Items where Division is "English and Comparative Literature"

  • Goldsmiths Departments, Centres and Research Units (28675)
  • English and Comparative Literature (2127)
  • Centre for Caribbean Studies (61)
  • Centre for Philosophy and Critical Thought (120)
    Number of items at this level: 2018.
    2026
  • Masks and Mirrors: Concealment and Disclosure in Ralph Eugene Meatyard’s The Family Album of Lucybelle Crater (1969-1972). (2026) Blinder, Caroline
    • 2025
  • Mary Barnard: Complete Poems and Selected Translations. (2025)
  • The Routledge Companion to Biofiction. (2025)
  • James Joyce’s Music Performed: “Sirens” fugue in Experimental Re-translation. (2025) Autieri, Arianna
  • Person as Character. (2025) Boldrini, Lucia picture_as_pdf
  • Introduction: Negotiating Biofiction's Territories. (2025) Boldrini, Lucia; Cernat, Laura; Gefen, Alexandre and Lackey, Michael picture_as_pdf
  • “We Were Paralysed”: Ecological Grief, the Everyday Anthropocene, and Climate Crisis Ordinariness in The High House. (2025) Carlill, Alice
  • Strategies, Statuses and Selves: A Linguistic Ethnographic Study of the Interplay between Leadership, Language and Identity in a North London Primary School. (2025) Cheetham, Chloe picture_as_pdf
  • Walt Ruding, An Evil Motherhood (1895). (2025) Condé, Alice
  • Museums and the Implicit Anthropocene: Witnessing in the Science Museum’s Energy Hall. (2025) Crownshaw, Richard
  • Remembering the Anthropocene in the Literature of War: Tim O'Brien's The Things They Carried. (2025) Crownshaw, Richard
  • French Decadence. (2025) Gossling, Jessica
  • Decadent Times: Drift, Drag, and Deliquescence. (2025) Gossling, Jessica and Condé, Alice
  • ‘All the allurements of beauty and eloquence’: Aspasia of Miletus and the Intellectual Woman in the Nineteenth Century. (2025) Hurst, Isobel picture_as_pdf
  • George Eliot and the Classics. (2025) Hurst, Isobel picture_as_pdf
  • Long Ago and Sapphic Poetics. (2025) Hurst, Isobel picture_as_pdf
  • De zwemmer. (2025) Lee, Tom and van der Zwan, Anne
  • Constitution is not identity: on equivalence relations in translation of performance and translation for performance. (2025) Maitland, Sarah
  • Imagetext and Post-Katrina Disaster Recovery in Sarah M. Broom’s The Yellow House (2019). (2025) Phillip, Cydney picture_as_pdf
  • The Liquid Plantationocene and Jesmyn Ward’s Let Us Descend (2023). (2025) Phillip, Cydney picture_as_pdf
  • ‘In the end I just had to take down my hood and just stand with the white people’: indexicalities and intersections of social inequality in young men's narratives about the London Riots. (2025) Pichler, Pia picture_as_pdf
  • Language and Gender: constructions, structures and intersections. (2025) Pichler, Pia picture_as_pdf
  • Bildung and its Critique in Interwar Novels: a German-Italian Comparison. (2025) Rosati, Alessandra picture_as_pdf
  • Literature and Conversion in the English Renaissance. (2025) Shinn, Abigail
  • The Counterculture Icon: From Beat to Punk. (2025) Stevenson, Guy
  • Sade in the Counterculture: The Progressive Defence of a Horror Show. (2025) Stevenson, Guy
  • Terra Incognita: Beckett’s Anthropo(s)cene in Contemporary Art. (2025) Tubridy, Derval
  • Toward a Politics of Vocal Expression: Beckett and Video Art. (2025) Tubridy, Derval
    • 2024
  • Decadent Plays, 1890-1930. (2024)
  • Singularity's -abilities: Special dossier on Samuel Weber. (2024)
  • Translating Decadence. (2024)
  • Translation as Advocacy: Perspectives on Practice, Performance and Publishing. (2024)
  • Chandra Livia Candiani. 5 poems from "La Bambina Pugile ovvero la precisione dell'amore" (2014 Giulio Einaudi), translated by Arianna Autieri. (2024) Autieri, Arianna picture_as_pdf
  • Chapman, Tim and Tania Nascimento. "Giustizia Riparativa. Principi e Pratiche. Corso base." Translated by Arianna Autieri. (2024) Autieri, Arianna
  • Interdisciplinary Joyce: Prisms, Translations, and Experimentations. (2024) Autieri, Arianna picture_as_pdf
  • Translating the songs of the “Sirens” in James Joyce’s Ulysses. (2024) Autieri, Arianna and Niskanen, Lauri A
  • The Liminality of Autofiction: Deep and Dark Play in the Search for the Writing Self. (2024) Bell, Natasha
  • Biographical Fictions and the Writing of the World. (2024) Boldrini, Lucia
  • Familiar Ghosts: Imagining Lives, Re-imagining the Nation, Inventing the Future. (2024) Boldrini, Lucia picture_as_pdf
  • Feasts of the Dead (novel) and The Material Imagination (critical thesis). (2024) Borodale, Jane picture_as_pdf
  • Thirteen Morissettes. (2024) Bush, Courtney and Underwood, Jack
  • Christophe Ballard/Michel Richard de Lalande Ballet de La Jeunesse. (2024) Canova-Green, Marie-Claude and Matsumoto, Naomi picture_as_pdf
  • Exoticism or Eclecticism? Carnival at Court and the Mascarade du Roy de la Chine. (2024) Canova-Green, Marie-Claude and Matsumoto, Naomi picture_as_pdf
  • Hydronarratives: Water, Environmental Justice, and a Just Transition by Matthew S. Henry, Lincoln, University of Nebraska Press, 2022, xii + 217 pp., £25.67 (paperback), ISBN 978-1-4962-3375-2. (2024) Carlill, Alice picture_as_pdf
  • Mourning in the Anthropocene: Ecological Grief and Earthly Coexistence by Joshua Trey Barnett, East Lansing, MI, Michigan State University Press, 2022, xxxiv + 238 pp., US$35.95, £30.95 (paperback), ISBN:978-1-61186-434-2. (2024) Carlill, Alice
  • Evaluation of poetic creativity: Predictors and the role of expertise—A multilevel approach. (2024) Chaudhuri, Soma; Dooley, Maura; Johnson, Dan; Beaty, Roger and Bhattacharya, Joydeep
  • Beyond the words: Exploring individual differences in the evaluation of poetic creativity. (2024) Chaudhuri, Soma; Pickering, Alan; Dooley, Maura and Bhattacharya, Joydeep
  • English as a Lingua Franca and language teaching. (2024) Cogo, Alessia picture_as_pdf
  • Interview for Success Magazine: Maximalism Interior Design Could Be the Ticket to Joy and Agency in Unstable Times, by Sandi Schwartz. (2024) Condé, Alice
  • Introduction. (2024) Coste, Bénédicte and Desmarais, Jane H.
  • Decadent Aesthetics in Cyril Scott’sTranslations and Song Settings. (2024) Desmarais, Jane H.
  • Gastronomic Culture-Specific Items in Literary Translation: Ernest Hemingway’s A Farewell to Arms (1929) in Arabic. (2024) Elhishani, Alhussein
  • 'The Dragoon Affair'. (2024) Franchini, Livia
  • 'Green Flesh' [Poem]. (2024) Franchini, Livia
  • We Will Be Forest [Translation]. (2024) Franchini, Livia
  • English Language Hegemonies in the Internationalization of Two State Universities in Brazil: Unintended Consequences of English Medium Instruction. (2024) Gimenez, Telma; Cogo, Alessia; Cabrini Simões Calvo, Luciana and Salles El Kadri, Michele
  • Friedman, Dustin, and Mahoney, Kristin, eds. Nineteenth-Century Literature in Transition: The 1890s. Cambridge and New York: Cambridge University Press, 2023. (2024) Gossling, Jessica picture_as_pdf
  • Keats: Romantic, Decadent, Modern. (2024) Gossling, Jessica
  • The Decadent Bestiary. (2024) Gossling, Jessica and Kunkel, Sam
  • Classical Antiquity. (2024) Hurst, Isobel
  • Geographies of Peripheral Modernism: The Case of the Russian Avant-Garde (Khlebnikov, Eisenstein, Tretyakov). (2024) Kramer, Andreas
  • Barthold Heinrich Brockes and Nature Writing. (2024) Krause, Frank
  • Barthold Heinrich Brockes’ Physico-Theology of Smell. (2024) Krause, Frank
  • Sinnliche Neigung und geistige Bindung. Zur Komposition von Richard Dehmels Weib und Welt (1896). (2024) Krause, Frank picture_as_pdf
  • Spätexpressionismus. (2024) Krause, Frank
  • An Allegory with Venus and Cupid. (2024) Lee, Tom picture_as_pdf
  • The Bullet: A Memoir. (2024) Lee, Tom
  • How my 22-day coma saved my mental health. (2024) Lee, Tom
  • Advocacy as legal argument: The judicial interpretive task of the translator. (2024) Maitland, Sarah picture_as_pdf
  • Foreword. (2024) Maitland, Sarah picture_as_pdf
  • Twelve notes on cultural translation. (2024) Maitland, Sarah picture_as_pdf
  • The judgement of the translator. (2024) Maitland, Sarah picture_as_pdf
  • Samuel Weber at 80. (2024) Martel, James and Ng, Julia
  • Textures of the Liminal Image at the crossroads of Modern German Aesthetics, Art History and Contemporary Visual Cultures. A Comparative Study from Benjamin to Didi-Huberman. (2024) Mure, Federica picture_as_pdf
  • Styling the Other: Hazlitt's 'The Indian Jugglers'. (2024) Natarajan, Uttara
  • The Urban Familiar Essay of the Romantic Era. (2024) Natarajan, Uttara
  • 'Willingness for the Everyday': Ordinariness and Agency in Three Romantic Prefaces. (2024) Natarajan, Uttara
  • Daoism, Pluritemporality, Critique. (2024) Ng, Julia
  • Kafka's De and the Reverse of Return. (2024) Ng, Julia
  • Unlikely Possibility. (2024) Ng, Julia
  • Whistling Lillabullero. (2024) Ng, Julia
  • The Geno-song and Pheno-song of the "Sirens": The Finnish, Swedish, and Italian (Re)Translations of the Musical Prose of "Sirens". (2024) Niskanen, Lauri A. and Autieri, Arianna picture_as_pdf
  • Translation Workflow and Translated Texts: Thai Culture-Specific Items in Community-Based Tourism Brochures. (2024) O'Donnell, Laphatrada
  • Harry Potter and the Social Construct. Does Gender-Swap Fanfiction Show Us That We Need to Re-consider Gender Within Children’s Literature? (2024) Oulton, Harry
  • Slow Reading in a Time of Crisis. (2024) Page, Jocelyn
  • From Syntax to Morphology. (2024) Popova, Gergana picture_as_pdf
  • The Whalebone Theatre and Highly Regulated and Overlooked: Women Writers and Child Characters in the Big House. (2024) Quinn, Joanna
  • Framing Totalitarianism: Language and Film in Nazi Germany. (2024) Radović, Mina picture_as_pdf
  • 'Peridot' [Poem]. (2024) Scott, Richard
  • 'Red Tourmaline' [Poem]. (2024) Scott, Richard
  • 'from Coy'. [Poem]. (2024) Scott, Richard
  • Animal/fable. (2024) Shinn, Abigail
  • Spenser’s ‘apish crue’: Aping in Prosopopoia or Mother Hubberds Tale. (2024) Shinn, Abigail
  • Morphology and Syntax in Competition: The Place of Inflectional Periphrasis. (2024) Spencer, Andrew and Popova, Gergana picture_as_pdf
  • Edmund Spenser and Animal Life. (2024) Stenner, Rachel and Shinn, Abigail
  • Tricks Played by English, Review of Planetary Pynchon: History, Modernity, and the Anthropocene by Tore Rye Anderson. (2024) Stevenson, Guy picture_as_pdf
  • This Reality Thing: Anna Kavan’s Mid-Century Writing. (2024) Sweeney, Carole picture_as_pdf
  • Disability and Diversity in the Beckettian Body. (2024) Tubridy, Derval
  • Thomas Kinsella and the Visual Arts. (2024) Tubridy, Derval
  • Song of My Having [Poem]. (2024) Underwood, Jack
  • Song of New Friendship [Poem]. (2024) Underwood, Jack picture_as_pdf
  • Song of the Academy Awards [Poem]. (2024) Underwood, Jack picture_as_pdf
  • Song of the Debit Card [Poem]. (2024) Underwood, Jack picture_as_pdf
  • Song of the Disgraced Person [Poem]. (2024) Underwood, Jack
  • Song of the Luxury Skin Product [Poem]. (2024) Underwood, Jack picture_as_pdf
  • Reinterpreting Günther Anders’ Polemics with Adorno and Heidegger Through the Prism of Anders’ Musicology. (2024) Ursitti, Filippo picture_as_pdf
    • 2023
  • ELT Journal. (2023)
  • Expressionismus 18 (2023): Riechen und Gerüche. (2023)
  • Race Today: A Luta Continua. (2023) picture_as_pdf
  • Too Little/Too Hard: Writers on the intersections of work, time and value. (2023)
  • Experimenting with practice: translation and/as music performance. (2023) Autieri, Arianna
  • Interdisciplinary Joyce: Prisms, Translations and Experimentations. (2023) Autieri, Arianna
  • On Curatorship - Hans Ulrich Obrist [Translation]. (2023) Autieri, Arianna
  • Performing Music, translating texts. (2023) Autieri, Arianna
  • Translating or performing? Joyce’s fugue in experimental translation. (2023) Autieri, Arianna
  • Translation and Globalization. (2023) Autieri, Arianna
  • Pirandello, Luigi. “The Luck to Be a Horse” (“Fortuna d’esser cavallo”), tr. Arianna Autieri and Charlotte Spear. In Stories for a Year, eds. Lisa Sarti and Michael Subialka. (2023) Autieri, Arianna and Spear, Charlotte
  • Listen to the nightwatchman of the body [POEM]. (2023) Barnsley, Sarah
  • OCD, metaphor, and me: the horse that can’t eat apples. (2023) Barnsley, Sarah
  • Good Practice When Working with English as an Additional Language Speakers: A Guide for Restorative Justice Practitioners Working Across Cultural Difference. (2023) Blankenburg, Sula; Chapman, Tim and Maitland, Sarah
  • The Lyrical Gaze: On James Agee and Helen Levitt’s 1944 film In The Street. (2023) Blinder, Caroline picture_as_pdf
  • An Unmade Book: Walker Evans’s 1970s Letter Polaroids. (2023) Blinder, Caroline
  • Chapter 22. Introduction (World Literature). (2023) Boldrini, Lucia picture_as_pdf
  • “English gradually” and multilingual support in EMI: insights from lecturers in two Brazilian universities. (2023) Calvo, Luciana; Cogo, Alessia; El Kadri, Michele and Gimenez, Telma
  • Du vainqueur de la Fronde a l'Imperator triomphant: la medaille du retour du roi a Paris en 1652. (2023) Canova-Green, Marie-Claude picture_as_pdf
  • Gender and discourse analysis. (2023) Coates, Jennifer and Pichler, Pia
  • Special Section on Critical Pedagogy. (2023) Cogo, Alessia
  • English for a Critical Mind: Language pedagogy for social justice. (2023) Cogo, Alessia; Crookes, Graham and Siqueira, Savio
  • Interview for Eater Magazine, A Series of Extremely Scientific Theories on Why Fun Is Fun by Bettina Makalintal. (2023) Condé, Alice
  • ‘She is the vampire of us all’: Exploring the vampire poetics of Sylvia Plath [containing Bloofer, a collection of found poems about the female vampire]. (2023) Conway, Cathleen Allyn picture_as_pdf
  • The Entangled Times of COVID, Climate, and Race in the US Reading the “Heterotemporality” of Colson Whitehead's Zone One. (2023) Crownshaw, Richard
  • The politics of the interior: resistance, whitewashing and propaganda in 'The Mandelbaum Gate' by Muriel Spark and 'The Lord' by Soraya Antonius. (2023) Dabbagh, Selma
  • Daniel Defoe and the Social Structure of Pre-Industrial England. (2023) Downie, Alan (J. A.)
  • Reputation of [her] pen: Retrieving the black female body from the margins of the page and the stage. (2023) Edwin, Marl'ene picture_as_pdf
  • The Law of Kindness: What can past and future selves learn from each other? (2023) Farrell, Maria picture_as_pdf
  • 'The Frog Wife' [Poem]. (2023) Franchini, Livia
  • 'If I had to pick a single image' [Poem]. (2023) Franchini, Livia
  • La confessione e la burla. Tradurre Il cielo cade di Lorenza Mazzetti nella Londra dei nuovi anni Venti. (2023) Franchini, Livia
  • The Sky Is Falling [Translation]. (2023) Franchini, Livia
  • Bulgarian Evidential Forms and Wierzbicka’s NSM. (2023) Genew-Puhalewa, Iliana and Popova, Gergana
  • Annie Horniman: In Conversation. (2023) Gossling, Jessica
  • Review: Hubert Crackanthorpe: Selected Writings, ed. by William Greenslade and Emanuela Ettore. Cambridge: Modern Humanities Research Association, 2020. (2023) Gossling, Jessica
  • The rise of the posh goth. (2023) Gossling, Jessica
  • Aestheticism and Decadence. (2023) Gossling, Jessica and Condé, Alice
  • Banal Insomnia: The Ethics of Sleeplessness. (2023) Jerome, Isabelle
  • All That You Can't Leave Behind. (2023) Knight, Stephen E.
  • Home Truths. (2023) Knight, Stephen E.
  • Memoirs of the Rhondda. (2023) Knight, Stephen E.
  • Port Talbot/The Heart of Saturday Night/At the Foot of Division Four/A Swansea Adolescence/In This Dream of Swansea. (2023) Knight, Stephen E.
  • Small empires (novel) and Large-scale representations of humanity and the fantastic mode (critical commentary). (2023) Koo, Crystal picture_as_pdf
  • Avantgarde, Olfaktion und Vernetzung: Die Vergiftung (1920) von Maria Lazar (1895-1948). (2023) Krause, Frank
  • Geruch und Glaube in der Literatur. Selbst und Natur in deutschsprachigen Texten von Brockes bis Handke. (2023) Krause, Frank
  • Leichengeruch im Ersten Weltkrieg. Zur Inszenierung affektiver Höhepunkte abstoßender Weltbeziehungen im literarischen Expressionismus. (2023) Krause, Frank picture_as_pdf
  • Afterword. A reader's response. (2023) Maitland, Sarah picture_as_pdf
  • Coming to terms: Towards a hermeneutics of expectation in theatre surtitling. (2023) Maitland, Sarah picture_as_pdf
  • Overcoming language barriers in the restorative process. (2023) Maitland, Sarah
  • Performance of Maitland, S. (2019) Untitled Theatre Translation Commission for Playful Productions, as Federico García Lorca’s 'House of Bernarda Alba', adapted by Alice Birch, staged 16 November 2023–6 January 2024 at the National Theatre, London. (2023) Maitland, Sarah
  • The Action of Non-Action: Walter Benjamin, Wu Wei and the Nature of Capitalism. (2023) Ng, Julia
  • Completion as Self-Cultivation: Benjamin, Bloch, Zhuangzi. (2023) Ng, Julia
  • Daoism and Capitalism: Modern German Jewish Philosophy’s Encounter with China. (2023) Ng, Julia
  • Reversal / fǎn: Kafka, Benjamin, Laozi. (2023) Ng, Julia
  • Unnatural Means: Max Reinhardt’s A Midsummer Night’s Dream and the Dialectical Task of Becoming Unromantic. (2023) Ng, Julia
  • ‘The ultimate undecidability of all legal problems’: Translating Benjamin’s Philosophy of Law. (2023) Ng, Julia
  • “The Rule of Three”: Textual Triads, Trialogues, and Women’s Voices in Sylvia Plath, Jackie Kay, and debbie tucker green. (2023) Osborne, Deirdre
  • The Nets to Catch Words are Made of Words. (2023) Page, Jocelyn
  • English as a Lingua Franca for Tourism: A Pragmatic Study in the Italian Context. (2023) Parise, Ida
  • Twenty-first Century Narratives of the Plantationocene from the U.S. Gulf Coast. (2023) Phillip, Cydney
  • Beyond heteronormativity and towards Intersectionality. (2023) Pichler, Pia
  • ‘I've got a daughter now man it's clean man’: Heteroglossic and intersectional constructions of fatherhood in the spontaneous talk of a group of young southeast London men. (2023) Pichler, Pia
  • Wild Unsayable: Wonder in Romantic and Contemporary Poetry. (2023) Popa, Maya C picture_as_pdf
  • The Battle of Neretva (1969): Production, Exhibition, Reception, Aesthetics, and Historiography. (2023) Radović, Mina
  • ‘Everything's Fine' (a young-adult novel) and 'Worlds Made of Words: how Children's Literature promotes psychical growth and wellbeing'. (2023) Rowell, Rosemary
  • Fishmonger [Poem]. (2023) Scott, Richard
  • Lapidary [Poem]. (2023) Scott, Richard
  • Poetry Society Podcast. 2023. (2023) Scott, Richard
  • 'Red or Let's Spend the Night Together' [commissioned poem]. (2023) Scott, Richard
  • 'Still Life with Cup, Irises, Pheasant and Cardoon' [Poem]. (2023) Scott, Richard
  • 'Still Life with Rose', 'Still Life with Three Roses', 'Still Life with Snail, Oyster, Spoon and Shallot Vinegar' and 'Still Life with Apple, Ceramic Dish of Apples and a Pomegranate' [Poems]. (2023) Scott, Richard
  • The Oxford Handbook of Daniel Defoe. (2023) Seager, Nicholas and Downie, J. A.
  • “All poetry is born of play”: Spenser with Johan Huizinga. (2023) Shinn, Abigail
  • 'Come to my house': The Architecture of Conversion and Marlowe's The Jew of Malta. (2023) Shinn, Abigail
  • Conversion. (2023) Shinn, Abigail
  • Spenser's Popular Pastoral: Hodgepodges and Genre Trouble in The Shepheardes Calender. (2023) Shinn, Abigail
  • Cahokia Jazz. (2023) Spufford, Francis
  • The Other Physicist, Review of The Maniac by Benjamín Labatut. (2023) Stevenson, Guy
  • The Smell of the Past, Review of All the Beauty and the Bloodshed (Nan Goldin), dir. by Laura Poitras. (2023) Stevenson, Guy
  • Some Like It Hot, Review of The Enchanters by James Ellroy. (2023) Stevenson, Guy
  • See the old ladies decently: 'Ageing and Embodiment in Christine Brooke-Rose’s Life, End Of.'. (2023) Sweeney, Carole picture_as_pdf
  • Patient communication with ethnic minorities in Hong Kong: A Medical English as a Lingua Franca (MELF) perspective. (2023) Ting, Shawnea Sum Pok picture_as_pdf
  • The Sea Palace and the Golden Bee. (2023) Totaro, Paola picture_as_pdf
  • Beckett, Neurodiversity and the Prosthetic: the Posthuman Turn in Contemporary Art. (2023) Tubridy, Derval
  • The Poets of Gascony. (2023) Underwood, Jack picture_as_pdf
  • Song of the Duvet [Poem]. (2023) Underwood, Jack
  • Faber Poetry Podcast: S3 Ep 1: Anthony Anaxagorou & Nick Laird. (2023) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Faber Poetry Podcast: Season 3: Episode 2: Camille Ralphs & Stephanie Sy-Quia. (2023) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Faber Poetry Podcast: Season 3: Episode 3: Raymond Antrobus & Victoria Adukwei Bulley. (2023) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Faber Poetry Podcast: Season 3: Episode 4: Lucy Mercer & Maggie Millner. (2023) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Surgery on the battlefield: Mobile surgical units in the Second World War and the memoirs they produced. (2023) Venables, Katherine M
  • David Foster Wallace Learns How to Live. (2023) Whittle, Philip
  • Exploring Chinese Men’s Friendship Talk: Discourses, Identities and Masculinities. (2023) Zhang, Yang
    • 2022
  • Special issue on 'Derrida's Geschlecht III'. (2022)
  • Decadence @ Iklectik. (2022) Alston, Adam; Condé, Alice and Prashar-Savoie, Anjali
  • Extract. Translation of James Joyce's "Sirens" into Italian. (2022) Autieri, Arianna audio_file
  • Review of Margherita Zanoletti, eds., Noonuccal Oodgeroo. My People/La mia gente. (Milano: Mimesis, 2021). (2022) Autieri, Arianna
  • Pirandello, Luigi. “A Single Day” (“Una Giornata”), tr. Arianna Autieri and Charlotte Spear. In Stories for a Year, eds. Lisa Sarti and Michael Subialka. (2022) Autieri, Arianna and Spear, Charlotte
  • Pirandello, Luigi. “A visit” (“Una visita”), tr. Arianna Autieri and Charlotte Spear. In Stories for a Year, eds. Lisa Sarti and Michael Subialka. (2022) Autieri, Arianna and Spear, Charlotte
  • The Human Nervous System Has No Delete Button [Poem]. (2022) Barnsley, Sarah
  • Tainted Ode [Poem]. (2022) Barnsley, Sarah
  • The Thoughts. (2022) Barnsley, Sarah
  • Two Vancouvers [POEM]. (2022) Barnsley, Sarah
  • White Bears and Pink Elephants [POEM]. (2022) Barnsley, Sarah
  • Biofiction, Heterobiography and the Ethics of Speaking of, for and as Another. (2022) Boldrini, Lucia picture_as_pdf
  • Creative Writing: Canvas, a Novel. Critical Commentary: An Exploration of the Representation of Trauma Memory in relation to Kristeva’s Theory of Abjection in Anne Enright’s The Gathering, Eimear McBride’s A Girl is a Half-formed Thing, Sara Baume’s A Line Made by Walking, and my own novel, Canvas. (2022) Bowen, Edwina
  • The American Campus Novel, 1985 – 2020: Neoliberalism, Higher Education and the Student Experience. (2022) Campbell, Philippa
  • Project Articulate: Restorative justice and cultural translation. (2022) Chapman, Tim and Maitland, Sarah
  • Performing Authorship: The case of Louis-Ferdinand Céline and Michel Houellebecq. (2022) Chourrout, Chloé
  • From global English to Global Englishes: questioning current approaches to ELT materials. (2022) Cogo, Alessia
  • Developing ELF Research for Critical Language Education. (2022) Cogo, Alessia; Fang, Fan; Kordia, Stefania; Sifakis, Nicos and Siqueira, Sávio
  • ‘Something extra’: In defence of an uncanny humanism. (2022) Cohen, Josh
  • Review of Decadence: A Literary History. Ed. Alex Murray. Cambridge: Cambridge University Press, 2020. 415 pp. £84.99. (2022) Condé, Alice
  • A “shadow of a white rose in a mirror of silver”: The disembodied femme fatale in Oscar Wilde’s Salome. (2022) Condé, Alice
  • Meta-Critical Climate Change Fiction: Claire Vaye Watkins' Gold Fame Citrus. (2022) Crownshaw, Richard
  • 'An Abundance' and 'The Professor'. (2022) Franchini, Livia
  • 'Estate'; 'Della complicità'; 'conclusioni'. (2022) Franchini, Livia
  • Re-viewing Beardsley. (2022) Gossling, Jessica
  • From Kerouac back to Thoreau: The Pull towards Nature, a Revolt against Culture? (2022) Harma, Tanguy picture_as_pdf
  • ‘Mind is shapely, Art is shapely': The Intuitive Poetics of Allen Ginsberg. (2022) Harma, Tanguy
  • The Paradox of Thanatos: Jack Kerouac and Allen Ginsberg From Self-Destruction to Self-Liberation. (2022) Harma, Tanguy
  • Epic and Performance. (2022) Hurst, Isobel
  • An autumnal underworld: Louise Glück’s Averno. (2022) Hurst, Isobel
  • The Hesitating Text: The Fantastic and Magical Realism. (2022) Khattab, Mona
  • Reading Black Childhoods in Chains and Crongton Knights. (2022) King, Nicole
  • At the Replica Bus Stop [Poem]. (2022) Knight, Stephen E.
