Items where Division is "Music"

  • Goldsmiths Departments, Centres and Research Units (28675)
  • Music (1717)
  • Afghanistan Music Unit (AMU) (15)
  • Centre for Russian Music (38)
  • Contemporary Music Research Unit (137)
  • Popular Music Research Unit (95)
  • Unit for Sound Practice Research (321)
    Number of items at this level: 1436.
    2025
  • A Collaborative Genesis: Behind the Music of The Rite. (2025) Alexander, Tamsin picture_as_pdf
  • The Embodied Stimming Wheel (Beta Version). (2025) Danon, Nina and Gallagher, Niamh
  • Fostering Sensory Divergences in Ambiance Theory: from auraldiversity discourse towards multisensory experience(s). (2025) Drever, John L.; Rosas-Pérez, Carmen; Radicchi, Antonella and Cobianchi, Mattia picture_as_pdf
  • Methodology of Authentic Bodies: Diverse Embodiment and Disabled Identity in String Performance Practice. (2025) Gallagher, Niamh video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Figure 5.1: 'Der Blumenstrauß', H-U 49 (audio and video). (2025) Hensel, Fanny description
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Der Blumenstrauß, H-U 49. (2025) Hensel, Fanny; Parker-Langston, Tim and Ellis, Genevieve description
  • Investigating the Human-Machine Relationship in Contemporary Music-Making with Artificial Intelligence: Reconceptualising Liveness Beyond Recording Technology. (2025) Kato, Mui picture_as_pdf
  • The Challenge of Music History: 10 Works from the 'Musical Canon' and Their Meanings. (2025) Matsumoto, Naomi
  • Dreaming of Wagner: Performing Gluck and the Aspiration for a National Theatre in Japan. (2025) Matsumoto, Naomi description
  • "Madama Butterfly": Prospettive occidentali e giapponesi a confronto. (2025) Matsumoto, Naomi picture_as_pdf
  • Puccini's 'Madama Butterfly' and the Puccini-esque in Japan: Adaptation, Popularisation and the Search for the Cultural Fusion. (2025) Matsumoto, Naomi picture_as_pdf
  • Book Review: Made in Hong Kong: Studies in Popular Music. (2025) Negus, Keith
  • ‘Súy Vân Feigns Madness’: Canonisation and Creativity in Vietnamese Music Theatre. (2025) Norton, Barley picture_as_pdf
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Appendix C: A life in practice data. (2025) Parker-Langston, Tim picture_as_pdf
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Appendix D: Documentation of my practice of Fanny’s songs and the types of practice engaged. (2025) Parker-Langston, Tim picture_as_pdf
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Figure 5.5: Der Blumenstrauß, H-U 49 Analysis. (2025) Parker-Langston, Tim picture_as_pdf
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Figures 7.17–7.21. (2025) Parker-Langston, Tim description
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 1. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 10. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 11. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 12. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 13. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 14. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 15. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 16. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 17 (new). (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 18. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 19. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 2. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 20. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 21. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 22. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 23. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 24. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 25. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 26. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 27. (2025) Parker-Langston, Tim picture_as_pdf
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 28. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 29. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 3. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 30. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 31. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 32. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 33. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 4. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 5. (2025) Parker-Langston, Tim picture_as_pdf
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 6. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 7. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 8. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 9. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Phenomenotechnical Folder 9. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Portfolio D: Website – henselsongsonline.org. (2025) Parker-Langston, Tim picture_as_pdf
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Video files. (2025) Parker-Langston, Tim video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – figures 7.13–7.16. (2025) Parker-Langston, Tim video_file
  • Phenomenotechnical Folder 17. (2025) Parker-Langston, Tim image
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Appendix E: 'Die sanften Tage' and 'Der Blumenstrauß': an infrastructure of practice. (2025) Parker-Langston, Tim and Hensel, Fanny picture_as_pdf
    • 2024
  • Guest Editor's Introduction to "Spaces of Dancing". (2024)
  • Talking History: Tchaikovsky. (2024) Alexander, Tamsin; Bullock, Philip Ross and Crilly, Ciarán
  • From dancefloors to tables: socially distanced clubbing, temporary urbanism, and the gentrification of London's nightlife. (2024) Assiter, Ben
  • Night Moves in a Changing City: Transformations to the Spaces and Times of London’s Electronic Dance Music Cultures. (2024) Assiter, Ben
  • Teaching music theory in UK higher education today: contexts and commentaries. (2024) Attah, Tom; Cavett, Esther; Dueck, Byron; Miller, Sue and Redhead, L
  • Lily Greenham: An Art of Living. (2024) Bulley, James
  • Practice research. (2024) Bulley, James
  • Christophe Ballard/Michel Richard de Lalande Ballet de La Jeunesse. (2024) Canova-Green, Marie-Claude and Matsumoto, Naomi picture_as_pdf
  • Exoticism or Eclecticism? Carnival at Court and the Mascarade du Roy de la Chine. (2024) Canova-Green, Marie-Claude and Matsumoto, Naomi picture_as_pdf
  • Hearing and listening with dementia: Auraldiversity, sonic ethnography, and personhood. (2024) Cook, Christopher picture_as_pdf
  • More-than-Machine Listening: Sound, Data, and Molluscs. (2024) Damianakis, Konstantinos
  • Spiralling Out of a Shell: Fictioning more-than-machine listening. (2024) Damianakis, Konstantinos
  • Aural Diverse Spatial Perception: From Paracusis to Panacusis Loci. (2024) Drever, John L.
  • Hearing and Listening with Eevee – bridging the auraldiversity of a dog and a human. (2024) Drever, John L.
