Items where Country is "United Kingdom" and Location is Goldsmiths, University of London
Number of items: 191.
2024
Pictorial Rationalities, Radical Description, and Thinking from Below,. (2024)
Andrews, Jorella G.
Using Phenomenology in Contemporary Arts, Humanities, and Social Sciences Research. (2024)
Andrews, Jorella G.
Visual Writing Workshop. (2024)
Bajec, Manca; Rogelja, Igor and Galai, Yoav
River Cinema I. (2024)
Duncan, Ifor
Reflections on Jarman Garden. (2024)
Fleming, Cass
Arts Economies Project. (2024)
Matthews, Miranda
Creative Commuters. (2024)
Matthews, Miranda
BULK. (2024)
May, Katherine
Seminar Series: Design Department Buffets (DDB). (2024)
Park, Soomi; May, Katherine; Haines, Agatha and Rigby, Bethany
The significance of the body in human-machine collaboration and artistic practices
‘Embodiment and Creativity’. (2024)
Tamari, Tomoko
Feminist Un/learning with Fungi. (2024)
Vráblíková, Lenka
Contemporary Social Work in the Digital Era. (2024)
Yau, Carmen
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Gender & Sexuality In Social Work. (2024)
Yau, Carmen
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When Migrants Become Influencers Via Social Media: Radicalization and the Use of Social Media Among Hong Kong Immigrants. (2024)
Yau, Carmen
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2023
Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 1. (2023)
Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya
Red Ribbon Living Well: Free Travelling Blankets Film Project Workshop 2. (2023)
Andrews, Jorella G.; Red Ribbon Living Well Support Group and Hussain, Inaya
Goldsmiths Textile Collection Workshop One: What Can Textiles Teach Us? (2023)
Andrews, Jorella G.; Watson, Grant and Cameron, Jane
Goldsmiths Textile Collection Workshop Two: What Can Textiles Teach Us? (2023)
Andrews, Jorella G.; Watson, Grant and Cameron, Jane
Experimenting with practice: translation and/as music performance. (2023)
Autieri, Arianna
Institutional ecosystems, ecosystemic institutions: life cycles, (non-)linear time, and stewardship. (2023)
Colin, Anna
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Timothy Drever / Tim Robinson – nature and nurture. (2023)
Drever, John L.
Creative Bodies in Therapy, Performance and Community. (2023)
Frizell, Caroline and Rova, Marina
Annie Horniman: In Conversation. (2023)
Gossling, Jessica
Keynote Lecture “Time Travelling Devices”. (2023)
Hameed, Ayesha; Gunkel, Henriette and O'Sullivan, Simon D.
What we did on our Holidays. (2023)
Hernández Velázquez, Y. M.
Ecologies in Practice: Participatory arts methods for engaging young people in climate research. (2023)
Matthews, Miranda
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Centre for Arts and Learning and Climate Museum UK: Participatory Arts Methods for Engaging Young People in Climate Research. (2023)
Matthews, Miranda; McKenzie, Bridget and Davidson, Kevin
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Versioning as Method : Music, space and the musical de-estrangement of difference. (2023)
Moreno, Louis
On Broadwater Farm: Dub Housing and other planes of consistency (part one) Edward George in conversation with Louis Moreno. (2023)
Moreno, Louis and George, Edward
Can Technology Be Harnessed to Safeguard Children Against Sexual Exploitation in Sub-Saharan Africa? A Reflection on Malawi. (2023)
Nkhoma, Pearson
Electromagnetic Interactions with REBUS workshop. (2023)
Oreggia, Eleonora
The Seeds of Vandana Shiva: Story, Politics, Life and the Ravages of Biotech. (2023)
Roberdeau, Wood
Encountering Archives. (2023)
Sagar, Ilona; Sweetapple, Kate and Kasunic, Jacqui
Poster for Design for more-than-human futures: Towards post-anthropocentric worlding. (2023)
Wilkie, Alex and Pennington, Sarah
2022
From alternative to permacultural institutions. (2022)
Colin, Anna
Cultural policy during and after the pandemic: international insights into the recovery of the performing arts. Special Research Grants: COVID-19 Awards, British Academy, 2020-2022. (2022)
Dinardi, Cecilia; Wortman, Ana and Munoz Hernandez, Matias
How can we harness the power of creativity? (2022)
Gilbert, Francis
(In)Tangible Decadent Bodies. (2022)
Gossling, Jessica
Re-structing Feeling: Form as Contradiction in Rosalia’s ‘Motomami’. (2022)
Kampman, Anneke
Weaving Threads in the Earth Crisis. (2022)
Matthews, Miranda
Aesthetic Education: Visual Cultures Public Programme Autumn Term 2022. (2022)
McAuliffe, Sam
Reimagining the Victorian Past in African and in Black Diasporic Theatre. (2022)
Morosetti, Tiziana
Avatars and Egregores. (2022)
O'Sullivan, Simon D.
