Items where Division is "Contemporary Music Research Unit"

  • Goldsmiths Departments, Centres and Research Units (28675)
  • Music (1717)
  • Contemporary Music Research Unit (137)
    Number of items at this level: 137.
    2023
  • Duo Galeano/Javaid | Roger Redgate: TAG (2009). (2023) Redgate, Roger
    • 2022
  • Caprices I-VII for solo violin. (2022) Redgate, Roger image
  • Disseminative Notation and the Impurities of Performance. (2022) Redgate, Roger
  • Improvisation as Creative Impulse for Composition. (2022) Redgate, Roger
    • 2021
  • Radix, Matrix. (2021) Redgate, Roger
    • 2020
  • Complexity: The Precise Articulation of the Imprecise. (2020) Redgate, Roger
  • Roger Redgate Lecture Presentation: Культурный Центр ЗИЛ & Gnesin Contemporary Music Week. (2020) Redgate, Roger
  • Where Are We Going? Teleological Structures in New Music. (2020) Redgate, Roger
  • Networked Comprovisation Stratagies with ZScore. (2020) Zagorac, Slavko and Zbyszynski, Michael
    • 2019
  • The Berlin sketches and Xenakis’s middle period style. (2019) Exarchos, Dimitris
  • Music's Immanent Future: The Deleuzian Turn in Music Studies. Edited by Sally Macarthur, Judy Lochhead, Jennifer Shaw. Abingdon, Oxon, Eng.: Routledge, 2016. (Review). (2019) Exarchos, Dimitris
  • Scelsi, Sense, and the Musical Matter. (2019) Exarchos, Dimitris
  • The ontology of the work: exploring the creative discourse. (2019) Redgate, Roger
    • 2018
  • Analysis and Composition as Research. (2018) Exarchos, Dimitris
  • On the Work of Analysis and Composition. (2018) Exarchos, Dimitris
  • On the Work of Modern Composition. (2018) Exarchos, Dimitris
  • The Skin of Spectral Time in Grisey's Le Noir de l’Étoile. (2018) Exarchos, Dimitris picture_as_pdf
  • What is it like to be an improviser? (2018) Heyde, Neil; Redgate, Christopher; Redgate, Roger and Wright, Matthew
  • Heart of Darkness. (2018) Peyton Jones, Jeremy
  • Heart of Darkness. (2018) Peyton Jones, Jeremy
  • Contemporary British Music: Technique and the Compositional Process. (2018) Redgate, Roger
    • 2017
  • The Berlin sketches and Xenakis's middle period style. (2017) Exarchos, Dimitris
  • Reconceiving Structure in Contemporary Music: New Tools in Music Theory and Analysis. By Judy Lochhead (Review). (2017) Exarchos, Dimitris
  • Roger Redgate’s Compositional Thinking and the Limits of Writing. (2017) Exarchos, Dimitris
  • Grid. (2017) Hollis, Simon and Exarchos, Dimitris
  • Emergent Material: Reinventing the Compositional Process. (2017) Redgate, Roger
  • Notation, Structure and Performance: Towards a Grammatology of Music. (2017) Redgate, Roger
    • 2016
  • Indeterminism in Cage & Xenakis. (2016) Exarchos, Dimitris
  • Temporality in Xenakis and Ferneyhough. (2016) Exarchos, Dimitris
  • Graffiti for solo soprano sax. (2016) Redgate, Roger
  • The Ideality of Time. (2016) Redgate, Roger
  • Runa. (2016) Redgate, Roger
  • Open in Action: Music, Computing and Open Data. (2016) Spillane, Jeremiah; Givan, Benjamin; Hannum, Andrew and Bulley, James
    • 2015
  • Hierarchies of creative interaction – the political aspects of collaboration between composer and improvising musicians in Against Oblivion, Part 3. (2015) Peyton Jones, Jeremy
  • The Train. (2015) Peyton Jones, Jeremy
  • The Train. (2015) Peyton Jones, Jeremy