  • On Listening Back to “Soundscapes in Particular [Autumn 2023]". (2024) Drever, John L. picture_as_pdf
  • Seaton Snook and the building of a parafictional seaside town. (2024) Falconer, Peter
  • Sonic Socialities: compositional voice in/as ensemble microtradition. (2024) Freed, Moss
  • The Listening Wall at Distrito 350 Gallery, Guadalajara, Mexico. (2024) Garrelfs, Iris
  • Musings on mycelic creative practice. (2024) Garrelfs, Iris grid_on
  • Scores for Listening #8: How does one blade of grass sound. (2024) Garrelfs, Iris
  • Destabilised Composing - Re-thinking Instrumental Practices. (2024) Halperin-Kaddari, Bnaya
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – 'Die sanften Tage', H-U 75 (Donne, Let Her Music Play). (2024) Hensel, Fanny and Parker-Langston, Tim description
  • Austrian Science Fund (FWF) - Evaluation "Paper and Copyists in Viennese Opera Scores, 1725–59". (2024) Joncus, Berta picture_as_pdf
  • BBC Music Magazine. Reviews by Berta Joncus. (2024) Joncus, Berta
  • BBC Young Musician 2024. (2024) Jones, Hannah Catherine
  • All Fidelity. (2024) Kampman, Anneke
  • Figures of Capital: Music-video as Immanent Critique. (2024) Kampman, Anneke
  • Technology and Contemporary Classical Music: Methodologies in Practice-Based Research. (2024) Kanga, Zubin; Dyer, Mark; Rowley, Caitlin; Packham, Jonathan; Benjamin, Mira; Climent, Ricardo; Gioti, Artemi-Maria; Gorton, David; Hayden, Sam; Howard, Emily; Hunt, Edmund; Laidlow, Robert; McLaughlin, Scott; Nickel, Luke and Redhead, L
  • The Critical Song of Serge Gainsbourg. (2024) Kennedy-McCracken, Caroline
  • The Body in Digital Musical Instrument Design. (2024) Kirby, Jenn
  • Spiral: a two-player entangled performance system. (2024) Kirby, Jenn
  • Representing Insanity and the Crisis of Identity through Henry Purcell's 'Bess of Bedlam'. (2024) Matsumoto, Naomi
  • we are environments for each other. (2024) McLaughlin, Scott; Benjamin, Mira and Kanga, Zubin image
  • Calendar of London Concerts 1893–1914. (2024) McVeigh, Simon
  • Concert Life and Programming. (2024) McVeigh, Simon
  • Music in Edwardian London. (2024) McVeigh, Simon
  • Music in Edwardian London. (2024) McVeigh, Simon
  • Perspectives on cultural economy: personal, institutional, historical. (2024) Negus, Keith
  • Dự án “Khí hậu của âm thanh” (phần tiếp theo) (The “Climate of Sound” Project Continued). (2024) Norton, Barley picture_as_pdf
  • Intimacy in Ethnographic Film: Listening to How to Improve the World by Nguyễn Trinh Thi. (2024) Norton, Barley
  • Liệu nghệ thuật hát chèo có nên được bảo vệ như di sản văn hoá phi vật thể? Một số suy tư phản biện về việc phong thánh và tính sáng tạo. [Should Chèo Music Theatre be Safeguarded as Intangible Cultural Heritage? Some Critical Reflections on Canonisation and Creativity]. (2024) Norton, Barley
  • Đôi lời giới thiệu về dự án “Khí hậu của âm thanh: Phát triển năng lực nghiên cứu trong nghệ thuật đương đại và di sản văn hóa trong thời kỳ biến đổi môi trường” (Introducing “The Climate of Sound: Developing Research Capacity in the Contemporary Arts and Cultural Heritage in Times of Environmental Change”. (2024) Norton, Barley picture_as_pdf
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – #HENSEL: The Concert. (2024) Parker-Langston, Tim audio_file
  • 54 stops, grésillement, alphabet des rauschens: collaboration and/as performance autoethnography. (2024) Redhead, L
  • Listening Intertextually in Beat Furrer's Music Theatre Works. (2024) Redhead, L
  • Sound as a Method: Creative Textual Practices as Critical Re-writings. (2024) Redhead, L picture_as_pdf
  • thinking through knowing through doing. (2024) Redhead, L
  • what are notes anyway? (2024) Redhead, L; Kirby, Jenn and Zaldua, Alistair video_file
  • Re/Sounding Spaces: Listening Across Audiovisual Culture. (2024) Rogers, Holly
  • “The Shock of Time”: Hauntological Echoes of La Folia in Max Richter’s Woolf Works. (2024) Rogers, Holly picture_as_pdf
  • Identifying the Vicwardian Continuum in British Popular Music: Working-Class Performance and Cultural Continuity, 1945-1979. (2024) Saywood, Laurence
  • Looking for Lily Greenham. (2024) Stonehouse, Ian
  • Comprov Exposition Recording. (2024) Zagorac, Slavko
  • Comprov Full Score. (2024) Zagorac, Slavko
  • Comprov Workshop Recording. (2024) Zagorac, Slavko
  • Comprov ZScore Package. (2024) Zagorac, Slavko folder_zip
  • Comprov, Dynamic Notation Overlays Walkthrough. (2024) Zagorac, Slavko
  • Networked Music Composition and Performance. (2024) Zagorac, Slavko
  • Red Mass Full Score. (2024) Zagorac, Slavko
  • Red Mass Workshop Recording. (2024) Zagorac, Slavko
  • Socket Dialogues Full Score. (2024) Zagorac, Slavko
  • Socket Dialogues Performance Recording 1. (2024) Zagorac, Slavko video_file
  • Socket Dialogues Performance Recording 2. (2024) Zagorac, Slavko video_file
  • Socket Dialogues ZScore Package. (2024) Zagorac, Slavko folder_zip
  • Ukodus Full Score. (2024) Zagorac, Slavko
  • Ukodus Score Follow. (2024) Zagorac, Slavko
  • Ukodus System Overview and Workshop Recording. (2024) Zagorac, Slavko
  • Ukodus ZScore Package. (2024) Zagorac, Slavko folder_zip
  • Union Rose Full Score. (2024) Zagorac, Slavko
  • Union Rose Performance Recording. (2024) Zagorac, Slavko
  • Union Rose Score Follow. (2024) Zagorac, Slavko
  • Union Rose ZScore Package. (2024) Zagorac, Slavko folder_zip
  • Union Rose, Setup Instructions Video. (2024) Zagorac, Slavko
  • Vexilla Full Score. (2024) Zagorac, Slavko
  • Vexilla Performance Recording. (2024) Zagorac, Slavko
  • Vexilla Score Follow. (2024) Zagorac, Slavko
  • Vexilla ZScore Package. (2024) Zagorac, Slavko folder_zip
  • From cultural intermediaries to platform adaptors: the transformation of music planning and artist acquisition in the Chinese music industry. (2024) Zhang, Qian and Negus, Keith
    • 2023
  • Remediating Sound: Repeatable Culture, YouTube and Music. (2023)
  • Tsarist Russia and the Musical World. (2023)
  • YouTube and Music: Online Culture and Everyday Life. (2023)
  • Cosmopolitan Connections: Yevgeny Onegin as realist drame lyrique in Nice. (2023) Alexander, Tamsin
  • Tsarist Russia and the Musical World: Introduction. (2023) Alexander, Tamsin and Helmers, Rutger
  • Morton Feldman: Violin and String Quartet. (2023) Benjamin, Mira
  • Testimony. (2023) Bulley, James
  • Enclave FESTIVAL DE POESÍA EXPERIMENTAL EDICIÓN 2023. (2023) Ceron, Rocio and Garrelfs, Iris
  • Guochao music and new Chinese identities: Gender, generation, and nation. (2023) Chen, Yuting and Negus, Keith
  • Cats Like Plain Crisps. (2023) Clover, Catherine
  • When London goes quiet, it’s time for the artists to sound out the city. (2023) Cobianchi, Mattia and Halperin-Kaddari, Bnaya
  • Auraldiversity and Urban Sound. (2023) Drever, John L.
  • Auraltypical/Auraldiverse: from hearing as universal to hearing in particular. (2023) Drever, John L.
  • BBC Radio 3 Sunday Feature – Tuner of the World. (2023) Drever, John L.
  • Deptford Soundwalk. (2023) Drever, John L.
  • On Acoustic Ecology. (2023) Drever, John L.
  • Paracusis Loci to Otoloci– Spatial Perception in Auraldiversity. (2023) Drever, John L.
  • Re-Walking and Re-Hearing the Deptford Soundwalk. (2023) Drever, John L.
  • The Rest Is Just Noise: Auraldiversity with John Drever. (2023) Drever, John L.
  • Setting Foot on the Dreams of Euclid. (2023) Drever, John L.
  • Timothy Drever / Tim Robinson – nature and nurture. (2023) Drever, John L.
