2010) Doussan, Jenny
  • Arte Invisible (editor). (2010) Dyangani Ose, Elvira
  • Carrie Mae Weems. Social Studies. (2010) Dyangani Ose, Elvira
  • Everybody is Welcome. (2010) Dyangani Ose, Elvira
  • Hydra Decapita. (2010) Eshun, Kodwo
  • Memorex for the Krakens: The Fall's Pulp Modernism. (2010) Fisher, Mark
  • Contemporary German Philosophy. Answers to Questions From Professor Gerard Vilar. (2010) García Düttmann, Alexander
  • Ein Verdienst der Künstlerin [To The Artist's Credit]. (2010) García Düttmann, Alexander
  • El hombre y la tierra / Man and Earth. (2010) García Düttmann, Alexander
  • Elizabeth and the Peacock. (2010) García Düttmann, Alexander
  • Empfindsame Zigzagreise in die Unabhängigkeit / Viaje a la independencia, sentimental y en zig-zag [A Sentimental Journey to Independence]. (2010) García Düttmann, Alexander
  • "Extravaganza". (2010) García Düttmann, Alexander
  • For and Against the Contemporary. An Examination. (2010) García Düttmann, Alexander
  • I Shall Never Grow Old. (2010) García Düttmann, Alexander
  • Kafka i zivot slova [Kafka and the life of the letter]. (2010) García Düttmann, Alexander
  • La vida y la belleza: en el medio, en el extremo [Life And Beauty. On Schiller's 'Letters On The Aesthetic Education Of Mankind']. (2010) García Düttmann, Alexander
  • Language Without Soil. (2010) García Düttmann, Alexander
  • Law, Literature, Revolution. (2010) García Düttmann, Alexander
  • The Love of Proper Names. (2010) García Düttmann, Alexander
  • Ohne Politik [Without Politics]. (2010) García Düttmann, Alexander
  • Picking Up / Bouncing Back. (2010) García Düttmann, Alexander; Nancy, Jean-Luc and Richon, Olivier
  • Rights of Passage”. (2010) Godfrey, Mark; Demos, T.J.; Weizman, Eyal and Hameed, Ayesha
  • Bellmer’s Legs: adolescent pornography and uncanny eroticism in the photographs of Hans Bellmer and Anna Gaskell. (2010) Grant, Catherine
  • The Performance Space of the Photograph: From the Anti-Photographers to the Directorial Mode. (2010) Grant, Catherine
  • Spiritual America. (2010) Grant, Catherine description
  • The Cultural Politics of Female Sexuality in South Africa. (2010) Gunkel, Henriette
  • “‘I myself had a sweetie…’ – Re-thinking female same-sex intimacy beyond the institution of marriage and identity politics.”. (2010) Gunkel, Henriette
  • ‘You are not welcome here’: post-apartheid negrophobia & real aliens in Blomkamp’s District 9. (2010) Gunkel, Henriette and König, Christiane description
  • Aesthetics of Evidence. (2010) Hameed, Ayesha
  • Borders in the City 1. (2010) Hameed, Ayesha
  • The Jungle as Second Nature. (2010) Hameed, Ayesha
  • “The New City Reader: A Newspaper of Public Space”. (2010) Hameed, Ayesha
  • On Coastlines, Border Crossings and Natural History,. (2010) Hameed, Ayesha
  • Universal Catastrophe - Roundtable On Terrorism. (2010) Hameed, Ayesha; Weizman, Eyal; Pereira, Godofredo Nobre Enes; Tavares, Paulo; Di Carlo, Tina and Khalili, Yazan
  • Archiving to Oblivion. (2010) Hernández Velázquez, Y. M. picture_as_pdf
  • Bearers and Proper Names. (2010) Martinon, Jean-Paul
  • Brown Skin, Blue Masks. (2010) Millner-Larsen, Nadja; Osman`, Wazmah and Ferrari, Danyel
  • Allocations: Planning Processes and Other Participations in the Right to the City. (2010) Mörtenböck, Peter
  • Networked Cultures. (2010) Mörtenböck, Peter
  • Zwischen Palmen und Zypressen - Zivilgesellschaftliche Begegnungen im Raum der Ströme. (2010) Mörtenböck, Peter
  • Netzwerk Kultur: Die Kunst der Verbindung in einer globalisierten Welt. (2010) Mörtenböck, Peter and Mooshammer, Helge
  • 'Contribution to an Artistic Anthropology. (2010) O'Sullivan, Simon D.
  • Deleuze and Contemporary Art. (2010) O'Sullivan, Simon D.
  • From Aesthetics to the Abstract Machine: Deleuze, Guattari, and Contemporary Art Practice. (2010) O'Sullivan, Simon D.
  • From Stuttering and Stammering to the Diagram: Towards a Minor Art Practice? (2010) O'Sullivan, Simon D.
  • Guattari's Aesthetic Paradigm: From the Folding of the Finite/Infinite Relation to Schizoanalytic Metamodelisation. (2010) O'Sullivan, Simon D.
  • Towards a Mythopoetic Art Practice. (2010) O'Sullivan, Simon D.
  • The Chymical Wedding: Performance Art as Masochistic Practice (an Account, the Contracts and Further Reflections). (2010) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Cat-Yage-Demon Inversion Shrine. (2010) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Diagram of the Plague Bacterium: Welcome Cun-verse. (2010) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique: The Visitation (and Castration Rituals to welcome Tat-Not!). (2010) O'Sullivan, Simon D. and Burrows, David
  • Al contadin non far sapere. (2010) Plotegher, Paolo
  • Catalogue essay. (2010) Prendeville, Brendan
  • 'Parliament Square, 09/12/2010'. (2010) Ramos Martinez, Manuel
  • 'Happiness Is Closer than You Think'. (2010) Roberdeau, Wood
  • Immanence as Aesthetic Documentation. (2010) Roberdeau, Wood
  • FREE. (2010) Rogoff, Irit
  • Practicing Research: Singularising Knowledge. (2010) Rogoff, Irit
  • Impersonating Ideology: The “Factory-Esque” and Temporalities of Critique in Recent Installation. (2010) Rosamond, Emily
  • Night Shift. (2010) Rosamond, Emily
  • Still Life with Easter Everywhere. (2010) Rosamond, Emily
  • Powers of Existence: The Question of Otherness in the Philosophy of Jean-Luc Nancy. (2010) Rugo, Daniele
  • "Das ist direkt ein Diebstahl an den Kunsthistorikern". Else Lasker-Schülers bildnerisches Werk im kunsthistorischen Kontext. (2010) Schmetterling, Astrid
  • “Improvised Explosive Designs: The Film-Set as Military Set-Up.”. (2010) Schuppli, Susan
  • The Most Dangerous Film in the World. (2010) Schuppli, Susan
  • Forensic Architecture. (2010) Schuppli, Susan; Weizman, Eyal and Tavares, Paulo
  • Beckett, Feldman, Salcedo… Neither. (2010) Tubridy, Derval picture_as_pdf
  • Fort-dancing. (2010) Turner, Lynn
  • Homing pigeon: the postal principle and Lynn Hershmann's 'Conceiving Ada'. (2010) Turner, Lynn
  • When Species Kiss: some recent correspondence between animots. (2010) Turner, Lynn
  • Feministický akční výzkum – Jak studovat na umělkyni? [Feminist action research - How to study to become a woman artist?]. (2010) Vráblíková, Lenka
  • The 1:1 Map. (2010) Weizman, Eyal
  • The Destruction of Destruction. (2010) Weizman, Eyal
  • Documentary Sculpture. (2010) Weizman, Eyal
  • Forensic architecture: Only the Criminal Can Solve the Crime. (2010) Weizman, Eyal
  • Legislative Attack. (2010) Weizman, Eyal
  • Material Proportionality: the Paul Hirst Memorial Lecture, 2010. (2010) Weizman, Eyal
  • Political Plastic (Interview). (2010) Weizman, Eyal
  • Dying to Speak: Forensic Spatiality (Interview). (2010) Weizman, Eyal and Di Carlo, Tina
  • The Third Strategic Threat. (2010) Weizman, Eyal and Keenan, Thomas
  • Experimental Support Structures for Moving Images – Experimenta. The International Festival for Moving Image Art in India 2009, Bangalore. (2010) Wolf, Nicole
  • Of bird watchers and other incidental proceedings. (2010) Wolf, Nicole
  • Conversations on locating conflict. (2010) Wolf, Nicole and Heidenreich, N.
