On the Aesthetic of Black Industrialism in the work of Trevor Mathison

How to think of the sonic as a site of dissent, resistance and refusal? How to consider sound in its potential for world-making, both contesting the dominant order and expanding the articulation of what is possible? What could a poetics of the undercommons sound like? How to make it re-sound? How can the inherently ephemeral and subjective nature of listening be transformed into shared experiences, inspiring conspiration and collective action?