  • Auraldiversity: Do you hear differently? (2023) Drever, John L. and Bharat, Vinita
  • Paisajes sonoros en particular [Otoño 2023] / Soundscapes in Particular [Autumn 2023]. (2023) Drever, John L. and Lara, Rossana
  • Compositional Voice in/as Ensemble Microtradition: Collective Self-Organisation as Compositional Approach. (2023) Freed, Moss
  • Hidden Hand (for Terry Riley). (2023) Freed, Moss
  • Hidden Hand (for Terry Riley). (2023) Freed, Moss
  • Union Division: 'Micromotives'. (2023) Freed, Moss
  • Union Division: 'Micromotives' Performance. (2023) Freed, Moss
  • Union of Egoists (for Anthony Braxton). (2023) Freed, Moss
  • Unprecedented Times (for Pauline Oliveros). (2023) Freed, Moss
  • Infinity Kisses 23. (2023) Garrelfs, Iris
  • Infinity Kisses 23 Live. (2023) Garrelfs, Iris
  • Scores for Listening #5: What does yellow sound like? (2023) Garrelfs, Iris
  • Artists' Syllabus - Cats Like Plain Crisps. (2023) Garrelfs, Iris; Clover, Catherine and Bartley, Roseanne
  • Carolee Schneemann’s Cats. (2023) Garrelfs, Iris; Clover, Catherine; Yang, Yeung; Jones, Shauna; Corringham, Viv; Bartley, Roseanne and Roseanne, Johanna
  • Sincere, Authentic, Remediated: The Affective Labour and Cross Cultural Remediations of Music Video Reaction Videos on YouTube. (2023) Goddard, M N
  • Becoming Noise Music: Style, Aesthetics, History. (2023) Graham, Stephen
  • Familiarity Breeds Consent? Distance and Dependence in Fringe Music Writing. (2023) Graham, Stephen picture_as_pdf
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – 'Die sanften Tage', H-U 75 (PureGold 2023). (2023) Hensel, Fanny video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – 'Der Blumenstrauß', H-U 49 (sheet music). (2023) Hensel, Fanny and Parker-Langston, Tim picture_as_pdf
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – 'Umsonst', H-U 206 (score). (2023) Hensel, Fanny and Parker-Langston, Tim picture_as_pdf
  • Abolitionism and the Arts in the Long Eighteenth Century. Symposium and Concert at Columbia University 6 May 2023. (2023) Joncus, Berta image
  • British Abolition Song Exported: Sounding Sentiment in Early America. (2023) Joncus, Berta
  • Musical Abolitionism. (2023) Joncus, Berta
  • Baby-G. (2023) Kampman, Anneke
  • An Endless Archive. (2023) Kampman, Anneke
  • Science and Technology. (2023) Kampman, Anneke
  • Charlotte Keeffe Right Here, Right Now Quartet: ALIVE! in the studio. (2023) Keeffe, Charlotte
  • Approaches for Working with the Body in the Design of Electronic Music Performance Systems. (2023) Kirby, Jenn
  • BBC Radio 3, New Music Show - Performance. (2023) Kirby, Jenn
  • Body Fragmented. (2023) Kirby, Jenn
  • DataFlex: a DIY motion-sensing glove. (2023) Kirby, Jenn
  • Melding Streams. (2023) Kirby, Jenn video_file
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Appendix A: Hensel: Lieder original artwork. (2023) Matheson, Kirsty picture_as_pdf
  • Music Historiography: How and why music history has been written. (2023) Matsumoto, Naomi picture_as_pdf
  • Realising Arianna: the Problematic Accompaniments of Claudio Monteverdi's Lamento d'Arianna. (2023) Matsumoto, Naomi
  • Representational Conventions and Varieties of Operatic Madness: The Gap between Dramaturgy and Diagnosis. (2023) Matsumoto, Naomi picture_as_pdf
  • Visible Music. (2023) Moreno, Louis; Rekret, Paul; George, Edward; Sharma, Ash and Kampman, Anneke
  • Beyond Retromania: Reimagining Historical Consciousness in British, Italian, and Argentinian Popular Music. (2023) Mozzetta, Fiamma picture_as_pdf
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Appendix B: Annotated scores and texts used for Hensel: Lieder. (2023) Parker-Langston, Tim picture_as_pdf
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – 'Die sanften Tage', H-U 75, Ab major. (2023) Parker-Langston, Tim and Hensel, Fanny picture_as_pdf
  • Hensel: Lieder. (2023) Parker-Langston, Tim; Parker, Jennifer; Ellis, Genevieve; Coleman, Jâms; Gilford, Ewan; Wake-Edwards, Stephanie; Jones, David and Hensel, Fanny audio_file
  • Leverhulme Trust Major Research Fellowship (£145,059): Popular Music in the British Home, 1945-90: Technology, Experience and Daily Life. (2023) Perchard, Tom
  • ‘Developing Live-interactive Approaches to New Music for Organ and Electronics Through Collaboration’. (2023) Redhead, L
  • The Practice of Practice Research. (2023) Redhead, L video_file
  • “I feel like I’ve heard it before”: The Audiovisual Echoes of YouTube. (2023) Rogers, Holly
  • Listening Through Social Media: Soundscape Composition, Collaboration and Networked Sonic Elongation. (2023) Rogers, Holly
  • “Welcome to your world”: YouTube and the Reconfiguration of Music’s Gatekeepers. (2023) Rogers, Holly
  • Django’s Worlds: Exploring Influence, Mediation and Genre Formation in the Music of Django Reinhardt and the Genre of Jazz Manouche. (2023) Spillane, Jeremiah picture_as_pdf
  • Lily Greenham - English Wikipedia entry. (2023) Stonehouse, Ian
  • Contingency Dialectics in Fashion-Opera. (2023) White, Alastair
  • Creating an Oriental Fantasy: Transnational Game Production and New Nationalism in Honor of Kings. (2023) Zheng, Zhou and Negus, Keith
  • John Zorn's Bagatelles - Sam Eastmond, Vol. 16. (2023) Zorn, John and Eastmond, Sam
    • 2022
  • 'Musicology on Screen' Special Issue. (2022)
  • Agency through Plainchant: Nuns of Florence, 1550-1650. (2022) Breckon, Lois
  • Mindful playing: a practice research investigation into shakuhachi playing and meditation. (2022) Day, Kiku
  • Aural Diverse: Hearing within Responsible Soundscapes of Tourism and Hospitality. (2022) Drever, John L.
  • Auraldiversity - from hearing as universal to hearing in particular. (2022) Drever, John L.
  • Clairaudience meets Auraldiversity. (2022) Drever, John L.
  • Creating A Buzz! (2022) Drever, John L.
  • Excuse英國腔! E49: London Street Noises. (2022) Drever, John L.
  • Field Recording and Noise Abatement. (2022) Drever, John L.
  • London Street Noises. (2022) Drever, John L.
  • Phonating Hand Dryers: exploits in product and environmental acoustics, and aural diverse composition and co-composition. (2022) Drever, John L.
  • Towards an auraldiverse practice. (2022) Drever, John L.
  • Aural Diversity. (2022) Drever, John L. and Hugill, Andrew
  • Aural Diversity: General Introduction. (2022) Drever, John L. and Hugill, Andrew
  • Mothratorium. (2022) Drever, John L. and Murdin, Alex
  • Let Spin performances. (2022) Freed, Moss
  • North Sea Swim. (2022) Freed, Moss description
  • North Sea Swim. (2022) Freed, Moss
  • Theremin Gong Bath. (2022) Freed, Moss
  • Let Spin broadcasts. (2022) Freed, Moss; Goller, Ruth; Williams, Chris and Panter, Finlay
  • Let Spin: 'Thick as Thieves'. (2022) Freed, Moss; Williams, Chris; Goller, Ruth and Panter, Finlay
  • Broadcasts featuring Moss Freed (guitar). (2022) Freed, Moss; Zorn, John; Eastmond, Sam and Keeffe, Charlotte
  • A Celebration Concert remembering Jeremy Peyton Jones. (2022) Gardiner, Ian R.