  • Moving Politics. Cinemas from India. (2010) Wolf, Nicole and Wenner, Dorothee
    • 2009
  • The Resistible Demise of Michael Jackson. (2009)
  • The Futures of Autoimmunity. (2009) Andrews, Alice
  • Reading Derrida’s “No Apocalypse". (2009) Andrews, Alice
  • Übersetzung: Das Versprechen eines Begriffs. (2009) Buden, Boris and Nowotny, Stefan
  • How I Died For Kiki and Herb. (2009) Butt, Gavin
  • Should we take Performance Seriously? (2009) Butt, Gavin
  • Performing the Local in a Suburban Garage’. (2009) Crone, Bridget
  • Tom Nicholson’s Lines Towards Another Century. (2009) Crone, Bridget
  • The Beastly Beauty. (2009) Doussan, Jenny image
  • From Means Without End to State of Exception. (2009) Doussan, Jenny
  • Interview with Lauriston Avery. (2009) Doussan, Jenny
  • What is Agamben's Apparatus? (2009) Doussan, Jenny
  • Arte Invisible (editor). (2009) Dyangani Ose, Elvira
  • Bienvenidos al Paraiso. (2009) Dyangani Ose, Elvira
  • THINKING ALOUD ON THE ADDRESS OF THE VIEWER. (2009) Elfving, Taru
  • Report on the First Ergenekon Indictment. (2009) Ertür, Başak
  • The Involution of Photography. (2009) Fisher, Andrew
  • Capitalist Realism: Is there no alternative? (2009) Fisher, Mark
  • Materialismo gótico (Extractos de Flatline Constructs: Gothic materialism and Cybernethic Theory-Fiction). (2009) Fisher, Mark
  • Adorno's American Dream. (2009) García Düttmann, Alexander
  • Das Hin und Her der Freundschaft [The To and Fro of Friendship]. (2009) García Düttmann, Alexander
  • Die Reise nach Montreux [A Trip to Montreux]. (2009) García Düttmann, Alexander
  • El año académico. (2009) García Düttmann, Alexander
  • El filósofo salvaje y el mal artista [The Wild Philosopher And The Bad Artist]. (2009) García Düttmann, Alexander
  • ‘For Those Who Like That Sort Of Thing, That’s The Sort Of Thing They Like’. (2009) García Düttmann, Alexander
  • Idiosyncrasy And Film. (2009) García Düttmann, Alexander
  • "Improvising on Intuition". (2009) García Düttmann, Alexander
  • Kafka and the Life of the Letter. (2009) García Düttmann, Alexander
  • Letteratura per esempio. (2009) García Düttmann, Alexander
  • A Man For All Seasons: Derrida-Cum-‘Queer Theory’ Or The Limits Of Performativity. (2009) García Düttmann, Alexander
  • The Memory of Thought. An Essay on Heidegger and Adorno (translation into Japanese). (2009) García Düttmann, Alexander
  • A Note On Philosophy And Photography. (2009) García Düttmann, Alexander
  • Quasi. Antonioni und die Teilhabe an der Kunst [Quasi. Antonioni and Participation in Art]. (2009) García Düttmann, Alexander
  • Visconti: Insights into Flesh and Blood (translated by Robert Savage). (2009) García Düttmann, Alexander and Savage, Robert
  • Reaching for the Moon: replaying feminist art and activism. (2009) Grant, Catherine
  • Through the Postcolonial Eyes: Images of Gender and Female Sexuality in Contemporary South Africa. (2009) Gunkel, Henriette
  • “What's Identity Got To Do With It?” Rethinking Intimacy and Homosociality in Contemporary South Africa. (2009) Gunkel, Henriette
  • Eclectik 09 (Montréal, arts interculturels). (2009) Hameed, Ayesha
  • Folly. (2009) Hameed, Ayesha
  • Vectors of the Global Border. (2009) Hameed, Ayesha
  • Wait… a minute! (2009) Hameed, Ayesha
  • On Archives. (2009) Hameed, Ayesha and Weizman, Eyal
  • The New Geography: A Roundtable. (2009) Kastner, Jeffrey; McCarthy, Tom; Thompson, Nato and Weizman, Eyal
  • Micropolitics and Transversality: Language, Subjectivity, Organisation and Contemporary Arts Practice. (2009) Kelly, Susan
  • Review: Lynn Spigel, TV by Design: Modern Art and the Rise of Network Television, Chicago, IL: University of Chicago Press, 2009, 402 pp., $27.50 (hardcover). (2009) Millner-Larsen, Nadja
  • The Art of Living With Strangers: Risk Taking in the Space of Flows. (2009) Mörtenböck, Peter
  • Crossing the Mediterranean: Networked Agencies in Art and Culture. (2009) Mörtenböck, Peter
  • Networked Cultures. (2009) Mörtenböck, Peter
  • Going Astray: Network Transformation and the Asymmetries of Globalization. (2009) Mörtenböck, Peter and Mooshammer, Helge
  • Networked Cultures. (2009) Mörtenböck, Peter and Mooshammer, Helge
  • Art Practice between Henri Bergson and Felix Guattari. (2009) O'Sullivan, Simon D.
  • Art and the Political: Minor Literature, War Machines and the Production of Subjectivity. (2009) O'Sullivan, Simon D.
