Goldsmiths Departments, Centres and Research Units (28676)
Music (1717)
Contemporary Music Research Unit (137)
Number of items at this level: 137.
Article
Music's Immanent Future: The Deleuzian Turn in Music Studies. Edited by Sally Macarthur, Judy Lochhead, Jennifer Shaw. Abingdon, Oxon, Eng.: Routledge, 2016. (Review). (2019)
Exarchos, Dimitris
Notation, improvisation, writing: The early music of Roger Redgate. (2010)
Exarchos, Dimitris
Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis. By Judy Lochhead (Review). (2017)
Exarchos, Dimitris
The Skin of Spectral Time in Grisey's Le Noir de l’Étoile. (2018)
Exarchos, Dimitris
picture_as_pdf
Temporality in Xenakis and Ferneyhough. (2016)
Exarchos, Dimitris
Xenakis, Sound, and the City. (2014)
Exarchos, Dimitris
Sieve Analysis and Construction: Theory and Implementation. (2011)
Exarchos, Dimitris and Jones, Daniel
Iannis Xenakis’s Writing and Outside-Time Musical Structures. (2008)
Exarchos, Dimitris and Stamos, Yannis
Brian Ferneyhough's etudes transcendantales. (2001)
Redgate, Roger
Emergent Material: Reinventing the Compositional Process. (2017)
Redgate, Roger
Ferneyhough as teacher. (1995)
Redgate, Roger
Marginalisierung und Subversion. (2000)
Redgate, Roger
Neue Musik in Grossbritannien: Ein Situationsbericht. (1999)
Redgate, Roger
Where Are We Going? Teleological Structures in New Music. (2020)
Redgate, Roger
The ontology of the work: exploring the creative discourse. (2019)
Redgate, Roger
Audio
Soundtrack for The Zero Hour. (2013)
Peyton Jones, Jeremy
Endings (Live recording). (2012)
Peyton Jones, Jeremy and Matthews, Kaffe
Black Icons. (2014)
Redgate, Roger
Concerto for Improvising Soloist and Two Ensembles. (2014)
Redgate, Roger
Duo Galeano/Javaid | Roger Redgate: TAG (2009). (2023)
Redgate, Roger
Eperons. (2009)
Redgate, Roger
Eperons. (2014)
Redgate, Roger
Graffiti for solo soprano sax. (2016)
Redgate, Roger
Oboe Quintet. (2009)
Redgate, Roger
+R. (2005)
Redgate, Roger
Residua. (2009)
Redgate, Roger
Roger Redgate Complete Piano Music Recording. (2008)
Redgate, Roger
Roger Redgate Lecture Presentation: Культурный Центр ЗИЛ & Gnesin Contemporary Music Week. (2020)
Redgate, Roger
Runa. (2016)
Redgate, Roger
mirlitonnades. (2005)
Redgate, Roger
ruins true refuge. (2004)
Redgate, Roger
The New Cello, Vol 2: European Composers. (2015)
Redgate, Roger and Cox, Franklin
Single Combat. (2014)
Redgate, Roger and Wright, Matthew
Book Section
The Berlin sketches and Xenakis’s middle period style. (2019)
Exarchos, Dimitris
What is it like to be an improviser? (2018)
Heyde, Neil; Redgate, Christopher; Redgate, Roger and Wright, Matthew
Accommodating the threat of the machine: the act of repetition in live performance. (2013)
Peyton Jones, Jeremy
Composing music for The Zero Hour. (2013)
Peyton Jones, Jeremy
Contemporary British Music: Technique and the Compositional Process. (2018)
Redgate, Roger
Notation, Structure and Performance: Towards a Grammatology of Music. (2017)
Redgate, Roger
Composition
18 Guitars. (2009)
Peyton Jones, Jeremy
Against Oblivion (Part 1). (2007)
Peyton Jones, Jeremy
description
Against Oblivion Part 3. (2014)
Peyton Jones, Jeremy
Against Oblivion Sketches 1 & 2. (2002)
Peyton Jones, Jeremy
A Farewell to Arms. (2014)
Peyton Jones, Jeremy
The Gazetteer of World Order. (2002)
Peyton Jones, Jeremy
Halelujah. (2007)
Peyton Jones, Jeremy
Heart of Darkness. (2018)
Peyton Jones, Jeremy
In Memoriam Gat and Brodszky. (2007)
Peyton Jones, Jeremy
Out of Gat and Brodszky. (2008)
Peyton Jones, Jeremy
Sounding Boxes. (2008)
Peyton Jones, Jeremy
The Train. (2015)
Peyton Jones, Jeremy
Against Oblivion (Part 2). (2009)