  • Towards an Aesthetic of Resistance. (2015) Redgate, Roger
  • The New Cello, Vol 2: European Composers. (2015) Redgate, Roger and Cox, Franklin
    • 2014
  • Xenakis, Sound, and the City. (2014) Exarchos, Dimitris
  • Against Oblivion Part 3. (2014) Peyton Jones, Jeremy
  • Against Oblivion Part 3. (2014) Peyton Jones, Jeremy
  • A Farewell to Arms. (2014) Peyton Jones, Jeremy
  • A Farewell to Arms. (2014) Peyton Jones, Jeremy
  • Black Icons. (2014) Redgate, Roger
  • Concerto for Improvising Soloist and Two Ensembles. (2014) Redgate, Roger
  • Eperons. (2014) Redgate, Roger
  • Runa. (2014) Redgate, Roger
  • Single Combat. (2014) Redgate, Roger and Wright, Matthew
    • 2013
  • Sonority and Proportionality in Xenakis’s Dikhthas. (2013) Exarchos, Dimitris
  • Notation and Temporality in Ferneyhough and Xenakis. (2013) Exarchos, Dimitris and Antoniadis, Pavlos
  • Accommodating the threat of the machine: the act of repetition in live performance. (2013) Peyton Jones, Jeremy
  • Composing music for The Zero Hour. (2013) Peyton Jones, Jeremy
  • Liveness (for Curating Sound). (2013) Peyton Jones, Jeremy
  • Soundtrack for The Zero Hour. (2013) Peyton Jones, Jeremy
  • The Zero Hour (aka Stunde Null). (2013) Peyton Jones, Jeremy; Brooks, Pete; Quick, Andrew and Wainwright, Simon
    • 2012
  • Jilted. (2012) Bernard, Emma; Gough, Orlando; Pappenheim, Melanie and Askew, Rebecca
  • Listening Outside of Time. (2012) Exarchos, Dimitris
  • Beyond Opera - sound production as theatrical action. (2012) Peyton Jones, Jeremy
  • Composition, interaction and collaboration. (2012) Peyton Jones, Jeremy
  • The Zero Hour (aka Stunde Null). (2012) Peyton Jones, Jeremy; Brooks, Pete; Quick, Andrew and Wainwright, Simon
  • Endings. (2012) Peyton Jones, Jeremy and Matthews, Kaffe
  • Endings. (2012) Peyton Jones, Jeremy and Matthews, Kaffe
  • Endings. (2012) Peyton Jones, Jeremy and Matthews, Kaffe
  • Endings. (2012) Peyton Jones, Jeremy and Matthews, Kaffe
  • Endings (Live recording). (2012) Peyton Jones, Jeremy and Matthews, Kaffe
    • 2011
  • Proceedings of the Xenakis International Symposium. (2011)
  • Sieve Analysis and Construction: Theory and Implementation. (2011) Exarchos, Dimitris and Jones, Daniel
  • Accommodating the threat of the machine: the act of repetition in live performance. (2011) Peyton Jones, Jeremy
  • Repetition, narrative, and the concept of ‘endings’ (musical and metaphorical). (2011) Peyton Jones, Jeremy
  • Sounding Boxes. (2011) Peyton Jones, Jeremy
  • Sounding Boxes. (2011) Peyton Jones, Jeremy
  • Black Icons (for solo cello and ensemble). (2011) Redgate, Roger
    • 2010
  • Notation, improvisation, writing: The early music of Roger Redgate. (2010) Exarchos, Dimitris
  • Symmetry and Periodicity in the Sieves of Xenakis’s Shaar. (2010) Exarchos, Dimitris
  • NEW SOUNDS Guitar Multiples: 18 Guitars. (2010) Peyton Jones, Jeremy
    • 2009
  • 18 Guitars. (2009) Peyton Jones, Jeremy
  • Against Oblivion (Part 1). (2009) Peyton Jones, Jeremy
  • Hot Milk Madonna film score. (2009) Peyton Jones, Jeremy html
  • The Multiplier: Jeremy Peyton Jones Guitar Ensemble works for multiple electric guitars. (2009) Peyton Jones, Jeremy
  • NEW SOUNDS Minimal Borrowing: Purcell Manoeuvres, No. 2, Purcell Manoeuvres, No. 4, War Dance No. 1. (2009) Peyton Jones, Jeremy