  • From Stuttering and Stammering to the Diagram: Deleuze, Bacon and Contemporary Art Practice. (2009) O'Sullivan, Simon D.
  • Performance Fictions: Towards a Mythopoetic Art Practice. (2009) O'Sullivan, Simon D.
  • The Strange Temporality of the Subject: Badiou and Deleuze Between the Finite and the Infinite. (2009) O'Sullivan, Simon D.
  • Welcome Cun-creet-hedd. (2009) O'Sullivan, Simon D.
  • Mouth-Ports Bou-Har. (2009) O'Sullivan, Simon D. and Burrows, David
  • Plastiqiue Fantastique: Peckham Mirror Displacements. (2009) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Mirror Displacement Ritual: Welcome Mouth-Ports Bour-Har! (2009) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Mirror Travel to Concrete Island: Welcome Cun-creet-hedd! (2009) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique: Inversion Ritual (against the Plague that is Capital). (2009) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique: We Lot Yesterday is Judas to the Vibiron. (2009) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique: Welcome Cun-creet-hedd. (2009) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique: Welcome Mouth-Ports Bou-Har! (2009) O'Sullivan, Simon D. and Burrows, David
  • From Collective Intimacy to Self-Dispersion. (2009) Plotegher, Paolo
  • Contested Bodies’ (book review). (2009) Prendeville, Brendan
  • Seurat and the act of sensing: perception as artefact. (2009) Prendeville, Brendan
  • ‘The essence of vision: recent paintings by Gina Medcalf’. (2009) Prendeville, Brendan
  • Ordinary Origins: Encountering Others Encountering Objects. (2009) Roberdeau, Wood
  • De-regulation: With the work of Kutlug Ataman. (2009) Rogoff, Irit
  • Geo-cultures. (2009) Rogoff, Irit
  • Neither police, nor pirates. (2009) Rogoff, Irit
  • Regional Imaginaries. (2009) Rogoff, Irit
  • Spatializing Character: on the Work of Geoffrey Farmer. (2009) Rosamond, Emily
  • Ambient Attitudes. On practices of contingency, treason and humour. (2009) Schmitz, Edgar
  • Reading Radiological Film. (2009) Schuppli, Susan
  • Seeks-Zoos: some recent correspondence between animals. (2009) Turner, Lynn
  • Telecommunications: the undoing of DNA. (2009) Turner, Lynn
  • The course of a general displacement, or, The course of the choreographer. (2009) Turner, Lynn
  • Humanitarian Support. (2009) Weizman, Eyal and Brauman, Rony
  • Articulating Aesthetic Experience: Questions of Image. (2009) Wisniowska, Magdalena
  • No man’s land/ Everybody’s Land – Glaring in Defiance. (2009) Wolf, Nicole
  • The promise of withholding. (2009) Wolf, Nicole
    • 2008
  • After Criticism: New Responses to Art and Performance (Chinese edition). (2008)
  • Guida Gratis di Bolzano. (2008)
  • Irish Studies Review: Thomas Kinsella Special Issue. (2008)
  • Waiting for the Barbarians: A Tribute to Edward W. Said. (2008)
  • The Inscription of an Autoimmune Body. (2008) Andrews, Alice
  • Words and objects in transposing desire and making space. (2008) Awan, Nishat
  • Hoyle's Humility. (2008) Butt, Gavin
  • On the Specific in Contemporary Art and Curatorial Practice. (2008) Doussan, Jenny
  • Beyond Barthes: Rethinking the Phenomenology of Photography. (2008) Fisher, Andrew
  • Adorno's amerikanischer Traum. (2008) García Düttmann, Alexander
  • Der Schein [Semblance]. (2008) García Düttmann, Alexander
  • Derrida und ich. Das Problem der Dekonstruktion [Derrida and I. The Problem of Deconstruction]. (2008) García Düttmann, Alexander
  • Die Sichtbarmachung der Armut [Making Poverty Visible]. (2008) García Düttmann, Alexander
  • Integral Actuality. (2008) García Düttmann, Alexander
  • Kommen und Gehen. Über den Begriff des Spätstils [Coming and Going. On the Concept of a Late Style]. (2008) García Düttmann, Alexander
  • Making Poverty Visible: three theses. (2008) García Düttmann, Alexander
  • Interview with Hal Foster. (2008) Grant, Catherine
  • Lisa Castagner. (2008) Grant, Catherine
  • The Uncertain Spectator: theories of female spectatorship and the work of Anna Gaskell. (2008) Grant, Catherine
  • Review: Catherine M. Cole, Takyiwaa Manuh, Stephan F. Miescher (Eds.): Africa After Gender? Bloomington and Indianapolis: Indiana University Press, 2007. (2008) Gunkel, Henriette
  • “‘What do we see when we look at ourselves?’ - Visual dissidence towards (post)colonial sex/gender organisations within post-apartheid South African culture. (2008) Gunkel, Henriette
  • Editorial: Racism in the Closet – Interrogating Postcolonial Sexuality. (2008) Gunkel, Henriette and Pitcher, Ben
  • Q&A with Jasbir Puar. (2008) Gunkel, Henriette and Pitcher, Ben
  • Artist’s Talk, Rearranging Desires: Curating the "Other” Within. (2008) Hameed, Ayesha
  • Borders in the City 1. (2008) Hameed, Ayesha
  • Rearranging Desires: Curating the "Other” Within (Group Exhibition). (2008) Hameed, Ayesha
  • Rencontre Interuniversitaire, Québec. (2008) Hameed, Ayesha
  • Virtual and Material Topographies. (2008) Hameed, Ayesha
  • What is Missing and What is There: Passages from War to Art. (2008) Hameed, Ayesha and Robertson, Kirsty
  • Decolonizing Architecture. (2008) Hilal, Sandi; Petti, Alessandro and Weizman, Eyal
  • 33, 34, 35… The Life of The Limits. (2008) Martinon, Jean-Paul
  • Switzerland: Joanna Hodge’s Derrida on Time. (2008) Martinon, Jean-Paul
  • Hürdenläufe der Ermächtigung. (2008) Mörtenböck, Peter
  • Network Operations: Nodal Points and Other Shapes of Global Networkification. (2008) Mörtenböck, Peter
  • Operation Desert. (2008) Mörtenböck, Peter
  • Networked Cultures. (2008) Mörtenböck, Peter and Mooshammer, Helge
  • Networked Cultures: Parallel Architectures and the Politics of Space. (2008) Mörtenböck, Peter and Mooshammer, Helge
  • Plan and Conflict. (2008) Mörtenböck, Peter and Mooshammer, Helge
  • Plan ve Çatışkı: Ağ Örgüsüne Dahil Olan Istanbul. (2008) Mörtenböck, Peter and Mooshammer, Helge
  • Spaces of encounter: informal markets in Europe. (2008) Mörtenböck, Peter and Mooshammer, Helge
  • Instituierende Praxen: Bruchlinien der Institutionskritik. (2008) Nowotny, Stefan and Raunig, Gerald
  • Academy: The Production of Subjectivity. (2008) O'Sullivan, Simon D.