PhD Supervisor, Goldsmiths, University of London. (2022)
Rova, Marina
2021
The Mark Fisher Memorial Lecture 2021: Notes from the Underground with Test Dept. (2021)
Andrews, Jorella G.
Virtual Touch, Virtually Dancing - Goldsmiths Mocap Streamer Showcase Performance. (2021)
Debaig, Clemence; Strutt, Daniel; Peng, Youhong (Friendred) and Coghlan, Neal
Internal Examiner, PhD, 'Performing the nation: Identity, violence and the search for plurality in Bangladesh’. (2021)
Hoque, Aminul
Living on Platforms. (2021)
Mörtenböck, Peter and Mooshammer, Helge
Design Department Collective Portrait. (2021)
Quin, Corinne
Experimental Photobooth Workshop - June 2021. (2021)
Quin, Corinne
Here/Then. (2021)
Quin, Corinne
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‘Learning from Ice’ (with Susan Schuppli). (2021)
Roberdeau, Wood
The Manchester Guardian, Pan Africanism and Anti-colonial Struggle: the Italian invasion of Ethiopia, 1935-1937. (2021)
Smith, Richard W. P.
2019
Making our way in semi-obscurity. (2019)
Andrews, Jorella G.
Practices of Stewardship: Albion Millennium Green and the Albion Millennium Green Labyrinth as an Agent of Care. (2019)
Andrews, Jorella G.
Using Phenomenology in Contemporary Arts Reserach & Pedagogy Workshop 2: Phenomenological encounters with non-western and diasporic objects-images-architeves-&-artworlds (Phenomenology, displacement and decoloniality). (2019)
Andrews, Jorella G.; Say, Jeffrey and Veal, Clare
From Tigersprung to the Appropriation of Unreality: Between Benjamin and Agamben on Baudelaire. (2019)
Doussan, Jenny
On Actor Training and Pedagogy: Enhancing Students’ Learning Though Encouraging the Accessing of the Flow State. (2019)
Evangelatou, Aphrodite
bodily interaction in vocal performance. (2019)
Garrelfs, Iris
Outsiders Atomised: Beat, the Subversion from Within. (2019)
Harma, Tanguy
Redesigning Stewardship. (2019)
Kerridge, Tobie and Hartley, John
Book Launch Talk - Art Therapy in Australia. (2019)
Linnell, Sheridan and Westwood, Jill
Ethos of Ambiguity: Artist Teachers and the Transparency Exclusion Paradox. (2019)
Matthews, Miranda
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Fashion Constellations. (2019)
May, Katherine
Fashion Constellations workshop. (2019)
May, Katherine
End-of-the-World Trade: On the Speculative Economies of Art and Extraction. (2019)
Moreno, Louis and Vishmidt, Marina
Autohoodening. (2019)
Mortimer, Nicholas; Macdonald, Dash and Kargotis, Demitrios
(Un)Learning Habits of Care. (2019)
Reckitt, Helena and Ndritu, Grace
Feed Our Progress. (2019)
Roberdeau, Wood
Living Extinctions: Visual Cultures Public Programme Autumn Term 2019. (2019)
Roberdeau, Wood and Turner, Lynn
From Reputation Capital to Reputation Warfare. (2019)
Rosamond, Emily
Documenting jazz manouche: understanding the posthumous influence of Django Reinhardt and the ongoing interpretation and codification of his music through community and performance online. (2019)
Spillane, Jeremiah
Terezin - contemporaries. (2019)
Twitchin, Mischa
2018
Advocacy for Art History/Visuals Cultures (via the Association for Art History): 2018- Present. (2018)
Andrews, Jorella G.
The Courage to Persevere: Contemporary re-interrogations of faith and their public implications. (2018)
Andrews, Jorella G.
Using Phenomenology in Contemporary Arts-based Research and Pedagogy. Two-day Workshop. (2018)
Andrews, Jorella G.
A Fearless Look at the Unspeakable: Visual Cultures Public Programme Sping Term 2018. (2018)
Andrews, Jorella G. and Martinon, Jean-Paul
Klein's Prologues. (2018)
Brar, Dhanveer Singh
Thinking with Mark Fisher. (2018)
Eshun, Kodwo
The Shaping of a Message. (2018)
Hameed, Ayesha
Visual Cultures as Time Travel. (2018)
Hameed, Ayesha and Gunkel, Henriette
Design Unlikely Futures: A Marathon To Run. (2018)
Healy, Liam and Loizeau, Jimmy
Liberating the Curator / Liberating the Museum. (2018)
Hernández Velázquez, Y. M.
