Browse by Goldsmiths authors: Rogers, Holly

Number of items: 61.
  • Re/Sounding Spaces: Listening Across Audiovisual Culture. (2024) Rogers, Holly
  • “The Shock of Time”: Hauntological Echoes of La Folia in Max Richter’s Woolf Works. (2024) Rogers, Holly picture_as_pdf
  • “I feel like I’ve heard it before”: The Audiovisual Echoes of YouTube. (2023) Rogers, Holly
  • Listening Through Social Media: Soundscape Composition, Collaboration and Networked Sonic Elongation. (2023) Rogers, Holly
  • Remediating Sound: Repeatable Culture, YouTube and Music. (2023) UNSPECIFIED
  • “Welcome to your world”: YouTube and the Reconfiguration of Music’s Gatekeepers. (2023) Rogers, Holly
  • YouTube and Music: Online Culture and Everyday Life. (2023) UNSPECIFIED
  • Canons. (2022) Rogers, Holly
  • Instruments. (2022) Rogers, Holly
  • Music and the Moving Image. (2022) Rogers, Holly
  • Recording and Production. (2022) Rogers, Holly
  • Twentieth-Century Music in the West. (2022) Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim and Rogers, Holly
  • Contemporary Audiovisualities, Intermediality and Remediation. (2022) Rogers, Holly; Alvim, Luíza and Paiva Chaves, Renan
  • The Spaces Beyond: Experimenting with the Theory of Audiovisual Concrète. (2022) Rogers, Holly and Britton, Heather
  • Ben Salisbury: Scoring Science for Alex Garland. (2021) Rogers, Holly; McGrath, John; Vernallis, Carol and Chapman, Dale
  • Cybermedia: Explorations in Science, Sound, and Vision. (2021) UNSPECIFIED description
  • Terence Nance: Random Acts of Flyness. (2021) Rogers, Holly and Vernallis, Carol picture_as_pdf
  • Audiovisual Noise in Transmedial Culture. (2021) Rogers, Holly image
  • Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film. (2021) Rogers, Holly
  • Sinestesia distorta. (2021) Rogers, Holly html
  • Twisted Synaesthesia. (2021) Rogers, Holly html
  • Locked Down Listening / Communal Re-Imagination. (2020) Rogers, Holly html
  • Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. (2020) UNSPECIFIED
  • Sonic Elongation: Creative Audition in Documentary Film. (2020) Rogers, Holly
  • Sonic Scope: New Approaches to Audiovisual Culture. (2020) UNSPECIFIED
  • The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch. (2019) Rogers, Holly
  • Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre. (2019) Rogers, Holly description
  • ‘Audio-Visual Dissonance in Found Footage Films’. (2017) Rogers, Holly description
  • The Music and Sound of Experimental Film. (2017) UNSPECIFIED description
  • New Approaches to Sound, Music and Media. (2016) Rogers, Holly; Vernallis, Carol and Perrott, Lisa
  • ‘The Public Will Only Believe the Truth If It Is Shot in 3D’ Michel van der Aa, ‘Nine Years in an Ophanage’ (Zenna), Sunken Garden, Scene 6. (2016) Rogers, Holly description
  • Beyoncé’s Lemonade: She Dreams in Both Worlds. (2016) Rogers, Holly; Vernallis, Carol and Perott, Lisa
  • ‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’. (2015) Rogers, Holly description
  • ‘Colour, Tone and Improvisation: Peter Donebauer’s Musicalisation of Video’. (2015) Rogers, Holly
  • Music and Sound in Documentary Film. (2014) UNSPECIFIED
  • ‘Music, Sound and the Nonfiction Aesthetic’. (2014) Rogers, Holly description
  • ‘The Musical Script: Norman McLaren, Animated Sound and Audiovisuality’. (2014) Rogers, Holly description
  • ‘Review: Unruly Media: YouTube, Music Video and the New Digital Cinema (Carol Vernallis); and An Eye for Music: Popular Music and the Audiovisual Surreal (John Richardson)’. (2014) Rogers, Holly
  • ‘Twisted Synaesthesia: Visual Artists and the Music Video’. (2014) Rogers, Holly picture_as_pdf
  • Sound and Vision. (2013) Rogers, Holly
  • Video Art Primer. (2013) Rogers, Holly
  • Early Music Videos and the Visual Music Scene. (2013) Rogers, Holly
  • ‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’. (2013) Rogers, Holly description
  • Composing with Reality: Digital Sound and Music in Documentary Film. (2013) Rogers, Holly
  • Multimedia Art: Video Art-Music. (2013) Rogers, Holly picture_as_pdf
  • Sounding the Gallery: Video and the Rise of Art Music. (2013) Rogers, Holly
  • ‘Spatial Reconfiguration in Interactive Video Art-Music’. (2013) Rogers, Holly picture_as_pdf
  • ‘Death for Five Voices: Gesualdo’s “poetic truth”’. (2012) Rogers, Holly picture_as_pdf
  • ‘Review: A History of Film Music (Mervyn Cooke)’. (2011) Rogers, Holly
  • ‘The Unification of the Senses: Intermediality in Video Art-Music’. (2011) Rogers, Holly
  • Visualising Music: Audio-Visual Relationships in Avant-Garde Film and Video Art. (2010) Rogers, Holly
  • ‘Audio-Visual Biography: Music and Image in Derek Jarman’s Caravaggio’. (2008) Rogers, Holly
  • ‘“Noises, Sounds and Sweet Airs”: Singing the Film Space in Prospero’s Books’. (2008) Rogers, Holly
  • ‘Review: EcoMedia (Sean Cubitt)’. (2007) Rogers, Holly
  • ‘Review: The Museum of Modern Art and the Birth of Art Cinema (Haidee Wasson)’. (2007) Rogers, Holly
  • Acoustic Architecture: Music and Space in the Video Installations of Bill Viola. (2006) Rogers, Holly description
  • 'Beethoven’s Myth Sympathy: Hollywood’s Biographical Reconstruction'. (2006) Rogers, Holly
  • Alternative Models of Music-Image Interaction in Film. (2005) Rogers, Holly
  • ‘Review: Cinema’s Illusions, Opera’s Allure (David Schroeder) / Hollywood Theory, Non-Hollywood Practice (Annette Davison)’. (2005) Rogers, Holly
  • 'Fitzcarraldo’s Search for Aguirre: Music and Text in the Amazonian Films of Herzog'. (2004) Rogers, Holly
  • Beethoven on Film. (2000) Rogers, Holly