  • The Care of the Self and the Production of the New. (2008) O'Sullivan, Simon D.
  • 'The Care of the Self and the Production of the New’ and ‘From Stuttering and Stammering to the Diagram: Deleuze, Bacon and Contemporary Art Practice'. (2008) O'Sullivan, Simon D.
  • The Chymical Wedding. (2008) O'Sullivan, Simon D.
  • The Chymical Wedding. (2008) O'Sullivan, Simon D.
  • Deleuze, Guattari and the Production of the New. (2008) O'Sullivan, Simon D.
  • Deleuze, Guattari and the Production of the New. (2008) O'Sullivan, Simon D.
  • Fiction. (2008) O'Sullivan, Simon D.
  • From Stuttering and Stammering to the Diagram: Deleuze, Bacon and Contemporary Art Practice. (2008) O'Sullivan, Simon D.
  • Plastique Fantastique film showing (24hr Puja, Ribbon Ritual and Chymical Wedding) and discussion. (2008) O'Sullivan, Simon D.
  • The Production of the New and the Care of the Self. (2008) O'Sullivan, Simon D.
  • The Production of the New. (2008) O'Sullivan, Simon D.
  • Seven Moments in a Fiction about Fiction. (2008) O'Sullivan, Simon D.
  • Writing on Art/Art as Writing. (2008) O'Sullivan, Simon D.
  • Black Mass for Partial Objects. (2008) O'Sullivan, Simon D. and Burrows, David
  • The Chymical Wedding. (2008) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique present ‘Accelerator Ritual. (2008) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique: Protocols for Deceleration (Night is also a Sun). (2008) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique: You Lot Yesterday is Judas to the Vibiron. (2008) O'Sullivan, Simon D. and Burrows, David
  • Protocols for Deceleration: Night is also a Sun. (2008) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique: Shadowface and Glitterhead. (2008) O'Sullivan, Simon D.; Burrows, David and Dalton, Joe
  • Product Clearing. (2008) O'Sullivan, Simon D.; Burrows, David and Schratt, Henrik
  • Café Plural 13.08.08. (2008) Plotegher, Paolo
  • (Un)familiarities: Remobilizing the Poetry of the Real. (2008) Roberdeau, Wood
  • Turning. (2008) Rogoff, Irit picture_as_pdf
  • Productive anticipation. (2008) Rogoff, Irit and Schneider, Florian
  • Unfolding the critical. (2008) Rogoff, Irit and Stahre, Ulrike
  • The Patron Saint of Waterskiers and Other Entities. (2008) Rosamond, Emily
  • Vivienne Koorland: Reisemalheurs (Travel Woes). (2008) Schmetterling, Astrid
  • Curse of the Mummy: Oral Affliction or Archival Aphasia. (2008) Schuppli, Susan
  • Of Moths and Machines. (2008) Schuppli, Susan
  • “In his secondmouth language”: Joyce and Irish Poetry. (2008) Tubridy, Derval
  • ‘stop looking for some single defining difference’: the ongoing Arkhe of Donna Haraway’. (2008) Turner, Lynn
  • “Away in Berlin – Really! Documentary-fictional Side Notes”. (2008) Wolf, Nicole
  • Experimentations from India. (2008) Wolf, Nicole
  • Lovers of Life for Heterogeneous Time. (2008) Wolf, Nicole
    • 2007
  • The Showroom Annual 2005/6. (2007)
  • Appearance is Everything: Phenomenology, art and critical enquiry. (2007) Andrews, Jorella G.
  • Phenomenologies/Perceptions/Interpretations. (2007) Andrews, Jorella G.
  • Vision, Violence and the Other: A Merleau-Pontean Ethics. (2007) Andrews, Jorella G.
  • Critical Materialities. (2007) Andrews, Jorella G. and Osborne, Peter
  • Queer Technologies. (2007) Blas, Zach
  • Stop that Acting!: Performance and Authenticity in Shirley Clarke's Portrait of Jason. (2007) Butt, Gavin
  • For the record: The World Tribunal on Iraq. (2007) Dadak, Zeynep; Ertür, Başak; Köstepen, Enis and Lebow, Alisa
  • The Ghosts of Songs: The Film Art of the Black Audio Film Collective. (2007) Eshun, Kodwo and Sagar, A.
  • 'How Very Lacanian': From Fantasy to Hyperreality in Basic Instinct 2. (2007) Fisher, Mark
  • ‘You have always been the caretaker’: the spectral spaces of the Overlook Hotel. (2007) Fisher, Mark
  • Philosophy of Exaggeration. (2007) García Düttmann, Alexander
  • Animating Exclusions: Ali Kazimi’s Continuous Journey and the Virtualities of Racialized Exclusion. (2007) Hameed, Ayesha
  • Banff Centre for Arts and Creativity Residency Exhibition. (2007) Hameed, Ayesha
  • Embodying the Middle Passage. (2007) Hameed, Ayesha
  • “Monitor 3” SAVAC’s International Short Film and Video Festival, Toronto. (2007) Hameed, Ayesha
  • Re-presenting Diasporas in Cinema and New (Digital) Media, University of Exeter. (2007) Hameed, Ayesha
  • Volatile Works short programme. (2007) Hameed, Ayesha
  • Love and Borders. (2007) Hameed, Ayesha and Le, Viet Ho
  • Border Controls/Border Movements. (2007) Hameed, Ayesha and Pourtavaf, Leila
  • El Rei de la Casa. Adults als deu, nens al quaranta. (2007) Hernández Velázquez, Y. M.; Roig, Marc and Hispano, Andrés
  • On Futurity / Malabou, Derrida and Nancy. (2007) Martinon, Jean-Paul
  • Networked Cultures. (2007) Mörtenböck, Peter
  • Operation Desert, Windsor, Ontario. (2007) Mörtenböck, Peter and Mooshammer, Helge
  • Trading Indeterminacy – Informal Markets in Europe. (2007) Mörtenböck, Peter and Mooshammer, Helge
  • Art Encounters Deleuze and Guattari. (2007) O'Sullivan, Simon D.
  • Associates. (2007) O'Sullivan, Simon D.
  • The City and an Art Practice. (2007) O'Sullivan, Simon D.
  • Deleuze and Contemporary Art. (2007) O'Sullivan, Simon D.
  • Panel discussion on ‘The Future of Art’ for Resonance FM. (2007) O'Sullivan, Simon D.
  • The Production of the New. (2007) O'Sullivan, Simon D.