Sourcing & Organising Information for Your Literature Review. (2018)
Jamieson, Eve and Sahin, Ozden
Exchanging Cultures of Equality. (2018)
McGuirk, Siobhan and Puwar, Nirmal
Post Workers Theatre. (2018)
Mortimer, Nicholas; Macdonald, Dash and Kargotis, Demitrios
Actions Without an End: On Karman. (2018)
Ng, Julia
Mythopoesis/Myth-Science/Mythotechnesis: Case study, Plastique Fantastique. (2018)
O'Sullivan, Simon D.
On Whose Terms?: Ten Years On... (in Critical Negotiations in Black British Literature and the Arts). (2018)
Osborne, Deirdre and Neumann, Birgit
Rapport in three ethnographic studies of language and gender in private contexts. (2018)
Pichler, Pia
Being Visible at the ICA. (2018)
Reckitt, Helena
Respondent, Rated Agency Book Launch. (2018)
Rosamond, Emily
2017
Algorithmic Poetics. (2017)
Eshun, Kodwo
The Eastman Complex. (2017)
Eshun, Kodwo
Learn a Language: Find a Language Buddy at Goldsmiths. (2017)
Figueira, Carla
A Rough History (of the destruction of fingerprints). (2017)
Hameed, Ayesha
screensaver (dance with live coding). (2017)
Harrington, J Neve and Forth, Jamie
Pockets of Slime. (2017)
Kristensen, J C
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Crossing The Field: creating intra-active spaces through a participatory artists’ event. (2017)
Lever, Anita; Linnell, Sheridan; Morris, Lesley and Westwood, Jill
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After the Fact. (2017)
Ng, Julia
Decomposing Gesture (1936). (2017)
Ng, Julia
You think remembering me is enough. It’s not” (from ‘At the Grave of the Unknown African, Henbury Parish Church’): The Landmark Poetics of Fred D’Aguiar and Dorothea Smartt. (2017)
Osborne, Deirdre
Student Led Teaching Award for Outstanding use of Research in Teaching 2017. (2017)
Price, John
2016
Poverty, Abstraction, Debt: Actress’ Ghettoville. (2016)
Brar, Dhanveer Singh
DEMO BITTER LUCKY DIP. (2016)
Carter, Claire Makhlouf
Autonomy and precarisation: A talk by Isabell Lorey with a screening of kleines postfordistisches Drama’s Kamera Lauft! (2016)
Charalambides, Sarah and Berry, Josephine
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The Little Prince. (2016)
Fleming, Cass
Public Research and Development Performance of The Little Prince. (2016)
Fleming, Cass
Public work in progress performance of The Little Prince. (2016)
Fleming, Cass
Michael Chekhov Technique for Devised Theatre and Catalyst Direction. (2016)
Fleming, Cass and Mitchell, Roanna
Social Dreaming Matrix. (2016)
Frizell, Caroline
From the Drawer to the Cloister: Ernest Dowson's 'Poésie Schublade. (2016)
Gossling, Jessica
'The Intuitive Self Made Supreme: An Existentialist Reading of Emersonian Transcendentalism through Sartre’s Concepts of Nothingness and Engagement'. (2016)
Harma, Tanguy
On Creative and Creating Narratives of Mixedness, Adoption and Fostering in Literary and Sociological Research. (2016)
Osborne, Deirdre and Peters, Fiona
Queer Futures and World-Building. (2016)
Reckitt, Helena; Martinson, Erik and Aarne, Nella
Motives for publishing and free dissemination of academic research: perspectives from the study desk, editorial office and library. (2016)
Sahin, Ozden
2015
Transfeminisms Panel. (2015)
Chambers, Louise; Halberstam, Jack; Kennedy, Natacha; Rage, Raju and Raha, Nat
Austerity Futures: Imagining and materialising the future in an age of austerity. (2015)
Coleman, Rebecca; Szerszynski, Bronislaw; Tutton, Richard; Urry, John; Anderson, Ben; Macnaghten, Phil; Brown, Nik; Wilkie, Alex and Michael, Mike
Respondent to Tavia Nyong’o. (2015)
Eshun, Kodwo
Michael Chekhov in the Twenty First Century: New Pathways – The Little Prince in process. (2015)
Fleming, Cass; Mitchell, Roanna and Cornford, Tom
Threads and Codes. (2015)
Jefferies, Janis K.