  • Field recordings an the Voice. (2022) Garrelfs, Iris
  • Fieldrecordings and the Voice: Framework - Resonance FM radio broadcast. (2022) Garrelfs, Iris
  • Fieldrecordings and the Voice: Framework - WGXC 90.7-FM radio broadcast. (2022) Garrelfs, Iris
  • Thameside Soundwalk - show. (2022) Garrelfs, Iris
  • Voice in field recording based practices. (2022) Garrelfs, Iris
  • The Vinyl Revival and the Music Industry. (2022) Gofton, Peter
  • Ulyssess Journey - In Context. (2022) Graham, Stephen
  • Êcliaithe Man Tchoeu [Light Up My Heart]: Applied Ethnomusicology and the Revitalisation of the Endangered Language of Jèrriais. (2022) Hanby, Christopher Lawrence
  • The Black Servant and Kitty Clive: Unsettling Relations in the Playhouse. (2022) Joncus, Berta
  • Juror BBC Music Magazine Awards 2022. (2022) Joncus, Berta
  • Prom 10: Music for Royal Occasions. (2022) Joncus, Berta
  • “Zealous partisans of both, I think, must have applauded”: Kitty Clive, Regina Mingotti and Mimic Italian Song. (2022) Joncus, Berta
  • Sound design for the opera composer: concepts and methods. (2022) Jones, Elfyn
  • Re-structing Feeling: Form as Contradiction in Rosalia’s ‘Motomami’. (2022) Kampman, Anneke
  • TESTCARD. (2022) Kampman, Anneke and Simensky, Nastassja
  • Five Sonic Artists Practices and Experiences in Lock-down. (2022) Kirby, Jenn
  • Joy: a handheld controller. (2022) Kirby, Jenn
  • Ravel. (2022) Kirby, Jenn
  • music: a movement. (2022) Kirby, Jenn
  • Deux Ancolies, Les Lilas qui avaient fleuri, Si tout ceci n'est qu'un pauvre. From Clairières dans le ciel, song cycle for soprano and piano. (2022) Krivenski, Maria and Darwin, Carola
  • Critical Edition of Anonymous, Lo Spedale. (2022) Matsumoto, Naomi picture_as_pdf
  • Notice sur l'établissement de la musique. (2022) Matsumoto, Naomi
  • Piano Manufacturers and Concert Promotion in Edwardian London: New Light on the Broadwood Concerts (1902-1912). (2022) McVeigh, Simon
  • Screaming, like a bell. (2022) Mwamba, Corey and Elcombe, Chris
  • Voice of The Vibraphone: Hit it! (2022) Mwamba, Corey and Elcombe, Chris
  • Voice of The Vibraphone: To reach all the notes. (2022) Mwamba, Corey and Elcombe, Chris
  • Authenticity, empathy, and the creative imagination. (2022) Negus, Keith and Astor, Pete
  • Postcolonial paths of pop: a suburban psychogeography of George Michael and Wham! (2022) Negus, Keith and Sledmere, Adrian
  • Ignaz Moscheles' reception in the nineteenth century and his influence on concert life. (2022) Nourou, Sevasti picture_as_pdf
  • AtmosActions: An Interactive Audiovisual Installation for a Human/Weather Interface. (2022) Okumura, Hiromi; Williams, Valerie; Kirby, Jenn; Jobson, Thomas B and Vaughan, Joseph
  • Twentieth-Century Music in the West. (2022) Perchard, Tom; Graham, Stephen; Rutherford-Johnson, Tim and Rogers, Holly
  • Something for Your Mind, Your Body and Your Soul. Timbre and Meaning in Electronic Dance Music. (2022) Perevedentseva, Maria picture_as_pdf
  • And Then He Asked Me. (2022) Peyton Jones, Jeremy and Gardiner, Ian R.
  • Going Down. (2022) Peyton Jones, Jeremy and Gardiner, Ian R.
  • Tuning. (2022) Peyton Jones, Jeremy and Gardiner, Ian R.
  • Caprices I-VII for solo violin. (2022) Redgate, Roger image
  • Disseminative Notation and the Impurities of Performance. (2022) Redgate, Roger
  • Improvisation as Creative Impulse for Composition. (2022) Redgate, Roger
  • Creative Textual Practices as Critical Re-writings. (2022) Redhead, L
  • Iterative Processes: Notating, Composing, and Performing as Journey Forms. (2022) Redhead, L picture_as_pdf
  • Music Composition and Epistemic Injustice. (2022) Redhead, L
  • ‘Nothing Really Changes’: Material Processes in and as Time in hearmleoþ—gieddunga. (2022) Redhead, L description
  • Using Collaborative Event Ethnography to Explore Embodied Approaches to Performing Experimental Music. (2022) Redhead, L video_file
  • hearmleoþ-gieddunga (research portfolio). (2022) Redhead, L
  • the octopus (research portfolio). (2022) Redhead, L
  • the whale: Creative Textual Practices. (2022) Redhead, L
  • Canons. (2022) Rogers, Holly
  • Instruments. (2022) Rogers, Holly
  • Music and the Moving Image. (2022) Rogers, Holly
  • Recording and Production. (2022) Rogers, Holly
  • Contemporary Audiovisualities, Intermediality and Remediation. (2022) Rogers, Holly; Alvim, Luíza and Paiva Chaves, Renan
  • The Spaces Beyond: Experimenting with the Theory of Audiovisual Concrète. (2022) Rogers, Holly and Britton, Heather
  • Everyone Is Musical: a contemporary ethnography of ‘third-wave’ ukulele musicking, online and offline. (2022) Winston, Emma
    • 2021
  • Cybermedia: Explorations in Science, Sound, and Vision. (2021) description
  • Practice Research - Report 1: What is practice research? and Report 2: How can practice research be shared? (2021) Bulley, James and Sahin, Ozden
  • What is practice research? & How can practice research be shared? (2021) Bulley, James and Sahin, Ozden
  • Adaptive soundscape design for liveable urban spaces: a hybrid methodology across environmental acoustics and sonic art. (2021) Cobianchi, Mattia; Drever, John L. and Lavia, Lisa
  • Inclusivity and diversity issues in soundscape and participatory action research. (2021) Cobianchi, Mattia and Rosas-Pérez, Carmen picture_as_pdf
  • Shaka by Sidiki Dembelé [Arranger Ian Gardiner]. (2021) Dembelé, Sidiki and Gardiner, Ian R.
  • London Street Noises: A Ground-Breaking Field Recording Campaign from 1928. (2021) Drever, John L.; Cobianchi, Mattia and Yildirim, Aysegul
  • Sounding the River Quaggy. (2021) Drever, John L.; Jackson, Emma; Rondel, Louise; Weleminsky, Carter Joseph; Cook, Christopher; Cobianchi, Mattia and Leadley, Marcus
  • Another Berceuse (for SB). (2021) Gardiner, Ian R.
  • Compendium. (2021) Gardiner, Ian R.
  • Fugue (from British Museum). (2021) Gardiner, Ian R.