  • Plastique Fantastique Ribbon Dance. (2007) O'Sullivan, Simon D. and Burrows, David
  • The Return of Plastique Fantastique. (2007) O'Sullivan, Simon D. and Burrows, David
  • Ribbon dance Communiques. (2007) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique: Traitor Prophet and Others. (2007) O'Sullivan, Simon D.; Burrows, David and Dalton, Joe
  • One Day in the Life of a City (July 21, 2006). (2007) O'Sullivan, Simon D. and Lynch, John
  • The Meanings of Acts: Agnes Martin and the Making of Americans. (2007) Prendeville, Brendan
  • Betrayed Borders: Double Agents and the Crisscrossing of Conflicts. (2007) Ramos Martinez, Manuel
  • Archival Obsessions: Arnold Dreyblatt's Memory Work. (2007) Schmetterling, Astrid
  • Fallet Med De Förlorade 18-½ Minuterna. (2007) Schuppli, Susan
  • Sounding Spaces: Aurality in Beckett, Nauman and Cardiff. (2007) Tubridy, Derval
  • Differential Vibrations: On Things that Go Buzz in the Night: For K.K, the girl next door. (2007) Turner, Lynn
  • Wind Up: the Machine-Event of Tape. (2007) Turner, Lynn
  • HOLLOW LAND: Israel's Architecture of Occupation. (2007) Weizman, Eyal
  • Video Mumbai. (2007) Wolf, Nicole
    • 2006
  • 8 artists try not to talk about art. (2006)
  • Critical Materialities. (2006) Andrews, Jorella G.
  • Losing Labels and Liking It. (2006) Andrews, Jorella G.
  • Cinesonica: Sounding the Audiovisuality of Film and Video. (2006) Birtwistle, Andrew Brian
  • "America" and its Discontents: Art and Politics 1945-1960. (2006) Butt, Gavin
  • Joe Brainard's Queer Seriousness, or, How to Make Fun out of the Avant-Garde. (2006) Butt, Gavin
  • Scholarly Flirtations. (2006) Butt, Gavin
  • You Cannot Be Serious?’. (2006) Butt, Gavin
  • Olvida Quién Soy/ Erase Me From Who I Am. (2006) Dyangani Ose, Elvira
  • Gothic Oedipus: Subjectivity and Capitalism in Christopher Nolan's Batman Begins’. (2006) Fisher, Mark
  • Visconti: Einsichten in Fleisch und Blut. (2006) García Düttmann, Alexander
  • Different Girls: performances of adolescence in contemporary photographic portraits. (2006) Grant, Catherine
  • Pride and presence:Szenen aus dem schwullesbischen (Straßen-)Leben in Südafrika. (2006) Gunkel, Henriette
  • Salon Femmes br@nchées #61. (2006) Hameed, Ayesha
  • The Third Annual Volatile Works Series. (2006) Hameed, Ayesha
  • Museum and Restlessness. (2006) Martinon, Jean-Paul
  • Museum, Plasticity, Temporality. (2006) Martinon, Jean-Paul
  • Contested Spaces - conflicts, networks and the geo-cultural practice of European architecture. (2006) Mörtenböck, Peter and Mooshammer, Helge
  • Gunners & Runners. (2006) Mörtenböck, Peter and Mooshammer, Helge
  • Happy Slapping - Urban Violence in the Age of Camera Phones. (2006) Mörtenböck, Peter and Mooshammer, Helge
  • Art Encounters Deleuze and Guattari: Thought Beyond Representation. (2006) O'Sullivan, Simon D.
  • Becoming Adolescent (Eight Paragraphs on Roxy Walsh’s Paintings). (2006) O'Sullivan, Simon D.
  • 'Deleuze and Contemporary Art. (2006) O'Sullivan, Simon D.
  • Deleuze and Contemporary Art Practice. (2006) O'Sullivan, Simon D.
  • 'Deleuze, Guattari and Art Practice', What is Philosophy? (2006) O'Sullivan, Simon D.
  • Deleuzian Aesthetics. (2006) O'Sullivan, Simon D.
  • Foreword: Instructions for Use (25 Operational Protocols). (2006) O'Sullivan, Simon D.
  • From Aesthetics to Probeheads: Deleuze and Art. (2006) O'Sullivan, Simon D.
  • From Representation to Repetition: Archives and Affects. (2006) O'Sullivan, Simon D.
  • Imaging Other Worlds: Mythopoesis and Art Practice. (2006) O'Sullivan, Simon D.
  • Minor Literature: Case Study, the Red Army Faction. (2006) O'Sullivan, Simon D.
  • Science Fiction, or Painting, the Abstract Machine. (2006) O'Sullivan, Simon D.
  • 'Traitor Prophets: Mythopoesis and the Programmatic Character of Literature vs. 'Stuttering and Stammering' and the 'Affective-Event'. (2006) O'Sullivan, Simon D.
  • Plastique Fantastique 24 hour Puja to the People-yet-to-come. (2006) O'Sullivan, Simon D. and Burrows, David
  • ‘Plastique Fantastique Borromean Knot Ribbon Probe’ and ‘Plastique Fantastique Mythopoesis Shrine (to call forth Starbucks Foffee)’. (2006) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Shrine. (2006) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique Shrine (defacialisation). (2006) O'Sullivan, Simon D. and Burrows, David
  • Plastique Fantastique: Starbucks Fukkee is Your Enemy. (2006) O'Sullivan, Simon D. and Burrows, David
  • Staabucks Fukkee is Your Enemy. (2006) O'Sullivan, Simon D. and Burrows, David
  • We are Plastique Fantastique. (2006) O'Sullivan, Simon D. and Burrows, David
  • Contours and Case Studies for a Dissenting Subjectivity (or, How to Live Creatively in a Fearful World). (2006) O'Sullivan, Simon D. and Stahl, O
  • Messa – in scena. (2006) Plotegher, Paolo
  • Rina. (2006) Plotegher, Paolo
  • Merleau-Ponty, Realism and Painting: Psychophysical Space and the Space of Exchange. (2006) Prendeville, Brendan
  • Academy as Potentiality. (2006) Rogoff, Irit
  • ‘De-regulation: Kutlug Ataman and Irit Rogoff in conversation.’. (2006) Rogoff, Irit
  • Looking Away: Participating Singularities – Ontological Communities. (2006) Rogoff, Irit
  • A.C.A.D.E.M.Y. (2006) Rogoff, Irit; Esche, Charles and Niemann, Kerstin
  • Encounters at the Site of Trauma. (2006) Schmetterling, Astrid
  • Inscriptions of Difference in Charlotte Salomon's Work. (2006) Schmetterling, Astrid
  • "The Absence of Origin”: Beckett and Contemporary French Philosophy. (2006) Tubridy, Derval
  • To be haunted. The Halfmoon Files. (2006) Wolf, Nicole
    • 2005
  • After Criticism: New Responses to Art and Performance. (2005)
  • The Showroom Annual 2003/4. (2005)
  • 'Showing Off': A Merleau-Pontean Approach to the Ethical. (2005) Andrews, Jorella G.