  • Georg Kaiser. Von morgens bis mitternachts. Stück in zwei Teilen. (2022) Krause, Frank
  • ‘sie werden in dionysischen Sandalen stinken ...’ Zur Problemgeschichte von Geruchsmotiven im Werk von Carl Einstein. (2022) Krause, Frank
  • The Current. (2022) Lee, Tom audio_file
  • How I Write. (2022) Lee, Tom audio_file
  • Letter to My Younger Self. (2022) Lee, Tom audio_file
  • My father's asylum. (2022) Lee, Tom
  • Rejection. (2022) Lee, Tom audio_file
  • Bodies of Water: Reimagining the Eulogist. (2022) Lewis, Katriona picture_as_pdf
  • Reading connectivity in the Shoah and Transatlantic slavery: developing a framework alert to memory, trauma and the reinscription of the human. (2022) Llano Puertas, Sian Helen Lucia picture_as_pdf
  • Untitled Screenplay Translation and Adaptation Commission for Genomedia. (2022) Maitland, Sarah
  • Multinational corporations as cultural translators: Interpreting difference in diversity and inclusion. (2022) Maitland, Sarah; Tietze, Susanne and Heath, David picture_as_pdf
  • Daoism, Organization, Experimentation: The Case of Rosenzweig and Benjamin. (2022) Ng, Julia
  • Sapphic Sociability. (2022) Ng, Julia
  • Tender Violence, Coercive Simplicity, Geschlecht III: An Introduction. (2022) Ng, Julia and Waltham-Smith, Naomi
  • ‘“Less is More”: The power of one in writing for women’s solo performance’. (2022) Osborne, Deirdre
  • A New Introduction to The Awakening by Kate Chopin. (2022) Osborne, Deirdre
  • Sites and Sightlines: Staging Andrea Levy’s Small Island. (2022) Osborne, Deirdre
  • Vital Discussions: On Demand – Decolonise Your Bookshelf. (2022) Osborne, Deirdre; Anim-Addo, Joan and Sesay, Kadija
  • Jocelyn Page reads 'This unexpected longing for what I've always wished away', a poem. (2022) Page, Jocelyn
  • Universality in Specificity. (2022) Page, Jocelyn
  • English participles in the derivational paradigm. (2022) Popova, Gergana
  • “Das ist Walter”: The Evolving Figure of the Archetypal Hero Embodied by Velimir Bata Živojinović in the Yugoslav War Film. (2022) Radović, Mina
  • The Cheapside Hoard. (2022) Sackville, Amy
  • Manifest. (2022) Sackville, Amy
  • 'love version of' [Poem]. (2022) Scott, Richard
  • Fear of Letting Go, Review of Jitney by August Wilson at the Old Vic. (2022) Stevenson, Guy
  • The Origin Story of a Slogan: The Personal is Political. (2022) Stevenson, Guy picture_as_pdf
  • Review of We Need Snowflakes by Hannah Jewell. (2022) Stevenson, Guy
  • So It Goes, Unstuck in Time (Kurt Vonnegut) dir. by Bob Weide. (2022) Stevenson, Guy
  • Summer of Adultery, Review of Free Love by Tessa Hadley. (2022) Stevenson, Guy
  • Understanding the Culture Wars: How the 60s Explain Our Divided Age (Visiting Lecture). (2022) Stevenson, Guy desktop_windows
  • Wire Diamonds (a novel) & Approaching the Apocalyptic: An exploration of apocalyptic/post-apocalyptic tropes in relation to Wire Diamonds. (2022) Thomas, Rachael
  • Repetition and Rephrasing in English as a Lingua Franca Medical Consultations in Hong Kong. (2022) Ting, Sum Pok and Cogo, Alessia
  • A First Class Man. (2022) Venables, Katherine picture_as_pdf
    • 2021
  • Smell and Social Life. Aspects of English, French and German Literature (1880-1939). (2021)
  • Decadent Plays. (2021) Alston, Adam; Desmarais, Jane H. and Meth, Jonathan
  • This is the Canon: Decolonize Your Bookshelf in 50 Books. (2021) Anim-Addo, Joan; Osborne, Deirdre and Sesay, Kadija
  • Big Data or Not Enough? Zeta Test Reliability and the Attribution of Henry VI. (2021) Barber, Ros
  • Body found in garden after confession [POEM]. (2021) Barnsley, Sarah
  • Excavation [POEM]. (2021) Barnsley, Sarah
  • Biographical Fiction’s Challenge to Realism: Patricia Duncker’s Sophie and the Sibyl and Alicia Giménez Bartlett’s Una habitación ajena. (2021) Boldrini, Lucia
  • Rock, Mirror, Mirage: Europe, Elsewhere. (2021) Boldrini, Lucia picture_as_pdf
  • D'infante a reine de France: le voyage nuptial d'Anne et de Marie-Therese d'Autriche. (2021) Canova-Green, Marie-Claude
  • “Dancing Queen”: The Court Ballets of Anne of Austria, Queen of France (1615-1635). (2021) Canova-Green, Marie-Claude
  • À quoi sert un livret de ballet de cour au XVIIe siècle? (1610-1681). (2021) Canova-Green, Marie-Claude description
  • God's Little Cow & An Argument for Hybridity. (2021) Casby, Aoife picture_as_pdf
  • Blindsided. (2021) Chitty, Antonia Mary Willes
  • Contemporary Contexts: Decadence Today and Tomorrow. (2021) Condé, Alice
  • Grecian Urns and Tin Watermelons: Lyric, Truth and Beauty, with reference to Mark Doty, and comparisons with Philip Larkin. (2021) Daniels, Peter
  • Touch: Unfeeling Decadence. (2021) Desmarais, Jane H.
  • Taste: Savoring Decadence. (2021) Desmarais, Jane H. and Weir, David
  • Shelf Life & Critical Commentary. (2021) Franchini, Livia
  • 'Sticky Trap'. (2021) Franchini, Livia
  • Riding the Waves. (2021) Hall, Alan
  • Counterculture, Counterpower? "Disengagement: The Art of the Beat Generation". (2021) Harma, Tanguy
  • Norman Mailer's Existentialism; Or, the Divine Essence of Psychopathy. (2021) Harma, Tanguy picture_as_pdf
  • The Choctaw Gift. (2021) Howe, LeAnne and Kirwan, Padraig
  • The Epic Tradition. (2021) Hurst, Isobel
  • "The Market-place is the Louvre of the Common People"—Critical & Commercial ValueSystems in the Early & Late Writings of Ralph Waldo Emerson. (2021) Jaeckle, Dominic
  • An Indian’s Journey and Tribal Memory: David Treuer’s Rez Life. (2021) Kirwan, Padraig
  • The Irish and Choctaw. (2021) Kirwan, Padraig
  • 'Dada Smells Like Nothing': Sniffing out the Dada Corpus. (2021) Kramer, Andreas
  • ‘Erdteile in Bewegung'. Geografische Entwürfe bei Carl Einstein und im Projekt Avantgarde. (2021) Kramer, Andreas
  • 'Vive le sport!' German Expressionism and Dada. (2021) Kramer, Andreas
  • Zur Politisierung der Familie im deutschsprachigen Generationenroman der Zwischenkriegszeit: René Schickeles Das Erbe am Rhein (1925–1931), Lion Feuchtwangers Die Geschwister Oppermann (1933) und Bernard von Brentanos Theodor Chindler (1936). (2021) Kramer, Andreas
  • Sport and the European Avant-Garde (1900-1945). (2021) Kramer, Andreas and Strozek, Przemyslaw
  • Barthold Heinrich Brockes und das Nature Writing. (2021) Krause, Frank
  • 'Follow the scent: one will seldom err': The Stench of Failed Nietzschean Practice in André Gide's The Immoralist (1902) and Thomas Mann's Death in Venice (1912). (2021) Krause, Frank
  • Smell-Sound Synaesthesia as Revelatory Medium: A Brief History with Emphasis on German Literature (1900-1930). (2021) Krause, Frank
  • Introduction. (2021) Krause, Frank and Herold, Katharina
  • When readers talk about characters as if they were real, how do they talk about them? Empathy and gossip in reading group discourse. (2021) Laffer, Alexander
  • While You Are in England: A Novel and Commentary about the Refugees of 1938-40. (2021) Lambert, Sonia
  • Translating Epic from an Unfamiliar Language: Gilgamesh Retold. (2021) Lewis, Jenny
  • Coup de Grâce, by Almudena Ramírez-Pantanella, full-length revision of play translation by Sarah Maitland. (2021) Maitland, Sarah picture_as_pdf
  • Masters of the Universe (2021), by Almudena Ramírez-Pantanella, translated by Sarah Maitland. (2021) Maitland, Sarah picture_as_pdf
  • Introduction: No Time for Linear Time. (2021) Mieszkowski, Jan and Ng, Julia
  • Emecheta, Florence Onyebuchi [Buchi] (1944–2017). (2021) Osborne, Deirdre
  • Rewriting History. (2021) Osborne, Deirdre
  • This Unexpected Longing for What I've Always Wished Away [Poem]. (2021) Page, Jocelyn
  • Reclaim. (2021) Page, Jocelyn and Enright, Bernadette
  • “I got a daughter now man it’s clean man”: heteroglossic and intersectional constructions of fatherhood in the spontaneous talk of a group of young southeast London men. (2021) Pichler, Pia
  • Intersections of class, race and place: language and gender perspectives from the UK. (2021) Pichler, Pia
  • In Saint-Paul-de-Vence. (2021) Sackville, Amy
  • The Stowaway's Tale. (2021) Sackville, Amy
  • What If Procrastination Is an Essential Part of Our Writing Process? (2021) Sackville, Amy picture_as_pdf
  • A Journey Around Our Rooms. (2021) Sackville, Amy and Flusfeder, David
  • The opposite of white: apollo's crow and learning to be silent in King Lear’. (2021) Scott, Charlotte
  • 'Amethyst' [Poem]. (2021) Scott, Richard
  • 'Red Jasper', 'Obsidian', 'Rhodochrosite', 'Emerald' and 'Quartz'. [Poems]. (2021) Scott, Richard
  • le jardin secret. (2021) Scott, Richard
  • Lingua Franca Negotiations of Cultural Understandings to Build Friendships: Interrelating Intercultural Awareness and Pragmatic Strategies. (2021) Souza da Silva, Juliana
  • Light Perpetual. (2021) Spufford, Francis
  • Counterculture 2.0: Grotesques of Transgression after Trump (Visiting Lecture). (2021) Stevenson, Guy desktop_windows
  • Fascism, Iconoclasm and the Global Village. (2021) Stevenson, Guy
  • Fighting Talk, Review of Beyond Order: 12 More Rules for Life by Jordan Peterson. (2021) Stevenson, Guy
  • Review of Aaron Jaffe’s 'Spoiler Alert'. (2021) Stevenson, Guy
  • The Tyranny of Cool: Orthodoxy, Heresy and the 1960s Counterculture. (2021) Stevenson, Guy
  • I’m a Woman Experimental Writer … Get Me Out of Here! (2021) Sweeney, Carole picture_as_pdf
  • Beckett and Giacometti: An Absolute Regard / Beckett et Giacometti: un regard absolu. (2021) Tubridy, Derval
  • Long Live Patience. (2021) Underwood, Jack picture_as_pdf
  • NOT EVEN THIS: Parenthood, Poetry & Living Uncertainly. (2021) Underwood, Jack
  • A Room, a Predicament. (2021) Underwood, Jack picture_as_pdf
  • A Song About Singularities. (2021) Underwood, Jack picture_as_pdf
  • A Year in the New Life. (2021) Underwood, Jack
  • Meat. (2021) Venables, Kate
  • A Necessary Disposition. (2021) Venables, Kate
  • Takeaway. (2021) Venables, Kate
  • Two Cultures, Again. (2021) Venables, Kate
  • Harry Walker, 1918-1959: an Illustration of the Mid-Twentieth Century History of Anaesthesia. Middlesbrough, Edinburgh, Burma. (2021) Venables, Katherine M
  • The Way to Hornsey Rise: a Memoir. (2021) Worman, Jeremy
    • 2020
  • Anti-Humanist Modernisms. (2020)
  • Famine Pots: The Choctaw Irish Gift Exchange, 1847-Present. (2020) description
  • Symposium on Daniel Heller-Roazen's "No One's Ways" (with Julie Orlemanski, Juliette Kennedy, Markus Hardtmann and Eleanor Kaufman). (2020)
  • Werner Hamacher. Two Studies of Friedrich Hölderlin. (2020)
  • Re-Imagining Counter-Discourse: Socio-Spatial Transgressions in Poswar Lebanese Literary Productions. (2020) Aridi, Farah
  • BDNE Zeta Dataset. (2020) Barber, Ros folder_zip
  • Function Word Adjacency Networks and Early Modern Plays. (2020) Barber, Ros
  • Contemporary policemen in their homes [POEM]. (2020) Barnsley, Sarah
  • HELP WALLY! [POEM]. (2020) Barnsley, Sarah
  • I agree to read all the terms and conditions [POEM]. (2020) Barnsley, Sarah
  • Ode in the wrong time and place [POEM]. (2020) Barnsley, Sarah
  • Poem on checks [POEM]. (2020) Barnsley, Sarah
  • Private and confidential [POEM]. (2020) Barnsley, Sarah
  • The Thoughts [POEM]. (2020) Barnsley, Sarah
  • Virginia Woolf has fallen over [POEM]. (2020) Barnsley, Sarah
  • The other side of the quarter panel mirror [POEM]. (2020) Barnsley, Sarah
  • ‘No Ideas but in Seeing’: Jim Jarmusch’s Paterson (2016). (2020) Blinder, Caroline picture_as_pdf
  • Richard Misrach and Kate Orff's Petrochemical America: Cartographies of the Picturesque. (2020) Blinder, Caroline
  • US Topographics: Imaging National Landscapes. (2020) Blinder, Caroline and Lloyd, Christopher
  • Constructing Character in an Unequal World: Nadine Gordimer’s The Pickup and the Necessity of World Literature. (2020) Boldrini, Lucia picture_as_pdf
  • Making assumptions in Nadine Gordimer’s The Pickup. (2020) Boldrini, Lucia
  • De Dieu et du roi dans l’entrée solennelle sous Louis XIII. (2020) Canova-Green, Marie-Claude description
  • Faire savoir, faire admirer. Le "livre" du ballet au XVIIe siecle. (2020) Canova-Green, Marie-Claude picture_as_pdf
  • Le récit de la fête : du livret-programme au livre cadeau. (2020) Canova-Green, Marie-Claude
  • Quand les spectatrices entrent dans la danse: masque et ballet de cour au XVIIe siecle. (2020) Canova-Green, Marie-Claude picture_as_pdf
  • Sens et fonctions de l’ornement dans l’entrée royale en France au XVIIe siècle. (2020) Canova-Green, Marie-Claude picture_as_pdf
  • The Wedding of Charles I and Henrietta Maria, 1625. Celebrations and Controversy. (2020) Canova-Green, Marie-Claude and Wolfson, Sara
  • Representations of the Female Bildungsroman in Modern Narratives of Travel. (2020) Carlton, Angela
  • ELF and Translanguaging: Covert and Overt Resources in a Transnational Workplace. (2020) Cogo, Alessia
  • The role of translanguaging in ELF advice sessions for asylum seekers. (2020) Cogo, Alessia
  • Coronavirus has exposed the reality of a world without work. (2020) Cohen, Josh
  • Climate Change Perpetrators: Ecocriticism, Implicated Subjects, and Anthropocene Fiction. (2020) Crownshaw, Richard
  • Introduction: Decadence, Culture, and Society. (2020) Desmarais, Jane H. and Weir, David
  • 'Ma vraie patrie' : Camus and Algeria. (2020) Dunwoodie, Peter
  • Gusci. (2020) Franchini, Livia
  • Introduction. (2020) Goff, Barbara and Simpson, Michael
  • Transatlantic Ontologies: From Sartre Back to Emerson, Towards an American Existentialism. (2020) Harma, Tanguy
  • A new modality of audiovisual translation? Covert translation of presenter scripts in Japan's globally aired English-language TV music show. (2020) Heath, David and Maitland, Sarah picture_as_pdf
  • ‘What’s the Roman Republic to me, or I to the Roman Republic?’: Victorian Classicism and the Italian Risorgimento. (2020) Hurst, Isobel
  • Introduction. (2020) Kirwan, Padraig
  • Recognition, Resilience & Relief: The Meaning of Gift. (2020) Kirwan, Padraig
  • Drizzle Mizzle Downpour Deluge. (2020) Knight, Stephen E.
  • Ho Ho He He Ha Ha [Poem]. (2020) Knight, Stephen E.
  • My Father's Father's News [Poem]. (2020) Knight, Stephen E.
  • A Powim [Poem]. (2020) Knight, Stephen E.
  • Citoyen du rêve: traces du romantisme chez Yvan Goll (translator Georges Bloess). (2020) Kramer, Andreas picture_as_pdf
  • ‘”I like how the circles are all different”. Some thoughts on poetry and circulation in Jarmusch’s Paterson. (2020) Kramer, Andreas
  • Poetry and Film: Lyrik und Film. Abbas Kiarostami and Jim Jarmusch. (2020) Kramer, Andreas and Röhnert, Jan
  • Operating Theatre, by Almudena Ramírez-Pantanella, translated by Sarah Maitland. (2020) Maitland, Sarah picture_as_pdf
  • Quiero ser enjambre (English Subtitles: David Johnston; Subtitle Arrangement: Sarah Maitland). (2020) Maitland, Sarah description
  • Box Hill. (2020) Mars-Jones, Adam
  • The Cremation Project with Ada & Carter and Art in/to Writing in Kenneth Goldsmith’s Fidget and Day. (2020) Mason, Andrea
  • Charles Dickens’s Realism and the Romantic Essayists. (2020) Natarajan, Uttara
  • Introduction. Symposium on Daniel Heller-Roazen, No One's Ways. (2020) Ng, Julia
  • Theory on Theory. (2020) Ng, Julia
  • Versing, Ending: Hölderlin in 1971. (2020) Ng, Julia
  • [Translation] Version of Meaning: A Study of Hölderlin's Late Lyric. (2020) Ng, Julia and Hamacher, Werner
  • [Translation] The Only One. Third Version. (2020) Ng, Julia and Hölderlin, Friedrich
  • 'Breath' by Grace Nichols. (2020) Nichols, Grace and Osborne, Deirdre
  • "Civis Romana sum”: Bernardine Evaristo’s The Emperor’s Babe and the Emancipatory Poetics of (Multi-) Cultural Citizenship. (2020) Osborne, Deirdre
  • Neighbourhood [Poem]. (2020) Page, Jocelyn
  • I Dream of Houses All the Time [Poem]. (2020) Page, Jocelyn and Drake, Cath
  • Laurence Sterne: A Literary Life. (2020) Parnell, Tim
  • Derivational Networks in English. (2020) Popova, Gergana
  • Stacked Periphrases. (2020) Popova, Gergana and Spencer, Andrew picture_as_pdf
  • Volitional mood in South Slavic with a focus on Bulgarian: a paradigmatic view. (2020) Popova, Gergana and Spencer, Andrew
  • Arabic complementary schools in England: language and Fundamental British Values. (2020) Reed, Beatrice Szczepek; Said, Fatma Faisal Saad; Davies, Ian and Bengsch, Geraldine
  • I am not reading. I am not writing. This is not normal. (2020) Sackville, Amy
  • Drawing from the site of absence – Observing, forgetting, and representing groups. (2020) Sapochnik, Carlos
  • ‘The story shall be changed’: antique fables and agency in A Midsummer Night’s Dream. (2020) Scott, Charlotte
  • 'Glasgow Green Redux' [commissioned poem]. (2020) Scott, Richard
  • 'Woman Peeling Turnips; A Portrait of My Father' [commissioned poem]. (2020) Scott, Richard
  • Woman Peeling Turnips; A Portrait of my Father. Resonance FM. 2020. (2020) Scott, Richard
  • 'pastoral', 'stupid love', sertraline 50mg', 'in the style of richard scott' and 'other people's dreams are boring' [Poems]. (2020) Scott, Richard
  • Of Minotaurs and Macroeconomics: Greek myth and common currency. (2020) Simpson, Michael
  • Anti-Humanism in the Counterculture. (2020) Stevenson, Guy
  • Diluting Holy Writ: From the ‘Men of 1914’ to the Beat Generation. (2020) Stevenson, Guy
  • Introduction ('Anti-Humanist Modernisms'). (2020) Stevenson, Guy
  • Brigid Brophy, The Dissenting Feminist. (2020) Sweeney, Carole
  • Cadaverised girls: the writing of Anna Kavan. (2020) Sweeney, Carole description
  • Vagabond Fictions: Gender and Experiment in British Women's Fiction, 1945-1970. (2020) Sweeney, Carole
  • The Price of a Woman (novel) and Bride Price and Literary Activism in Uganda (critical commentary). (2020) Turner, Felicity Atuki
  • Alpha Step. (2020) Underwood, Jack
  • The Novel [Poem]. (2020) Underwood, Jack
  • Poem Beginning with Lines by Elizabeth Barret Browning [Poem]. (2020) Underwood, Jack
  • The Situation. (2020) Underwood, Jack
  • A Story. (2020) Underwood, Jack picture_as_pdf
  • This Time [Poem]. (2020) Underwood, Jack
  • Delaware & Raritan. 1850. (2020) Wagner, Erica
  • Review of "Sylvia Plath in Context", ed. Tracy Brain (Cambridge University Press, 2019). (2020) Wagner, Erica description
  • The Ship Aground. (2020) Wagner, Erica
  • The Narrative of Thought Experiments: Development and Uses of Fictional Narrative in Thought Experiments in Philosophy of Mind. (2020) Ward, Sophie
  • All this is for you and contemporary uses of omniscient narration: theories and case studies. (2020) White, Rachel
  • The Goldsmiths Writers' Centre Presents Eley Williams. (2020) Williams, Eley and Stevens, Nell description
    • 2019
  • Decadence and Literature. (2019)
  • In Cynara's Shadow: Collected Essays on Ernest Dowson. (2019)
  • Special Section: Negotiating Meaning in Business English as a Lingua Franca. (2019)
  • James Joyce e la «verbal music». (2019) Autieri, Arianna
  • La ‘verbal music’ di James Joyce in traduzione. (2019) Autieri, Arianna
  • Translating Joyce’s Musical Language: ‘The Dead’. (2019) Autieri, Arianna
  • Modern Prophetic Poetry and the Decadence of Empires: From Kipling to Auden. (2019) Baldick, Chris picture_as_pdf
  • 2 Henry VI and the Ashford Cage. (2019) Barber, Ros
  • Marlowe and Overreaching: A Misuse of Stylometry. (2019) Barber, Ros
  • Safety-seeking behaviours [POEM]. (2019) Barnsley, Sarah
  • Symposium response: “She would write about forest fires at a time like this!” – Mary Barnard at the Lockwood Memorial Library, University of Buffalo, September 1939. (2019) Barnsley, Sarah
  • The American Photo-Text 1930-1960. (2019) Blinder, Caroline
  • Grammar and Discourse. (2019) Bowie, Jill and Popova, Gergana
  • Towards an Intersectional Approach to Creative Writing. (2019) Butler, Season picture_as_pdf
  • "Il faut parer le personage": dentelles, jupons et eventails de la dame en noir. (2019) Canova-Green, Marie-Claude description
  • La medaille de Saint-Cyr ou la piete du roi. (2019) Canova-Green, Marie-Claude description
  • Les Facheux: debut ou fin d'un genre. (2019) Canova-Green, Marie-Claude description
  • "Une petite lunette d'approche enchantee": regards scuderiens sur le Grand Divertissement de Versailles. (2019) Canova-Green, Marie-Claude
  • Not Working: Why We Have to Stop. (2019) Cohen, Josh
  • Decadence and Popular Culture. (2019) Condé, Alice
  • Decadence and the Critique of Modernity. (2019) Desmarais, Jane H.
  • 'Symons, Beardsley, and the "Minims and Crotchets" of Art'. (2019) Desmarais, Jane H.
  • 'The quintessence of quintessence': Music and Musicality in Ernest Dowson’s Verse. (2019) Desmarais, Jane H.
  • Stealing Lives, Borrowing Voices: Inventing a Secret Life for Katherine Mansfield in Sudden Flight. Extract from Sudden Flight and Critical Commentary. (2019) Ellis, Kirsten
  • Life After Beckett: J.M. Coetzee and the Politics of Literary Thinking. (2019) Farrant, Marc
  • Our available magic. (2019) Franchini, Livia
  • Shelf Life. (2019) Franchini, Livia
  • Conceptuality in Relation: Sarah Franklin in Conversation with Silvia Posocco, Paul Boyce, and EJ Gonzalez-Polledo. (2019) Franklin, Sarah; Boyce, P; Gonzalez-Polledo, EJ and Posocco, S
  • Outsiders Atomised: Beat, the Subversion from Within. (2019) Harma, Tanguy
  • Tripping on the Threshold of the Doors: The Difficult Negotiation of the Visionary in Ginsberg’s Drug Poems. (2019) Harma, Tanguy
  • Viking Fire: A Practical and Theoretical Exploration of the Historical Novel. (2019) Hill, Justin
  • Classics in Education after 1880. (2019) Hurst, Isobel
  • Monologue and Dialogue: The Odyssey in Contemporary Women’s Poetry. (2019) Hurst, Isobel
  • Nineteenth-Century Literary and Artistic Responses to Roman Decadence. (2019) Hurst, Isobel
  • Plutarch and the Victorians. (2019) Hurst, Isobel
  • Black/Jewish imaginaries and children’s literature: reading resistance and intersectionality in A Pickpocket’s Tale. (2019) King, Nicole
  • Art playing a part. (2019) Knight, Stephen E.
  • Echolalia Park [Poem]. (2019) Knight, Stephen E.
  • Happy Families [Poem]. (2019) Knight, Stephen E.
  • The Last Bus [Poem]. (2019) Knight, Stephen E.
  • Rail Replacement Bus Service [Poem]. (2019) Knight, Stephen E.