  • Acts of air: reshaping the urban sonic. (2021) Garrelfs, Iris
  • "Breathing Through Wires" at THE HORSE IMPROVISED MUSIC CLUB. (2021) Garrelfs, Iris
  • Fieldrecordings and the Voice. (2021) Garrelfs, Iris
  • "The Listening Wall" at Polymedialer Ponyhof, Berlin, Germany. (2021) Garrelfs, Iris
  • Thameside Soundwalk. (2021) Garrelfs, Iris
  • "The Listening Wall" at Polymedialer Ponyhof, PERFORMANCE Berlin, Germany. (2021) Garrelfs, Iris and Emler, Katrin
  • Summer’s Gone: Late Style and Popular Music. (2021) Graham, Stephen
  • The Archimedes Principle by Will Gregory [arranged and adapted by Ian Gardiner]. (2021) Gregory, William and Gardiner, Ian R. picture_as_pdf
  • “My songs lie unheeded and unknown...”: Fanny Hensel's Lieder in Reparative Practice Research – Portolio C – Fanny Hensel: The Collected Songs. (2021) Hensel, Fanny and Parker-Langston, Tim picture_as_pdf
  • Celebrity Songster v. Justice Woodcock: Love in a Village (1762), or Sexual Predators on Trial. (2021) Joncus, Berta
  • Georgian Group Event. 'Kitty Clive, or the Fair Songster'. Online Lecture Berta Joncus. (2021) Joncus, Berta
  • Handel in the Drawing-room: Women of Quality as Influencers of Britain's Music. (2021) Joncus, Berta
  • The Handel-Senesino Rivalry. (2021) Joncus, Berta
  • Howard Serwer Memorial Lecture. 'Posterity vs Celebrity: Handel Studies and the 21st Century'. (2021) Joncus, Berta
  • Material Benefits of the Immaterial: Academic Publishing in the Digisphere. (2021) Joncus, Berta
  • Material Benefits of the Immaterial: Academic Publishing in the Digisphere. CHASE Doctoral Training Day, 10 September 2021. (2021) Joncus, Berta
  • Review of Donald Burrows et al., eds., 'George Frideric Handel Collected Documents, Volume 4: 1742–1750'. (2021) Joncus, Berta
  • Negative Product Media: Music-video as Immanent Critique. (2021) Kampman, Anneke
  • Legacy is. (2021) Kirby, Jenn audio_file
  • Performer Agency in Live Electronic Music. (2021) Kirby, Jenn
  • Bambara by Simo Lagnawi [Arrangers Ian Gardiner, Peter Riley, Abel Selaocoe, Alan Keary]. (2021) Lagnawi, Simo
  • Dounia Lafou by Simo Lagnawi [Arrangers Ian Gardiner, Peter Riley, Abel Selaocoe, Alan Keary]. (2021) Lagnawi, Simo and Gardiner, Ian R.
  • Madam Butterfly and the Forging of Japanese Identity. (2021) Matsumoto, Naomi picture_as_pdf
  • The Concept Album as Curatorial 'Medium': Colin Riley's "In Place". (2021) McKeon, EJ
  • Composing Technique, Performing Technique. (2021) McLaughlin, Scott; Kanga, Zubin and Benjamin, Mira
  • Wilhelm Cramer, the Professional Concert, and the Foundation of the Modern Symphony Orchestra. (2021) McVeigh, Simon
  • Ethnomusicology and Filmmaking. (2021) Norton, Barley
  • Member of the REF 2021 Sub-panel 33 (2018-2021). (2021) Norton, Barley
  • Composing with Matter: Interdisciplinary Explorations Between the Natural and the Artificial. (2021) Ohno, Mari
  • Beyond the Text: Capturing the Reality of the Image. (2021) Redgate, Roger
  • Radix, Matrix. (2021) Redgate, Roger
  • Language as a Material Process. (2021) Redhead, L
  • Performing ‘the radicality of unknowing who we are becoming’. (2021) Redhead, L
  • Practice Research: Accessibility and Reproducibility Enhancing searchability: archiving practice research. (2021) Redhead, L
  • Audiovisual Noise in Transmedial Culture. (2021) Rogers, Holly image
  • Sinestesia distorta. (2021) Rogers, Holly html
  • Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film. (2021) Rogers, Holly
  • Twisted Synaesthesia. (2021) Rogers, Holly html
  • Ben Salisbury: Scoring Science for Alex Garland. (2021) Rogers, Holly; McGrath, John; Vernallis, Carol and Chapman, Dale
  • Terence Nance: Random Acts of Flyness. (2021) Rogers, Holly and Vernallis, Carol picture_as_pdf
  • Ka Bohaleng by Abel Selaocoe [Arrangers Ian Gardiner, Peter Riley]. (2021) Selaocoe, Abel and Gardiner, Ian R.
  • Qhawe by Abel Selaocoe [Arranger Ian Gardiner]. (2021) Selaocoe, Abel and Gardiner, Ian R.
  • Zawose by Abel Selaocoe [Arranger Ian Gardiner]. (2021) Selaocoe, Abel and Gardiner, Ian R.
  • Pirate mentality: How London radio has shaped creative practice in grime music. (2021) de Lacey, Alex
    • 2020
  • Musik und Sprache: Music/Language/Speech. (2020)
  • Sonic Scope: New Approaches to Audiovisual Culture. (2020)
  • Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. (2020)
  • My Heart is a River. (2020) Abtan, Freida
  • No Screenshots on the Dance Floor. (2020) Assiter, Ben html
  • Travels with Alex: Music for viola obbligato and various ensembles. (2020) Bolley, Richard picture_as_pdf
  • Haïnamady Town by Toumani Diabaté [adaptation by Ian Gardiner]. (2020) Diabaté, Toumani and Gardiner, Ian R.
  • Moon Kaira by Toumani Diabaté [adaptation by Ian Gardiner]. (2020) Diabaté, Toumani and Gardiner, Ian R.
  • Sanitary Soundscapes: The Noise Effects From Ultra-Rapid “Ecological” Hand Dryers on Vulnerable Subgroups. (2020) Drever, John
  • Tinnitus, Auraldiversity and the Arts. (2020) Drever, John L.
  • thread (version for solo piano). (2020) Gardiner, Ian R.
  • zugzwang. (2020) Gardiner, Ian R. picture_as_pdf
  • "Breathing Through Wires" at BEASTdome/ CrossCurrents+ The Dome mini festival, The Bramall, Birmingham University. (2020) Garrelfs, Iris
  • Virtual Listening Wall for the Royal Musical Association´s 56th Annual Conference. (2020) Garrelfs, Iris
  • "Virtual Listening Wall" at the 56th RMA annual conference, part of the "Listening Wall" project. (2020) Garrelfs, Iris
  • Fixing her Reputation: Giulia Frasi and her Ranelagh Garden Concerts. (2020) Joncus, Berta picture_as_pdf
  • Record Review/New Releases Berta Joncus on Baroque and Beyond‘ BBC Radio 3. (2020) Joncus, Berta
  • ‘When Farce and when Musick can eke out a Play’: Ballad Opera and Theatre’s Commerce. (2020) Joncus, Berta picture_as_pdf
  • Love in a Village: A Comic Opera. (2020) Joncus, Berta; Ozmo, Žak and Rogers, Vanessa html
  • The Analysis and Performance of Minimalist Keyboard Music: Three Case Studies. (2020) Kean, Paul David
