Publication

Number of items: 18.
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  • Musical Borrowing and Quotation in the Twentieth and Twenty-First Centuries. (2014) UNSPECIFIED
  • Musik und Sprache: Music/Language/Speech. (2020) UNSPECIFIED
  • Acoustic Lexemes for Organizing Internet Audio. (2005) Casey, Michael A.
  • Sonic Socialities: compositional voice in/as ensemble microtradition. (2024) Freed, Moss
  • The pursuit of the unimaginable by the unnarratable, or some potentially telling developments in non-developmental music. (1996) Potter, Keith
  • Brian Ferneyhough's etudes transcendantales. (2001) Redgate, Roger
  • Ferneyhough as teacher. (1995) Redgate, Roger
    • Public
  • Approaches for Working with the Body in the Design of Electronic Music Performance Systems. (2023) Kirby, Jenn
  • ‘New Chaconnes for Old?’ Steve Reich’s Sketches for Variations for Winds, Strings and Keyboards, with Some Thoughts on Their Significance for the Analysis of the Composer’s Harmonic Language in the Late 1970s. (2017) Potter, Keith description
  • The Beautiful and the Political. (2015) Redhead, L
  • ‘Developing Live-interactive Approaches to New Music for Organ and Electronics Through Collaboration’. (2023) Redhead, L
  • Introduction: Musik und Sprache: Music/Language/Speech. (2020) Redhead, L
  • Language as a Material Process. (2020) Redhead, L
  • Quotation and Psychogeographic Experience as Repetition in the Music of Bernhard Lang and Chico Mello. (2014) Redhead, L
  • Vibrant Echoes: A Material Semiotics of the Voice in Music by Iris Garrelfs and Marlo Eggplant. (2020) Redhead, L
  • Introduction: Musical Borrowing and Quotation in the Twentieth and Twenty-first Centuries. (2014) ap Sion, Pwyll and Redhead, L
    • Restricted
  • Where is She: Find the Women in Electronic Music Culture. (2016) Abtan, Freida description
  • Iterative Processes: Notating, Composing, and Performing as Journey Forms. (2022) Redhead, L picture_as_pdf