  • Eine pazifistische Internationale: Rene Schickele und Die Weißen Blätter. (2019) Kramer, Andreas
  • Pacifist and Anti-Militarist Writing in German 1892-1928. (2019) Kramer, Andreas
  • Sachliche Träume: Alfons Paquet, Fluggast über Europa. Ein Roman der langen Strecken (1934). (2019) Kramer, Andreas
  • Sport in Expressionist Art. (2019) Kramer, Andreas
  • Sport und literarischer Expressionismus. (2019) Kramer, Andreas
  • Geruch der Utopie. Messianische Baumeister in Schriften der „Gläsernen Kette“ (1919/20). (2019) Krause, Frank
  • The grammar of 'non-realization'. (2019) Kuteva, Tania; Aarts, Bas; Popova, Gergana and Abbi, Anvita picture_as_pdf
  • Unnameable Text: Life, Critique and Uncriticizability from Kant to Benjamin. (2019) Law, Christopher
  • The Benefits of Chronic Illness. (2019) Lee, Tom html
  • Coup de Grâce, by Almudena Ramírez-Pantanella, translated by Sarah Maitland. (2019) Maitland, Sarah
  • Does interpreting 'steal' conflict? A translational perspective on power and restorative justice. (2019) Maitland, Sarah description
  • Hybridity. (2019) Maitland, Sarah description
  • Imagining otherness: on translation, harm and border logic. (2019) Maitland, Sarah description
  • La realidad / Reality (2019), by Denise Despeyroux, translated by Sarah Maitland. (2019) Maitland, Sarah
  • The Reality (2019), by Denise Despeyroux, translated by Sarah Maitland. Performance of translation, directed by Raymi Renee. (2019) Maitland, Sarah
  • The Translator on Stage. (2019) Maitland, Sarah
  • A Universe (Alone), by Fernando de Retes and María Prado, translated by Sarah Maitland. (2019) Maitland, Sarah
  • Untitled Theatre Translation Commission for Playful Productions. (2019) Maitland, Sarah
  • Macbeth and the Power of Poetry. (2019) McDonald, Russ
  • Call Yourself English? (2019) Morrison, Blake description
  • We Are Three Sisters: The Lives of the Brontës as a Chekhovian Play. (2019) Morrison, Blake
  • [Keynote lecture] Surrealism and Catastrophe (Harnack, Auerbach, Benjamin). (2019) Ng, Julia
  • Rechtsphilosophie after the War: A Commentary on §§4-6 of 'Zur Kritik der Gewalt'. (2019) Ng, Julia
  • ‘From Institutional Exclusion to Institutionalisation: “Decolonising” Literary Curricula’. (2019) Osborne, Deirdre
  • ‘He's got Jheri curls and Tims on’: Humour and indexicality as resources for authentication in young men's talk about hair and fashion style. (2019) Pichler, Pia
  • ‘I was trying to do the P Diddy step’: Conversational humour, verbal duelling and cultural concepts as resources for the construction of authentic black hip hop masculinities. (2019) Pichler, Pia
  • Book review: Thomas W. Stewart, Contemporary morphological theories: A user's guide, 2016. (2019) Popova, Gergana
  • The Oxford Handbook of English Grammar. (2019) Popova, Gergana
  • Rereading Penelope’s Web: The Anxieties of Female Authorship in Margaret Atwood’s The Penelopiad. (2019) Richards, Jasmine
  • From polar explorers to frozen dystopias: the best books about ice. (2019) Sackville, Amy
  • Optic Nerve by María Gainza review: art critic's profound debut. (2019) Sackville, Amy
  • Painter to the King. (2019) Sackville, Amy
  • “No, no Maama! Say ‘Shaatir ya Ouledee Shaatir’!” Children’s agency in language use and socialisation. (2019) Said, Fatma Faisal Saad and Zhu, Hua
  • Talking back to Shakespeare: theatre in women’s prisons. (2019) Scott, Charlotte
  • 'Dancing Bear' & 'from Oh My Soho!' [Poems]. (2019) Scott, Richard
  • Poetry Please. BBC Radio 4. 2019. (2019) Scott, Richard
  • 'centaur' [commissioned poem]. (2019) Scott, Richard
  • From Modernism to the Counterculture: Reassessing the 1962 Edinburgh International Writers’ Conference. (2019) Stevenson, Guy
  • “Money and how it gets that way”: Ezra Pound, Henry Miller and the economic process of the 1930s. (2019) Stevenson, Guy description
  • Perils of Expansion: Aldous Huxley and the Counterculture. (2019) Stevenson, Guy
  • The Tyranny of Cool: Anti-Humanism in the Counterculture. (2019) Stevenson, Guy desktop_windows
  • Visiting Fellowship: Anti-Humanism in the Counterculture. (2019) Stevenson, Guy
  • ‘Le mot déclin est presque trop doux’: Michel Houellebecq’s (Euro)déclinisme. (2019) Sweeney, Carole
  • Breckland. (2019) Underwood, Jack
  • Lambs. (2019) Underwood, Jack
  • This has no sound. (2019) Underwood, Jack
  • Whatever I have done that was good, I have done at the bidding of my voices. (2019) Underwood, Jack
  • Faber Poetry Podcast: Episode 8: Mary Jean Chan & Rebecca Tamás. (2019) Underwood, Jack and Allen, Rachael
  • Faber Poetry Podcast: Episode 11: Ilya Kaminsky & Sophie Robinson. (2019) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Faber Poetry Podcast: Episode 12: Daljit Nagra & Nisha Ramayya. (2019) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Faber Poetry Podcast: Episode 7 (series 2): Joe Dunthorne & Will Harris. (2019) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Faber Poetry Podcast: Episode 9: Fiona Benson & Julia Copus. (2019) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Birds of the Western Palearctic [Poem]. (2019) Venables, Kate
  • Crossing Brooklyn Bridge. (2019) Wagner, Erica
  • Explosive. (2019) Wagner, Erica picture_as_pdf
  • Introduction: Confessions of an English Opium-Eater. (2019) Wilson, Frances
    • 2018
  • Decadence, Magic(k), and the Occult. (2018)
  • Multilingual Currents in Literature, Translation, and Culture. (2018)
  • Studies in the Novel Special Issue: The Rising Tide of Climate Change Fiction. (2018)
  • Truths: A Telltale Press Anthology. (2018)
  • James Joyce’s ‘Linguistic Musicality’. A Short Insight into Some Linguistic Musical Patterns in the First Chapter of A Portrait of the Artist as a Young Man, and their Echoes in ‘Sirens’. (2018) Autieri, Arianna
  • My Shakespeare: Christopher Marlowe. (2018) Barber, Ros
  • Shakespeare and Warwickshire Dialect Claims. (2018) Barber, Ros
  • The Fugitive [POEM]. (2018) Barnsley, Sarah
  • The Heebie-Jeebies [POEM]. (2018) Barnsley, Sarah
  • I carry a suitcase of whippets [POEM]. (2018) Barnsley, Sarah
  • I prefer to get my information from unreliable sources (online version) [POEM]. (2018) Barnsley, Sarah
  • I prefer to get my information from unreliable sources [POEM]. (2018) Barnsley, Sarah
  • Lane closed for material curing [POEM]. (2018) Barnsley, Sarah
  • My stay in that hotel was just out of a magazine [POEM]. (2018) Barnsley, Sarah
  • Newly in love, distracted neuroscientists HEART [POEM]. (2018) Barnsley, Sarah
  • The day my brain broke [POEM]. (2018) Barnsley, Sarah
  • Looking for Harlem: The absent Narrator in Roy DeCarava and Langston Hughes' The Sweet Flypaper of Life (1955). (2018) Blinder, Caroline
  • Faire le roi. L'autre corps de Louis XIII. (2018) Canova-Green, Marie-Claude
  • Histoires de plumes. Pouvoir, mode et galanterie à la cour de Louis XIII. (2018) Canova-Green, Marie-Claude picture_as_pdf
  • 'Le ballet a l'Arsenal ou la magie du roi' (1635-1636). (2018) Canova-Green, Marie-Claude
  • Les années 1610 vues par Henri, duc de Rohan: Brouilleries, passions et « interêts particuliers ». (2018) Canova-Green, Marie-Claude description
  • Cultural Elements in English as a Lingua Franca. (2018) Cogo, Alessia
  • ELF and multilingualism. (2018) Cogo, Alessia
  • The pragmatics of ELF. (2018) Cogo, Alessia and House, Juliane
  • The Devil in the Detail: An Introduction to Decadent Occultism from the Editors. (2018) Condé, Alice and Gossling, Jessica
  • Against Joyce: Ulysses, Authorship, and the Authority of the Reader. (2018) Corser, Sophie
  • Introduction: The Rising Tide of Climate Change Fiction. (2018) Craps, Stef and Crownshaw, Richard
  • Speculative memory, the planetary, and genre fiction. (2018) Crownshaw, Richard
  • Monsters Under Glass: A Cultural History of Hothouse Flowers from 1850 to the Present. (2018) Desmarais, Jane H.
  • ‘Prig’s prattling’ at the Fin de Siècle: Haldane MacFall and the Decay of English Art’. (2018) Desmarais, Jane H.
  • Teaching African American Studies in the US and the UK. (2018) Dossett, Kate; Joseph-Gabriel, Annette K; Jeffries, Hasan Kwame; King, Nicole; Plath, Lydia; Rice, Alan and Salt, Karen
  • ‘The best of Poets in that age’: Christopher Marlowe’s Posthumous Reputation. (2018) Downie, Alan (J. A.)
  • 'Bark' [Poem]. (2018) Franchini, Livia
  • 'Bullies of America'. (2018) Franchini, Livia
  • 'Cari cari' and 'On Complicity'. (2018) Franchini, Livia
  • 'La soluzione della mosca' and 'Strategie stabili per manager di fascia media'. (2018) Franchini, Livia
  • 'Safe', 'I Have Brought Several Changes of Hat with Me' and 'Cardinal Virtues'. (2018) Franchini, Livia
  • 'the fact of experiencing something or being affected by it because of being in a particular situation or place'. (2018) Franchini, Livia
  • Negative of a Group Photograph [Translation]. (2018) Ghahreman, Azita; Dooley, Maura and Shakerifar, Elhum
  • Introduction. (2018) Gilmour, Rachael and Steinitz, Tamar
  • Decadent Threshold Poetics: A Comparative Study of Threshold Space in Charles Baudelaire, Joris-Karl Huysmans, Ernest Dowson, and Arthur Symons. (2018) Gossling, Jessica
  • White Stains: Aleister Crowley’s Decadent Minimalism. (2018) Gossling, Jessica
  • Full Colour & Splendour and Fatigue. (2018) Gregory, Matthew
  • Confession with Blue Horses (A Novel) And “On Memory and Narrative in the Work of Charlotte Salomon, Art Spiegelman and Christa Wolf” (Critical Commentary). (2018) Hardach, Sophie
  • ‘The Figure of Thanatos: Processes of Self-creation and Self-destruction in Jack Kerouac and Allen Ginsberg’. (2018) Harma, Tanguy
  • From Self-destruction to Self-creation and Back Again: The Paradox of Thanatos in Jack Kerouac and Allen Ginsberg. (2018) Harma, Tanguy
  • Jack Kerouac: Book of Dreams. (2018) Harma, Tanguy
  • ‘A Sense of Dooming Boom’: Kerouac’s Psychopathic Aesthetics of Speed in Big Sur. (2018) Harma, Tanguy
  • 'Vers un Existentialisme Beat?'. (2018) Harma, Tanguy picture_as_pdf
  • "Against Civilisation": Symons, the Gypsy Lore and politicised Aestheticism. (2018) Herold, Katharina
  • From Epic to Monologue: Tennyson and Homer. (2018) Hurst, Isobel
  • In My Other Life [Poem]. (2018) Knight, Stephen E.
  • In Which We Are Cast As Ourselves [Poem]. (2018) Knight, Stephen E.
  • Long Before The End [poem]. (2018) Knight, Stephen E.
  • Geographies of Futurism: Mapping the First Avant-garde. (2018) Kramer, Andreas
  • Liebes Leben. Formen des erotischen Vitalismus in Georg Heyms nachgelassener Kurzprosa. (2018) Kramer, Andreas
  • Pacifist and Anti-Militarist Writing in German, 1889-1928: From Bertha von Suttner to Erich Maria Remarque. (2018) Kramer, Andreas and Robertson, Ritchie
  • Family Virtues and Social Critique: Andreas Latzko’s Anti-War Prose (1917-1918). (2018) Krause, Frank
  • ‘Getarnte Vitalität. Von Alfred Doves Caracosa (1894) zu Georg Heyms Bagrow (1911)‘. (2018) Krause, Frank
  • The Resortist. (2018) Lee, Tom
  • The Swimmer. (2018) Lee, Tom
  • Masters of the Universe, by Almudena Ramírez-Pantanella, translated by Sarah Maitland. (2018) Maitland, Sarah description
  • Masters of the Universe, by Almudena Ramírez-Pantanella, translated by Sarah Maitland. Performance of translation, directed by Almudena Ramírez-Pantanella, Cervantes Theatre. (2018) Maitland, Sarah
  • The Reality, by Denise Despeyroux, translated by Sarah Maitland. (2018) Maitland, Sarah description
  • The Reality, by Denise Despeyroux, translated by Sarah Maitland. Performance of translation, directed by Raymi Renee, Cervantes Theatre. (2018) Maitland, Sarah
  • A Universe (Alone), by Fernando de Retes and María Prado, translated by Sarah Maitland. (2018) Maitland, Sarah
  • The Executor. (2018) Morrison, Blake
  • Harrison as Elegist. (2018) Morrison, Blake
  • Lamentable Thumbs. (2018) Morrison, Blake
  • Coffee and Donuts. (2018) Ng, Julia html
  • Now, Hamacher. (2018) Ng, Julia description
  • Translation: "The One Right No One Ever Has" by Werner Hamacher. Translated from the German by Julia Ng. (2018) Ng, Julia and Hamacher, Werner
  • Nomadic Passions: Encounters with Difference and Troubling Affect in the Novels of Jean Rhys. (2018) O'Shea, Johanna
  • Billy Blue and “Billy Skywonkie”: representing intra-colonial blackness and inter-raciality in nineteenth-century Australia. (2018) Osborne, Deirdre
  • Didactic Poetics : Critical, Creative, Consequentialist. (2018) Osborne, Deirdre
  • Ego-histoire and Adoption Aesthetics. (2018) Osborne, Deirdre
  • On Whose Terms?: Ten Years On... (in Critical Negotiations in Black British Literature and the Arts). (2018) Osborne, Deirdre and Neumann, Birgit
  • 'Smudged Lines: Reading Deleuze and Guattari’s “Three Novellas”. (2018) Palmer, Helen
  • Framing Science: Discourses and Representations in UK and Germany. (2018) Pansegrau, Petra and Popova, Gergana picture_as_pdf
  • ‘Altering the structure of society’: an institutional focus on Virginia Woolf and working-class education in the 1930s. (2018) Periyan, Natasha description
  • Performing Power Symposium. (2018) Pichler, Pia
  • Rapport in three ethnographic studies of language and gender in private contexts. (2018) Pichler, Pia
  • English Compounds with ing-form heads. (2018) Popova, Gergana
  • Read This if you Want to be a Great Writer. (2018) Raisin, Ross description
  • Posthumous temporality and encrypted historical time in fiction and life writing. (2018) Randall, James P.
  • Patchwork Someone: A Memoir, and Religious Memoir in a Secular Age: Critical Commentary. (2018) Read, Jacinta
  • Dog in a Hole. (2018) Sackville, Amy
  • Thinking through Thinking through Fiction: a round table. (2018) Sackville, Amy; Moss, Sarah; Kavenna, Joanna and Crumey, Andrew
  • Discourses of Multilingualism, Identity and Belonging: The View of Arabic Bilinguals in the UK. (2018) Said, Fatma Faisal Saad
  • The Child in Shakespeare. (2018) Scott, Charlotte
  • Soho. (2018) Scott, Richard
  • Conversion Narratives in Early Modern England: Tales of Turning. (2018) Shinn, Abigail
  • Searching for Spenser's Popular Voice. (2018) Shinn, Abigail html
  • The Senses and the Seventeenth-Century English Conversion Narrative. (2018) Shinn, Abigail
  • The Minutes. (2018) Stevens, Nell picture_as_pdf
  • Mrs Gaskell and Me: Two Women, Two Love Stories, Two Centuries Apart. (2018) Stevens, Nell
  • Alexander Trocchi. (2018) Stevenson, Guy description
  • The Colossus of Big Sur: A Review of 'On Henry Miller: Or How To Be An Anarchist' by John Burnside. (2018) Stevenson, Guy
  • Facebook Live: The Avant-Garde Tactics of the Alt Right. (2018) Stevenson, Guy
  • Old Frontiers Seen Anew: Review of 'Three Pioneers' by Samuel Bolin. (2018) Stevenson, Guy description
  • Straw Gods: A Cautious Response to Jordan B. Peterson. (2018) Stevenson, Guy picture_as_pdf
  • Understanding the Shock Tactics of the Alt Right (Invited Talk). (2018) Stevenson, Guy
  • The Reality of the Counterculture. (2018) Stevenson, Guy and Garland, Sarah
  • Stoking the Flames: Understanding Jordan B. Peterson. (2018) Stevenson, Guy and Moscow, Lev
  • ‘Groping Inside Language’: Translation, Humour and Experiment in Christine Brooke-Rose’s Between and Brigid Brophy’s In Transit. (2018) Sweeney, Carole description
  • "Why This Rather Than That?": The Delightful Perversity of Brigid Brophy. (2018) Sweeney, Carole description
  • Searching for Manila : Personal and Political Journeys in an Asian Megacity. (2018) Sykes, Thomas
  • Incommensurable Corporealities? Touretteshero's Not I. (2018) Tubridy, Derval
  • Samuel Beckett and the Language of Subjectivity. (2018) Tubridy, Derval html
  • Theatre and Installation: Perspectives on Beckett. (2018) Tubridy, Derval
  • Fifteen Babies In My Garden. (2018) Underwood, Jack
  • On Poetry and Uncertain Subjects. (2018) Underwood, Jack
  • Prolactin. (2018) Underwood, Jack
  • Solo for Mascha Voice/Tenuous Rooms. (2018) Underwood, Jack description
  • A Year in the New Life. (2018) Underwood, Jack
  • Faber Poetry Podcast: Episode 1: Emily Berry & Momtaza Mehri. (2018) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Faber Poetry Podcast: Episode 2: Sophie Collins & Emily Critchley. (2018) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Faber Poetry Podcast: Episode 3: Richard Scott & Jane Yeh. (2018) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Faber Poetry Podcast: Episode 4: Wayne Holloway-Smith & Maurice Riordan. (2018) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Faber Poetry Podcast: Episode 5: Holly Pester & Sam Riviere. (2018) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Faber Poetry Podcast: Episode 6: Edward Doegar & Ishion Hutchinson. (2018) Underwood, Jack; Allen, Rachael and Marshall, Hannah
  • Erica Wagner on Roald Amundsen, BBC Radio 4 - Great Lives, Series 46. (2018) Wagner, Erica image
  • Exclusive interview with author Barbara Kingsolver. (2018) Wagner, Erica description
  • The German-American Family Who Built the Brooklyn Bridge. (2018) Wagner, Erica
  • How Call the Midwife smuggled radical social issues into Britain's living rooms. (2018) Wagner, Erica
  • How the “mighty woman with a torch” came into being. (2018) Wagner, Erica description
  • "In sorrow and in anger". (2018) Wagner, Erica description
  • Is it time to rethink our attitude to mortality? (2018) Wagner, Erica
  • Private griefs, national tragedies. (2018) Wagner, Erica
  • Where Shall We Run to? by Alan Garner — ‘I don’t find me interesting’. (2018) Wagner, Erica
  • Writer Claire Tomalin: ‘You begin to see certain patterns’. (2018) Wagner, Erica description
  • An interview with Madeleine Albright, former Secretary of State of the United States. (2018) Wagner, Erica
  • The legacy of Philip Roth. (2018) Wagner, Erica
  • From Floor to Ceiling Crowded Shelves: Writing About Reading. (2018) Watson, Susan
  • ‘Everything … as a Gloss on Everything Else' : Life and Work in Paul Auster. (2018) Zhang, Meiping
    • 2017
  • Arthur Symons: Selected Early Poems. (2017) picture_as_pdf
  • Arthur Symons: Selected Early Poems, eds. Jane Desmarais and Chris Baldick. (2017)
  • Decadence and the Senses. (2017)
  • Experiments in Life-Writing: Intersections of Auto/Biography and Fiction. (2017)
  • 'Tongue-tied by authority': Shakespeare Silenced. (2017) Barber, Ros
  • Today you went to lunch with a cave [POEM]. (2017) Barnsley, Sarah
  • We have made a number of key appointments [POEM]. (2017) Barnsley, Sarah
  • The Oxford Research Encyclopaedia - The Phototext in the 19th and 20th century. (2017) Blinder, Caroline picture_as_pdf
  • Ruses and Ruminations: The Architecture of Let Us Now Praise Famous Men. (2017) Blinder, Caroline description
  • ‘Ruses and Ruminations: The Architecture of Let Us Now Praise Famous Men’. (2017) Blinder, Caroline
  • Smokescreens to Smokestacks: True Detective and the American Sublime. (2017) Blinder, Caroline description
  • Du voyage à l’exil. L'Histoire de Henry duc de Rohan. (2017) Canova-Green, Marie-Claude description
  • La ville, la province et le roi. Les entrees provencales de Louis XIII a l'automne 1622. (2017) Canova-Green, Marie-Claude description
  • Lire entre les lignes: le Discours au vray du Ballet danse par le roi et l'habit de flames de Louis XIII. (2017) Canova-Green, Marie-Claude description
  • Transformed Gardens: The Trompe-l’oeil Scenery of the Versailles Festivals (1664–1674). (2017) Canova-Green, Marie-Claude description
  • “Emancipating myself, the students and the language”: Brazilian teachers’ attitudes towards ELF and the diversity of English. (2017) Cogo, Alessia and Siqueira, Savio
  • Psychic Life: A New Focus on Early Infancy. (2017) Cohen, Josh picture_as_pdf
  • The Support-Worker's Tale'. (2017) Cohen, Josh picture_as_pdf
  • Sensory Nullification in the Poetry of Ernest Dowson. (2017) Condé, Alice
  • The afterlife of the Decadent femme fatale: Phantasmal delusion in Ben Hecht’s Fantazius Mallare (1922). (2017) Condé, Alice
  • Lovers’ Discourses: Marcel Proust’s Swann in Love and E. M. Forster’s A Room with a View. (2017) Corser, Sophie
  • Climate Change Fiction and the Future of Memory: Speculating on Nathaniel Rich's Odds against Tomorrow. (2017) Crownshaw, Richard
  • Climate Change Fiction and the Future of Memory: Speculating on Nathaniel Rich’s Odds Against Tomorrow. (2017) Crownshaw, Richard
  • Speculative memory, the planetary and genre fiction. (2017) Crownshaw, Richard
  • Kenneth Grahame. (2017) Desmarais, Jane H.
  • Kenneth Grahame: The Wind in the Willows. (2017) Desmarais, Jane H.
  • Hold Your Breath: fifty poems and Louis MacNeice - warm from the ear of a ghost: His final poems: impure poetry and the BBC. (2017) Farmer, Rebecca
  • 'Things worldly and things spiritual': Joris-Karl Huysmans’s A rebours and the house at Fontenay. (2017) Gossling, Jessica
  • Towards the Impossibility of Childhood: Maurice Blanchot’s ‘(A primal scene?)’. (2017) Guilding, Beth
  • Kerouac’s Vision of Anguish: An Interpretation of the Dynamics of Dis-integration in Big Sur. (2017) Harma, Tanguy description
  • An Aesthetic Consciousness: An Existentialist Reading of William Faulkner’s Fiction. (2017) Heller, Maya
  • Dancing the Image – Sensoriality and kinaesthetics in the poetry of Stéphane Mallarmé and Arthur Symons. (2017) Herold, Katharina
  • 'Constituting Knowledge: German Literature and Philosophy between Coleridge and Crabb Robinson'. (2017) Hunnekuhl, Philipp
  • Pater as Professional Classicist. (2017) Hurst, Isobel
  • 'Tragedy in the disguise of mirth': Robert Browning, George Eliot and Wilde. (2017) Hurst, Isobel description
  • 'Getting in Conversation': Teaching African American Literature and Training Critical Thinkers. (2017) King, Nicole
  • Response to Deborah Willis's “The Black Civil War Soldier: Conflict and Citizenship”. (2017) King, Nicole
  • Choctaw Tales: An Interview with LeAnne Howe. (2017) Kirwan, Padraig description
  • Review of: The Routledge Companion to Native American Literature. Ed. Deborah L. Madsen. Routledge, London, 2016, 524pp ISBN 978 1 13 802060 3. (2017) Kirwan, Padraig description
  • A Swansea Love Song. (2017) Knight, Stephen E.
  • Where This Train Terminates [Poem]. (2017) Knight, Stephen E.