  • When A Mouth Is A Gun: Complicating Gendered Bodies In Song-based Work. (2020) Kennedy-McCracken, Caroline
  • Being Time. (2020) Kirby, Jenn
  • Dichotomies of Lockdown. (2020) Kirby, Jenn
  • Hear to Listen. (2020) Kirby, Jenn
  • Hear to Listen: Performance System. (2020) Kirby, Jenn
  • Live Electronics: Performer Agency and Audience Reception. (2020) Kirby, Jenn
  • Music from Beyond the Curtain: Soviet Recordings and Cold War Cultural Relations, 1950s – 70s. (2020) Kondrashina, Evgeniya
  • Review of the proposal manuscript Classical Music: Perspectives on the state of the art. (2020) Krivenski, Maria picture_as_pdf
  • SPACE / SOUND / BODY: A new collective subjectivity in church and cathedral spaces / Extended, hyper and augmented organ. (2020) Lekkerkerker, Jacob
  • Creative Realisation in Collaborative Composition: Exploring Hulusi Embellishing Techniques in 21st Century Flute Repertoire. (2020) Lin, Lin
  • The Other Reversed? Japan’s Assimilation of Carmen, 1885 to 1945. (2020) Matsumoto, Naomi
  • The Nineteenth-Century Concert Series: a Contested Space. (2020) McVeigh, Simon
  • Rescuing a Heritage Database: Some Lessons from London Concert Life in the Eighteenth Century. (2020) McVeigh, Simon
  • From the Benefit Concert to the Solo Song Recital in London, 1870-1914. (2020) McVeigh, Simon and Weber, William
  • Facilitating Heterarchic Collaboration: Practice-led Research and the Promotion of Egalitarian Compositional Creativity. (2020) Murray, Sam
  • Make a Silence - Musical Dialogues in Asia, Journal of Anthropological Films Vol 4, No 2 (2020). (2020) Norton, Barley
  • Member of the Society for Ethnomusicology Council (Elected for 3-year Term, 2017-2020). (2020) Norton, Barley
  • Mê Thảo Thời Vang Bóng (The Glorious Time in Mê Thảo Hamlet). 2002. Directed by Việt Linh, 108 minutes. Vietnam: Hãng Phim Giải Phóng (Liberation Film Company). [Film Review]. (2020) Norton, Barley picture_as_pdf
  • Review of the CD 'Hoạ Âm Xưa' by Saigon Soul Revival, Saigon Supersound. (2020) Norton, Barley picture_as_pdf
  • Story 1 - The Sound of Gongs in Mơ H'ra Village - Gong Ensemble. (2020) Norton, Barley html
  • Story 1 – The Sound of Gongs in Mơ H’ra Village - Đinh H’mưnh Song. (2020) Norton, Barley html
  • Story 2 - The Future of Tradition. (2020) Norton, Barley html
  • Story 3 - Lost Legends in Paradise: The Hanoi New Music Festival. (2020) Norton, Barley html
  • Story 4 - Beatboxing versus traditional drumming. (2020) Norton, Barley html
  • "Sự Truyền Tải Bằng Hình Thức Nghe Nhìn Của Di Sản Văn Hoá Trong Xã Hội Đương Đại" [“The Audiovisual Mediation of Cultural Heritage in Contemporary Society”]. (2020) Norton, Barley picture_as_pdf
  • Heritage of Future Past - Story Collection. (2020) Norton, Barley and Hoang, Van Chung picture_as_pdf
  • Where Are We Going? Teleological Structures in New Music. (2020) Redgate, Roger
  • Introduction: Musik und Sprache: Music/Language/Speech. (2020) Redhead, L
  • Language as a Material Process. (2020) Redhead, L
  • Vibrant Echoes: A Material Semiotics of the Voice in Music by Iris Garrelfs and Marlo Eggplant. (2020) Redhead, L
  • hearmleoþ-gieddunga: temporal and material layeredness. (2020) Redhead, L
  • the octopus. (2020) Redhead, L audio_file
  • vox humana. (2020) Redhead, L and Zaldua, Alistair
  • Locked Down Listening / Communal Re-Imagination. (2020) Rogers, Holly html
  • Sonic Elongation: Creative Audition in Documentary Film. (2020) Rogers, Holly
  • [Book Review] 'When Genres Collide: Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock' By Matt Brennan. 2017, Bloomsbury Academic. (2020) Spillane, Jeremiah
  • [Book Review] Jazz Diaspora: Music and Globalisation By Bruce Johnson (2019). (2020) Spillane, Jeremiah
  • [Book Review] The Global Politics of Jazz in the Twentieth Century: Cultural Diplomacy and "American Music" (Routledge Advances in International Relations and Global Politics) 1st Edition by Yoshio Saito. (2020) Spillane, Jeremiah
  • ‘Footprints: Considering the environmental impact of the 2019 Galway Jazz Festival’. (2020) Spillane, Jeremiah
  • Jazz Manouche. (2020) Spillane, Jeremiah
  • Lines on Music [podcast]: Ep. 4 - Street Music. (2020) Spillane, Jeremiah
  • Billie Holiday and the Gendered Politics of Jazz Creativity. (2020) Taylor, Jasmin
  • Networked Comprovisation Stratagies with ZScore. (2020) Zagorac, Slavko and Zbyszynski, Michael
  • Mitchell Ohriner, "Flow: The Rhythmic Voice in Rap Music". (2020) de Lacey, A
  • ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact. (2020) de Lacey, Alex
  • Level Up: Live Performance and Collective Creativity in Grime Music. (2020) de Lacey, Alex
  • ‘Wot do u call it? Doof doof’: Articulations of glocality in Australian grime music. (2020) de Lacey, Alex
    • 2019
  • Review: Rimsky-Korsakov and his World. Ed. by Marina Frolova-Walker. (2019) Alexander, Tamsin
  • Cultural Crossroads: British Film Music in the 1930s. (2019) Bennett, Alexis
  • Nature, wilderness and ecological awareness: Exploration, experience and the creation of audiovisual artworks of a mountain. (2019) Blom, Tine
  • Space Oddity by David Bowie [Arranger Ian Gardiner]. (2019) Bowie, David and Gardiner, Ian R.
  • Making Practice Research Visible & Open. (2019) Bulley, James and Sahin, Ozden
  • Practice Research: Proposition and Form. (2019) Bulley, James and Sahin, Ozden
  • Crowdsourcing and Scholarly Culture: Understanding Expertise in an Age of Popularism. (2019) Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert
  • Danses des Adolescentes (version for 2 pianos, 8 hands). (2019) Gardiner, Ian R.
  • Danses des Adolescentes (version for 6 pianos). (2019) Gardiner, Ian R.
  • The Late Show (version for 2 pianos, 8 hands). (2019) Gardiner, Ian R.
  • The Late Show (version for 6 pianos). (2019) Gardiner, Ian R. picture_as_pdf
  • bells across the meadows. (2019) Gardiner, Ian R. picture_as_pdf
  • brexitmeansbrexit. (2019) Gardiner, Ian R.
  • thread. (2019) Gardiner, Ian R.
