Browse by Goldsmiths authors: Rogers, Holly

Number of items: 61.
Article
  • Contemporary Audiovisualities, Intermediality and Remediation. (2022) Rogers, Holly; Alvim, Luíza and Paiva Chaves, Renan
  • The Spaces Beyond: Experimenting with the Theory of Audiovisual Concrète. (2022) Rogers, Holly and Britton, Heather
  • Locked Down Listening / Communal Re-Imagination. (2020) Rogers, Holly html
  • Sonic Elongation: Creative Audition in Documentary Film. (2020) Rogers, Holly
  • ‘The Public Will Only Believe the Truth If It Is Shot in 3D’ Michel van der Aa, ‘Nine Years in an Ophanage’ (Zenna), Sunken Garden, Scene 6. (2016) Rogers, Holly description
  • Beyoncé’s Lemonade: She Dreams in Both Worlds. (2016) Rogers, Holly; Vernallis, Carol and Perott, Lisa
  • ‘The Musical Script: Norman McLaren, Animated Sound and Audiovisuality’. (2014) Rogers, Holly description
  • ‘Review: Unruly Media: YouTube, Music Video and the New Digital Cinema (Carol Vernallis); and An Eye for Music: Popular Music and the Audiovisual Surreal (John Richardson)’. (2014) Rogers, Holly
  • Composing with Reality: Digital Sound and Music in Documentary Film. (2013) Rogers, Holly
  • ‘Review: A History of Film Music (Mervyn Cooke)’. (2011) Rogers, Holly
  • ‘The Unification of the Senses: Intermediality in Video Art-Music’. (2011) Rogers, Holly
  • ‘Audio-Visual Biography: Music and Image in Derek Jarman’s Caravaggio’. (2008) Rogers, Holly
  • ‘Review: EcoMedia (Sean Cubitt)’. (2007) Rogers, Holly
  • ‘Review: The Museum of Modern Art and the Birth of Art Cinema (Haidee Wasson)’. (2007) Rogers, Holly
  • Acoustic Architecture: Music and Space in the Video Installations of Bill Viola. (2006) Rogers, Holly description
  • 'Beethoven’s Myth Sympathy: Hollywood’s Biographical Reconstruction'. (2006) Rogers, Holly
  • ‘Review: Cinema’s Illusions, Opera’s Allure (David Schroeder) / Hollywood Theory, Non-Hollywood Practice (Annette Davison)’. (2005) Rogers, Holly
  • 'Fitzcarraldo’s Search for Aguirre: Music and Text in the Amazonian Films of Herzog'. (2004) Rogers, Holly
    • Audio
  • Sinestesia distorta. (2021) Rogers, Holly html
  • Twisted Synaesthesia. (2021) Rogers, Holly html
    • Book
  • Re/Sounding Spaces: Listening Across Audiovisual Culture. (2024) Rogers, Holly
  • Twentieth-Century Music in the West. (2022) Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim and Rogers, Holly
  • New Approaches to Sound, Music and Media. (2016) Rogers, Holly; Vernallis, Carol and Perrott, Lisa
  • Sounding the Gallery: Video and the Rise of Art Music. (2013) Rogers, Holly
  • Visualising Music: Audio-Visual Relationships in Avant-Garde Film and Video Art. (2010) Rogers, Holly
    • Book Section
  • “The Shock of Time”: Hauntological Echoes of La Folia in Max Richter’s Woolf Works. (2024) Rogers, Holly picture_as_pdf
  • “I feel like I’ve heard it before”: The Audiovisual Echoes of YouTube. (2023) Rogers, Holly
  • Listening Through Social Media: Soundscape Composition, Collaboration and Networked Sonic Elongation. (2023) Rogers, Holly
  • “Welcome to your world”: YouTube and the Reconfiguration of Music’s Gatekeepers. (2023) Rogers, Holly
  • Canons. (2022) Rogers, Holly
  • Instruments. (2022) Rogers, Holly
  • Music and the Moving Image. (2022) Rogers, Holly
  • Recording and Production. (2022) Rogers, Holly
  • Ben Salisbury: Scoring Science for Alex Garland. (2021) Rogers, Holly; McGrath, John; Vernallis, Carol and Chapman, Dale
  • Terence Nance: Random Acts of Flyness. (2021) Rogers, Holly and Vernallis, Carol picture_as_pdf
  • Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film. (2021) Rogers, Holly
  • The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch. (2019) Rogers, Holly
  • Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre. (2019) Rogers, Holly description
  • ‘Audio-Visual Dissonance in Found Footage Films’. (2017) Rogers, Holly description
  • ‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’. (2015) Rogers, Holly description
  • ‘Music, Sound and the Nonfiction Aesthetic’. (2014) Rogers, Holly description
  • ‘Twisted Synaesthesia: Visual Artists and the Music Video’. (2014) Rogers, Holly picture_as_pdf
  • ‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’. (2013) Rogers, Holly description
  • Multimedia Art: Video Art-Music. (2013) Rogers, Holly picture_as_pdf
  • ‘Spatial Reconfiguration in Interactive Video Art-Music’. (2013) Rogers, Holly picture_as_pdf
  • ‘Death for Five Voices: Gesualdo’s “poetic truth”’. (2012) Rogers, Holly picture_as_pdf
  • ‘“Noises, Sounds and Sweet Airs”: Singing the Film Space in Prospero’s Books’. (2008) Rogers, Holly
    • Digital
  • Video Art Primer. (2013) Rogers, Holly
  • Early Music Videos and the Visual Music Scene. (2013) Rogers, Holly
    • Edited Book
  • Remediating Sound: Repeatable Culture, YouTube and Music. (2023) UNSPECIFIED
  • YouTube and Music: Online Culture and Everyday Life. (2023) UNSPECIFIED
  • Cybermedia: Explorations in Science, Sound, and Vision. (2021) UNSPECIFIED description
  • Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. (2020) UNSPECIFIED
  • The Music and Sound of Experimental Film. (2017) UNSPECIFIED description
  • Music and Sound in Documentary Film. (2014) UNSPECIFIED
    • Edited Journal
  • Sonic Scope: New Approaches to Audiovisual Culture. (2020) UNSPECIFIED
    • Exhibition Catalogue
  • ‘Colour, Tone and Improvisation: Peter Donebauer’s Musicalisation of Video’. (2015) Rogers, Holly
    • Film/Video
  • Audiovisual Noise in Transmedial Culture. (2021) Rogers, Holly image
    • Thesis
  • Alternative Models of Music-Image Interaction in Film. (2005) Rogers, Holly
  • Beethoven on Film. (2000) Rogers, Holly
    • Other
  • Sound and Vision. (2013) Rogers, Holly