  • ‘The Stench of Corpses: On the Poetic Coding of Smell in the Literature of the Great War (1914-1933)’. (2017) Krause, Frank picture_as_pdf
  • British Muslim university students’ perceptions of Prevent and its impact on their sense of identity. (2017) Kyriacou, Chris; Reed, Beatrice Szczepek; Said, Fatma Faisal Saad and Davies, Ian
  • The Alarming Palsy of James Orr. (2017) Lee, Tom
  • Southern Gothic. (2017) Lloyd, Christopher
  • Body Integrity Identity Disorder and the Phantom Limb: Reflections on the Bodily Text. (2017) Loewy, Monika
  • Mendoza, by Antonio Zúñiga and Juan Carrillo, translated by Sarah Maitland. (2017) Maitland, Sarah description
  • Mendoza, by Antonio Zúñiga and Juan Carrillo, translated by Sarah Maitland. Performance of translation, directed by Juan Carillo, Southwark Playhouse. (2017) Maitland, Sarah description
  • A Review of Textbooks in Translation Studies. (2017) Maitland, Sarah description
  • What is Cultural Translation? (2017) Maitland, Sarah
  • Batlava Lake. (2017) Mars-Jones, Adam
  • Rhetoric and Theater. (2017) McDonald, Russ
  • Ruskin on Imagination: A Via Negativa. (2017) Natarajan, Uttara
  • Acts of Time: Cohen and Benjamin on Mathematics and History. (2017) Ng, Julia description
  • Gershom Scholem. (2017) Ng, Julia description
  • Floating Stages: Racial Performance in Herman Melville’s 1850s Texts. (2017) Noel, James
  • Becoming and Un-becoming: Securing ‘selves’ in the memoir-fiction of Maxine Beneba Clarke. (2017) Osborne, Deirdre
  • You think remembering me is enough. It’s not” (from ‘At the Grave of the Unknown African, Henbury Parish Church’): The Landmark Poetics of Fred D’Aguiar and Dorothea Smartt. (2017) Osborne, Deirdre
  • Virgil [Poem]. (2017) Page, Jocelyn
  • ‘I am not being funny but you don’t half look like Lionel’: humour, hair and fashion style in a group of young South London men. (2017) Pichler, Pia
  • ‘You are stupid, you are cupid’: playful polyphony as a resource for affectionate expression in the talk of a young London couple. (2017) Pichler, Pia
  • Constructions, grammatical status and morphologization. (2017) Popova, Gergana
  • Bearded. (2017) Raisin, Ross
  • A Natural. (2017) Raisin, Ross
  • Heritage schools: a lens through which we may better understand citizenship and citizenship education. (2017) Reed, Beatrice Szczepek; Said, Fatma Faisal Saad and Davies, Ian
  • The Strategic Use of Address Terms in Multilingual Interactions during Family Mealtimes. (2017) Said, Fatma Faisal Saad and Zhu, Hua
  • Incapable and Shallow Innocents. (2017) Scott, Charlotte
  • Shakespeare's Theatre, Company and Rivals. (2017) Scott, Charlotte description
  • 'crocodile' [Poem]. (2017) Scott, Richard
  • Dreaming Converts in the Seventeenth Century: The Case of Philip Dandulo and Thomas Warmstry's The Baptized Turk. (2017) Shinn, Abigail description
  • Father Figures: Paternal Politics in the Conversion Narratives of Thomas Gage and James Wadsworth. (2017) Shinn, Abigail
  • Gender and Reproduction in the Spirituall Experiences. (2017) Shinn, Abigail
  • True Stories and Other Essays. (2017) Spufford, Francis
  • Bleaker House. (2017) Stevens, Nell
  • The Brutal Tap: Anti-Humanist Legacies in the Counterculture. (2017) Stevenson, Guy
  • Rummaging through the Bone-Heap: Beat Writing and Reactionary Modernist Aesthetics. (2017) Stevenson, Guy
  • Sacrifice and Expenditure: The Sexual Economics of Georges Bataille and Ezra Pound. (2017) Stevenson, Guy description
  • The Spiritual Medium Is The Message: Some Notes on Marshall McLuhan and Siegfried Zielinski. (2017) Stevenson, Guy
  • The (Spiritual) Medium is the Message. (2017) Stevenson, Guy
  • Trolling the Enlightenment: Lewis, Marinetti & the Modernist precedent for America’s 'Alt-Right' (Invited Paper). (2017) Stevenson, Guy
  • Adjacency. (2017) Tubridy, Derval
  • Samuel Beckett and Sonic Art. (2017) Tubridy, Derval
  • On Poetry and uncertain Subjects. (2017) Underwood, J
  • Chief Engineer: Washington Roebling, The Man Who Built the Brooklyn Bridge. (2017) Wagner, Erica picture_as_pdf
  • Erica Wagner interviews Chimamanda Ngozi Adichie for Women of the Year, Harper's Bazaar. (2017) Wagner, Erica
  • Exclusive interview with Jodie Foster. (2017) Wagner, Erica
  • How Native American culture fought back against the colonisers. (2017) Wagner, Erica
  • Inside the Secret World of "The Muppet Show". (2017) Wagner, Erica
  • The Many Selves of Sylvia Plath. (2017) Wagner, Erica description
  • Norway and Nigeria’s unlikely bibliophilic collaboration. (2017) Wagner, Erica
  • What defines Jewish comedy – and how do you get from Queen Esther to Larry David? [Review]. (2017) Wagner, Erica
    • 2016
  • The Cambridge History of Postmodern Literatutre. (2016)
  • A screech in the dark. (2016) Anim-Addo, Joan
  • Blank Verse. (2016) Barber, Ros
  • Christopher Marlowe and Gervase Markham. (2016) Barber, Ros
  • Shakespeare and Warwickshire Dialect. (2016) Barber, Ros
  • Late Modernism in Manhattan: Mary Barnard and May Swenson. (2016) Barnsley, Sarah
  • Think of it in terms of geometry [POEM]. (2016) Barnsley, Sarah
  • This Horse [POEM[]. (2016) Barnsley, Sarah
  • American Alphabet: Photo-Textual Politics in Paul Strand and Nancy Newhall's Time in New England (1950). (2016) Blinder, Caroline description
  • Fragments of the Future: Walker Evans’s Polaroids. (2016) Blinder, Caroline
  • Daniel Defoe : The Family Instructor. (2016) Brooke, Diana
  • La medaille, la mort, l'immortalite: Louis XIV et le livre des "Medailles sur les principaux evenements de son regne". (2016) Canova-Green, Marie-Claude description
  • Moliere ou comment ne pas reconnaitre sa dette: le theatre dela Restauration en Angleterre. (2016) Canova-Green, Marie-Claude description
  • Conceptualizing ELF as a translanguaging phenomenon: Covert and overt resources in a transnational workplace. (2016) Cogo, Alessia
  • English as a Lingua Franca in Europe. (2016) Cogo, Alessia
  • “They all take the risk and make the effort”: Intercultural accommodation and multilingualism in a BELF community of practice. (2016) Cogo, Alessia description
  • Visibility and absence: ideologies of ‘diversity’ in BELF. (2016) Cogo, Alessia
  • Pre-empting and signalling non-understanding in ELF. (2016) Cogo, Alessia and Pitzl, Marie-Luise
  • Review of Kostas Boyiopoulos, The Decadent Image: The Poetry of Wilde, Symons and Dowson, Edinburgh Critical Studies in Victorian Culture (Edinburgh: Edinburgh University Press, 2015), pp. xii + 219. ISBN 9780748690923. (2016) Condé, Alice
  • "The pale roses expire": Dowson’s Decadent diminuendo. (2016) Condé, Alice
  • Cultural Memory Studies in the Epoch of the Anthropocene. (2016) Crownshaw, Richard
  • A Cultural History of Decadence. (2016) Desmarais, Jane H.
  • Du Maurier and the Artist’s Model’. (2016) Desmarais, Jane H.
  • Shedding light on the ‘Pre-Raphaelite stunners’. (2016) Desmarais, Jane H.
  • Without Memory or desire: the model's progress in du Maurier's Trilby. (2016) Desmarais, Jane H.
  • The Silvering. (2016) Dooley, Maura picture_as_pdf
  • From the Drawer to the Cloister: Ernest Dowson's 'Poésie Schublade. (2016) Gossling, Jessica
  • 'The Intuitive Self Made Supreme: An Existentialist Reading of Emersonian Transcendentalism through Sartre’s Concepts of Nothingness and Engagement'. (2016) Harma, Tanguy
  • 'A Song of Beauty and Death: Kerouac’s Music of Sublimity in Tristessa'. (2016) Harma, Tanguy
  • The Liminal Text: Exploring the Perpetual Process of Becoming with particular reference to Samuel Selvon’s The Lonely Londoners and George Lamming’s The Emigrants & Kitch: A Fictional Biography of The Calypsonian Lord Kitchener. (2016) Joseph, Anthony Derek
  • Are We There Yet? [poem]. (2016) Knight, Stephen E.
  • As I Live and Breathe [Poem]. (2016) Knight, Stephen E.
  • Flights out of Time: Dada and Heterochronia. (2016) Kramer, Andreas
  • “Jedermann sein eigner Fussball”: Die Dadaisten und der Sport. (2016) Kramer, Andreas
  • Geruchslandschaften mit Kriegsleichen. Deutsche, englische und französische Prosa zum Ersten Weltkrieg. (2016) Krause, Frank
  • ‚Weib‘ und ‚Geist‘ im Großen Krieg: Pazifismus und Geschlecht im Expressionismus. (2016) Krause, Frank
  • Aesthetics of Experiment: Imagism, Vorticism and the European Avant-Garde. (2016) Lee, Sze Wah Sarah
  • Big Cat: A collection of short stories. (2016) Lee, Thomas
  • The Construction and Representation of National and Racial Identities in London West End Revue 1910-1930. (2016) Linton, David Paul
  • Psychoanalysis and Ethics in Documentary Film by Agnieszka Piotrowska Routledge, London, 2013. (2016) Loewy, Monika
  • “In-between” a rock and a “third space”? On the trouble with ambivalent metaphors of translation. (2016) Maitland, Sarah description
  • No Direction, by Miguel Alcantud and Santiago Molero, translated by Sarah Maitland. (2016) Maitland, Sarah description
  • No Direction, by Miguel Alcantud and Santiago Molero, translated by Sarah Maitland. Performance of translation, directed by Debra Caplan, Baruch College, City University of New York. (2016) Maitland, Sarah html
  • The World on Stage: Micro-Plays in Translation. (2016) Maitland, Sarah description
  • Kid Gloves: A Voyage Round My Father. (2016) Mars-Jones, Adam
  • “Ben Jonson” and miscellaneous entries on Rhetoric. (2016) McDonald, Russ
  • Ornament. (2016) McDonald, Russ
  • Sounds and Sweet Airs. (2016) McDonald, Russ
  • '+1'. Scholem e i paradossi dell'infinito. (2016) Ng, Julia picture_as_pdf
  • Benjamin’s Theater of the Irrational. (2016) Ng, Julia
  • Daoism and Critical Theory. (2016) Ng, Julia
  • Freiheitszusammenhang: Benjamin and the Theatre of the Irrational. (2016) Ng, Julia
  • The Highest Continuity: Philology and the Concept of Time. (2016) Ng, Julia
  • “Intellectual history and critical theory,” Panel on “Methodologies” (with Quentin Skinner, Barbara Taylor, Lea Ypi). (2016) Ng, Julia
  • Justicia (Gerechtigkeit). (2016) Ng, Julia
  • Nur zu Zeiten: Philology and the Word in Time (Klopstock, Hölderlin, George). (2016) Ng, Julia
  • Philologies of the Crisis. (2016) Ng, Julia
  • Sincerity as a Political Emotion (Roundtable discussant). (2016) Ng, Julia
  • Sketching the Sky Torn Asunder. (2016) Ng, Julia
  • Beyond Mary Prince: Black Women in Dialogue. (2016) Osborne, Deirdre
  • It Was the Sort of Thing Pa Would Delight In [Poem]. (2016) Page, Jocelyn
  • Lawns of America & On My Mind: The Shared Vision of Collaboration in absentia. (2016) Page, Jocelyn
  • The Wake [Poem]. (2016) Page, Jocelyn
  • The Winter of Virgo [Poem]. (2016) Page, Jocelyn
  • Sterne’s Fiction and the Mid-Century Novel: The ‘Vast Empire of Biographical Freebooters’ and the ‘Crying Volume’. (2016) Parnell, Tim
  • The Body and the Page in Poetry Readings as Remembrance of Composition. (2016) Pester, Holly
  • ‘You are stupid, you are cupid’: alternative expressions of affection in couples’ talk. (2016) Pichler, Pia
  • Hipsters in the hood: authenticating indexicalities in young men’s hip hop talk. (2016) Pichler, Pia and Williams, Nathanael description
  • 'Eating Gull Since Friday': Estuary Grotesque, Seaside Noir. (2016) Platt, Len description
  • “Do you need some more explanation?” Practice-led research and the novel Fishing for Naija. (2016) Popoola, Olumide html
  • Inflected and periphrastic features: issues of comparison and modelling. (2016) Popova, Gergana
  • The Functions of Multiple Languages in Mealtime Interactions of an Arabic-English speaking family: A Sociolinguistic Approach. (2016) Said, Fatma Faisal Saad
  • Henry V and the Natural World. (2016) Scott, Charlotte
  • Shakespeare Lives. (2016) Scott, Charlotte
  • Shakespeare and Empathy. (2016) Scott, Charlotte
  • Shakespeare and Nature. (2016) Scott, Charlotte
  • Shakespeare and the Making of History. (2016) Scott, Charlotte description
  • Shakespeare's Sonnets. (2016) Scott, Charlotte
  • Wound. (2016) Scott, Richard
  • 'four arias after Vincenzo Bellini' [Poems]. (2016) Scott, Richard
  • 'twenty love poems after Paul Verlaine' [Poems]. (2016) Scott, Richard
  • Using linguistic methods in clinical communication education. (2016) Shuangyu, Li; Said, Fatma Faisal Saad; O'Neill, Bernadette; Ancarno, Clyde and Niksic, Maja
  • Golden Hill. (2016) Spufford, Francis
  • Disdaining the Tribe: The Anti-Humanist Basis of Marshall McLuhan’s ‘The Medium is the Message. (2016) Stevenson, Guy
  • Mescalin, Mystics and Madness, Review of Aldous Huxley’s Hands by Allene Symons. (2016) Stevenson, Guy
  • Mocking Charlatans: Review of 'On Writing' by Charles Bukowski. (2016) Stevenson, Guy description
  • Review of Shame and Wonder by David Searcy. (2016) Stevenson, Guy
  • 'After Beauvoir: French Feminism and The Question of Difference'. (2016) Sweeney, Carole
  • After de Beauvoir: 'French' Feminism & Sexual Difference. (2016) Sweeney, Carole
  • 'An Unforgettable Image': Staging Beckett's Short Plays. (2016) Tubridy, Derval picture_as_pdf
  • Instead of Bad News about a Person I Love. (2016) Underwood, Jack html
  • I’m on the boating lake with Sean. (2016) Underwood, Jack html
  • The Man with the Blue Guitar. (2016) Underwood, Jack html
  • First Light: A Celebration of Alan Garner. (2016) Wagner, Erica picture_as_pdf
  • History without reservations: unpicking the myths about Native Americans. (2016) Wagner, Erica description
  • Guilty Thing: A Life of Thomas De Quincey. (2016) Wilson, Frances
  • Lament. (2016) von Zwehl, Bettina and Cohen, Josh picture_as_pdf
    • 2015
  • 30-Second Shakespeare. (2015)
  • International Perspectives on English as a Lingua Franca: pedagogical insights. (2015) UNSPECIFIED
  • Metaphysical Hazlitt: Bicentenary Essays. (2015)
  • The Oxford Dictionary of Literary Terms. (2015)
  • Postmodern Literature and Race. (2015)
  • Zwischen Demontage und Sakralisierung. Revisionen des europäischen Familienmodells in der europäischen Moderne (1880-1945). (2015)
  • Translational Space and Creolising Aesthetics in Three Women’s Novels: the Radical Diasporic (Re)turn. (2015) Anim-Addo, Joan
  • Travelling with Imoinda: Art, Authorship, and Critique. (2015) Anim-Addo, Joan
  • The Novel in Theory, 1900–1965. (2015) Baldick, Chris
  • Bardolph and Poins. (2015) Barber, Ros
  • Devotion. (2015) Barber, Ros
  • Shakespeare's 'Honey-Stalks'. (2015) Barber, Ros
  • Sir John Davies as Guilpin’s Fuscus. (2015) Barber, Rosalind
  • The Fire Station. (2015) Barnsley, Sarah
  • ‘The Outsider’ [POEM]. (2015) Barnsley, Sarah
  • A Zoology of London [POEM]. (2015) Barnsley, Sarah
  • ‘“L’esprit humain, qui semble voyager d’un pays à l’autre”: Considerazioni sulle relazioni storiche tra traduzione e letteratura comparata’. (2015) Boldrini, Lucia
  • Beyond the Scene of the Crime: Investigating Place in Golden Age Detective Fiction. (2015) Bright, Brittain
  • ‘The Maturity of Lord Peter Wimsey and Authorial Innovation within a Series’. (2015) Bright, Brittain
  • D'une interpretation l'autre. Les entrees provencales de Louis XIII a l'automne 1622 et leurs relations. (2015) Canova-Green, Marie-Claude description
  • 'Faire le roi, ou les habits de Louis XIII'. (2015) Canova-Green, Marie-Claude
  • Jean-Francois Regnard, Theatre francais, vol. 1. (2015) Canova-Green, Marie-Claude
  • 'Warrior King or King of War? Louis XIII's Entries into his bonnes villes (1620-1629)'. (2015) Canova-Green, Marie-Claude description
  • Complexity, negotiability and ideologies: A response to Zhu, Pitzl and Kankaanranta et al. (2015) Cogo, Alessia description
  • Complexity, negotiability and ideologies: a response to Zhu, Pitzl, and Kankaanranta et al. (2015) Cogo, Alessia description
  • English as a Lingua Franca: descriptions, domains and applications. (2015) Cogo, Alessia
  • 'Psychoanalytic Bodies'. (2015) Cohen, Josh picture_as_pdf
  • Psychoanalytic Bodies: Psychic and “Actual” Bodies in Modern Literature. (2015) Cohen, Josh
  • Incorporeal Punishment : Writing Masochism and the Cruel Woman in English Decadence, 1860-1900. (2015) Condé, Alice
  • 'Introduction'. (2015) Corser, Sophie and Russell, Lucy
  • Ernest Christopher Dowson. (2015) Desmarais, Jane H.
  • Matthew Potolsky: The Decadent Republic of Letters: Taste, Politics, and Cosmopolitan Community from Baudelaire to Beardsley. Philadelphia: U of Pennsylvania P, 2013. 232 pages. (2015) Desmarais, Jane H.
  • The Musical Aesthetics (‘such as it is’) of Arthur Symons (1865-1945). (2015) Desmarais, Jane H. description
  • Perfume Clouds: Olfaction, Memory, and Desire in Arthur Symons’s London Nights (1895). (2015) Desmarais, Jane H.
  • Review: Kostas Boyiopoulos. The Decadent Image: The Poetry of Wilde, Symons and Dowson. (2015) Desmarais, Jane H.
  • Review: Matthew Potolsky, The Decadent Republic of Letters: Taste, Politics, and Cosmopolitan Community from Baudelaire to Beardsley, Philadelphia: University of Pennsylvania Press, 2013, pp. 232. ISBN 978-0-8122-4449-6. (2015) Desmarais, Jane H. description
  • A Quire of Paper. (2015) Dooley, Maura
  • "[T]heir backward space": Placing the Past in James's Turn-of-the-Century Fiction. (2015) El-Rayess, Miranda
  • Who Do You Love? The Novel of my Life (Creative Writing thesis) and Building Beauty: the Role of Aesthetic Education in my Teaching and Writing Lives (commentary on the Creative Writing thesis). (2015) Gilbert, Francis
  • "The Ax for the Frozen Sea within Us": Representations of Madness in the Writings of Anne Sexton. (2015) Goh, Sheri Kristen Kwee Hwa
  • Review of Peter Craze (dr.), The Picture of Dorian Gray, St James Theatre, London. (2015) Gossling, Jessica
  • The Thinking Space: The Café as a Cultural Institution in Paris, Italy and Vienna. (2015) Gossling, Jessica description
  • ‘‘All Wet Black Sunken Earth Danger’: Cosmic Alienation and Disintegration in Jack Kerouac’s Big Sur'. (2015) Harma, Tanguy
  • From Sartre to Mailer: Civilisational Nothingness, Commitment, and the Immanence of the here-and-now in Allen Ginsberg’s 'Howl'. (2015) Harma, Tanguy
  • Everyday otherness : the edited and unedited Raymond Carver. (2015) Humble, Catherine
  • Arthur Hugh Clough. (2015) Hurst, Isobel
  • Elizabeth Barrett Browning. (2015) Hurst, Isobel
  • Freedom to Invent: Graves’s Iconoclastic Approach to Antiquity. (2015) Hurst, Isobel
  • Zwischen Demontage und Sakralisierung. Revisionen des europäischen Familienmodells in der europäischen Moderne (1880-1945). Einführende Überlegungen. (2015) Kanz, Christine and Krause, Frank
  • ‘Mind the Gap’: Journeys in Indigenous Sovereignty and Nationhood. (2015) Kirwan, Padraig
  • Review of: Queequeg's Coffin: Indigenous Literacies and Early American Literature by Birgit Brander Rasmussen. (2015) Kirwan, Padraig
  • A Portable Joye [poem]. (2015) Knight, Stephen E.
  • Sh [poem]. (2015) Knight, Stephen E.
  • Swimming for Beginners [poem]. (2015) Knight, Stephen E.
  • Aufbaumodul 3. (2015) Krause, Frank
  • "Herrlich Mensch, der in Sackgassen irrt": Zusammenhänge von Familie und expressionistischer Moderne im Werk von Georg Kaiser. (2015) Krause, Frank
  • Literarischer Expressionismus. (2015) Krause, Frank
  • The Phallic Woman as Sacred Mother in Plays by Kokoschka and von Unruh: Ritualistic Body Phantasms in Expressionist Approaches to Gender. (2015) Krause, Frank
  • Pastoral Modes in the Poetry and Prose Fiction of WG Sebald. (2015) Lavis, Grahame J.
  • 'Psycho-Physical Wholes' : The Influence of F.M. Alexander and William Sheldon on Aldous Huxley's Works. (2015) Leavey, James
  • Big Cat. (2015) Lee, Tom
  • The invader and the antidote. (2015) Lee, Tom
  • A porta enferrujada. (2015) Lee, Tom
  • Review of Vincent Woodard, The Delectable Negro: Human Consumption and Homoeroticism Within U.S. Slave Culture. (2015) Lloyd, Christopher
  • Culture in Translation: The Case of British Pathé News. (2015) Maitland, Sarah description
  • Nina, by José Ramón Fernández, translated by Sarah Maitland. Performance of translation, directed by Andy Dickinson, Spanish Theatre Company. (2015) Maitland, Sarah
  • Performing recognition: El castigo sin venganza and the politics of the 'literal' translation. (2015) Maitland, Sarah description
  • Poetry and Plot in The Winter's Tale. (2015) McDonald, Russ
  • Shingle Street. (2015) Morrison, Blake
  • Beyond Gentility: Violence in the Poetry of Sharon Olds, Pascale Petit, Peter Redgrove and Robin Robertson. (2015) Naomi, Katrina
  • The Connell Guide to Charles Dickens's Hard Times. (2015) Natarajan, Uttara
  • The Action of Non-Action: Benjamin, Daoism, and the Image. (2015) Ng, Julia
  • Acts of Time: Cohen and Benjamin on Mathematics and History. (2015) Ng, Julia
  • Die höchste Kontinuität: Philologie und der Begriff der Zeit. (2015) Ng, Julia
  • The Most Precise Tangency: Benjamin and the Lumières. (2015) Ng, Julia
  • The Poverty in Art. (2015) Ng, Julia
  • Scholem and the ‘Zionistic Point of Mathematics. (2015) Ng, Julia
  • ‘Being alone together’ (Pinney 2006): Ego-histoire and Black British Writers’ Adoption Aesthetics. (2015) Osborne, Deirdre
  • Male Authors and their Female Spies in Novels of Occupied France. (2015) Osborne, Deirdre
  • Anniversary Poem [Poem]. (2015) Page, Jocelyn
  • Every So Often, a Letter [Poem]. (2015) Page, Jocelyn
  • Fifth Night, Abilene [Poem]. (2015) Page, Jocelyn
  • Ice Cream [Poem]. (2015) Page, Jocelyn
  • Monday, after the Time Change [Poem]. (2015) Page, Jocelyn
  • You've Got to Wait Till the Man you Trust Says Go. (2015) Page, Jocelyn
  • Spook and the Jewel Thief & The Polyvalent Plaything : Three Forms of Play in 20th and 21st Century Poetry. (2015) Parry, Abigail
  • Enemigos. (2015) Pester, Holly
  • Go to Reception and Ask for Sara in Red Felt Tip. (2015) Pester, Holly
  • Hipsters in the hood: authenticating indexicalities in young men’s hip hop talk. (2015) Pichler, Pia
  • Language, gender and identity. (2015) Pichler, Pia
  • 'How Scottish I Am': Alistair Gray, Race and Neo-nationalism. (2015) Platt, Len
  • Holy Island. (2015) Raisin, Ross
  • A sociolinguistic study of multilingual talk at mealtimes. (2015) Said, Fatma Faisal Saad
  • Polyolbion. (2015) Scott, Charlotte description
  • Sandcastles [Poem]. (2015) Scott, Richard
  • Yesterday's Men: Labour's Modernising Elite from the 1960s to Classical Times. (2015) Simpson, Michael
  • 'New Worlds, Old Dreams? Postcolonial Theory and Reception of Greek Drama'. (2015) Simpson, Michael and Goff, Barbara
  • Shylock and Marsyas. (2015) Sokol, B. J.
  • Periphrasis and Inflection. (2015) Spencer, Andrew and Popova, Gergana
  • Blackballed by the Radicals: The Exclusionary Criteria of the Post-1945 American Avant-Garde. (2015) Stevenson, Guy
  • Blast and Bless : Radical Aesthetics in the Writings of Henry Miller and Ezra Pound. (2015) Stevenson, Guy
  • Miller and Morality. (2015) Stevenson, Guy
  • Sacrifice and Expenditure: The Mad Sexual Economics of Georges Bataille and Ezra Pound. (2015) Stevenson, Guy
  • Tombs, Review of Walking New York by Stephen Miller. (2015) Stevenson, Guy
  • Public Policy Engagement in the Arts and Humanities: Skills and Strategies. (2015) Tubridy, Derval
  • Happiness. (2015) Underwood, Jack
  • I Guess You Had To Be There. (2015) Underwood, Jack html
  • Mirror-Witihin-Mirror. (2015) Underwood, Jack
  • Poets Reading: Jack Underwood on Jennifer L Knox. (2015) Underwood, Jack
  • 'Toast to My Friend or Why Friendship Is the Best Kind of Love'. (2015) Underwood, Jack
  • Last Time. (2015) Vakil, Ardashir (Ardu) picture_as_pdf
  • Tom Stoppard on art, Charlie Hebdo - and why it's a bad time to be a voter. (2015) Wagner, Erica description
  • Watching the watchman: a review of Harper Lee's Go Set a Watchman. (2015) Wagner, Erica description
  • Wordsworth's Sweating Pages: The Love Letters of William and Mary Wordsworth. (2015) Wilson, Frances
  • The Angel of Ferrara. (2015) Woolley, Benjamin picture_as_pdf
    • 2014
  • The Ashgate Research Companion to Popular Culture in Early Modern England. (2014)
  • The Bedford Shakespeare. (2014)
  • The Best of Poetry London: Poetry and Prose 1988-2013. (2014)
  • The Copious Text: Encyclopaedic Books in Early Modern England. (2014)
  • Popular Musical Theatre in London and Berlin, 1890 to 1939. (2014)
  • Transcultural Memory. (2014)
  • Activist-mothers maybe, sisters surely? Black British feminism, absence and transformation. (2014) Anim-Addo, Joan
  • Graduate Festival Academic Poster Competition Winner 2014. (2014) Atkinson, Charlotte
  • Modernist Criticism. (2014) Baldick, Chris description
  • Did Shakespeare Visit Italy? (2014) Barber, Ros
  • Introduction. (2014) Benjamin, Elizabeth and Corser, Sophie
  • Among Schoolchildren: Joyce's "Night Lesson" and Chaucer's Treatise on the Astrolabe. (2014) Boldrini, Lucia picture_as_pdf
  • Comparative Literature, Ancient Rome, and the Crisis of Modern European History. (2014) Boldrini, Lucia
  • Le don du roi ou les vingt ans du Grand Dauphin. (2014) Canova-Green, Marie-Claude description
  • ‘On ne naît pas roi, on le devient: Louis XIV au miroir de ses Mémoires’. (2014) Canova-Green, Marie-Claude
  • Bruce Nauman, Jean Laplanche and the Art of Helplessness. (2014) Cohen, Josh description
  • 'No room for truth': On the Precariousness of Life and Narrative in The Last of the Just. (2014) Cohen, Josh picture_as_pdf
  • The Private Life: Why We Remain in the Dark. (2014) Cohen, Josh
  • ‘Private Parts: Writers and the Battle for Our Inner Lives’. (2014) Cohen, Josh
  • The Trouble You Reported. (2014) Cohen, Josh
  • Depoliticizing and Repoliticizing Holocaust Memory. (2014) Crownshaw, Richard
  • A Natural History of Testimony? (2014) Crownshaw, Richard
  • Arthur William Symons. (2014) Desmarais, Jane H.
  • John Henry Gray. (2014) Desmarais, Jane H.
  • Lionel Johnson. (2014) Desmarais, Jane H.
  • Lord Alfred Douglas. (2014) Desmarais, Jane H.
  • Review of Bill Manhire’s Selected Poems. (2014) Dooley, Tim
  • Review of The Poetry of Derek Walcott 1948-2003. (2014) Dooley, Tim
  • The Chronology of Mansfield Park. (2014) Downie, Alan (J. A.)
  • Paying for Poetry at the Turn of the Eighteenth Century, with Particular Reference to Dryden, Pope, and Defoe. (2014) Downie, Alan (J. A.)