  • Electropixel 2019. (2019) Garrelfs, Iris
  • "Lauschen" at Iklectik. (2019) Garrelfs, Iris
  • "Lauschen" by Iris Garrelfs at Fly By Night, Hundred Years Gallery, December 2019. (2019) Garrelfs, Iris
  • Lauschen: improvised voice and wearable electronics in mobile performance. (2019) Garrelfs, Iris
  • The Listening Wall, at Musikkens Hus, Aalborg, Denmark. (2019) Garrelfs, Iris
  • bodily interaction in vocal performance. (2019) Garrelfs, Iris
  • override: An experiment in interrupting the congruity of audio-visual relationships‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬. (2019) Garrelfs, Iris
  • Introduction to Max/MSP. (2019) Garrelfs, Iris and Aslan, Jess
  • From Microphone to the Wire: Cultural change in 1970s and 1980s music writing. (2019) Graham, Stephen description
  • Naturalising Semiramide in 1842: Adaptation, Spectacle and English Prima Donnas. (2019) Hutchinson, Catherine Lucy Jean
  • Appropriation and Activism: “Negro Song” and English Abolitionists c1770–1800. (2019) Joncus, Berta
  • "Charity as well as Skill in Music": Galatea, Giulia Frasi, and Self-Staging at Ranelagh Garden Concerts. (2019) Joncus, Berta
  • For the Benefit of Kitty Clive. (2019) Joncus, Berta
  • ‘For the Benefit of Kitty Clive’. Lecture-concert. Being Human Festival, Foundling Museum. Book launch trailer. (2019) Joncus, Berta
  • In Tune, BBC Radio 3: 'Berta Joncus in conversation with Sean Rafferty about her book Kitty Clive, or The Fair Songster'. (2019) Joncus, Berta
  • Kitty Clive, or The Fair Songster. (2019) Joncus, Berta
  • Opera on 3. BBC Radio 3, ‘Mozart’s Don Giovanni. Presented by Tom Service in conversation with Berta Joncus’. (2019) Joncus, Berta
  • ‘Such and so great was the Affection he bare to Musick’: Hearing London's Eighteenth-century Black Community. (2019) Joncus, Berta and Meyers, Amy
  • Ella. (2019) Kampman, Anneke
  • Four Decades of Selling Time. (2019) Kampman, Anneke
  • Labour's Own Sounding Ideal. (2019) Kampman, Anneke
  • Labour’s Own Sounding Ideal Presentation. (2019) Kampman, Anneke
  • Sleeping Lions. (2019) Kampman, Anneke
  • Slogan of a Living Person. (2019) Kampman, Anneke
  • www.labour'sownsoundingideal.co.uk. (2019) Kampman, Anneke
  • Defining and Evaluating the Performance of Electronic Music. (2019) Kirby, Jenn
  • Design Considerations for Digital Instruments. (2019) Kirby, Jenn
  • Digital Instrument Design. (2019) Kirby, Jenn
  • Listening to Stories. (2019) Kirby, Jenn
  • The Phonetics Project. (2019) Kirby, Jenn
  • Becoming a musical performer: Conceptions of the classical musician promoted at university. (2019) Krivenski, Maria
  • The Mad Scene: Portrayals of Insanity in Opera. (2019) Matsumoto, Naomi
  • “Brightening the lives of the people on Sunday”: the National Sunday League and Liberal Attitudes towards Concert Promotion in Victorian Britain. (2019) McVeigh, Simon
  • Feature article “Dispatch from Vietnam”. (2019) Norton, Barley picture_as_pdf
  • Filming Music as Heritage: The Cultural Politics of Audiovisual Representation. (2019) Norton, Barley
  • Review of the CD 'Saigon Supersound, 1964-75 Volume 2', INFRACom! (2019) Norton, Barley picture_as_pdf
  • Review of the CD 'Streams' by Nguyên Lê Quartet, ACT. (2019) Norton, Barley picture_as_pdf
  • Review of the CD 'The Art of the Vietnamese Zither: Đàn Tranh' by Tri Nguyen, ARC Music. (2019) Norton, Barley picture_as_pdf
  • Introduction: Historical and Ethnographic Perspectives on Music as Heritage. (2019) Norton, Barley and Matsumoto, Naomi
  • Sketching a New Tonality: A Preliminary Assessment of Steve Reich’s Sketches for Music for 18 Musicians in Telling the Story of This Work’s Approach to Tonality. (2019) Potter, Keith
  • When is an Orchestra not an Orchestra? (2019) Redgate, Roger
  • Chris Newman’s Song to God (1994) for Solo Organ: Blurred Repetition, Visual Communication, and Embodied Information. (2019) Redhead, L
  • The Medium is Now the Material: The ‘Folklore’ of Chris Newman and Michael Finnissy. (2019) Redhead, L
  • The Whale. (2019) Redhead, L
  • puer natus est. (2019) Redhead, L
  • hearmleoþ-gieddunga: performance at Summit Salford, 26.09.19. (2019) Redhead, L and Zaldua, Alistair audio_file
  • The Rhythmic Idea and the Musical Representation of Time. (2019) Rodrigues, Indioney Carneiro
  • Audio-visual Collisions: Moving Image Technology and the Laterna Magika Aesthetic in New Music Theatre. (2019) Rogers, Holly description
  • The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch. (2019) Rogers, Holly
  • Re-Contextualising Beethoven’s Violin Concerto, Op. 61. (2019) Roy, Anupam
  • Codifying Jazz Manouche: A Brief History and Definition of Jazz Manouche in Relation to the Belgian and Dutch Manouche community. (2019) Spillane, Jeremiah
  • Documenting jazz manouche: understanding the posthumous influence of Django Reinhardt and the ongoing interpretation and codification of his music through community and performance online. (2019) Spillane, Jeremiah
  • Documenting ‘Gypsy jazz’: understanding the posthumous influence of Django Reinhardt and the ongoing interpretation and codification of his music through pedagogy and performance online. (2019) Spillane, Jeremiah
  • Lines on Music [Podcast]: Ep. 1 - Menace & Influence. (2019) Spillane, Jeremiah audio_file
  • Lines on Music [Podcast]: Ep. 2 - Recording and Representing. (2019) Spillane, Jeremiah audio_file
  • Lines on Music [podcast]: Ep. 3 - London Django Collective. (2019) Spillane, Jeremiah audio_file
  • Exploring pre-professional musicians’ experiences of a somatic movement approach as a practice method for musical phrasing. (2019) Wyers, Marilyn
    • 2018
  • Collaborative and Distributed Processes in Contemporary Music-Making. (2018)
  • Music, Sound, and the Moving Image, Volume 12, Issue 1, Spring 2018. (2018)
  • Special Issue on Sound Curating. (2018)
  • London College of Communication Visiting Practitioners Series: Freida Abtan. (2018) Abtan, Freida and B.A. Sound Arts and Design, London College of Communication
  • Freida Abtan - Examining the relationship between art practice and technology design. (2018) Abtan, Freida and JUCE, ROLI Inc.
  • The Centre for Russian Music: Inside the Collections A Barbican Music Library free exhibition. (2018) Alexander, Tamsin; Kondrashina, Evgeniya and Dixon, Gavin
  • BBC Proms Profile: Daphne Oram. (2018) Bulley, James
  • BBC Proms Profile: Still Point. (2018) Bulley, James
  • OSKA (Mini-Oramics). (2018) Bulley, James
  • 'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. (2018) Bulley, James
  • Realising Daphne Oram’s Still Point (1948). (2018) Bulley, James
  • Sounding Materiality: Explorations with music, natural systems and touch-sound-landscapes. (2018) Bulley, James
  • Still Point. (2018) Bulley, James and Feshareki, Shiva
  • Still Point. (2018) Bulley, James and Feshareki, Shiva
  • The Talking Drum. (2018) Bulley, James and Price, Astra
  • [dis]Located Space[s] (Rob Canning). (2018) Canning, R and Redhead, L
  • Berceuses Automatique No.1. (2018) Gardiner, Ian R.
  • En Blanc et Blanc. (2018) Gardiner, Ian R.
  • Trois Berceuses Automatiques. (2018) Gardiner, Ian R.
  • berceuse automatique nº 1. (2018) Gardiner, Ian R.
  • berceuse automatique nº 2. (2018) Gardiner, Ian R.
  • berceuse automatique nº 3. (2018) Gardiner, Ian R.
  • rictus 93. (2018) Gardiner, Ian R.