  • Avant-Garde et Chic: Andy Warhol et la fabrique du dandy Américain. (2005) Butt, Gavin
  • Between You and Me: Queer Disclosures in the New York Art World 1948-1963. (2005) Butt, Gavin
  • The Ruined Body. (2005) Crone, Bridget
  • The body. The ruin. (2005) Crone, Bridget
  • Tres Escenarios. (2005) Dyangani Ose, Elvira
  • Verwisch die Spuren. (2005) García Düttmann, Alexander
  • “I’m a legal lesbian in Joburg.”. (2005) Gunkel, Henriette
  • Invisible Evidence: History/ Diaspora/ Documentary. (2005) Hameed, Ayesha
  • Unless. (2005) Hameed, Ayesha
  • The Unspoken Archive: New Media Representations of the Middle Passage. (2005) Hameed, Ayesha
  • Notes on the Politics and Potentials of New Media Engagement. (2005) Hameed, Ayesha and Vukov, Tamara
  • Grafts, Repetitions, and Polymorphous Bodies: Daniel Buren at the Wordsworth Trust. (2005) Martinon, Jean-Paul
  • Strategies of (In)visibility. (2005) Martinon, Jean-Paul
  • Swelling Grounds: A history of Hackney Workhouse. (2005) Martinon, Jean-Paul
  • GENDER DIFFERENCE IN THE BALKANS. (2005) Milevska, Suzana
  • Free Running and the Hugged City. (2005) Mörtenböck, Peter
  • Es kommt darauf an. Texte zur Theorie der politischen Praxis. (2005) Nowotny, Stefan
  • Dissenting Subjectivities. (2005) O'Sullivan, Simon D.
  • 'Eight Concepts Arising From Cathy Wilkes' Art'. (2005) O'Sullivan, Simon D.
  • Four Moments for an Expanded Practice (following Deleuze, following Spinoza). (2005) O'Sullivan, Simon D.
  • 'From Aesthetics to Probeheads: Deleuze and Contemporary Art'. (2005) O'Sullivan, Simon D.
  • From Geophilosophy to Geoaesthetics: The Virtual and The Plane of Immanence vs. Mirror Travel and The Spiral Jetty. (2005) O'Sullivan, Simon D.
  • From Possible Worlds to Future Folds (Following Deleuze): Richter's Abstracts, Situationist Cities, and the Baroque in Art. (2005) O'Sullivan, Simon D.
  • 'The New Moderns'. (2005) O'Sullivan, Simon D.
  • The New Moderns. (2005) O'Sullivan, Simon D.
  • Notes Towards a Minor Art Practice. (2005) O'Sullivan, Simon D.
  • 'Plastique Fantastique'. (2005) O'Sullivan, Simon D.
  • Pragmatics for the Production of Subjectivity: Time for Probe-heads. (2005) O'Sullivan, Simon D.
  • Probe-Heads! (2005) O'Sullivan, Simon D.
  • 'Probeheads for Future Subjectivities'. (2005) O'Sullivan, Simon D.
  • Various entries in The Deleuze Dictionary. (2005) O'Sullivan, Simon D.
  • 'Plastique Fantastique'. (2005) O'Sullivan, Simon D. and Burrows, David
  • Shrine Drawings and Models (Plastique Fantastique). (2005) O'Sullivan, Simon D. and Burrows, David
  • The Ballad of Kastroit Rexhepi. (2005) Plotegher, Paolo
  • The Ballade of K. R. (2005) Plotegher, Paolo
  • VAL Video Art from London. (2005) Plotegher, Paolo
  • Discernment. (2005) Prendeville, Brendan
  • Looking Away—Participations in Visual Culture. (2005) Rogoff, Irit
  • Des Jeunes Nées : for a confusion of the tongue, the lip, and the rim. (2005) Turner, Lynn
  • The import and export of knowledge in conversations or: where is my subject? (2005) Wolf, Nicole
    • 2004
  • Guest Editor. “Exposé 67: Special Issue on Expo 67. (2004)
  • Intending objects and signs ”which have no meaning”. (2004) Andrews, Jorella G.
  • Painterly Transubstantiations/Political Change. (2004) Andrews, Jorella G.
  • How New York Queered the Idea of Modern Art. (2004) Butt, Gavin
  • Surrounding the Word: Towards an Aesthetic of Ritual. (2004) Dyangani Ose, Elvira
  • So ist es. Ein philosophischer Kommentär zu Adornos "Minima Moralia". (2004) García Düttmann, Alexander
  • Digital Poetics and Politics. (2004) Hameed, Ayesha
  • Mapping the Self, Mapping the Other: Colonialism and Metropolitan Identity. (2004) Hameed, Ayesha
  • Nostalgic Landscapes – Andrew Hunter’s Giddy-Up! or a Darn Good Hat Act. (2004) Hameed, Ayesha
  • Sailing Ships and Distant Shores: Capitalism, Slavery and the Sea. (2004) Hameed, Ayesha
  • Museos de Sol y Playa. (2004) Hernández Velázquez, Y. M.
  • Inventing S-E-X. (2004) Mörtenböck, Peter and Mooshammer, Helge
  • First Manifesto for the Guerrilla Plastique Fantastique. (2004) O'Sullivan, Simon D.
  • Friendship as Community: From Ethics to Politics. (2004) O'Sullivan, Simon D.
  • From Minor Literature to War Machines: Notes Towards a Political Art Practice. (2004) O'Sullivan, Simon D.
  • Retreat Diary. (2004) O'Sullivan, Simon D.
  • What is an Event? (2004) O'Sullivan, Simon D.
  • Seurat and the Act of Sensing: Perception as Artefact. (2004) Prendeville, Brendan
  • Varying the Self: Bacon's Versions of van Gogh. (2004) Prendeville, Brendan
  • Untitled, 1982-1983, Biography. (2004) Roberdeau, Wood
  • The Where of Now. (2004) Rogoff, Irit
  • ‘Charlotte Salomons “Leben? Oder Theater?“ Ein Werk jenseits der Assimilation’. (2004) Schmetterling, Astrid
  • “Picturing Place: Photography and the Geographical Imagination (Book Review).”. (2004) Schuppli, Susan
  • Thomas Kinsella and the Peppercanister Poems. (2004) Tubridy, Derval
    • 2003
  • A Civilian Occupation: The Politics of Israeli Architecture. (2003)
  • Field Work: Reports from the Field of Visual Culture. (2003) Andrews, Jorella G.