  • The Shelley Society, Literary Lectures, and the Global Circulation of English Literature and Scholarly Practice. (2014) Dunstan, Angela
  • Henry James and the Culture of Consumption. (2014) El-Rayess, Miranda
  • 'Sacked': Extract from the novel Who Do You Love? (2014) Gilbert, Francis
  • "Things worldly and things spiritual”: The Motif of the Hothouse in J.-K. Huysmans’s À rebours. (2014) Gossling, Jessica
  • ‘A Commitment to Self-Destruction: The Glamorisation of Death in Jack Kerouac’s Tristessa through the Phenomenon of the Sublime’. (2014) Harma, Tanguy description
  • The Glamorisation of Death in Kerouac's Tristessa. (2014) Harma, Tanguy html
  • The Semiotics of Power: Corrupting Sign Systems in Contemporary American Exceptionalism and in Breat Easton Ellis’s American Psycho and Don DeLillo’s Cosmopolis. (2014) Harma, Tanguy description
  • 'The Words I Put in Your Mouth: The Sexual Politics of Rambling, Direct and Indirect Style in Kerouac's Tristessa'. (2014) Harma, Tanguy picture_as_pdf
  • ‘The Words I Put in your Mouth: The Sexual Politics of Rambling and Direct Style in Jack Kerouac’s Tristessa’. (2014) Harma, Tanguy description
  • ‘Everyday Intimacy: Talking About Love in Raymond Carver’. (2014) Humble, Catherine
  • Conference Report, 'The 12th Hazlitt Day School'. (2014) Hunnekuhl, Philipp
  • Review of Coleridge and Kantian Ideas in England, 1796‒1817: Coleridge's Responses to German Philosophy by Monika Class. (2014) Hunnekuhl, Philipp
  • ‘Everyman His Own Football’: Dada and Sport. (2014) Kramer, Andreas
  • “Von mir ist doch nicht die Rede.” Das Ich und der Krieg in Alfred Döblins autobiographischen Schriften. (2014) Kramer, Andreas
  • Mütterlichkeit unter Geliebten und Kameraden. Zeitdiagnosen über Genderkrisen in deutscher und englischer Prosa (1918-1933). (2014) Krause, Frank
  • ‘Über zerbrochenem Männergebein / Die stille Mönchin.’ Krieger und Kriege im lyrischen Werk Georg Trakls (1887-1914)’. (2014) Krause, Frank
  • ‘The Book(s) of Revelation’ [Review of: Anthony Dyer Hoefer, Apocalypse South: Judgement, Cataclysm, and Resistance in the Regional Imaginary]. (2014) Lloyd, Christopher
  • Dave Eggers’ Zeitoun and Katrina’s Southern Biopolitics. (2014) Lloyd, Christopher
  • Introduction: American Exceptionalism, a Reconsideration. (2014) Lloyd, Christopher
  • Lunar Park: From Ashes to Ashes'. (2014) Loewy, Monika
  • Literature of the Later Middle Ages. (2014) Maddern, Carole
  • The Cartographer. Warszawa, 1:400.000, Juan Mayorga, translated by Sarah Maitland. (2014) Maitland, Sarah description
  • Punishment Without Revenge, by Félix Lope de Vega y Carpio, translated by Sarah Maitland. Performance of adaptation of translation by Meredith Oakes, directed by Laurence Boswell, Arcola Theatre. (2014) Maitland, Sarah
  • Punishment Without Revenge, by Félix Lope de Vega y Carpio, translated by Sarah Maitland. Performance of adaptation of translation by Meredith Oakes, directed by Laurence Boswell, Belgrade Theatre. (2014) Maitland, Sarah
  • Contemporary Irish Life Writing – How Fictional Is The Truth? (2014) Mannix, Aoife
  • Kipling and "Orientalism". (2014) Moore-Gilbert, Bart J.
  • The Setting Sun: A Memoir of Empire and Family Secrets. (2014) Moore-Gilbert, Bart J.
  • Time bandits: Temporality and the politics of form in Palestinian women's life-writing. (2014) Moore-Gilbert, Bart J.
  • ‘+1’: Scholem and the Paradoxes of the Infinite. (2014) Ng, Julia
  • Agamben, Giorgio. (2014) Ng, Julia
  • Body, Force, Right: figures of life after nature. (2014) Ng, Julia
  • Drawing and Governance. (2014) Ng, Julia
  • The Poverty in Art. (2014) Ng, Julia
  • A Conversation with Bonnie Greer. (2014) Osborne, Deirdre
  • Embodiment and Embedding: the MA in Black British Writing; Through a Pedagogy of Blackness. (2014) Osborne, Deirdre
  • Genre and its “Diss”contents: Teaching Twenty-First Century Black British Writing on Page and Stage. (2014) Osborne, Deirdre
  • Landmark Poetics: Cultural Capital and the Capital. (2014) Osborne, Deirdre
  • Folkslop. (2014) Pester, Holly
  • "Painting with Words: The Surrealist Poetry of the Catalan Artist, Àngel Planells". (2014) Rattray, Jacqueline
  • Superlight: Lightness in House Design. (2014) Richardson, Phyllis
  • Skywood House and the Architecture of Graham Phillips. (2014) Richardson, Phyllis and Powell, Kenneth
  • The Guilty Influence: Philip Larkin among the poets. (2014) Roberts, Mark Patrick Davidson
  • Demolition dun mur: The social construction of technology and early cinema projection systems. (2014) Rossell, Deac (W. F. D.)
  • Orkney. (2014) Sackville, Amy
  • Opera More Less Seria: An Ensemble of Perplexity. (2014) Salzman, Eva
  • Sonneral. (2014) Salzman, Eva
  • Shakespeare's Nature: From Cultivation to Culture. (2014) Scott, Charlotte
  • Cultures of Mending. (2014) Shinn, Abigail
  • Managing Copiousness for Pleasure and Profit: William Painter's Palace of Pleasure. (2014) Shinn, Abigail
  • Cerimon's "rough and woeful music" in Pericles. (2014) Sokol, B. J.
  • Cultural Studies. (2014) Stevenson, Guy
  • I do need that little word. (2014) Stevenson, Guy
  • Monster land: Review of In America: Travels with Steinbeck by Geert Mak. (2014) Stevenson, Guy
  • Samuel Beckett and Performance Art. (2014) Tubridy, Derval picture_as_pdf
  • Visual Culture. (2014) Tubridy, Derval picture_as_pdf
  • Impromptu. (2014) Vakil, Ardashir (Ardu) picture_as_pdf
  • The man with life and death at his fingertips: a profile of Henry Marsh. (2014) Wagner, Erica description
  • Louis Riel, Justice, and Métis Self-Identification: Literary Politics for Survival in the Evolution of Canadian Nationhood. (2014) White, Robin
  • Romantic Autobiography. (2014) Wilson, Frances
  • Mrs. Hemingway. (2014) Wood, Naomi
    • 2013
  • Fractured, Travelling, Transformed Narratives. (2013)
  • Narrating Conversion in the Early Modern World. (2013)
  • New Work in Comparative Literature in Europe. (2013)
  • Writing Royal Entries in early Modern Europe. (2013)
  • Screening and Panel Discussion on the work of Angela Davis, Free Angela and Other Political Prisoners. (2013) Ahmed, Sara; Anim-Addo, Joan; Bernard, Claudia A.; Mirza, Heidi; Puwar, Nirmal and Thobani, Sunera
  • Gendering Creolisation: creolising affect. (2013) Anim-Addo, Joan
  • I, Daughter”: Auto/Biography, Fractured Histories, and Familial Quest for “Scotch Blood” in Grenada and the Grenadines. (2013) Anim-Addo, Joan
  • Translational Space and Creolising Aesthetics in Three Women’s Novels: the Diasporic (Re)turn. (2013) Anim-Addo, Joan
  • Translational Space and Creolising Aesthetics in Three Women’s Novels: the Diasporic Turn. (2013) Anim-Addo, Joan
  • Writing and Resistance: Tracing Grenada’s Written Literary Tradition. (2013) Anim-Addo, Joan
  • Affect and Gendered Creolisation. (2013) Anim-Addo, Joan and Scafe, Suzanne
  • Poetry and Modern Criticism. (2013) Baldick, Chris
  • Making it New: Sappho, Mary Barnard and American Modernism. (2013) Barnsley, Sarah html
  • Mary Barnard, American Imagist. (2013) Barnsley, Sarah
  • The Radical Camera: New York's Photo League 1936–1951: Mason Klein and Catherine Evans (eds). (2013) Blinder, Caroline
  • The Uncertain Mediterranean Borders of Comparative Literature. (2013) Boldrini, Lucia
  • Introduction to New Work in Comparative Literature in Europe. (2013) Boldrini, Lucia; Grishakova, Marina and Reynolds, Matthew
  • Ambivalent fictions: the Bordeaux celebrations of the wedding of Louis XIII and Anne d'Autriche. (2013) Canova-Green, Marie-Claude
  • From object of curiosity to subject of conversation: Mlle de Scudery and the Paris entry of Louis XIV and Maria Teresa (1660). (2013) Canova-Green, Marie-Claude
  • 'Lepanto revisited: Water fights and the Turkish Threat in Early Modern Europe'. (2013) Canova-Green, Marie-Claude
  • 'Peuple et entrée royale sous Louis XIII'. (2013) Canova-Green, Marie-Claude
  • A. C. Swinburne and the masochistic fantasy of the cruel woman. (2013) Condé, Alice
  • Mirrors, shadows, dancing girls: the Decadent woman in Arthur Symons’s London Nights. (2013) Condé, Alice
  • Reading in the Library of Catastrophe: W. G. Sebald’s The Rings of Saturn. (2013) Crownshaw, Richard
  • Printing for the Author in the Long Eighteenth Century. (2013) Downie, Alan (J. A.)
  • The Topicality of A Tale of a Tub 2013. (2013) Downie, Alan (J. A.)
  • The Topicality of A Tale of a Tub. (2013) Downie, Alan (J. A.)
  • Mr Loverman and the Men in Black British Fiction : The Representation of Black Men in Black British Fiction. (2013) Evaristo, Bernardine description
  • Presence of Mind in Neurophysiological Processes. (2013) Goldie, Lawrence and Desmarais, Jane H.
  • 'Allen Ginsberg's 'Howl': A Spenglerian Re-reading of the Poem'. (2013) Harma, Tanguy description
  • 'From Co-optation to Self-referentiality: Corrupting Sign Systems in William Gaddis’s Carpenter’s Gothic, Bret Easton Ellis’s American Psycho and Don DeLillo’s Cosmopolis'. (2013) Harma, Tanguy description
  • 'A Spenglerian Re-reading of Allen Ginsberg's 'Howl''. (2013) Harma, Tanguy description
  • 'Beyond Whist Sobriety: the Lambs, Crabb Robinson, and their Discourse on Literature'. (2013) Hunnekuhl, Philipp
  • 'Hazlitt and Crabb Robinson: The Common Pursuit'. (2013) Hunnekuhl, Philipp
  • Victorian Poetry and the Classics. (2013) Hurst, Isobel
  • Intimate Conversations about Money, or Everyone Money in Case they Don’t Die. The search for ways of seeing into the lives of others through the process of writing an interview book. (2013) Jones, Wendy
  • Sovereign Stories : Aesthetics, Autonomy and Contemporary Native American Writing. (2013) Kirwan, Padraig
  • “'I'm indiginous, I'm indiginous, I'm indiginous': Indigenous Rights, British Nationalism, and the European Far Right". (2013) Kirwan, Padraig and Stirrup, David
  • Between Art and Activism: Pan (1895-1900, 1910-15); Die weissen Blätter (1913-21); Das neue Pathos (1913-19); and Marsyas (1917-19). (2013) Kramer, Andreas
  • "Schrift zagt blasses Unbekannt": The Poetry of August Stramm (1874-1915). (2013) Kramer, Andreas
  • Varieties of Gender War in the Literature of German Expressionism (1910–1925): The Female Stabber in El Hor’s “The She-Fool” (“Die Närrin”) (1914). (2013) Krause, Frank
  • The Creaking Door. (2013) Lee, Tom
  • The Enigmatic World of Joseph Boshier. (2013) Lesley, Hilling; Ivano, Darra; Walter Graham, Reed and Derval, Tubridy
  • ‘Navigating Slavery’s Memories’ [Review of: Ana Lucia Araujo ed., Politics of Memory: Making Slavery Visible in the Public Sphere]. (2013) Lloyd, Christopher
  • Rooting Memory, Rooting Place: Regionalism in the Twenty-First-Century American South. (2013) Lloyd, Christopher
  • Punishment Without Revenge, by Félix Lope de Vega y Carpio, translated by Sarah Maitland. (2013) Maitland, Sarah
  • Punishment Without Revenge, by Félix Lope de Vega y Carpio, translated by Sarah Maitland. Performance of adaptation of translation by Meredith Oakes, directed by Laurence Boswell, Theatre Royal Bath. (2013) Maitland, Sarah
  • The Language of Tragedy. (2013) McDonald, Russ
  • The Language of Tragedy. (2013) McDonald, Russ
  • Peggy of Anjou. (2013) McDonald, Russ
  • ‘Pretty Rooms’: Shakespeare’s Sonnets, Elizabethan Architecture, and Early Modern Visual Design. (2013) McDonald, Russ
  • ‘Pretty Rooms’: Shakespeare’s Sonnets, Elizabethan Architecture, and Early Modern Visual Design. (2013) McDonald, Russ
  • Picturing Pure Power (with Benjamin). (2013) Ng, Julia
  • Zettelkästen: Benjamin’s Jean Paul and the Afterlife of the Aesthetic. (2013) Ng, Julia
  • Reading the Shape-shifting Text: the context and impact of the diverse strategies of the McSweeney's periodical, with particular attention to its status as a new approach to literature, as represented both by commentators and its creators. (2013) O'Neill, Kevin
  • Determination, Dedication, Dynamism: An Interview with Diane Abbott. (2013) Osborne, Deirdre
  • Genetics [Poem]. (2013) Page, Jocelyn
  • 'Laurence Sterne, Author of the Tale?'. (2013) Parnell, Tim
  • Bark Leather. (2013) Pester, Holly
  • The Dark Would: Language Art Anthology. (2013) Pester, Holly
  • ‘I did not know till afterwards: Curating an Archive Installation’. (2013) Pester, Holly
  • Review of Radio: Essays in Bad Reception. (2013) Pester, Holly
  • Language and Gender. (2013) Pichler, Pia
  • Popular Musical Theatre, Cultural Transfer, Modernities: London/Berlin, 1890-1930. (2013) Platt, Len and Becker, Tobias
  • Also by Mail. (2013) Popoola, Olumide
  • Relatedness in periphrasis. (2013) Popova, Gergana and Spencer, Andrew
  • Arachne’s Daughters: Towards a Feminist Poetics of Creative Autonomy. (2013) Richards, Jasmine
  • Alphabetical: How Every Letter Tells a Story. (2013) Rosen, Michael
  • Chronophotography in the context of moving pictures. (2013) Rossell, Deac (W. F. D.)
  • Double Think: The Cinema and Magic Lantern Culture. (2013) Rossell, Deac (W. F. D.)
  • '"To show ... and so to publish": Reading, Writing and Performing in the Narrative Poems'. (2013) Scott, Charlotte
  • Spenser's Popular Intertexts. (2013) Shinn, Abigail
  • Labour and the Classics : Plato and Crossman in Dialogue. (2013) Simpson, Michael
  • On Byron's Famous Fanes: Ruined Temples and Reformed Theatres. (2013) Simpson, Michael
  • Unapologetic: Why, despite everything, Christianity can still make surprising emotional sense. (2013) Spufford, Francis
  • Back Home: Translation, Conversion and Domestication in Leila Aboulela's The Translator. (2013) Steinitz, Tamar description
  • Translingual Identities: Language and the Self in Stefan Heym and Jakov Lind. (2013) Steinitz, Tamar
  • Introduction: Fractured, Travelling, and Transformed Narratives. (2013) Sweeney, Carole
  • Michel Houellebecq and the Literature of Despair. (2013) Sweeney, Carole
  • Bun-Ching Lam's and Samuel Beckett's Quatre Poèmes/Four Songs: Music, Image, Text. (2013) Tubridy, Derval picture_as_pdf
  • Visual Culture. (2013) Tubridy, Derval picture_as_pdf
  • Darius and Xerxes. (2013) Vakil, Ardashir (Ardu)
  • Truthful Fictions:How Dreams Can Help You Write. (2013) Vakil, Ardashir (Ardu) description
  • Whose history? Diasporic remembering in Dorothea Smartt's ship shape. (2013) Wade, Chloe
    • 2012
  • Carl Einstein Und Die Europaische Avantgarde/Carl Einstein and the European Avant-Garde (Spectrum Literaturwissenschaft / Spectrum Literature). (2012)
  • Carl Einstein und die europäische Avantgarde / Carl Einstein and the European Avant-Garde. (2012)
  • Hidden Gems Volume II. (2012)
  • Shakespeare Up Close: Reading Early Modern Texts. (2012)
  • Walter Benjamin, Gershom Scholem, and the Marburg School. (2012)
  • Hija y su ama de llaves. (2012) Anim-Addo, Joan
  • Literature of the 1920s: Writers Among the Ruins. (2012) Baldick, Chris
  • The Marlowe Papers. (2012) Barber, Ros
  • James Agee. (2012) Blinder, Caroline
  • Sitting Pretty: Municipal Chairs in the Photography of Doisneau and Kertész. (2012) Blinder, Caroline
  • Through an American Lens : Camera Work (1903-17); 291 (1915-16); Manuscripts (1922-3). (2012) Blinder, Caroline
  • Wright Morris. (2012) Blinder, Caroline
  • Autobiographies of Others: Historical Subjects and Literary Fiction. (2012) Boldrini, Lucia
  • Retracing Rupture: Remembering 9/11 in Theory and Practice. (2012) Bond, Lucy picture_as_pdf
  • Impulse and Impediment: Communication in the Radio Plays of Samuel Beckett. (2012) Boyce, Brynhildur
  • The Transforming Aesthetic of the Crime Scene Photograph: Evidence, News, Fashion, and Art. (2012) Bright, Brittain
  • Defining periphrasis: key notions. (2012) Brown, Dunstan; Chumakina, Marina; Corbett, Greville G.; Popova, Gergana and Spencer, Andrew
  • ‘Au carrefour des langues et des cultures: Psyché’. (2012) Canova-Green, Marie-Claude
  • ‘Douceur, gracieuseté, débonnaireté, ou comment dire la clémence’. (2012) Canova-Green, Marie-Claude
  • ‘Romans et ballets de cour dans la France du Grand Siècle’. (2012) Canova-Green, Marie-Claude
  • Ballets pour Louis XIII. Danse et jeux de transgression (1622-1638). (2012) Canova-Green, Marie-Claude and Nedelec, Claudine
  • ELF and super-diversity: a case study of ELF multilingual practices from a business context. (2012) Cogo, Alessia
  • English as a Lingua Franca: concepts, use, and implications. (2012) Cogo, Alessia
  • ‘French is French, English is English’: standard language ideology in ELF debates. (2012) Cogo, Alessia
  • Analysing English as a Lingua Franca: a Corpus-driven Investigation. (2012) Cogo, Alessia and Dewey, Martin
  • The Decadent cruel woman, masochism, and the dynamics of control. (2012) Condé, Alice
  • The masochistic game in nineteenth-century Decadence, and why Oscar Wilde’s Salomé cannot play along. (2012) Condé, Alice
  • Biographical Form in the Novel. (2012) Downie, Alan (J. A.)
  • Review of Michael Anesko, Monopolizing the Master: Henry James and the Politics of Modern Literary Scholarship. (2012) El-Rayess, Miranda
  • "A pastoral landscape under the smoky sky": Four Encounters in London Parks. (2012) El-Rayess, Miranda
  • 'But sir, I lied – The value of autobiographical discourse in the classroom'. (2012) Gilbert, Francis
  • Novel extract from Who Do You Love? (2012) Gilbert, Francis
  • Dislocations, Correspondences and the Hothouse: Baudelaire’s Prose Poems. (2012) Gossling, Jessica
  • ‘Reclaiming Autonomy: The Rhetoric of Contrary’. (2012) Harma, Tanguy description
  • Crossing the Threshold: The Ethics of Literary Transgression in the Unedited Raymond Carver. (2012) Humble, Catherine
  • Conference Report, 'The 11th Hazlitt Day School. (2012) Hunnekuhl, Philipp
  • 'Reconstructing the Voice of the Mediator: Henry Crabb Robinson's Literary Criticism'. (2012) Hunnekuhl, Philipp
  • The Historical Novel. (2012) Hurst, Isobel description
  • 'Love and blackmail': Demeter and Persephone. (2012) Hurst, Isobel
  • Review of: Awake in America: On Irish American Poetry. By Daniel Tobin. Notre Dame: University of Notre Dame Press. 2011. (2012) Kirwan, Padraig
  • The Prince of Wails. (2012) Knight, Stephen E.
  • Chicago. (2012) Kramer, Andreas
  • "Die Erdteile in Bewegung": Geographische Diskurse bei Carl Einstein und in der Avantgarde. (2012) Kramer, Andreas
  • Radikale Sachlichkeit: Ein unbekannter Text von Klaus Mann über Franz Kafka. (2012) Kramer, Andreas
  • Sommer (Aus dem Amerikanischen). (2012) Kramer, Andreas
  • Westwärts. (2012) Kramer, Andreas
  • Westwärts, Teil 2. (2012) Kramer, Andreas
  • "die Geschichte einer Vermehrung“: Paulus Böhmer und die Tradition des langen Gedichts. (2012) Kramer, Andreas
  • Vom Embryo Emil zum ‘bébé bouquin’: Geburtsphantasien in Carl Einsteins Bebuquin. (2012) Krause, Frank
  • ‘The Ghosts of Place’ [Review of: María Del Pilar Blanco, Ghost-Watching American Modernity: Haunting, Landscape, and the Hemispheric Imagination]. (2012) Lloyd, Christopher
  • A Guide to Answering Commentary Questions. (2012) Maddern, Carole
  • Performing Difference: Bodas de sangre and the Philosophical Hermeneutics of the Translated Stage. (2012) Maitland, Sarah
  • Rituals of Defiance: Past Resistance, Present Ambiguity, by Felipe Castro Gutiérrez, translated by Sarah Maitland. (2012) Maitland, Sarah description
  • Cedilla. (2012) Mars-Jones, Adam
  • American Scholars: Pound and Emerson. (2012) McDonald, Gail
  • Benjamin Britten’s Dreams. (2012) McDonald, Russ
  • Telling Stories. (2012) McDonald, Russ
  • English Prosody. (2012) McDonald, Russ and Wright, George T
  • The Observances (new poems) and Observations of Walks by the Sea. (2012) Miller, Katherine
  • From "the Politics of Recognition" to "the Policing of Recognition" : Writing Islam in Hanif Kureishi and Mohsin Hamid. (2012) Moore-Gilbert, Bart J.
  • A Discoverie of Witches. (2012) Morrison, Blake picture_as_pdf
  • The Spirit of His Age: Hazlitt and Pater on Lamb. (2012) Natarajan, Uttara
  • Kant's Theory of Experience at the End of the War: Scholem and Benjamin read Cohen. (2012) Ng, Julia
  • Walter Benjamin's and Gershom Scholem's Reading Group Around Hermann Cohen's Kants Theorie der Erfahrung in 1918: An Introduction. (2012) Ng, Julia
  • “Über Kant / On Kant” and “Gegen die metaphysische Erörterung des Raumes / Against the metaphysical exposition of space,” by Gershom Scholem. Edited, annotated, translated, and with a critical introduction by Julia Ng. (2012) Ng, Julia
  • Introduction to the Special Issue: Walter Benjamin, Gershom Scholem, and the Marburg School. (2012) Ng, Julia and Tobias, Rochelle
  • Introduction to Hidden Gems Volume II. (2012) Osborne, Deirdre
  • In Case of Fire [Poem]. (2012) Page, Jocelyn
  • Looking Out of This Window in Hoboken, New Jersey [Poem]. (2012) Page, Jocelyn
  • Poem. (2012) Page, Jocelyn
  • A manifesto for nonsense: the Futurist drive in Deleuze’s poetics. (2012) Palmer, Helen
  • Distance vision test – a play? (2012) Pester, Holly
  • Intermediality: Middling and Meddling in English. (2012) Pester, Holly
  • Katrina Sequence. (2012) Pester, Holly
  • Review of Robert Shepherd’s When Bad Times Made Good Poetry. (2012) Pester, Holly
  • Serpentine Poetry Marathon Catalogue. (2012) Pester, Holly
  • Sucking on Words Sounds Like This: “Information as Material”, Sound poetry and DIY Press. (2012) Pester, Holly
  • Visual Poetics and a Play on Shortness. (2012) Pester, Holly
  • Varieties of English. (2012) Pichler, Pia and Soden, Satori picture_as_pdf
  • Topographies of suffering: encountering the Holocaust in landscape, literature and memory. (2012) Rapson, Jessica picture_as_pdf
  • '"We each have to endure our own afterlife": Female Authorship, Narrative Fracture and The Appropriation of Classical Myth in Margaret Atwood's The Penelopiad and Ursula Le Guin's Lavinia'. (2012) Richards, Jasmine
  • Nuernberg and the Bull's-Eye Magic Lantern. (2012) Rossell, Deac (W. F. D.)
  • Review: Language and identity: An introduction. Key topics in sociolinguistics, by Edwards, J. (2012) Said, Fatma Faisal Saad
  • Reading Strange Matter: Shakespeare's Last Plays and the Book of Revelation. (2012) Scott, Charlotte description
  • Strange Matter: Shakespeare's Late Plays and the Book of Revelation. (2012) Scott, Charlotte
  • Classical Greek Drama. (2012) Simpson, Michael
  • Red Plenty. (2012) Spufford, Francis
  • “And yet some free time remains. . . .”: Post-Fordism and Writing in Michel Houellebecq's Whatever. (2012) Sweeney, Carole
  • Natural Women? Anti-Feminism and Michel Houellebecq's Plateforme. (2012) Sweeney, Carole
  • Power, Politics, and Polis in Beckett's What Where. (2012) Tubridy, Derval
  • Jhumpa Lahiri and the influence of Homer. (2012) Vakil, Ardashir (Ardu) description
    • 2011
  • Decadence: An annotated anthology. (2011)
  • Language and Gender. A Reader. Second Edition. (2011)
  • The Language, Society and Power Reader. (2011)
  • Latest Trends in ELF Research. (2011)
  • Thinking the Olympics: the Classical Tradition and the Modern Games. (2011)
  • Political Novels and Utopian Romances. (2011) Baldick, Chris
  • ‘Brassaï’s Chair , Henry Miller and The Eye of Paris’. (2011) Blinder, Caroline
  • Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau. (2011) Blinder, Caroline
  • Drunkards, Simoniac Preachers and Unjust Stewards: A Chaucerian Intertext for “Grace”. (2011) Boldrini, Lucia
  • Rattling the Cage of Meaning: Primo Levi’s The Periodic Table, the Two Cultures, and the Ethical Duty of the Writer. (2011) Boldrini, Lucia
  • The Gideon trilogy : Adaptation as a Narrative Tool in Creative Practice: Reflections on the Nature of Adaption and a Comparison of Narrative Techniques in the Novel and the Screenplay. (2011) Buckley-Archer, Linda description
  • ‘Du cabinet au livre d’histoire’: les deux éditions de L’Histoire métallique de Jacques de Bie’. (2011) Canova-Green, Marie-Claude
  • Le Jeu du fermé et de l’ouvert dans les comédies-ballets de Molière’. (2011) Canova-Green, Marie-Claude
  • Jean Rhys (Writers & Their Work). (2011) Carr, Helen
  • L’ identità e appartenenza nella pragmatica dell’ inglese come lingua franca (ELF). (2011) Cogo, Alessia
  • Writing masochism in nineteenth-century Decadence. (2011) Condé, Alice
  • Deterritorializing the “Homeland” in American Studies and American Fiction after 9/11. (2011) Crownshaw, Richard
  • Introduction. (2011) Crownshaw, Richard
  • Perpetrator Fictions and Transcultural Memory. (2011) Crownshaw, Richard
  • Memory and desire in Arthur Symons’ London Nights (1895). (2011) Desmarais, Jane H. description
  • English Literature: Early Novelists, Historicism and the World Wide Web. (2011) Downie, Alan (J. A.)