  • Against Oblivion (Part 2). (2009) Peyton Jones, Jeremy; Gale, David and Hayward, Charles description
  • Against Oblivion (Part 2), Tete a Tete Opera Festival: Regular Music II. (2009) Peyton Jones, Jeremy; Gale, David and Hayward, Charles
  • Eperons. (2009) Redgate, Roger
  • Oboe Quintet. (2009) Redgate, Roger
  • Residua. (2009) Redgate, Roger
    • 2008
  • Iannis Xenakis and Sieve Theory: An Analysis of the Late Music (1984-1993). (2008) Exarchos, Dimitris
  • Iannis Xenakis’s Writing and Outside-Time Musical Structures. (2008) Exarchos, Dimitris and Stamos, Yannis
  • Out of Gat and Brodszky. (2008) Peyton Jones, Jeremy
  • Sounding Boxes. (2008) Peyton Jones, Jeremy
  • Sounding Boxes. (2008) Peyton Jones, Jeremy
  • Labyrinths for prepared piano and harpsichord/clavichord. (2008) Redgate, Roger
  • Roger Redgate Complete Piano Music Recording. (2008) Redgate, Roger
    • 2007
  • Against Oblivion (Part 1). (2007) Peyton Jones, Jeremy description
  • Halelujah. (2007) Peyton Jones, Jeremy
  • In Memoriam Gat and Brodszky. (2007) Peyton Jones, Jeremy
  • NEW SOUNDS New Music from the UK: The Third Dream. (2007) Peyton Jones, Jeremy
  • Monk. (2007) Redgate, Roger
    • 2006
  • Concerning Sieve-based Composition. (2006) Exarchos, Dimitris
  • Iannis Xenakis as Composer and Theorist. (2006) Exarchos, Dimitris
    • 2005
  • Disjecta for solo 10 string guitar. (2005) Redgate, Roger
  • Oboe Quintet. (2005) Redgate, Roger
  • +R. (2005) Redgate, Roger
  • Residua. (2005) Redgate, Roger
  • mirlitonnades. (2005) Redgate, Roger
    • 2004
  • Mirlitonnades. (2004) Redgate, Roger
  • écart. (2004) Redgate, Roger
  • ruins true refuge. (2004) Redgate, Roger
  • ruins true refuge. (2004) Redgate, Roger
  • …still…. (2004) Redgate, Roger
    • 2002
  • Against Oblivion Sketches 1 & 2. (2002) Peyton Jones, Jeremy
  • The Gazetteer of World Order. (2002) Peyton Jones, Jeremy
    • 2001
  • Brian Ferneyhough's etudes transcendantales. (2001) Redgate, Roger
    • 2000
  • Marginalisierung und Subversion. (2000) Redgate, Roger
    • 1999
  • Neue Musik in Grossbritannien: Ein Situationsbericht. (1999) Redgate, Roger
  • arc. (1999) Redgate, Roger
    • 1998
  • Pierrot on the Stage of Desire. (1998) Redgate, Roger
    • 1997
  • moments and contacts (Film Soundtrack). (1997) Redgate, Roger
    • 1996
  • trace. (1996) Redgate, Roger
    • 1995
  • Atemkristall. (1995) Redgate, Roger
  • Ferneyhough as teacher. (1995) Redgate, Roger
    • 1994
  • Blue Scars (Film Soundtrack). (1994) Redgate, Roger
  • Celan Songs. (1994) Redgate, Roger
    • 1993
  • Graffiti. (1993) Redgate, Roger
    • 1992
  • Beuys. (1992) Redgate, Roger
  • Feu la cendre. (1992) Redgate, Roger
    • 1991
  • +R. (1991) Redgate, Roger
    • 1990
  • Inventio. (1990) Redgate, Roger
  • Vers-Glas. (1990) Redgate, Roger
    • 1989
  • Pas au-delà. (1989) Redgate, Roger
    • 1988
  • Eperons. (1988) Redgate, Roger
    • 1985
  • Eidos. (1985) Redgate, Roger
  • String Quartet No 2. (1985) Redgate, Roger
  • ...of torn pathways. (1985) Redgate, Roger
    • 1984
  • Eos. (1984) Redgate, Roger
  • String Quartet No 1. (1984) Redgate, Roger
    • 1982
  • Ausgangspunkte. (1982) Redgate, Roger
    • 1980
  • Genoi Hoios Essi. (1980) Redgate, Roger