  • Cross-Cultural Currents in the Work of Yu-Cheng Chuang: An Examination of the Chinese Principle of Jingjie and Western Idea of the Picturesque as Parallel Influences on Site-Specificity in Land Art. (2003) Chuang, Yu-Cheng
  • Performancemaniac:The Work of Hayley Newman. (2003) Crone, Bridget
  • Further Considerations on Afrofuturism. (2003) Eshun, Kodwo
  • OTOLITH 1. (2003) Eshun, Kodwo
  • “Schwarze Körper Weißer Herren” [Black Bodies White Men]. (2003) Gunkel, Henriette
  • Spiegelbild der Gesellschaft. Geschlechtsspezifische Gewalt in Südafrika” [The Mirror Image of Society. Gender-based Violence in South Africa]. (2003) Gunkel, Henriette
  • Colonial Circuits: The Commodification of the Ocean and the Creation of Modern Space. (2003) Hameed, Ayesha
  • Dialectics at a Standstill: a Benjaminian reading of Turner, Grandville and Industrial Seascapes. (2003) Hameed, Ayesha
  • Sailing Ships and Distant Shores: Capitalism, Slavery and the Sea. (2003) Hameed, Ayesha
  • Fact or Fiction? (2003) Martinon, Jean-Paul
  • Visuelle Kultur: Körper, Räume, Medien. (2003) Mörtenböck, Peter and Mooshammer, Helge
  • The Aesthetics of Affect. (2003) O'Sullivan, Simon D.
  • Dissenting Machines. (2003) O'Sullivan, Simon D.
  • Friendship as Community. (2003) O'Sullivan, Simon D.
  • Political Physics by John Protevi. (2003) O'Sullivan, Simon D.
  • 'Virtualities at the Edge: Gilles Deleuze's Bergsonism vs. Robert Smithson's Mirror Travel'. (2003) O'Sullivan, Simon D.
  • War Machines. (2003) O'Sullivan, Simon D.
  • ‘Night Geography’. (2003) Prendeville, Brendan
  • Ellsworth Kelly, Untitled. (2003) Roberdeau, Wood
  • Sol LeWitt, Wall Drawing #398. (2003) Roberdeau, Wood
  • Engendering Terror. (2003) Rogoff, Irit
  • ‘What is a Theorist’. (2003) Rogoff, Irit
  • Braiding Polyphony: Je tu il elle (& lui). (2003) Turner, Lynn
  • ‘Sexual Difference’. (2003) Turner, Lynn
  • Territories. (2003) Weizman, Eyal
  • Transitional Zones: Nicole Wolf Interviews Tejal Shah. (2003) Wolf, Nicole
    • 2002
  • Random Figures. (2002)
  • Identity - An Introduction. (2002) Andrews, Jorella G.
  • Of Ethics and Intermundane Space. (2002) Andrews, Jorella G.
  • Painterly Transubstantiations/Political Change. (2002) Andrews, Jorella G.
  • 'Phenomenological Orientations: Art/Perception/Ethics'. (2002) Andrews, Jorella G.
  • Post Theory - An Introduction. (2002) Andrews, Jorella G.
  • Memoria y Desconcierto. Arte de Guinea Ecuatorial. (2002) Dyangani Ose, Elvira
  • Private Performances: Editing Performance Photography. (2002) Grant, Catherine
  • Schwarze Feminismen. Afrikanische Wissenschaftlerinnen diskutieren über Womanism” [Black Feminisms. African Scholars discuss Womanism]. (2002) Gunkel, Henriette
  • Virtual Toronto: Interdisciplinary Knowledge and New Research Tools. (2002) Hameed, Ayesha
  • Digitale Welten: Nicht wissende User - ahnungslos Beteiligte. (2002) Mörtenböck, Peter
  • Heldinnen. Betrügerinnen, Versagerinnen - 'Nobody knows me, and I like that'. (2002) Mörtenböck, Peter
  • Cultural Studies as Rhizome; Rhizomes in Cultural Studies. (2002) O'Sullivan, Simon D.
  • 'Dissenting Machines'. (2002) O'Sullivan, Simon D.
  • 'Figuring the Plane of Immanence'. (2002) O'Sullivan, Simon D.
  • ‘Measure and Location’. (2002) Prendeville, Brendan
  • Eija-Liisa Ahtila’s Talo/The House. (2002) Roberdeau, Wood
  • 'We - Mutualities, Collectivities, Participations'. (2002) Rogoff, Irit
  • Irene Below: Hidden Treasures. Irma Stern. Her Books, Painted Book Covers and Bookplates. (2002) Schmetterling, Astrid
  • ‘Lift off: il n’y a pas de deux hors texte’. (2002) Turner, Lynn
  • ‘Translating John Malkovich’. (2002) Turner, Lynn
  • Translation Reading Sex. (2002) Turner, Lynn
  • Portraits of Belonging’ - Eindrücke zu Repräsentationsspielräumen und Diskursen von unabhängigen Dokumentarfilmemacherinnen in Indien. (2002) Wolf, Nicole
    • 2001
  • ‘Hot Property’. (2001)
  • ‘Immanent Trajectories’. (2001)
  • 'The Dance of the Hand: The Material Space of Language'. (2001) Andrews, Jorella G.
  • Dis-alienation and the Eye. (2001) Andrews, Jorella G.
  • Dispossessing the Land. (2001) Andrews, Jorella G.
  • Maria Sibylla Merian: Collecting Metamorphosis. (2001) Andrews, Jorella G.
  • Happenings in History, or, The Epistemology of the Memoir. (2001) Butt, Gavin
  • Gothic Materialism. (2001) Fisher, Mark
  • Mayworks Festival. (2001) Hameed, Ayesha
  • Strategies of Critique XV: Human Nature. (2001) Hameed, Ayesha
  • Die virtuelle Dimension: Architektur, Subjektivität und Cyberspace. (2001) Mörtenböck, Peter
  • Identität und Identifikation: Räumliche Konversionen, kulturelle Effekte, urbane Übersetzungen. (2001) Mörtenböck, Peter
  • 'Aesthetics and Affects in Art History'. (2001) O'Sullivan, Simon D.
  • The Aesthetics of Affect: Thinking art beyond representation. (2001) O'Sullivan, Simon D.
  • Writing on Art (Case Study: the Buddhist Puja). (2001) O'Sullivan, Simon D.
  • El Realismo en la Pintura del Siglo XX. (2001) Prendeville, Brendan
  • La peinture réaliste au XXe siècle. (2001) Prendeville, Brendan
  • Uncertain Light. (2001) Prendeville, Brendan
  • 'Not There Of,'. (2001) Rogoff, Irit
  • 'Nachwort'. (2001) Schmetterling, Astrid
  • Thomas Kinsella: The Peppercanister Poems. (2001) Tubridy, Derval
  • Choice as Concept. New Narratives in Images and Discourses of Independent Women Filmmakers in India. (2001) Wolf, Nicole
  • Choice as Concept. New Narratives in Images and Discourses of Independent Women Filmmakers in India. (2001) Wolf, Nicole
  • Documenta XI. (2001) Wolf, Nicole
    • 2000
  • The Creative Circuit: The Experience of Cultural Translation. (2000) Andrews, Jorella G.