  • The Violence of Representation: James, Sargent and the Suffragette. (2011) El-Rayess, Miranda
  • 'The Saints'. (2011) Hickman, Patsy
  • ‘From the Classical Detective to the Noir Hero: A Lacanian reading of subjectivity and language in Agatha Christie and Raymond Chandler,. (2011) Humble, Catherine
  • New Selected Stories by Alice Munro: review. (2011) Humble, Catherine
  • ‘We Had it So Good by Linda Grant: review'. (2011) Humble, Catherine
  • Review of Henry Crabb Robinson in Germany by Eugene Stelzig. (2011) Hunnekuhl, Philipp
  • Classical Daughters: Elizabeth Barrett Browning and Margaret Fuller. (2011) Hurst, Isobel description
  • Review of developments in research into English as a lingua franca. (2011) Jenkins, Jennifer; Cogo, Alessia and Dewey, Martin
  • “All the Talk and All the Silence”: Literary Aesthetics and Cultural Boundaries in David Treuer's Little. (2011) Kirwan, Padraig
  • Transatlantic Irishness: Irish and American Frontiers in Patrick McCabe's The Butcher Boy. (2011) Kirwan, Padraig
  • Speaking Dada: The Politics of Language. (2011) Kramer, Andreas
  • Georg Kaisers öffentliche Wirkung. (2011) Krause, Frank
  • Diccionario-guía de traducción español-inglés, inglés-español. (2011) Maitland, Sarah
  • Inside the Earth, by Paco Bezerra, translated by Sarah Maitland. (2011) Maitland, Sarah
  • Inside the Earth, by Paco Bezerra, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, Rose Theatre. (2011) Maitland, Sarah
  • Inside the Earth, by Paco Bezerra, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, the New Diorama Theatre. (2011) Maitland, Sarah
  • Suns of the Mbira: A Critical Exploration of the Multiple Figurations of Femininity in Selected Fiction by Tsitsi Dangarembga and Yvonne Vera. (2011) Marima, Tendai
  • Living the Archive: Joan Anim-Addo and the Case of Imoinda. (2011) Marl'ene, Edwin
  • “Orpheus Among the Savages: Handel in London,”. (2011) McDonald, Russ
  • Kipling and postcolonial literature. (2011) Moore-Gilbert, Bart J.
  • As If. (2011) Morrison, Blake
  • Introduction to D. H. Lawrence, Lady Chatterley's Lover. (2011) Morrison, Blake
  • We are Three Sisters. (2011) Morrison, Blake
  • Each Thing a Thief: Walter Benjamin on the Agency of Objects. (2011) Ng, Julia
  • Franklin Mushroom Farm, 1980 [Poem]. (2011) Page, Jocelyn
  • I Couldn't Take the Moon Out of This Story if I Tried [Poem]. (2011) Page, Jocelyn
  • Bury Poems. (2011) Pester, Holly
  • Hoofs! (2011) Pester, Holly
  • New Definitions of Intermedia. (2011) Pester, Holly
  • Hybrid or in between cultures: traditions of marriage in a group of British Bangladeshi girls. (2011) Pichler, Pia
  • Language and Gender. (2011) Pichler, Pia and Preece, Siân
  • Nano House: Innovations for Small Dwellings. (2011) Richardson, Phyllis
  • Paradigm Shifts in Vision. (2011) Rossell, Deac (W. F. D.)
  • “Ahyaanan I text in English ‘ashaan it’s ashal ”: Language Crisis or Linguistic Development? The Case of How Gulf Arabs Perceive the Future of their Language, Culture, and Identity. (2011) Said, Fatma Faisal Saad
  • Dark Matter: Shakespeare's Foul Dens and Forests. (2011) Scott, Charlotte
  • 'Dark Matter: the Forest in Titus Andronicus and A Midsummer Night's Dream'. (2011) Scott, Charlotte
  • 'To show ... and so to publish': Reading, Writing and Performing in the Narrative Poems. (2011) Scott, Charlotte
  • Oedipus, Suez, and Hungary : T. S. Eliot's Tradition and The Elder Statesman. (2011) Simpson, Michael
  • Trailing the Olympic Epic: Black Modernity and the Athenian Arena, 2004. (2011) Simpson, Michael
  • 'Voice from the Black Box: Sylvain Bemba's Black Wedding Candles for Blessed Antigone'. (2011) Simpson, Michael and Goff, Barbara
  • Fin de millénaire French Fiction: The Aesthetics of Crisis. (2011) Sweeney, Carole
  • The Dolmen Press: “A Hazardous Venture”. (2011) Tubridy, Derval
  • How To Survive the Titanic or, The Sinking of J. Bruce Ismay. (2011) Wilson, Frances
  • Embedding academic writing instruction into subject teaching: A case study. (2011) Wingate, Ursula; Andon, Nick and Cogo, Alessia
    • 2010
  • Expressionism and Gender / Expressionismus und Geschlecht. (2010)
  • Literatur – Universalie und Kulturenspezifikum. Beiträge der Sektion „Literatur und Kultur“ der Internationalen Deutschlehrertagung Weimar-Jena 2009. (2010)
  • New Critical Essays on James Agee and Walker Evans: Perspectives on Let Us Now Praise Famous Men. (2010)
  • Racine et l'Histoire. (2010)
  • Exploring biographical fictions: the role of imagination in writing and reading narrative. (2010) Barber, Ros
  • Was Marlowe a Violent Man? (2010) Barber, Ros
  • ‘“Sand is the beginning and the end of our dominion”: Mary Barnard, H.D. and Imagism,’ Paideuma: Modern and Contemporary Poetry and Poetics, 36 (Spring 2010): 47-74. (2010) Barnsley, Sarah picture_as_pdf
  • 'Chaucer's Troilus and Criseyde'. (2010) Blamires, Alcuin
  • 'May in January's Tree: Genealogical Space in The Merchant's Tale'. (2010) Blamires, Alcuin
  • Medieval Individuality. (2010) Blamires, Alcuin
  • Animating the Gudgers : On the Problems of a Cinematic Aesthetic in Let Us Now Praise Famous Men. (2010) Blinder, Caroline
  • Introduction. (2010) Blinder, Caroline
  • Comparative literature and translation, historical breaks and continuing debates: Can the past teach us something about the future? (2010) Boldrini, Lucia
  • European Civilization and Barbarism: Some Considerations on Historical Categories and Myths. (2010) Boldrini, Lucia
  • “L’esprit humain, qui semble voyager d’un pays à l’autre”: Considerations on the historical relationships between translation and comparative literature. (2010) Boldrini, Lucia
  • A Thing Made of Words: The Reflexive Realism of Richard Yates. (2010) Bull, Leif
  • L'Entree dans la ville ou le corps eclate du roi. (2010) Canova-Green, Marie-Claude
  • Strategic use and Perceptions of English as a Lingua Franca. (2010) Cogo, Alessia
  • English as a lingua franca in Europe: A mismatch between policy and practice. (2010) Cogo, Alessia and Jenkins, Jennifer
  • Amnesiac Passages : Melville’s Pierre, Blanchot and the Question of Psychoanalytic Reading. (2010) Cohen, Josh picture_as_pdf
  • Reflexive Incomprehension: On Lydia Davis. (2010) Cohen, Josh
  • Writing the cruelty of female sexuality in Wilde’s Salomé. (2010) Condé, Alice
  • The Afterlife of Holocaust Memory in Contemporary Literature and Culture. (2010) Crownshaw, Richard
  • ‘The Future of Memory’. (2010) Crownshaw, Richard
  • A SECRET ALCHEMY. (2010) Darwin, Emma Lucie
  • Imagined Rooms. (2010) Dooley, Tim
  • Imagined Rooms (Salt Modern Poets). (2010) Dooley, Tim
  • Rehabilitating Sir Thomas Bertram. (2010) Downie, Alan (J. A.) picture_as_pdf
  • 'Reviewing What We Think We Know about Christopher Marlowe, Again'. (2010) Downie, Alan (J. A.)
  • ‘“I am Plain Morris”: Reimagining the Everyday William Morris. (2010) Dunstan, Angela
  • Colonizing Space: Louis Bertrand’s Algeria in 'Le Sang des races' and 'Sur les routes du Sud’. (2010) Dunwoodie, Peter
  • Consumer Culture. (2010) El-Rayess, Miranda
  • James, Sargent and the Suffragette. (2010) El-Rayess, Miranda
  • Review of Maya Higashi Wakana, Performing the Everyday in Henry James’s Late Novels (Aldershot: Ashgate, 2009). (2010) El-Rayess, Miranda
  • Something in the ballads which they sang"’: James’s ‘Rose-Agathe’ and Tennyson’s The Princess'. (2010) El-Rayess, Miranda
  • Punctuation Guide. (2010) El-Rayess, Miranda and Shepley, Nick image
  • ‘Exasperating/Exhilarating: The Philosophy of ‘C’ by Tom McCarthy’. (2010) Humble, Catherine
  • ‘The Old Romantic by Louise Dean: review'. (2010) Humble, Catherine
  • ‘Raymond Carver’s Beginners’. (2010) Humble, Catherine
  • Ancient and Modern Women in the Woman’s World. (2010) Hurst, Isobel description
  • Victorian Literature and the Reception of Greece and Rome. (2010) Hurst, Isobel description
  • Der lyrische Blick nach Westen und zurück: Deutsche London-Gedichte des 20. Jahrhunderts. (2010) Kramer, Andreas
  • Entgrenzte Moderne: Kafkas Kurzprosa im Kontext des Expressionismus. (2010) Kramer, Andreas
  • Rilke and modernism. (2010) Kramer, Andreas
  • 'Westwärts – und zurück: Zu London-Texten von Jörg Fauser und Rolf Dieter Brinkmann'. (2010) Kramer, Andreas
  • Expressionismus und Geschlecht: Themen und Probleme der Forschung. (2010) Krause, Frank
  • Gerettete Mütterlichkeit. Zur Symbolik ambivalenter Geschlechter-Inszenierungen in der expressionistischen Moderne. (2010) Krause, Frank
  • Zur Problematisierung von Geschlechterpositionen im Expressionismus. (2010) Krause, Frank
  • Narrative Aesthetics and the Visual Arts in Virginia Woolf's London Writings. (2010) Lin, Tzu Yu Allison
  • York Notes Companions: Medieval Literature. (2010) Maddern, Carole
  • ‘Objects in the midst of other objects’: Cultural Translation and the Anxieties of ‘Otherness’. (2010) Maitland, Sarah description
  • On the Rock, by Ernesto Caballero, translated by Sarah Maitland. Performance of translation, directed by Sarah Maitland, Brian Friel Theatre. (2010) Maitland, Sarah
  • Telling Untold Tales: Concealed Family Stories in Contemporary Fiction. (2010) Malkmus, Marie-Louise
  • Sarah Siddons. (2010) McDonald, Russ
  • “‘To Serve the Poet’: Verdi’s Macbeth,”. (2010) McDonald, Russ
  • The Last Weekend. (2010) Morrison, Blake
  • A Little, Aloud: An anthology of prose and poetry for reading aloud to someone you care for. (2010) Morrison, Blake
  • William Hazlitt. (2010) Natarajan, Uttara
  • (Re)configurations of power and identities in twenty-first century fiction. (2010) Ng, Soo Nee
  • smithereens. (2010) Page, Jocelyn
  • 'Dynamic Nonsense: Deleuze, Futurism and Linguistic Materiality. (2010) Palmer, Helen
  • 'Parallel Universes, Parallel Worlds: The Translation of Neologisms'. (2010) Palmer, Helen
  • this is not about sadness. (2010) Popoola, Olumide
  • Features in periphrastic constructions. (2010) Popova, Gergana
  • 'Pintor de soleares: Manuel Ángeles Ortiz y sus Albaycines,'. (2010) Rattray, Jacqueline
  • The Still Point. (2010) Sackville, Amy
  • Reading Jean Rhys in the Context of Caribbean Literature: Re-positioning her Texts in the Negritude Movement and the Caribbean Literary Renaissance in London. (2010) Saito, Midori picture_as_pdf
  • Metaphor & Dance: Ego & Id. (2010) Salzman, Eva
  • With Regrets: Derek Walcott. (2010) Salzman, Eva
  • The Question of the Human in Holocaust Writing. (2010) Simon, Angie
  • Race, Modernism and Institutions. (2010) Sweeney, Carole
  • 'Race, Writing and Institutions'. (2010) Sweeney, Carole
  • Messages from the Dark Interior. Narratives of Loss and Guilt in a Selection of Plays by Tennessee Williams. (2010) Tabak, Jennie picture_as_pdf
  • Beckett's Spectral Silence: Breath and the Sublime. (2010) Tubridy, Derval
  • Beckett, Feldman, Salcedo… Neither. (2010) Tubridy, Derval picture_as_pdf
  • Wakefield and Other Poems / Sense and Inaudibility. (2010) Underwood, Jack
    • 2009
  • Affecting Irishness: Negotiating Cultural Identity Within and Beyond the Nation. (2009)
  • Gender and Spoken Interaction. (2009)
  • The Oxford Book of Gothic Tales. (2009)
  • Tracing Knowledge, Culture and Power: Towards an Intercultural approach to Literary Studies. (2009) Anim-Addo, Joan
  • Shakespeare Authorship Doubt in 1593. (2009) Barber, Ros
  • Sarah Barnsley, ‘Mary Barnard’s “North Window”: Imagism and the Pacific Northwest,’ Western American Literature, 44.3 (Fall 2009), 251-74. (2009) Barnsley, Sarah picture_as_pdf
  • The Bachelor’s Drawer: Art and Artefact in the Work of Wright Morris. (2009) Blinder, Caroline
  • ‘Not so Innocent: Vision and Culpability in Weegee’s Photographs of Children’. (2009) Blinder, Caroline
  • The Anamorphosis of Photography in Michael Ondaatje’s The Collected Works of Billy the Kid. (2009) Boldrini, Lucia
  • Anna Banti and Virginia Woolf: A Grammar of Responsibility. (2009) Boldrini, Lucia
  • Carey’s True History of the Kelly Gang. Whose Story is It? (2009) Boldrini, Lucia
  • Heterobiography, Hypocriticism, and the Ethics of Authorial Responsibility. (2009) Boldrini, Lucia html
  • Mental Landscapes, Places of Exile: Literary History and European Comparatism. (2009) Boldrini, Lucia
  • Introduction. (2009) Byrne, James P; O'Sullivan, Michael and Kirwan, Padraig
  • Entre vérité et fiction: le Discours de l'Entrée triomphante du Duc de Rohan en la ville de Castres, apres la publication de la Paix (1626). (2009) Canova-Green, Marie-Claude
  • Le Spectacle de Psyché à Londres. (2009) Canova-Green, Marie-Claude
  • Les Nations à la scène: caractères ou caricature? (2009) Canova-Green, Marie-Claude
  • Moliere et la cartographie du Tendre. (2009) Canova-Green, Marie-Claude
  • The Verse Revolutionaries: Ezra Pound, H.D. and the Imagists. (2009) Carr, Helen
  • Accommodating difference in ELF Conversations: A study of pragmatic strategies. (2009) Cogo, Alessia
  • On reading Sebald criticism: witnessing the text. (2009) Crownshaw, Richard
  • Rereading Der Vorleser, Remembering the Perpetrator. (2009) Crownshaw, Richard
  • ‘Review Essay of Roger Luckhurst, The Trauma Question’. (2009) Crownshaw, Richard
  • Adopting an ELF perspective in ELT. (2009) Dewey, Martin and Cogo, Alessia
  • Keeping Time. (2009) Dooley, Tim
  • A Political Biography of Henry Fielding. (2009) Downie, Alan (J. A.)
  • Review of Kent Puckett, Bad Form: Social Mistakes and the Nineteenth-Century Novel (Oxford: Oxford UP, 2008). (2009) El-Rayess, Miranda
  • Review of Mary Jean Corbett, Family Likeness: Sex, Marriage and Incest from Jane Austen to Virginia Woolf (Ithaca: Cornell UP, 2008). (2009) El-Rayess, Miranda
  • De Man, That Dangerous Supplement. (2009) Filipovic, Zlatan
  • Review of The Reception of S. T. Coleridge in Europe, ed. by Elinor Shaffer and Edoardo Zuccato. (2009) Hunnekuhl, Philipp
  • 'We’ll all be Penelopes then': Art and Domesticity in American Women’s Poetry, 1958-1996. (2009) Hurst, Isobel description
  • ‘Creolisation and On Beauty: form, character and the goddess Erzulie'. (2009) King, Nicole
  • Language and Signs: An Interview with Ojibwe Novelist David Treuer. (2009) Kirwan, Padraig
  • The Traffic of Gender in Expressionist Prose Writing. (2009) Kramer, Andreas
  • ‚Auf allen Köpfen lag des Lichtes Traum' (Heym): Das Paradigma des Films im expressionistischen Gedicht. (2009) Kramer, Andreas and Röhnert, Jan
  • Verfremdete Unterhaltung: Probleme und Aussichten der Georg-Kaiser-Rezeption [Defamiliarized Entertainment. Problems and prospects of Georg-Kaiser reception]. (2009) Krause, Frank
  • Agrippina, by Fermín Cabal, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, Rose Theatre. (2009) Maitland, Sarah
  • Agrippina, by Fermín Cabal, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, Unicorn Theatre. (2009) Maitland, Sarah
  • The Cartographer, by Juan Mayorga, translated by Sarah Maitland. (2009) Mayorga, Juan and Maitland, Sarah
  • 'Eliot and the New Critics'. (2009) McDonald, Gail
  • “Shakespeare Transposed: Falstaff”. (2009) McDonald, Russ
  • 'You speak a language that I understand not': listening to the last plays. (2009) McDonald, Russ
  • “‘You speak a language that I understand not’: The Poetry of the Romances,”. (2009) McDonald, Russ
  • Postcolonial Life-Writing: Culture, Politics and Self-Representation. (2009) Moore-Gilbert, Bart J.
  • Hazlitt's Common Sense. (2009) Natarajan, Uttara
  • 'The Pursuit of Selfhood: Writing the Absurd in Palestinian Autobiography'. (2009) Neeves, Mairi
  • The Negotiation of Trauma in Postcolonial Culture. (2009) Neeves, Mairi Emma
  • Descartes Instrument: Geometrischer Raum und die Verschmitztheit militärischer Architekturdarstellungen. (2009) Ng, Julia
  • Translation: “Romantic Politics and Society,” by Ethel Matala de Mazza. Translated from the German by Julia Ng (with Ladislaus Loeb). (2009) Ng, Julia
  • Representations of Childhood and Youth in Postcolonial Life-writing. (2009) O'Mahony, Sarah Louise
  • Wednesday Morning [Poem]. (2009) Page, Jocelyn
  • City State: New London Poetry. (2009) Pester, Holly
  • All I’ve gotta do is wank on about some bollocky poem: cool and socially aware positions in the talk of London private school girls. (2009) Pichler, Pia
  • Talking Young Femininities. (2009) Pichler, Pia
  • ‘“...the Air fill’d with all sorts of Birds...”: the magic lantern as educator and entertainer’. (2009) Rossell, Deac (W. F. D.)
  • Early Magic Lantern Illustrations: What Can They Tell Us About Magic Lantern History? (2009) Rossell, Deac (W. F. D.)
  • Bilingualism and Identity. Spanish at the crossroads with other languages. Mercedes Niño-Murcia and Jason Rothman (eds) (2008). (2009) Said, Fatma Faisal Saad
  • William Shakespeare. (2009) Scott, Charlotte description
  • 'William Shakespeare'. (2009) Scott, Charlotte
  • 'Extraordinary discourses of vnnecessarie matter': Spenser's Shepheardes Calender and the Almanac Tradition. (2009) Shinn, Abigail
  • Byron's Manfred and the King's Head: Having Words with Bodies. (2009) Simpson, Michael
  • A Warwickshire Scandal: Sir Thomas Lucy and the Date of "The Merry Wives of Windsor". (2009) Sokol, B. J.
  • Faber New Poets 4. (2009) Underwood, Jack
  • One of the poets in - Voice Recognition: 21 Poets for the 21st Century. (2009) Underwood, Jack
    • 2008
  • Comparative Critical Studies: Folly. (2008)
  • France and German Expressionism / Frankreich und der deutsche Expressionismus. (2008)
  • Henry Fielding In Our Time: Papers Presented at the Tercentenary Conference. (2008)
  • Irish Studies Review: Thomas Kinsella Special Issue. (2008)
  • Women’s Work: Modern Women Poets Writing in English. (2008)
  • Autobiograpical Negotiation in Selected Novels by Beryl Gilroy and Joan Riley: Black Women Narrating the Post-Windrush Self. (2008) Anim-Addo, Joan
  • Daughter and his housekeeper. (2008) Anim-Addo, Joan
  • Her Own Woman – Opal Palmer Adisa, Daughter and his Housekeeper. (2008) Anim-Addo, Joan
  • Imoinda: or She Who Will Lose Her Name: A Play for Twelve Voice in Three Acts. (2008) Anim-Addo, Joan
  • Towards a Post-Western Humanism Made to the Measure of Those Recently Recognized as Human. (2008) Anim-Addo, Joan
  • “We Sleeping Volcanoes; We Women”: Writing Self, Memory and Diaspora. (2008) Anim-Addo, Joan
  • “We Sleeping Volcanoes; We Women”: Writing Self, Memory and Diaspora in Imoinda or She Who Will Lose Her Name. (2008) Anim-Addo, Joan
  • Women Activists against Enslavement. (2008) Anim-Addo, Joan
  • Material. (2008) Barber, Ros
  • 'Those Been the Cokkes Words and Not Myne': Medieval Influences on the Form and Structure of David Jones's The Anathemata. (2008) Black, Kirsty
  • All things Either Good or Ungood: American Pictures Revisited in Jacob Holdt’s United States 1970-1975. (2008) Blinder, Caroline
  • Comparative Literature and Translation: Can the Past Teach Us Something About the Future? (2008) Boldrini, Lucia
  • Fictional Auto/Biography on the Frontier of the Law. (2008) Boldrini, Lucia
  • Guest Editors' Introduction. (2008) Boldrini, Lucia and Mussgnug, Florian
  • English as a Lingua Franca: form follows function. (2008) Cogo, Alessia
  • Review of M. Jay and T. Brennan (eds.), Vision in Context. (2008) Cohen, Josh
  • 'The Strange Unlike' : Wallace Stevens' Poetics of Resemblance. (2008) Cohen, Josh
  • The Strangeness in the Strangeness. (2008) Cohen, Josh
  • ‘The German Countermonument: Conceptual Indeterminacies and the Retheorisation of the Arts of Vicarious Memory’. (2008) Crownshaw, Richard
  • Life Under Water. (2008) Dooley, Maura
  • “Gulliver’s Fourth Voyage and Locke’s Essay concerning Human Understanding”. (2008) Downie, Alan (J. A.)
  • “Gulliver’s Travels, the Contemporary Debate on the Financial Revolution, and the Bourgeois Public Sphere”. (2008) Downie, Alan (J. A.)
  • Henry Fielding, Magistrate. (2008) Downie, Alan (J. A.)
  • Periodicals, the Book Trade, and the 'Bourgeois Public Sphere'. (2008) Downie, Alan (J. A.)
  • Robert Harley and the press: propaganda and public opinion in the age of Swift and Defoe. (2008) Downie, Alan (J. A.)
  • Negotiation or Confrontation? Camus, Memory and the Colonial Chronotope. (2008) Dunwoodie, Peter
  • Untimely Rewriting: Memory and Self-Censorship in Camus' "Le Premier Homme". (2008) Dunwoodie, Peter
  • Review of Nancy Armstrong, How Novels Think: The Limits of British Individualism from 1719-1900 (New York: Columbia University Press, 2005). (2008) El-Rayess, Miranda
  • "Something in the ballads which they sang": James's "Rose-Agathe" and Tennyson's The Princess. (2008) El-Rayess, Miranda
  • Menippean Satire or Counter-Realism? Questions of Genre in Postcolonial Indian Fiction in English by Menen, Desani, Rushdie, and Sealy. (2008) Friedman, Amy L.
  • ‘Consider the Lobster: David Foster Wallace'. (2008) Humble, Catherine
  • Death Knock. (2008) Humble, Catherine
  • ‘On Violence: Slavoj Žižek'. (2008) Humble, Catherine
  • ‘Performance and Tradition in Earl Lovelace’s A Brief Conversion: The Drama of the Everyday’. (2008) King, Nicole
  • Immaculate Misconceptions: Georg Kaiser's Oktobertag and Paul Demasy's L'Homme de nuit. (2008) Krause, Frank
  • Literarischer Expressionismus. (2008) Krause, Frank
  • Von Kaiser zu Brecht: Drama und Prosa. (2008) Krause, Frank
  • Mad King Ludwig, by Lourdes Ortíz, translated by Sarah Maitland. (2008) Maitland, Sarah
  • High Seriousness and Popular Form: The Case of The Maid of Honour. (2008) McDonald, Russ
  • “Planned Obsolescence, or Working at the Words,”. (2008) McDonald, Russ
  • 'The Reading Cure'. (2008) Morrison, Blake
  • Apartheid Haunts: Postcolonial Trauma in Lisa Fugard’s "Skinner's Drift". (2008) Neeves, Mairi
  • The Meat Factory [Poem]. (2008) Page, Jocelyn
  • ''Laurence Sterne and the Problem of Belief II'. (2008) Parnell, Tim
  • Gender, ethnicity and religion in spontaneous talk and ethnographic-style interviews: balancing perspectives of researcher and researched. (2008) Pichler, Pia
  • Hybrid or in between cultures: traditions of marriage in a group of British Bangladeshi girls. (2008) Pichler, Pia
  • 'Altogether better-bred looking': Race and Romance in the Australian Novels of Rosa Praed. (2008) Platt, Len description
  • 'Analyzing Surrealist Madness through the Poetry of Salvador Dalí,'. (2008) Rattray, Jacqueline
  • ‘“...divers Personages running at the Ring...”: the magic lantern and moving pictures’. (2008) Rossell, Deac (W. F. D.)
  • ‘“...so natural and lively a representation...”: the artistry of the magic lantern’. (2008) Rossell, Deac (W. F. D.)