Peyton Jones, Jeremy; Gale, David and Hayward, Charles
description
Endings. (2012)
Peyton Jones, Jeremy and Matthews, Kaffe
Atemkristall. (1995)
Redgate, Roger
Ausgangspunkte. (1982)
Redgate, Roger
Beuys. (1992)
Redgate, Roger
Black Icons (for solo cello and ensemble). (2011)
Redgate, Roger
Blue Scars (Film Soundtrack). (1994)
Redgate, Roger
Caprices I-VII for solo violin. (2022)
Redgate, Roger
image
Celan Songs. (1994)
Redgate, Roger
Disjecta for solo 10 string guitar. (2005)
Redgate, Roger
Eidos. (1985)
Redgate, Roger
Eos. (1984)
Redgate, Roger
Eperons. (1988)
Redgate, Roger
Feu la cendre. (1992)
Redgate, Roger
Genoi Hoios Essi. (1980)
Redgate, Roger
Graffiti. (1993)
Redgate, Roger
Inventio. (1990)
Redgate, Roger
Labyrinths for prepared piano and harpsichord/clavichord. (2008)
Redgate, Roger
Mirlitonnades. (2004)
Redgate, Roger
Monk. (2007)
Redgate, Roger
Oboe Quintet. (2005)
Redgate, Roger
Pas au-delà. (1989)
Redgate, Roger
Pierrot on the Stage of Desire. (1998)
Redgate, Roger
+R. (1991)
Redgate, Roger
Radix, Matrix. (2021)
Redgate, Roger
Residua. (2005)
Redgate, Roger
Runa. (2014)
Redgate, Roger
String Quartet No 1. (1984)
Redgate, Roger
String Quartet No 2. (1985)
Redgate, Roger
Vers-Glas. (1990)
Redgate, Roger
arc. (1999)
Redgate, Roger
écart. (2004)
Redgate, Roger
moments and contacts (Film Soundtrack). (1997)
Redgate, Roger
...of torn pathways. (1985)
Redgate, Roger
ruins true refuge. (2004)
Redgate, Roger
…still…. (2004)
Redgate, Roger
trace. (1996)
Redgate, Roger
Conference or Workshop Item
Analysis and Composition as Research. (2018)
Exarchos, Dimitris
The Berlin sketches and Xenakis's middle period style. (2017)
Exarchos, Dimitris
Concerning Sieve-based Composition. (2006)
Exarchos, Dimitris
Iannis Xenakis as Composer and Theorist. (2006)
Exarchos, Dimitris
Indeterminism in Cage & Xenakis. (2016)
Exarchos, Dimitris
Listening Outside of Time. (2012)
Exarchos, Dimitris
On the Work of Analysis and Composition. (2018)
Exarchos, Dimitris
On the Work of Modern Composition. (2018)
Exarchos, Dimitris
Roger Redgate’s Compositional Thinking and the Limits of Writing. (2017)
Exarchos, Dimitris
Scelsi, Sense, and the Musical Matter. (2019)
Exarchos, Dimitris
Sonority and Proportionality in Xenakis’s Dikhthas. (2013)
Exarchos, Dimitris
Symmetry and Periodicity in the Sieves of Xenakis’s Shaar. (2010)
Exarchos, Dimitris
Notation and Temporality in Ferneyhough and Xenakis. (2013)
Exarchos, Dimitris and Antoniadis, Pavlos
Accommodating the threat of the machine: the act of repetition in live performance. (2011)
Peyton Jones, Jeremy
Beyond Opera - sound production as theatrical action. (2012)
Peyton Jones, Jeremy
Composition, interaction and collaboration. (2012)
Peyton Jones, Jeremy
Hierarchies of creative interaction – the political aspects of collaboration between composer and improvising musicians in Against Oblivion, Part 3. (2015)
Peyton Jones, Jeremy
Liveness (for Curating Sound). (2013)
Peyton Jones, Jeremy
Repetition, narrative, and the concept of ‘endings’ (musical and metaphorical). (2011)
Peyton Jones, Jeremy
Complexity: The Precise Articulation of the Imprecise. (2020)
Redgate, Roger
Disseminative Notation and the Impurities of Performance. (2022)
Redgate, Roger
The Ideality of Time. (2016)
Redgate, Roger
Improvisation as Creative Impulse for Composition. (2022)
Redgate, Roger
Towards an Aesthetic of Resistance. (2015)
Redgate, Roger
Open in Action: Music, Computing and Open Data. (2016)
Spillane, Jeremiah; Givan, Benjamin; Hannum, Andrew and Bulley, James
Networked Comprovisation Stratagies with ZScore. (2020)
Zagorac, Slavko and Zbyszynski, Michael