  • Easels and Amazons (‘Amazons of the Avant‐Garde’). (2000) Andrews, Jorella G.
  • Moufida Tlatli's "The Silences of the Palace": A Cartography of Servitude. (2000) Andrews, Jorella G.
  • 'Performing Space'. (2000) Andrews, Jorella G.
  • The Virtual Intersection: A Meditation on Domestic Virtue. (2000) Andrews, Jorella G.
  • Vision, Violence and the Other: A Merleau-Pontean Ethics. (2000) Andrews, Jorella G.
  • Art: Steve Reinke's archival imaginary. (2000) Butt, Gavin and Cairns, Jon
  • Performativity: Collier Schorr, Anna Gaskell, Sarah Jones. (2000) Grant, Catherine
  • Swimming Between Ponds: technological subjects, corporate landscapes, digital bodies. (2000) Mörtenböck, Peter
  • Cultural Studies as Rhizome, Rhizomes in Cultural Studies. (2000) O'Sullivan, Simon D.
  • In Violence: Three Case Studies Against the Stratum. (2000) O'Sullivan, Simon D.
  • Stone Tents and Sand Castles: A Symposium. (2000) O'Sullivan, Simon D.; Sawers, Geoff and Hall, Dani
  • Realism in 20th Century Painting. (2000) Prendeville, Brendan
  • Mona Hatoum, Roni Horn, Teresita Fernández. (2000) Roberdeau, Wood
  • "Body Missing" - Uncanny Histories and Cultural Hauntings'. (2000) Rogoff, Irit
  • 'On Getting Lost'. (2000) Rogoff, Irit
  • 'Spaces of Disavowal'. (2000) Rogoff, Irit
  • Terra Infirma: Geography's Visual Culture. (2000) Rogoff, Irit
  • 'Words in the Middle'. (2000) Rogoff, Irit
  • "Words Pronouncing Me Alive”: Beckett and Incarnation. (2000) Tubridy, Derval
  • Yellow Rhythms. A Roundabout for London. (2000) Weizman, Eyal
    • 1999
  • The Dance of the Hand: on gestural writing, epistemology and creativity. (1999) Andrews, Jorella G.
  • 'The Forensic Aesthetic: Iconographies of Violence. (1999) Andrews, Jorella G.
  • Maria Sibylla Merian: Collecting Metamorphosis. (1999) Andrews, Jorella G.
  • Maria Sibylla Merian: Painting the Microcosm. (1999) Andrews, Jorella G.
  • Pacific Asia Cultural Studies Forum Conference. (1999) Andrews, Jorella G.
  • Staying Embodied: Merleau-Ponty, Integrated Being and the Creation of New Structures. (1999) Andrews, Jorella G.
  • The Greatest Homosexual? Camp Pleasure and the Performative Body of Larry Rivers’. (1999) Butt, Gavin
  • “Borderlines” at 52 Inc. Toronto. (1999) Hameed, Ayesha and Chu, Yen
  • 'Guy DeBord'. (1999) O'Sullivan, Simon D.
  • Merleau-Ponty, Realism and Painting: Psychophysical Space and the Space of Exchange. (1999) Prendeville, Brendan
  • 'Inside/Out' (A dossier of writings on Edward Said's influence on Art History and contemporary Art). (1999) Rogoff, Irit
    • 1998
  • Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective. (1998) Andrews, Jorella G.
  • Merleau-Ponty, non-philosophy and painting. (1998) Andrews, Jorella G.
  • Story-Time: An exhibition of artists living in Israel/Palestine. (1998) Andrews, Jorella G.
  • Telling tales: Five contemporary women artists from India. (1998) Andrews, Jorella G.
  • The Virtual Intersection: Pieter de Hooch's Woman with a Broom and Pail in a Courtyard. (1998) Andrews, Jorella G.
  • Mind the Gap (in Painting). (1998) O'Sullivan, Simon D.
  • 'How to Dress for an Exhibition'. (1998) Rogoff, Irit
  • 'Studying Visual Culture'. (1998) Rogoff, Irit
    • 1997
  • Carrie Mae Weems and the Question of Criticism. (1997) Andrews, Jorella G.
  • Instabilities, Uncertainties, Aliens: A Perspective upon our Searches for Security. (1997) Andrews, Jorella G.
  • Matisse, Merleau-Ponty and the Search for Depth. (1997) Andrews, Jorella G.
  • Merleau-Ponty, Phenomenology and Processes of Describing. (1997) Andrews, Jorella G.
  • Renegotiating the Familiar, Inhabiting the Strange: The Installations of Permindar Kaur. (1997) Andrews, Jorella G.
  • Angels and Desire. (1997) O'Sullivan, Simon D.
  • Catalogue essay. (1997) O'Sullivan, Simon D.
  • The Death of the Subject: Machines and Meaning. (1997) O'Sullivan, Simon D.
  • 'In the Empire of the Object - the Geographies of Ana Mendieta'. (1997) Rogoff, Irit
  • Tracing the Life (or Theatre?) of Charlotte Salomon. (1997) Schmetterling, Astrid
    • 1996
  • Veränderte Identitäten : Potsdamer Platz Berlin - Donau-City Wien. (1996) Mörtenböck, Peter
  • City Mapping - Mapping Europe. (1996) Mörtenböck, Peter; Antalovsky, Eugen and Weiermair, Cecilia
  • Alien Objects. (1996) O'Sullivan, Simon D.
  • Art as Machine: Lines of Force, Lines of Flight. (1996) O'Sullivan, Simon D.
  • Catalogue essay for 'sus, contemporary art exhibition. (1996) O'Sullivan, Simon D.
  • South. (1996) Prendeville, Brendan
    • 1995
  • Cutting the Line: The Late Works of Matisse Discussed from a Merleau-Pontean Perspective. (1995) Andrews, Jorella G.
  • Of Angels and Aliens: The Meaning of the Art Object. (1995) O'Sullivan, Simon D.
  • ‘The Features of Insanity, as seen by Géricault and by Büchner’. (1995) Prendeville, Brendan
    • 1994
  • Museum Culture: Histories, Theories, Spectacles. (1994)
  • Derrida vs Lyotard: The Meaning of Painting. (1994) O'Sullivan, Simon D.
    • 1991
  • Like the Face of the Moon. (1991) Prendeville, Brendan
    • 1988
  • ‘Infant Joy’. (1988) Prendeville, Brendan
    • 1984
  • ‘How sculpture became human’. (1984) Prendeville, Brendan
  • ‘Motion and rest: the sculptor’s search for order’. (1984) Prendeville, Brendan
  • ‘The place of sculpture’. (1984) Prendeville, Brendan
    • 1981
  • ‘Constructed Sculpture’. (1981) Prendeville, Brendan