  • Introduction. (2008) Salzman, Eva
  • 'Shakespeare's Books: Reading Dumb Eloquence and Speaking Breasts'. (2008) Scott, Charlotte
  • Still Life? Anthropocentrism and the Fly in Titus Andronicus and Volpone. (2008) Scott, Charlotte
  • 'Still Life?: Anthropocentrism and the Fly in Titus Andronicus and Volpone'. (2008) Scott, Charlotte
  • Telling Lives to Children : Young versus New Historicism. (2008) Simpson, Michael
  • 'In Other Words: Jakov Lind’s Translingual Autobiography'. (2008) Steinitz, Tamar
  • “In his secondmouth language”: Joyce and Irish Poetry. (2008) Tubridy, Derval
    • 2007
  • The Ends of the Earth: An Anthology of the Finest Writing on the Arctic and the Antarctic. (2007)
  • I am Black, White, Yellow: An Introduction to the Black Body in Europe. (2007)
  • Plain Speaking: A Sudra’s Story. (2007)
  • The Romantic Poets: A Guide to Criticism. (2007)
  • True to Life: Memoirs from 'The Working Class College', Ruskin College, Oxford. (2007)
  • Inventing the Self: An introduction to the Black Woman Subject/Object in Britain from 1507. (2007) Anim-Addo, Joan
  • Touching The Body: History, Language and African-Caribbean Women’s Writing. (2007) Anim-Addo, Joan
  • Insert into Blankness: Poetry and Cultural Memory in Benjamin's Baudelaire Interpretations. (2007) Bajorek, Jennifer
  • Philosophical Sleaze? The 'strok of thought' in the Miller's Tale and Chaucerian Fabliau. (2007) Blamires, Alcuin
  • 'Keeping our nerve': Scientific and historical paradigms in John Banville's Doctor Copernicus. (2007) Boldrini, Lucia
  • Literature and Science. Full Stop? (2007) Boldrini, Lucia
  • Review of Emily Apter, The Translation Zone: A New Comparative Literature. (2007) Boldrini, Lucia
  • 'Ces gens-là se trémoussent bien ...': ébats et débats dans la comédie-ballet de Molière. (2007) Canova-Green, Marie-Claude
  • A history of women's writing. (2007) Carr, Helen
  • A history of women's writing. (2007) Carr, Helen
  • ‘“I-Not-I”: Narcissism Beyond the One and the Other’. (2007) Cohen, Josh
  • Roth's Doubles. (2007) Cohen, Josh
  • Roth's Doubles. (2007) Cohen, Josh
  • Caribbean-Scottish Relations: Colonial and Contemporary Inscriptions in History, Language and Literature. (2007) Covi, Giovanna; Anim-Addo, Joan; Pollard, Velma and Sassi, Carla
  • ‘Photography and Memory in Holocaust Museums’. (2007) Crownshaw, Richard
  • An Essay on Irish Bulls. (2007) Desmarais, Jane H.; Butler, M. and Edgeworth M, M.
  • The Secret Ministry. (2007) Dooley, Tim
  • Marlowe, May 1593, and the 'Must-Have' Theory of Biography. (2007) Downie, Alan (J. A.) description
  • Religious and Didactic Writings of Daniel Defoe: Volume 6. (2007) Downie, Alan (J. A.)
  • ‘What it Means to Feel Real: on Remainder by Tom McCarthy'. (2007) Humble, Catherine
  • 'Reanimating the Romans: Mary Shelley's Response to Roman Ruins'. (2007) Hurst, Isobel
  • 'A fleet of … inexperienced Argonauts': Oxford women and the Classics, 1873-1920. (2007) Hurst, Isobel
  • 'Elizabeth Cook-Lynn,' 'Carter Revard' and 'W.S. Penn,'. (2007) Kirwan, Padraig
  • Remapping Place and Narrative in Native American Literature: David Treuer's "The Hiawatha". (2007) Kirwan, Padraig
  • Mad King Ludwig, Lourdes Ortiz, translated by Sarah Maitland. Performance of translation, directed by Colin Ellwood, Rose Theatre. (2007) Maitland, Sarah
  • Nina, by José Ramón Fernández, translated by Sarah Maitland. (2007) Maitland, Sarah
  • American Literature and Culture, 1900-1960. (2007) McDonald, Gail
  • 'A Homemade Heaven: Modernist Poetry and the Social Gospel'. (2007) McDonald, Gail
  • Compar or parison: Measure for Measure. (2007) McDonald, Russ
  • Compar or parison: Measure for Measure. (2007) McDonald, Russ
  • And When Did You Last See Your Father. (2007) Morrison, Blake
  • Elephant and Castle. (2007) Morrison, Blake
  • Lisa's Sex Strike. (2007) Morrison, Blake
  • South of the River. (2007) Morrison, Blake
  • From Hack to Eccentric Genius: Tristram Shandy and A Tale of a Tub, Again. (2007) Parnell, Tim
  • Sterne and Young's Conjectures on Original Composition. (2007) Parnell, Tim
  • Talking Traditions of Marriage: Negotiating Young British Bangladeshi Femininities. (2007) Pichler, Pia
  • '"This sex thing is such a big issue now": Sex talk and identities in three groups of adolescent girls'. (2007) Pichler, Pia
  • Joyce, Race and Finnegans Wake. (2007) Platt, Len
  • XS Green: Green Ideas, Small Buildings. (2007) Richardson, Phyllis
  • Ars Longa, Vita Brevis: On Sarah Hannah. (2007) Salzman, Eva
  • Byron in theory and theatre land: finding the right address. (2007) Simpson, Michael
  • 'The Curse of the Canon: Ola Rotimi’s The Gods Are Not to Blame'. (2007) Simpson, Michael
  • Crossroads in the Black Aegean: Oedipus, Antigone, and Dramas of the African Diaspora. (2007) Simpson, Michael and Goff, B.
  • Experimental Nations: Or, the Invention of the Maghreb. (2007) Sweeney, Carole
  • The Unmaking of the World: Haiti, History and Writing in Edouard Glissant and Edwige Danticat. (2007) Sweeney, Carole
  • Sounding Spaces: Aurality in Beckett, Nauman and Cardiff. (2007) Tubridy, Derval
  • Chapter 7. (2007) Vakil, Ardashir (Ardu)
    • 2006
  • Constructing Christopher Marlowe. (2006)
  • Model and Supermodel: The Artist’s Model in British Art and Culture. (2006)
  • The RSC Shakespeare: The Complete Works. (2006)
  • Janie: Cricketing Lady, with Carnival and Hurricane Poems. (2006) Anim-Addo, Joan
  • Holding Fast to Ruins: The Air War in Brecht's Kriegsfibel. (2006) Bajorek, Jennifer
  • Holding Fast to Ruins: The Air War in Brecht's Kriegsfibel. (2006) Bajorek, Jennifer
  • 1928, London: A Strange Interlude. (2006) Baldick, Chris
  • Literature and the academy. (2006) Baldick, Chris
  • Chaucer, Ethics, and Gender. (2006) Blamires, Alcuin
  • Entries on Anais Nin, Erskine Caldwell, and Surrealism. (2006) Blinder, Caroline
  • A Kind of Patriotism: Jack Kerouac's Introduction to Robert Frank's The Americans. (2006) Blinder, Caroline
  • A Kind of Patriotism: Jack Kerouac's Introduction to Robert Frank's The Americans. (2006) Blinder, Caroline
  • Comparative Literature in the Twenty-First Century: A View from Europe and the UK. (2006) Boldrini, Lucia
  • T. E. Hulme and the `Spiritual Dread of Space'. (2006) Carr, Helen
  • T. E. Hulme and the `Spiritual Dread of Space'. (2006) Carr, Helen
  • Symposium on Intercultural Communication. (2006) Cogo, Alessia; Dewey; Althehenger-Smith; Suzuki and Philips
  • Efficiency in ELF Communication: From Pragmatic Motives to Lexico-grammatical Innovation. (2006) Cogo, Alessia and Dewey, Martin
  • ‘No Matter: Aesthetic Theory and the Self-Annihilating Artwork’. (2006) Cohen, Josh
  • ‘Post-Holocaust Philosophy’. (2006) Cohen, Josh
  • Representations of Italy and Italians in British Fiction and Travel Writing, 1900-1930. (2006) Collins, Sally
  • ReSisters in Conversation: Representation Responsibility Complexity Pedagogy. (2006) Covi, Giovanna; Anim-Addo, Joan; Borghi, Liana; Gomez Garcia, Luz; Goodman, Sara; Grenz, Sabine and Karavanta, Mina
  • ‘German suffering or ‘narrative fetishism?’: W. G. Sebald’s ‘Air War and Literature: Zurich Lectures’. (2006) Crownshaw, Richard
  • 'Model on the Writers' Block'. (2006) Desmarais, Jane H.
  • The model on the writers' block: The model in fiction from Balzac to du Maurier. (2006) Desmarais, Jane H.
  • The model on the writers' block: The model in fiction from Balzac to du Maurier. (2006) Desmarais, Jane H.
  • From Malachite and Verdigris. (2006) Dooley, Maura
  • From Malachite and Verdigris. (2006) Dooley, Maura
  • 'Literature and Drama'. (2006) Downie, Alan (J. A.)
  • 'Marlowe: Facts and Fictions'. (2006) Downie, Alan (J. A.)
  • Who Says She's a Bourgeois Writer? Reconsidering the Social and Political Contexts of Jane Austen's Novels. (2006) Downie, Alan (J. A.)
  • Assimilation, Cultural Identity, and Permissible Deviance in Francophone Algerian Writing of the Interwar years. (2006) Dunwoodie, Peter
  • Assimilation, Cultural Identity, and Permissible Deviance in Francophone Algerian Writing of the Interwar years. (2006) Dunwoodie, Peter
  • From Noces to L'Etranger. (2006) Dunwoodie, Peter
  • From Noces to L'Etranger. (2006) Dunwoodie, Peter
  • Postface: History, Memory and Identity. Today's Crisis, Yesterday's Issue. (2006) Dunwoodie, Peter
  • Henry James and the Shop Window. (2006) El-Rayess, Miranda
  • Review of Thomas J. Otten, A Superficial Reading of Henry James: Preoccupations with the Material World (Columbus: Ohio State University, 2006). (2006) El-Rayess, Miranda
  • ‘C.L.R. James, Genre and Cultural Politics.’. (2006) King, Nicole
  • Regionalismus und Moderne: Studien zur deutschen Literatur 1900-1933. (2006) Kramer, Andreas
  • Klangbewusster Expressionismus: Moderne Techniken des rituellen Ausdrucks. (2006) Krause, Frank
  • Nina, by José Ramón Fernández, translated by Sarah Maitland, Performance of translation, directed by Iain Reekie, Rose Theatre. (2006) Maitland, Sarah
  • Product Placement: Literary Modernism and Crisco. (2006) McDonald, Gail
  • The Flaw in the Flaw. (2006) McDonald, Russ
  • Sex, Lies, and Shakespearean Drama. (2006) McDonald, Russ
  • Shakespeare's Late Style. (2006) McDonald, Russ
  • Foreword to D. H. Lawrence, Sons and Lovers. (2006) Morrison, Blake
  • Foreword to James Agee, A Death in the Family (Penguin, 2006). (2006) Morrison, Blake
  • Foreword to James Agee, Let Us Now Praise Famous Men. (2006) Morrison, Blake
  • The Man with Two Gaffers, new version of Goldoni's stage-play Il Servitore di Due Padroni, performed by Northern Broadsides. (2006) Morrison, Blake
  • Pater and the genealogy of Hardy's modernity. (2006) Natarajan, Uttara
  • The Museum, the Street, and the Virtual Landscape of Berlin. (2006) Ng, Julia
  • Laurence Sterne and the Problem of Belief (1). (2006) Parnell, Tim
  • Multifunctional teasing as a resource for identity construction in the talk of British Bangladeshi girls. (2006) Pichler, Pia description
  • No Such Race: The Wake and Aryanism. (2006) Platt, Len
  • Aspect In the Morphological Paradigm. (2006) Popova, Gergana
  • Crossing the French-Spanish border with José Maria Hinojosa. (2006) Rattray, Jacqueline
  • Die Laterna Magica. (2006) Rossell, Deac (W. F. D.)
  • Die Laterna Magica. (2006) Rossell, Deac (W. F. D.)
  • The Public Exhibition of Moving Pictures Before 1986. (2006) Rossell, Deac (W. F. D.)
  • Shakespeare, Law and Marriage. (2006) Sokol, B. J. and Sokol, Mary
  • "The Absence of Origin”: Beckett and Contemporary French Philosophy. (2006) Tubridy, Derval
  • Eva. (2006) Vakil, Ardashir (Ardu)
    • 2005
  • Georg Kaiser and Modernity. (2005)
  • Caribbean Women’s History. (2005) Anim-Addo, Joan
  • Pan-Africanist Women, Modernity, Silence: Amy Ashwood Garvey, and Other Invisible Activists. (2005) Anim-Addo, Joan
  • The Offices of Homeland Security, or, Hölderlin's Terrorism. (2005) Bajorek, Jennifer
  • Not the Usual Grasses Singing: A Journey Around the Isle of Sheppey. (2005) Barber, Ros
  • 'Sexuality'. (2005) Blamires, Alcuin
  • 'Women and Creative Intelligence in Medieval Thought'. (2005) Blamires, Alcuin
  • Entries on André Breton, Jack Kerouac, and Edgar Allan Poe. (2005) Blinder, Caroline
  • Its Beautiful Visual Entirety: Kerouac's introduction to Frank's The Americans. (2005) Blinder, Caroline
  • Its Beautiful Visual Entirety: Kerouac's introduction to Frank's The Americans. (2005) Blinder, Caroline
  • `Looking for Love in all the Wrong Places': Brassaï in André Breton's 'Mad Love'. (2005) Blinder, Caroline
  • ‘Love Under the Sky: On Robert Frank and Jack Kerouac’. (2005) Blinder, Caroline
  • The Politics and Philosophy of Wyndham Lewis's Representations of the Body. (2005) Brent, Trevor Lovelock
  • Aesthetic Theory, Psychoanalysis and the Ironic End of Art. (2005) Cohen, Josh
  • How to Read Freud. (2005) Cohen, Josh
  • Introduction. (2005) Crownshaw, Richard and Leydesdorff, Selma
  • The Model: Susannah Gregory in conversation with Jane Desmarais. (2005) Desmarais, Jane H.
  • Shrinking the Stereotype of Psychoanalysis. (2005) Desmarais, Jane H.
  • Public and Private: The Myth of the Bourgeois Public Sphere. (2005) Downie, Alan (J. A.)
  • Public and Private: The Myth of the Bourgeois Public Sphere. (2005) Downie, Alan (J. A.)
  • Public opinion and the political pamphlet. (2005) Downie, Alan (J. A.)
  • Public opinion and the political pamphlet. (2005) Downie, Alan (J. A.)
  • Religious and Didactic Writings of Daniel Defoe, Vol. 6: 'The Poor Man's Plea' (1698) and 'The Great Law of Subordination Consider'd' (1724). (2005) Downie, Alan (J. A.)
  • Francophone Writing in Transition: Algeria 1900-1945. (2005) Dunwoodie, Peter
  • Psychotherapy and the Treatment of Cancer Patients: Bearing Cancer in Mind. (2005) Goldie, Lawrence and Desmarais, Jane H.
  • ‘Heidegger and the Place of Ethics: Michael Lewis'. (2005) Humble, Catherine
  • ‘The Implosion of Truth: on Haruki Murakami’s Kafka on the Shore’. (2005) Humble, Catherine
  • ‘The Poetics of Singularity. The counter-culturalist turn in Heidegger, Derrida, Blanchot and the later Gadamer'. (2005) Humble, Catherine
  • Whispers on the Flesh. (2005) Humble, Catherine
  • 'The Feminine of Homer': Elizabeth Barrett Browning's Casa Guidi Windows. (2005) Hurst, Isobel
  • 'Maenads dancing before the Martyrs' memorial': Oxford women writers and the classical tradition. (2005) Hurst, Isobel
  • Mediating Zones of Uncertainty: interpreter agency, the interpreting habitus and political asylum adjudication. (2005) Inghilleri, Moira
  • The sociology of Bourdieu and the construction of the 'object' in translation and interpreting studies. (2005) Inghilleri, Moira
  • Gustav Landauer über Georg Kaiser. (2005) Krause, Frank
  • Gustav Landauer's Contribution to Georg Kaiser's Notion of Literature. (2005) Krause, Frank
  • On the Rock, by Ernesto Caballero, translated by Sarah Maitland. (2005) Maitland, Sarah
  • On the Rock, by Ernesto Caballero, translated by Sarah Maitland. Performance of translation, directed by Ben Jancovich, Rose Theatre. (2005) Maitland, Sarah
  • Entries on 'Personal Education' and 'Philosophy of Education'. (2005) McDonald, Gail
  • Fashion: Shakespeare and Beaumont and Fletcher. (2005) McDonald, Russ
  • Look to the Lady: Sarah Siddons, Ellen Terry, and Judi Dench on the Shakespearean Stage. (2005) McDonald, Russ
  • New Worlds, New Selves: Montaigne, `the Atlantic' and the emergence of modern autobiography. (2005) Moore-Gilbert, Bart J.
  • 'Black Marks and Blue Pencils'. (2005) Morrison, Blake
  • Circle of Sympathy: Shelley's Hazlitt. (2005) Natarajan, Uttara
  • The State of the Nation: Contemporary Black British Theatre and the Staging of the UK. (2005) Osborne, Deirdre
  • The effect of social class and ethnicity on the discursive negotiation of feminities in the talk of British Bangladeshi girls. (2005) Pichler, Pia
  • ‘Integrating Nominalisations into a (Generalised) Paradigm Function Model of Morphology’. (2005) Popova, Gergana
  • Proceedings of the York-Essex Morphology Meeting 2. (2005) Popova, Gergana; Otoguro, Ryo and Spencer, Andrew
  • La mitología surrealista de José Maria Hinojosa. (2005) Rattray, Jacqueline
  • The Magic Lantern and Moving Images before 1800. (2005) Rossell, Deac (W. F. D.)
  • Wavering on Europe: Walter Scott and the Equilibrium of the Empires. (2005) Simpson, Michael
  • Shakespeare's Legal Language: A Dictionary. (2005) Sokol, B. J. and Sokol, Mary
  • ‘Josephine Baker’, ‘Haiti’, ‘Joseph Zobel’, ‘Claude McKay’. (2005) Sweeney, Carole
  • ‘Le tour du monde en quatre jours’: empire, exhibition, and the surrealist disorder of things. (2005) Sweeney, Carole
  • `One of them, but white': The Disappearance of Negro: An anthology (1934). (2005) Sweeney, Carole
  • France and America: Introduction. (2005) Sweeney, Carole and Clarke, Jackie
  • National Identity and Urban Topography in Joyce's and Kinsella's Dublin. (2005) Tubridy, Derval
  • Cardiac. (2005) Tubridy, Derval; Austin, Sandra and Archer, Daan
    • 2004
  • Fuzzy Grammar: A Reader. (2004)
  • Sister Goose's sisters: African-Caribbean women's nineteenth-century testimony. (2004) Anim-Addo, Joan
  • The Modern Movement (The Oxford English Literary History, Volume 10: 1900-1940). (2004) Baldick, Chris
  • How Things Are On Thursday. (2004) Barber, Ros
  • The twin demons of aristocratic society in Sir Gowther. (2004) Blamires, Alcuin
  • The twin demons of aristocratic society in Sir Gowther. (2004) Blamires, Alcuin
  • The Transparent Eyeball: On Emerson and Walker Evans. (2004) Blinder, Caroline
  • "Allowing it to speak out of him": The Heterobiographies of David Malouf, Antonio Tabucchi and Marguerite Yourcenar. (2004) Boldrini, Lucia
  • Festivals Commemorating the Defeat of Protestantism in La Rochelle. (2004) Canova-Green, Marie-Claude
  • Festivals Commemorating the Defeat of Protestantism in La Rochelle. (2004) Canova-Green, Marie-Claude
  • L'Equivoque d'une célébration: Les fêtes du mariage de Louis XIII et d'Anne d'Autriche à Bordeaux (1615). (2004) Canova-Green, Marie-Claude
  • 'La Rochelle and the Defeat of Protestantism'. (2004) Canova-Green, Marie-Claude
  • Reconsidering Postmemory: Photography, the Archive, and Post-Holocaust Memory in W.G. Sebald's Austerlitz. (2004) Crownshaw, Richard
  • Charles Baudelaire’. (2004) Desmarais, Jane H.
  • Le Salon de 1846. (2004) Desmarais, Jane H.
  • Transit. (2004) Dooley, Maura
  • Tenderness. (2004) Dooley, Tim
  • 'What if Delarivier Manley Did Not Write The Secret History of Queen Zarah?'. (2004) Downie, Alan (J. A.)
  • Sardines and Other Poems. (2004) Knight, Stephen E.
  • 'die unerheblichkeit berlins': Contemporary German Poetry and the Re-Writing of Regionalism. (2004) Kramer, Andreas
  • 'die unerheblichkeit berlins': Contemporary German Poetry and the Re-Writing of Regionalism. (2004) Kramer, Andreas
  • 'Through Schoolhouse Windows: Women, the Academy, and T.S. Eliot'. (2004) McDonald, Gail
  • Late Shakespeare: Style and the Sexes. (2004) McDonald, Russ
  • “Marlowe and Style,”. (2004) McDonald, Russ
  • Portraits. (2004) Morrison, Blake
  • When I last saw him. (2004) Morrison, Blake
  • Musical Comedy on the West End Stage, 1890-1939. (2004) Platt, Len
  • Bulgarian Aspect in Paradigm-Function Morphology. (2004) Popova, Gergana
  • ‘The Nature of Grammatical Categories and Their Representation’. (2004) Popova, Gergana; Aarts, Bas; Denison, David and Keizer, Evelien
  • 'El ojo mutilado en el surrealismo: "Cuando llueve en el desierto" de José María Hinojosa y Un Chien andalou de Buñuel y Dalí'. (2004) Rattray, Jacqueline
  • '"Granadas de fuego": Un ejemplo literario del método paranoico-crítico'. (2004) Rattray, Jacqueline
  • 'La teoría del collage surrealista ilustrada por Àngel Planells y José María Hinojosa,'. (2004) Rattray, Jacqueline
  • 'Surrealist Poetry in Motion: José María Hinojosa and Luis Buñuel'. (2004) Rattray, Jacqueline
  • 'Àngel Planells: esbós d’un poeta'; 'Àngel Planells: esbozo de un poeta'; 'Àngel Planells: Sketch of a Poet'. (2004) Rattray, Jacqueline
  • 'A Delicious Imaginary Journey with Joan Miró and José María Hinojosa'. (2004) Rattray, Jacqueline; Miro, Joan and Hinojosa, Jose Maria
  • New Sacred Architecture. (2004) Richardson, Phyllis
  • Double Crossing: New & Selected Poems. (2004) Salzman, Eva
  • From Fetish to Subject: Race, Modernism and Primitivism, 1919-1935. (2004) Sweeney, Carole
  • Resisting the Primitive: The Nardal Sisters, La Revue du Monde Noir and La Dépêche Africaine. (2004) Sweeney, Carole
  • Thomas Kinsella and the Peppercanister Poems. (2004) Tubridy, Derval
  • Voices, Identities, and Nations in the Narratives of Maria Edgeworth (1767-1849). (2004) Yoshino, Yuri
    • 2003
  • The Generosity of Acceptance: Exploring Eating Disorders in Adolescents. (2003)
  • The Generosity of Acceptance: Exploring Feeding Difficulties in Children. (2003)
  • The Honey Gatherers: an anthology of love poems. (2003)
  • New Writing 12. (2003)
  • Shakespeare: An Anthology of Criticism and Theory, 1945-2000. (2003)
  • Imoinda Birthing the Creole Nation: Rewriting Aphra Behn’s Oroonoko. (2003) Anim-Addo, Joan
  • Imoinda: or She Who Will Lose Her Name: A play for twelve voices in three acts/ Imoinda, colei che perder√† il nome: Opera per dodici voci in tre atti. (2003) Anim-Addo, Joan
  • Queen Victoria’s Black Daughter. (2003) Anim-Addo, Joan
  • Small Ironies: Jamaica Kincaid’s A Small Place as Travel Writing. (2003) Anim-Addo, Joan
  • "To Begin Our Knowing": The Claiming of Authority and the Writing of "Imoinda". (2003) Anim-Addo, Joan
  • Animadversions: Tekhne After Capital / Life After Work. (2003) Bajorek, Jennifer
  • Ex Sterco Dantis: Dante's Post-Babelian Linguistics in the Wake. (2003) Boldrini, Lucia
  • Heterobiographies, or, The Delirium of Autobiography. (2003) Boldrini, Lucia
  • 'Intimations of proximate dawn': re-viewing Joyce's Ulysses through the eye of Kubrick's Space Odyssey. (2003) Boldrini, Lucia
  • Translating the Middle Ages: Modernism and the Ideal of the Common Language. (2003) Boldrini, Lucia
  • Comparative Critical Studies: Autobiografictions. Comparatist Essays. (2003) Boldrini, Lucia and Davies, Peter
  • Jean Rhys: West Indian intellectual. (2003) Carr, Helen
  • Jean Rhys: West Indian intellectual. (2003) Carr, Helen
  • Interrupting Auschwitz: Art, Religion, Philosophy. (2003) Cohen, Josh
  • Interrupting Auschwitz: Art, Religion, Philosophy. (2003) Cohen, Josh
  • The Source. (2003) Dooley, Maura
  • How useful to eighteenth-century English studies is the paradigm of the 'bourgeois public sphere'? (2003) Downie, Alan (J. A.)
  • 'Nos ancêtres les...' : le roman francophone algérien de l’entre-deux-guerres. (2003) Dunwoodie, Peter
  • Habitus, field and discourse: Interpreting as a socially-situated activity. (2003) Inghilleri, Moira
  • ‘“A colored woman in another country pleading for justice in her own”: Examining Ida B. Wells in the United Kingdom’. (2003) King, Nicole
  • Von Beat bis 'Acid': Zur Rezeption amerikanischer und britischer Literatur in den sechziger Jahren". (2003) Kramer, Andreas
  • Von Beat bis 'Acid': Zur Rezeption amerikanischer und britischer Literatur in den sechziger Jahren". (2003) Kramer, Andreas
  • Reading The Tempest. (2003) McDonald, Russ
  • Shakespeare’s Verse. (2003) McDonald, Russ
  • Olive Schreiner's Story of an African Farm: Reconciling Feminism and Anti-Imperialism? (2003) Moore-Gilbert, Bart J.
  • Oedipus and Antigone by Sophocles. (2003) Morrison, Blake
  • Things my mother never told me. (2003) Morrison, Blake
  • The veil of familiarity: Romantic philosophy and the familiar essay. (2003) Natarajan, Uttara
  • The Invention of Mary Shelley: Fictional Representations of Mary Shelley in the Twentieth Century. (2003) Packard, Selina
  • A Sentimental Journey and other writings by Laurence Sterne. (2003) Parnell, Tim and Jack, I
  • 'The Theory of Surrealist Collage Through Image and Text: Àngel Planells and José María Hinojosa'. (2003) Rattray, Jacqueline
  • Nuernberg and the Bull's-Eye Magic Lantern. (2003) Rossell, Deac (W. F. D.)
  • Centre-Stage. (2003) Salzman, Eva
  • 'Behind Harold’s Bloomsday Book: Gothic Secrets in Literary History'. (2003) Simpson, Michael
  • 'Strange Fits of Parallax: Wordsworth’s Geometric Excursions'. (2003) Simpson, Michael
  • A Brave New World of Knowledge: Shakespeare's The Tempest and Early Modern Epistemology. (2003) Sokol, B. J.
  • Margaret Cavendish's Poems and Fancies and Thomas Harriot's Treatise on Infinity. (2003) Sokol, B. J.
