Publication

Number of items: 18.
2024
  • Sonic Socialities: compositional voice in/as ensemble microtradition. (2024) Freed, Moss
    • 2023
  • Approaches for Working with the Body in the Design of Electronic Music Performance Systems. (2023) Kirby, Jenn
  • ‘Developing Live-interactive Approaches to New Music for Organ and Electronics Through Collaboration’. (2023) Redhead, L
    • 2022
  • Iterative Processes: Notating, Composing, and Performing as Journey Forms. (2022) Redhead, L picture_as_pdf
    • 2020
  • Musik und Sprache: Music/Language/Speech. (2020)
  • Introduction: Musik und Sprache: Music/Language/Speech. (2020) Redhead, L
  • Language as a Material Process. (2020) Redhead, L
  • Vibrant Echoes: A Material Semiotics of the Voice in Music by Iris Garrelfs and Marlo Eggplant. (2020) Redhead, L
    • 2017
  • ‘New Chaconnes for Old?’ Steve Reich’s Sketches for Variations for Winds, Strings and Keyboards, with Some Thoughts on Their Significance for the Analysis of the Composer’s Harmonic Language in the Late 1970s. (2017) Potter, Keith description
    • 2016
  • Where is She: Find the Women in Electronic Music Culture. (2016) Abtan, Freida description
    • 2015
  • The Beautiful and the Political. (2015) Redhead, L
    • 2014
  • Musical Borrowing and Quotation in the Twentieth and Twenty-First Centuries. (2014)
  • Quotation and Psychogeographic Experience as Repetition in the Music of Bernhard Lang and Chico Mello. (2014) Redhead, L
  • Introduction: Musical Borrowing and Quotation in the Twentieth and Twenty-first Centuries. (2014) ap Sion, Pwyll and Redhead, L
    • 2005
  • Acoustic Lexemes for Organizing Internet Audio. (2005) Casey, Michael A.
    • 2001
  • Brian Ferneyhough's etudes transcendantales. (2001) Redgate, Roger
    • 1996
  • The pursuit of the unimaginable by the unnarratable, or some potentially telling developments in non-developmental music. (1996) Potter, Keith
    • 1995
  • Ferneyhough as teacher. (1995) Redgate, Roger