Graduate Festival Academic Poster Competition Winner 2015: DESIGN FOR SUSTAINABLE BEHAVIOUR
IN A CIRCULAR ECONOMY. (2015)
Lefebvre, Marie
Pathologies of the Perfect: Femininity as Competition in Neo-Liberal Times. (2015)
McRobbie, Angela
Bio-Work in the Blacking Factory: Media Labor and the Technologies of the Racial Self. (2015)
Mukherjee, Roopali
Working with Journal and Book Publishers: What do editors expect from you? (2015)
Mulholland, Lauren and Sahin, Ozden
The Action of Non-Action: Benjamin, Daoism, and the Image. (2015)
Ng, Julia
Hierarchies of creative interaction – the political aspects of collaboration between composer and improvising musicians in Against Oblivion, Part 3. (2015)
Peyton Jones, Jeremy
Feminist Duration in Art and Curating. (2015)
Reckitt, Helena and Phillips, Andrea
Untitled. (2015)
Roberdeau, Wood
Critical Environments: Visual Cultures Public Programme Spring Term 2015. (2015)
Roberdeau, Wood and Turner, Lynn
Public seminar as part of the MA Art Psychotherapy Student Exhibition: ‘The Space in Between’, Goldsmiths, Whitehead Foyer/Kingsway Corridor/3rd Floor Professor Stuart Hall Building. (2015)
Westwood, Jill
2014
The Public and Private Lives of Iranian women. (2014)
Amirebrahimi, Masserat
'These people saw in colour, light and shade': capturing colour in the archaeological record. (2014)
Devlin, Kate
Fashion, Epistemology, and the Forgettable: Rethinking the Archive. (2014)
Doussan, Jenny
Sound Art Curator as de facto Acoustician. (2014)
Drever, John L.
In Conversation with Green Gartside (Scritti Politti). (2014)
Eshun, Kodwo
In Conversation with Sue Clayton. (2014)
Eshun, Kodwo
"Things worldly and things spiritual”: The Motif of the Hothouse in J.-K. Huysmans’s À rebours. (2014)
Gossling, Jessica
‘A Commitment to Self-Destruction: The Glamorisation of Death in Jack Kerouac’s Tristessa through the Phenomenon of the Sublime’. (2014)
Harma, Tanguy
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Forging Folklore: Disrupting Archives. (2014)
Jefferies, Janis K.
Live transmissions and Critical Conversations: The Politics of Making. (2014)
Jefferies, Janis K.
The Encoding/Decoding Model Revisited. (2014)
Morley, David G.
The Question of Theory in Cultural Studies. (2014)
Morley, David G.
Reconceptualisng The Media Audience. (2014)
Morley, David G.
The Poverty in Art. (2014)
Ng, Julia
Black British Feminisms. (2014)
Phoenix, Anna; Scafe, Suzanne; Ahaiwe, Ego; Balani, Sita; Craig, Lauren; Gupta, Camel; Swaby, Nydia and Smartt, Dorothea
Feminist Art Panel. (2014)
SALT Magazine; X Marks the Spot and Women Under the Influence
Political Violence in the 21st Century Media Art from the Mediterranean. (2014)
Sahin, Ozden
Hybridized cultural musical expressions and their impact on creative musical expressions. An examination of Musette and its impact on Django Reinhardt’s creative vision and stylistic development. (2014)
Spillane, Jeremiah
Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu. (2014)
Spillane, Jeremiah
Putting the “Gypsy” in Jazz. (2014)
Spillane, Jeremiah
Post-masculinist philosophy, or how to think like a girl: minimal ethics on a universal scale. (2014)
Zylinska, Joanna
2013
Translational Space and Creolising Aesthetics in Three Women’s Novels: the Diasporic Turn. (2013)
Anim-Addo, Joan
What did the Past look like? (2013)
Devlin, Kate
Plastic and the work of the biodegradable. (2013)
Gabrys, Jennifer
The Image of Gaddafi. (2013)
Hameed, Ayesha
Perils of the Sea. (2013)
Hameed, Ayesha
'From Co-optation to Self-referentiality: Corrupting Sign Systems in William Gaddis’s Carpenter’s Gothic, Bret Easton Ellis’s American Psycho and Don DeLillo’s Cosmopolis'. (2013)
Harma, Tanguy
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Materialising History. (2013)
Jefferies, Janis K.
Vision of Cancer’. (2013)
Jefferies, Janis K.
‘All is not how it appears to the naked eye’: Creative Agency and Staging Blackness in Contemporary British and Australian Dramatic Literature. (2013)
Osborne, Deirdre
a collected unconscious. (2013)
Skaife, Sally
A phonomusicological approach to investigating the stylistic development Django Reinhardt. (2013)
Spillane, Jeremiah
Whose history? Diasporic remembering in Dorothea Smartt's ship shape. (2013)
Wade, Chloe