  • The Backroom Boys: The Secret Return of the British Boffin. (2003) Spufford, Francis
  • Vestimentary identities: the politics of dress in everyday life. (2003) Sweeney, Carole
    • 2002
  • Centre of Remembrance: Memory and Caribbean Women’s Literature. (2002)
  • The Romance of the Rose Illuminated: Manuscripts at the National Library of Wales, Aberystwyth. (2002) Blamires, Alcuin and Holian, G.
  • Let Dante Be Silent: Finnegans Wake and the Medieval Theory of Polysemy. (2002) Boldrini, Lucia
  • Medieval Joyce. (2002) Boldrini, Lucia
  • Les Triomphes de Louis le Juste (1649): une une épopée du discontinu. (2002) Canova-Green, Marie-Claude
  • Modernism and Travel (1880-1940). (2002) Carr, Helen
  • Modernism and Travel (1880-1940). (2002) Carr, Helen
  • ‘“A Different Insignificance”: The Poet and the Witness in Agamben’. (2002) Cohen, Josh
  • ‘Philosophy and the Holocaust: Representing, Remembering, Thinking’. (2002) Cohen, Josh
  • RELIGION AGAINST POLITICS: Versions of the State in modern Jewish thought. (2002) Cohen, Josh
  • Review of Andrew Benjamin, Philosophy’s Literature. (2002) Cohen, Josh
  • Unfolding: Reading after Romanticism. (2002) Cohen, Josh
  • Unfolding: Reading after Romanticism. (2002) Cohen, Josh
  • Written Somewhere: The Social Space of Text. (2002) Coughlan, David William
  • ‘Review Essay of James E. Young’s At Memory’s Edge: After-Images of the Holocaust in Contemporary Art and Architecture,’. (2002) Crownshaw, Richard
  • Sound Barrier. (2002) Dooley, Maura
  • 'The Political Significance of Gulliver's Travels'. (2002) Downie, Alan (J. A.)
  • A Drawn Out Journey. (2002) Humble, Catherine
  • Britton and Bernstein on Vygotsky: divergent views on mind and language in the pedagogic context. (2002) Inghilleri, Moira
  • ‘“You think like you white”: Questioning Race and Racial Community through the Lens of Middle Class Desire(s).’. (2002) King, Nicole
  • "Native American Individuality and Cultural Chronology in Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven". (2002) Kirwan, Padraig
  • Goethe and the Cultural Project of German Modernism: Steiner, Kandinsky, Friedlaender, Schwitters and Benjamin. (2002) Kramer, Andreas
  • Von der Theodizee-Krise zur ästhetischen Anthropodizee: Literarische Modernität in Romanen der Aufklärung. (2002) Krause, Frank
  • From Storytelling to Historia: the Fiction of Graham Swift. (2002) Logotheti, Anastasia
  • 'Hypertext and the Teaching of Modernist Difficulty'. (2002) McDonald, Gail
  • 'The Mind a Department Store: Reconfiguring Space in the Gilded Age,'. (2002) McDonald, Gail
  • Reading The Tempest. (2002) McDonald, Russ
  • I am going to rewrite Kipling's Kim: Kipling and Postcolonialism. (2002) Moore-Gilbert, Bart J.
  • Pendle Witches. (2002) Morrison, Blake and Rego, Paula
  • ‘An HPSG-based Syntactic Treebank of Bulgarian (BulTreeBank)’. (2002) Popova, Gergana; Simov, Kiril and Osenova, Petya
  • Exploding Teeth, Unbreakable Sheets and Continuous Casting: Nitrocellulose from Gun-Cotton to Early Cinema. (2002) Rossell, Deac (W. F. D.)
  • Exploding Teeth, Unbreakable Sheets and Continuous Casting: Nitrocellulose from Gun-Cotton to Early Cinema. (2002) Rossell, Deac (W. F. D.)
  • Exploding Teeth, Unbreakable Sheets and Continuous Casting: Nitrocellulose from Guncotton to Early Cinema. (2002) Rossell, Deac (W. F. D.)
  • The Morning (Post) After: Apocalypse and Bathos in Coleridge's 'Fears in Solitude'. (2002) Simpson, Michael
  • Where Are We in Legal-Historical Studies of Shakespeare? The Case of Marriage and Property. (2002) Sokol, B. J. and Sokol, Mary
  • The Child That Books Built. (2002) Spufford, Francis
    • 2001
  • Breaking the Silence: First-Wave Anglophone African-Caribbean Women Novelists and Dynamics of History, Language and Publication. (2001) Anim-Addo, Joan Lilian
  • Post-mortem: Lawrence's critical and cultural legacy. (2001) Baldick, Chris
  • Joyce, Dante, and the Poetics of Literary Relations: Language and Meaning in Finnegans Wake. (2001) Boldrini, Lucia
  • ‘Révolte et imaginaire: les entrées de Louis XIII dans les villes du midi de la France (1622-1623)'. (2001) Canova-Green, Marie-Claude
  • Desertions: Paul Auster, Edmond Jabès and the Writing of Auschwitz. (2001) Cohen, Josh
  • ‘Dialectic of Entanglement: Adorno, Auschwitz and the Contradictions of Representation’. (2001) Cohen, Josh
  • Review essay on Giorgio Agamben, Homo Sacer and Remnants of Auschwitz. (2001) Cohen, Josh
  • Anorexic and Passive Resistance in Melville’s “Bartleby” (1853): A Literary Case Study’. (2001) Desmarais, Jane H.
  • ‘Judge a Book by Its Cover’. (2001) Desmarais, Jane H. html
  • The Paradox of Passive Resistance in Herman Melville's "Bartleby". (2001) Desmarais, Jane H.
  • Preferring not to: The Paradox of Passive Resistance in Herman Melville's 'Bartleby'. (2001) Desmarais, Jane H.
  • 'New Wine in Old Bottles: The "New Historicism" and the Eighteenth Century'. (2001) Downie, Alan (J. A.)
  • C. L. R. James and creolization: circles of influence. (2001) King, Nicole
  • Mr Schnitzel. (2001) Knight, Stephen E.
  • Stoische Ungeduld. Johann Christoph Gottsched: Der sterbende Cato (1732). (2001) Krause, Frank
  • Bedford Companion to Shakespeare: An Introduction with Documents. (2001) McDonald, Russ
  • Poetry and Plot in The Winter's Tale. (2001) McDonald, Russ
  • Shakespeare and the Arts of Language. (2001) McDonald, Russ
  • Hanif Kureishi. (2001) Moore-Gilbert, Bart J.
  • The Construction of an Essentialist ‘Mixed-Race’ Identity in the Anglophone Caribbean Novel 1914-1998. (2001) Persuad, Melissa
  • Aristocracies of Fiction: The Idea of Aristocracy in Late-Nineteenth-Century and Early-Twentieth-Century Literary Culture. (2001) Platt, Len
  • 'The Metamorphosis of Vision in the Surrealist Text: José María Hinojosa's "Granadas de fuego"'. (2001) Rattray, Jacqueline
  • XS: Big Ideas, Small Buildings. (2001) Richardson, Phyllis
  • Faszination der Bewegung: Ottomar Anschütz zwischen Photographie und Kino. (2001) Rossell, Deac (W. F. D.)
  • La Revue Nègre: négrophilie, modernity and colonialism in inter-war France. (2001) Sweeney, Carole
  • Difficult Migrations: The Dinnseanchas of Thomas Kinsella's Later Poetry. (2001) Tubridy, Derval
  • Thomas Kinsella: The Peppercanister Poems. (2001) Tubridy, Derval
  • The subject doesn't matter, there is none: Language, Subjectivity, and Aporia in Beckett's Unnamable. (2001) Tubridy, Derval
    • 2000
  • How Novelists Work. (2000)
  • The African-Caribbean Woman Writer’s Project: Merle Collins and Alecia McKenzie. (2000) Anim-Addo, Joan
  • The Colour of Silence. (2000) Anim-Addo, Joan
  • Windrush Children and Broken Attachments. (2000) Anim-Addo, Joan
  • A Selfmade Surrealist – Ideology and Aesthetics in the Work of Henry Miller. (2000) Blinder, Caroline
  • Blacking out Holocaust memory in Saul Bellow's The victim. (2000) Crownshaw, Richard
  • Performing Memory in Holocaust Museums. (2000) Crownshaw, Richard
  • 'Johnson's Politics'. (2000) Downie, Alan (J. A.)
  • 'Mary Davys's "Probable Feign'd Stories" and Critical Shibboleths about "The Rise of the Novel"'. (2000) Downie, Alan (J. A.)
  • Political and Economic Writings of Daniel Defoe, Vol. 2: Party Politics. (2000) Downie, Alan (J. A.)
  • Anglo-Scots Relations and Representations of Women, 1560-1612. (2000) Gibbs, Joanna Bridget
  • Type(ing) Cast: Early Euro-American Literary Representations of the Native American. (2000) Kirwan, Padraig
  • Sakralisierung unerlöster Subjektivität: Zur Problemgeschichte des zivilisations- und kulturkritischen Expressionismus. (2000) Krause, Frank
  • ‘þu Cwen, Lare Lufiende’: Changing Representations of the Learned Female in Medieval texts of Apollonius of Tyre. (2000) Maddern, Carole
  • Jonson and Shakespeare and the Rhythm of Verse. (2000) McDonald, Russ
  • The Justification of Johann Gutenberg. (2000) Morrison, Blake
  • Tristram Shandy by Laurence Sterne. (2000) Parnell, Tim
  • 'The Hallucinogenic Power of Language: José María Hinojosa's "Textos Oníricos"'. (2000) Rattray, Jacqueline
  • Shakespeare and Heliodorus. (2000) Reynolds, Simon
  • ‘Diasporic Voices in Pre-Negritude Paris’. (2000) Sweeney, Carole
  • "Words Pronouncing Me Alive”: Beckett and Incarnation. (2000) Tubridy, Derval
    • 1999
  • Another Doorway: Visible Inside the Museum. (1999)
  • Voice Memory Ashes: Lest We Forget. (1999)
  • ‘Between the Unimagined and the Imagined: Photographic Aesthetics and Literary Illumination in James Agee’s Let Us Now Praise Famous Men’. (1999) Blinder, Caroline
  • The Ragged Edge of Miracles; or, A Word or Two On Those Jack Hodgins Novels. (1999) Boldrini, Lucia
  • Ethnic Identity and Cultural Heritage: Belsen in the Museum. (1999) Crownshaw, Richard
  • ‘Review Essay of Suzanne Bellamy’s Affective Genealogies: Psychoanalysis, Postmodernism, and the ‘Jewish Question’ after Auschwitz and Dominick LaCapra’s History and Memory after Auschwitz,’. (1999) Crownshaw, Richard
  • Review Essay: The Archaeology of Memory: Martin Gilbert’s Holocaust Journey. (1999) Crownshaw, Richard
  • Irish Bulls in The Novels and selected Works of Maria Edgeworth Volume 1. (1999) Desmarais, Jane H.
  • Shakespeare: Hamlet. (1999) Downie, Alan (J. A.)
  • The Emergent Land: Nature and Ecology in Native American Expressive Forms. (1999) Kirwan, Padraig
  • Too True. (1999) Morrison, Blake
  • Corresponding with the Greeks: An overview of Ulysses as an Irish Epic. (1999) Platt, Len
  • The Biograph Large-Format Technology. (1999) Rossell, Deac (W. F. D.)
  • Die soziale Konstruktion früher technischer Systeme der Filmprojektion. (1999) Rossell, Deac (W. F. D.)
  • Serpentine Dance: Inter-National Connections in Early Cinema. (1999) Rossell, Deac (W. F. D.)
  • Bargain with the Watchman. (1999) Salzman, Eva
  • The Schoolteacher’s Tale: Frank McCourt as Teacher. (1999) Salzman, Eva
  • Coleridge's Swinging Moods and the Revision of "This Lime-Tree Bower My Prison". (1999) Simpson, Michael
  • 'Re-Opening after the Old Price Riots: War and Peace at Drury Lane'. (1999) Simpson, Michael
  • ‘Romantic Drama in Place’. (1999) Simpson, Michael
  • The Whole Biryani. (1999) Vakil, Ardashir (Ardu)
    • 1998
  • Anguish and The Absurd: "Key Moments," Recreated Lives and the Emergence of New Figures of Black Womanhood in the Narrative Works of Beryl Gilroy. (1998) Anim-Addo, Joan
  • “Another Doorway? Black Women Writing The Museum Experience”. (1998) Anim-Addo, Joan
  • Haunted by History: Poetry. (1998) Anim-Addo, Joan
  • The Case for Women in Medieval Culture. (1998) Blamires, Alcuin
  • La Révolte Enfantine: On Georges Bataille's “La Morale de Miller” and Jean-Paul Sartre's “Un Nouveau Mystique”. (1998) Blinder, Caroline
  • The Artist Paring His Quotations: Aesthetic and Ethical Implications of the Dantean Intertext in Dubliners. (1998) Boldrini, Lucia
  • Biografie fittizie di personaggi storici. (Auto)biografia, soggettività, teoria nel romanzo contemporaneo [Fictional Biographies of Historical Characters. (Auto)biography, Subjectivity, Theory in the Contemporary Novel]. (1998) Boldrini, Lucia
  • The Rule of Analogy and Contrappasso: Babel, Dante, Joyce and the Redemption of Language. (1998) Boldrini, Lucia
  • ‘“Disgrace of Revelation”: I.B. Singer’s Holocaust Impiety’. (1998) Cohen, Josh
  • The Holocaust and Representation: Three Philosophical Perspectives. (1998) Cohen, Josh
  • ‘James Ellroy, Los Angeles and the Spectacular Crisis of Masculinity’. (1998) Cohen, Josh
  • ‘Phenomenologies of Mourning: Gillian Rose and Walter Benjamin’. (1998) Cohen, Josh
  • Spectacular Allegories: Postmodern American Writing and the Politics of Seeing. (1998) Cohen, Josh
  • ‘Gravity’s Rainbow: Thomas Pynchon’s Holocaust Allegory,’. (1998) Crownshaw, Richard
  • Review Essay of Michael Lambek and Paul Antze (eds.), Tense Past: Cultural Essays in Trauma and Memory and Kali Tal, Worlds of Hurt: Reading the Literatures of Trauma. (1998) Crownshaw, Richard
  • ‘The United States Holocaust Memorial Museum: Trauma, Identity, Architecture and the Nationalisation of Memory,’. (1998) Crownshaw, Richard
  • The Beardsley Industry: the Critical Reception in England and France from 1893 to 1914. (1998) Desmarais, Jane H.
  • Maria Edgeworth 1768-1849. (1998) Desmarais, Jane H.
  • 'Swift and Locke's Two Treatises of Government'. (1998) Downie, Alan (J. A.)
  • Writing French Algeria. (1998) Dunwoodie, Peter
  • Constructing Memories: Camus, Algeria and 'Le Premier Homme'. (1998) Dunwoodie, Peter and Hughes, E. J.
  • 'Sentimental Education: Randall Jarrell Among the Women,'. (1998) McDonald, Gail
  • Explication Checklist. (1998) McDonald, Russ
  • Reading The Tempest. (1998) McDonald, Russ
  • Dr Ox's Experiment, libretto for opera performed at Coliseum. (1998) Morrison, Blake
  • Foreword to The Gospel According to St John. (1998) Morrison, Blake
  • Hazlitt and the Reach of Sense. (1998) Natarajan, Uttara
  • Swift and Lucian. (1998) Parnell, Tim
  • Joyce and the Anglo-irish: A Study of Joyce and the Literary Revival. (1998) Platt, Len description
  • Pisgah Sights: The National Press and the Catholic Middle Class in 'Aeolus'. (1998) Platt, Len
  • 'Celebrating Transgression: Blasphemy and Lust in the Work of the Spanish Surrealist José María Hinojosa,'. (1998) Rattray, Jacqueline
  • Beyond Messter -- Aspects of Early Cinema in Berlin. (1998) Rossell, Deac (W. F. D.)
  • Double Think: The Cinema and Magic Lantern Culture. (1998) Rossell, Deac (W. F. D.)
  • ‘Living Pictures.’ The Origins of the Cinema. (1998) Rossell, Deac (W. F. D.)
  • Closet Performances: Political Exhibition and Prohibition in the Dramas of Byron and Shelley. (1998) Simpson, Michael
  • It Was So, It Was Not So: The Use of Fairy Tale in the Fiction of Angela Carter and Salman Rushdie. (1998) Teverson, Andrew
  • Vain Reasonings: Not I. (1998) Tubridy, Derval
  • Who Else Can I Talk To? (1998) Vakil, Ardashir (Ardu)
    • 1997
  • Cultural Babbage: Technology, Time and Invention. (1997)
  • Making for Planet Alice: New Women Poets. (1997)
  • Texte(s) et Intertexte(s). (1997)
  • 'Le XVIIIe siècle: un siècle du théâtre'. (1997) Canova-Green, Marie-Claude
  • Ballets pour Louis XIV. (1997) Canova-Green, Marie-Claude and de Benserade, Isaac
  • ‘Joan Didion, Los Angeles and the Opacity of Urban Spectacle’. (1997) Cohen, Josh
  • Honoré de Balzac’. (1997) Desmarais, Jane H.
  • The Musical Analogy in Beardsley Criticism 1898-1914. (1997) Desmarais, Jane H.
  • 'The Making of the English Novel'. (1997) Downie, Alan (J. A.)
  • 'Swift and Jacobitism'. (1997) Downie, Alan (J. A.)
  • Dream City Cinema. (1997) Knight, Stephen E.
  • “Odious Tandem,” Introduction to Shakespeare and Jonson / Jonson and Shakespeare. (1997) McDonald, Russ
  • Reading The Tempest. (1997) McDonald, Russ
  • Shakespeare With Tears. (1997) McDonald, Russ
  • Postcolonial Theory: Contexts, Practices, Politics. (1997) Moore-Gilbert, Bart J.
  • 'A Story Painted to the Heart? Tristram Shandy and Sentimentalism Reconsidered’. (1997) Parnell, Tim
  • Jenseits Messter -- die ersten Berliner Kinematographen-Anbieter in Berlin. (1997) Rossell, Deac (W. F. D.)
  • Ottomar Anschütz and his Electrical Wonder. (1997) Rossell, Deac (W. F. D.)
  • Trescientos años de entretenimiento cinematografico. (1997) Rossell, Deac (W. F. D.)
  • 'Buried and (P)Raised: Joseph Brodsky, William Peter and the Anglo-Irish Union'. (1997) Simpson, Michael
  • 'Hyped Text: The Rhetoric of Virtual Space in Critical Prose'. (1997) Simpson, Michael
  • C.E. Gittings Imperialism and Gender and Bruce King ed. National And Postcolonial Literature. (1997) Sweeney, Carole
  • 'Beach Boy'. (1997) Vakil, Ardashir (Ardu)
    • 1996
  • Mind Readings. (1996)
  • Writing India, 1757-1990: Literature of British India. (1996)
  • Framing The Word: Gender & Genre in Caribbean Women’s Writing. (1996) Anim-Addo, Joan
  • Sugar, Spices and Human Cargo: An Early Black History of Greenwich. (1996) Anim-Addo, Joan
  • Woman-Centred Narratives at the Intersections of the oral and literary traditions in the short stories of Merle Collins. (1996) Anim-Addo, Joan
  • Criticism and Literary Theory 1890 to the Present. (1996) Baldick, Chris
  • Inventing the American Primitive: Politics, Gender and the Representation of Native American Literary Traditions. (1996) Carr, Helen
  • ‘James Ellroy, Los Angeles and the Spectacular Crisis of Masculinity’. (1996) Cohen, Josh
  • Kissing a Bone. (1996) Dooley, Maura
  • The Sandfields Baudelaire. (1996) Knight, Stephen E.
  • Foreword to Anthony Burgess, A Clockwork Orange. (1996) Morrison, Blake
  • 'Salman Rushdie: from Colonial Politics to Postmodern Poetics'. (1996) Parnell, Tim
  • ‘Sterne and Kundera: The Novel of Variations and the “noisy foolishness of human certainty”’. (1996) Parnell, Tim
  • 'If Brian Boru Could But Come Back Now and See Old Dublin Now' - Materialism, The National Culture and Ulysses 17. (1996) Platt, Len
  • 'José María Hinojosa and Surrealist Visuality’. (1996) Rattray, Jacqueline
  • Eadweard Muybridge et la culture de l’image en mouvement. (1996) Rossell, Deac (W. F. D.)
  • 'Ancestral Voices Prophesying What?: The Moving Text in Byron's Marino Faliero and Sardanapalus'. (1996) Simpson, Michael
  • 'Who Didn't Kill Blake's Fly: Moral Law and the Rule of Grammar in "Songs of Experience"'. (1996) Simpson, Michael
  • I May Be Some Time: Ice and the English Imagination. (1996) Spufford, Francis
    • 1995
  • The Green Agenda: Environmental Politics and Policy in Germany. (1995)
  • 'Defoe's Early Writings'. (1995) Downie, Alan (J. A.)
  • I'd Rather Be Reading Jane Austen: The Appeal of the Augustans. (1995) Downie, Alan (J. A.)
  • Shakespeare Goes to High School: Some Current Practices in the American Classroom. (1995) McDonald, Russ
  • The Cracked Pot. (1995) Morrison, Blake
  • The New Thing with the Long Name and the Old Thing with the Name that Isn’t Much Shorter. A Chronology of Cinema, 1889-1896. (1995) Rossell, Deac (W. F. D.)
    • 1994
  • The Failure of Argumentation and the Disjunction of Aesthetics in Robert Browning’s “Pictor Ignotus”. (1994) Boldrini, Lucia
  • ‘Présentation et représentation dans Le Bourgeois Gentilhomme, ou le jeu des images et des rôles’. (1994) Canova-Green, Marie-Claude
  • ‘The Look of the Sight Machine: Robert Coover and the Question of Cinematic Vision’. (1994) Cohen, Josh
  • ‘Paris, Texas’ - Review of Jean-Philippe Mathy, Extrême-Occident: French Intellectuals and America. (1994) Cohen, Josh
  • To Settle the Succession of the State: Literature and Politics, 1678-1750. (1994) Downie, Alan (J. A.)
  • Late Shakespeare: Style and the Sexes. (1994) McDonald, Russ
  • Late Shakespeare: Style and the Sexes. (1994) McDonald, Russ
  • The Arts in the 1970s: Cultural Closure. (1994) Moore-Gilbert, Bart J.
  • Swift, Sterne, and the Skeptical Tradition. (1994) Parnell, Tim
  • Ulysses 15 and the Irish Literary Theatre. (1994) Platt, Len
    • 1993
  • Telling People What to Think: Early-Eighteenth-Century Periodicals from 'The Review' to 'The Rambler'. (1993)
  • 'A Deadly Fascination: Heterology and Fascism in the Writings of Georges Bataille, Yukio Mishima, and Henry Miller'. (1993) Blinder, Caroline
  • "It was part of the joke, you see”: The Author in the Novel between Theoretical Death and Biographical Life. (1993) Boldrini, Lucia
  • La Comédie. (1993) Canova-Green, Marie-Claude
  • La Politique-spectacle au grand siècle. (1993) Canova-Green, Marie-Claude
  • ‘Film, Postmodernity, Systems in Don DeLillo’s White Noise’. (1993) Cohen, Josh
  • Flowering Limbs. (1993) Knight, Stephen E.
  • Learning to be Modern: Pound, Eliot, and the American University. (1993) McDonald, Gail
    • 1992
  • Cultural Revolution?: Challenge of the Arts in the 1960's. (1992)
  • Woman Defamed and Woman Defended: An Anthology of Medieval Texts. (1992)
  • Reading The Tempest. (1992) McDonald, Russ
  • Seamus Heaney (Contemporary writers). (1992) Morrison, Blake
  • Joyce and the Anglo-Irish Revival: The Triestine Lectures. (1992) Platt, Len
  • The English Earthquake. (1992) Salzman, Eva
    • 1991
  • Press Observed and Projected. (1991)
  • Narrative and Theatrical Fiction in Finnegans Wake. (1991) Boldrini, Lucia
  • ”The Sisters” and the Inferno: An Intertextual Network. (1991) Boldrini, Lucia
  • Explaining Magnetism. (1991) Dooley, Maura
  • Contributor to special issue on ‘The State of Poetry’. (1991) Dooley, Tim
  • Shakespeare: Amleto. (1991) Downie, Alan (J. A.)
  • Reading The Tempest. (1991) McDonald, Russ
  • Dal realismo East Coast ai generi West Coast. (1991) Rossell, Deac (W. F. D.)
  • The Lyric Poetry of Johann Christian Gunther as a Paradigm of the Transition from Baroque to Enlightenment. (1991) Sutherland, Catherine
    • 1990
  • In Frankenstein’s Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. (1990) Baldick, Chris
  • Review of Joyce’s Ulysses: An Anatomy of the Soul, by T. C. Theoharis. (1990) Boldrini, Lucia
  • Review: Italian translations of Ulysses. (1990) Boldrini, Lucia
  • The Rule of Analogy and Contrapasso: Babel, Dante, Joyce, and the Redemption of Language. (1990) Boldrini, Lucia
  • From My Guy to Sci-Fi: Genre and Women's Writing in the Postmodern World. (1990) Carr, Helen
  • The Bentham Project. (1990) Desmarais, Jane H.
    • 1989
  • Actes du colloque international de Londres L.-F. Céline, 5-7 juillet 1988. (1989)
  • Richard III and the Tropes of Treachery. (1989) McDonald, Russ
  • Dark Glasses. (1989) Morrison, Blake
  • The Buckeen and the Dogsbody: Aspects of History and Culture in 'Telemachus'. (1989) Platt, Len
  • The Chatto Book of Cabbages and Kings: Lists in Literature. (1989) Spufford, Francis
    • 1988
  • Turbulence. (1988) Dooley, Maura
  • Fear of Farce. (1988) McDonald, Russ
    • 1987
  • Swift, Temple and the Du Cros Affair Part II: 'A Letter from Monsieur de Cros' (1693) and 'Reflections upon Two Pamphlets (1693). (1987) Downie, Alan (J. A.)
  • The Ballad of the Yorkshire Ripper. (1987) Morrison, Blake
  • 'The Filial Art: A Reading of Contemporary British Poetry'. (1987) Morrison, Blake
    • 1986
  • The Penguin Book of Contemporary British Poetry. (1986)
  • Ivy Leaves and Arrows. (1986) Dooley, Maura
  • The Movement: English Poetry and Fiction of the 1950s. (1986) Morrison, Blake
    • 1985
  • Article on Peter Levi. (1985) Dooley, Tim
  • The Interrupted Dream: Poems 1971-1984. (1985) Dooley, Tim
  • Jonathan Swift, Political Writer. (1985) Downie, Alan (J. A.)
  • Camus: L’Envers et l’Endroit et l’Exil et le Royaume. (1985) Dunwoodie, Peter
  • Poetry and Plot in The Winter's Tale. (1985) McDonald, Russ
    • 1983
  • The Social Mission of English Criticism 1848-1932. (1983) Baldick, Chris
  • The Off-Hollywood Film: Independent Narrative in America. (1983) Rossell, Deac (W. F. D.)
    • 1982
  • “Comedy and Flannery O'Connor,”. (1982) McDonald, Russ
    • 1981
  • Jonsonian Comedy and the Value of Sejanus. (1981) McDonald, Russ
  • Sceptical Visions: Shakespeare's Tragedies and Jonson's Comedies. (1981) McDonald, Russ
    • 1979
  • Othello, Thorello, and the Problem of the Foolish Hero. (1979) McDonald, Russ
  • The Fourth Estate and the Seventh Art. (1979) Rossell, Deac (W. F. D.)