  • Live voice/laptop performance. (2018) Garrelfs, Iris
  • Performance of Lauschen at Fusion Arts, Oxford, by Iris Garrelfs. (2018) Garrelfs, Iris
  • Collaborative and Distributed Processing in Contemporary Music-Making: Overview. (2018) Glover, R and Redhead, L
  • Modernism for and of the Masses? On Popular Modernisms. (2018) Graham, Stephen description
  • Creating Art Song in the South Slav Territories (1900-1930s): Femininity, Nation and Performance. (2018) Grmusa, Verica
  • What is it like to be an improviser? (2018) Heyde, Neil; Redgate, Christopher; Redgate, Roger and Wright, Matthew
  • Editorial Board Member, Eighteenth-Century Music (Cambridge: Cambridge University Press, 2009–present). (2018) Joncus, Berta
  • Joseph Antonia Emidy: Encounters, not Silhouettes. (2018) Joncus, Berta
  • 'Maker not Muse: Kitty Clive or The Fair Songster'. Keynote (21 October 2018) for 'The Creation Of A Female Celebrity' Exhibition 21 September 2018 – 7 February 2019 at the Foundling Museum. Keynote with concert. Sponsored by the Bloomsbury Festival. (2018) Joncus, Berta desktop_windows
  • Panel member. François Couperin: lumière et ombre Les Talens Lyriques. (2018) Joncus, Berta
  • Dead. Air. Management. (2018) Kampman, Anneke
  • Global Contemporary ‘1989’ Edits 23.04.2018. (2018) Kampman, Anneke
  • A Library of and for Listening. (2018) Kampman, Anneke and MacBride, Cannach
  • Stepping into Stillness. (2018) Kirby, Jenn
  • L'opera dei pupi, Torneo, and Early Opera: Shared Traditions and Intangible Experiences. (2018) Matsumoto, Naomi
  • Pio Enea Obizzi: Power and Authorship. (2018) Matsumoto, Naomi
  • Academy of Ancient Music (Eighteenth Century); Programmes (of Concerts), Tartini (Giuseppe). (2018) McVeigh, Simon
  • Britain and Europe in the Time of Clementi: Cosmopolitanism and Perceptions of National Culture. (2018) McVeigh, Simon
  • Building a Concert Career in Edwardian London. (2018) McVeigh, Simon
  • Corey Mwamba and Lauren Redhead - Live at Contra Pop. (2018) Mwamba, C and Redhead, L
  • Musicians on Television at the BBC, 1936-1972. (2018) Negus, Keith
  • Chair of the British Forum for Ethnomusicology (2015-2018). (2018) Norton, Barley
  • Filming Music as Heritage. (2018) Norton, Barley
  • Linh Dung Discusses Experimental Music, Vietnam. (2018) Norton, Barley
  • Music and Censorship in Vietnam since 1954. (2018) Norton, Barley
  • Orchestrating the Nation: Court Orchestras, Nationalism and Agency in Vietnam. (2018) Norton, Barley
  • Review of the CD 'Lao Dreaming' by Wonderfeel, Skeletone. (2018) Norton, Barley
  • Hearing, Seeing, Talking, Touching: Pop Music Experiences in the Postwar British Home. (2018) Perchard, Tom
  • Towards a History of Pop Music in the 20th-Century Home. (2018) Perchard, Tom
  • Soledad & Michelangelo 70 by Astor Piazzolla [Arranger Ian Gardiner]. (2018) Piazzolla, Astor and Gardiner, Ian R.
  • Contemporary British Music: Technique and the Compositional Process. (2018) Redgate, Roger
  • Music after the Death of Art. (2018) Redgate, Roger
  • 12 fragments for transverse flute. (2018) Redhead, L
  • The Avant Garde as Exform. (2018) Redhead, L
  • A Common Method? Distributed Creativity in Composition and/as Practice Research. (2018) Redhead, L
  • humata, hukhta, huvarshta. (2018) Redhead, L
  • ijereja and entoptic landscape: Music as an Iterative Process. (2018) Redhead, L picture_as_pdf
  • ore. (2018) Redhead, L
  • hearmleoþ—gieddunga. (2018) Redhead, L; Zaldua, Alistair and Cannon, J picture_as_pdf
  • The Audio-Visuality Of Transcendental Style in Film. (2018) Scovell, Adam
  • Performing spirituality in music therapy: Towards action, context and the everyday. (2018) Tsiris, Giorgos
  • ZScore: A Distributed System For Integrated Mixed Music Composition and Performance. (2018) Zagorac, Slavko and Alessandrini, Patricia
    • 2017
  • The Music and Sound of Experimental Film. (2017) description
  • Music, Sound, and the Moving Image, Volume 11, Issue 2, Autumn 2017. (2017)
  • Illuminating Gustavus the Third and the Art of Spectacle in 1830s London. (2017) Alexander, Tamsin
  • Mosolov: Ten Artists that Shook the World. (2017) Alexander, Tamsin
  • Composing in and through the Body. (2017) Barden, Mark
  • Living Symphonies. (2017) Bulley, James
  • 'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. (2017) Bulley, James
  • RDM in the Performing Arts: Living Symphonies by Daniel Jones & James Bulley (Unit for Sound Practice Research, Goldsmiths, University of London). (2017) Bulley, James and Gray, Andrew
  • Music and Representation. (2017) Burrows, Donald and Joncus, Berta
  • Like so many things I both know and don't know. (2017) Busby, Lisa
  • New models and methods for songs. (2017) Busby, Lisa
  • Site Specific Performance. (2017) Busby, Lisa
  • Perception of Rhythmic Similarity is Asymmetrical, and is Influenced by Musical Training, Expressive Performance, and Musical Context. (2017) Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus
  • Quantum. (2017) Gardiner, Ian R.
  • Scores for Listening. (2017) Garrelfs, Iris
  • Distillation and Synthesis: Aesthetics and Practice in Rhys Chatham's Music for Electric Guitar. (2017) Gilgunn, Paul
  • The Consumption of English-language Music Videos on YouTube in Japan. (2017) Gillis-Furutaka, Amanda
  • The X Factor and Reality Television: Beyond Good and Evil. (2017) Graham, Stephen description
  • ”And Fashion Makes me sing”: Song, Celebrities and The Beggar’s Opera. (2017) Joncus, Berta
  • ‘Ballad Opera: Commercial Song in Enlightenment Garb. (2017) Joncus, Berta
  • ENO Partenope: Pre-Performance Talk. Christopher Cook in conversation with: Christian Curnyn (conductor), Hanna-Liisa Kirchin (singer), Christopher Hopkins (repetiteur), Berta Joncus (speaker). (2017) Joncus, Berta
  • From “Ellen a Roon” to “Aileen aroon”: Kitty Clive and the Irish Ballad. (2017) Joncus, Berta
  • ENO Rodelinda: pre-performance talk, recorded live at the London Coliseum on Wednesday 1 November 2017. (2017) Joncus, Berta; Webb, David and Hopkins, Chris
  • Figures. Figure. Stuck. (2017) Kampman, Anneke
  • Songs for Another Voice. (2017) Kampman, Anneke
  • Phonetics: Performance System. (2017) Kirby, Jenn
  • Giovanni Vittorio Rosi's Musical Theatre: Opera, Operetta and the Westernisation of Modern Japan. (2017) Matsumoto, Naomi
  • Goldsmiths Research Questions: How does opera represent madness? (2017) Matsumoto, Naomi
  • Member of the AHRC Peer Review College (2017-). (2017) Norton, Barley
  • Review of the CD 'Saigon Supersound, 1965-75 Volume 1', INFRACom! (2017) Norton, Barley
  • Review of the CDs 'Dengue Fever' by Dengue Fever and 'Escape from Dragon House' by Dengue Fever. TUK TUK Records. (2017) Norton, Barley
  • Vietnam: Popular Music and Censorship. (2017) Norton, Barley html
  • Experiments in Critical Music Writing. (2017) Perchard, Tom
  • Growing Old Together: Pop Studies and Music Sociology Today. (2017) Perchard, Tom
  • Historical consultant, Rock ‘n’ Roll Guns for Hire: The Story of the Sideman. BBC Films. (2017) Perchard, Tom
  • Historiography and Popular Music. (2017) Perchard, Tom
  • Reimagining Popular Music History. (2017) Perchard, Tom
  • What Next for the History of Popular Music? (2017) Perchard, Tom
  • Harmonic Progressions as a Gradual Process: towards an understanding of the development of tonality in the music of Steve Reich. (2017) Potter, Keith
  • ‘New Chaconnes for Old?’ Steve Reich’s Sketches for Variations for Winds, Strings and Keyboards, with Some Thoughts on Their Significance for the Analysis of the Composer’s Harmonic Language in the Late 1970s. (2017) Potter, Keith description
  • Introduction: The Critical Imperative. (2017) Powers, Devon and Perchard, Tom
  • Notation, Structure and Performance: Towards a Grammatology of Music. (2017) Redgate, Roger
  • a common method. (2017) Redhead, L
  • entoptic landscape and ijereja: music as an iterative process. (2017) Redhead, L
  • Performing Temporal Processes. (2017) Redhead, L; Zaldua, Alistair; Gisby, S and Stone, S
  • ‘Audio-Visual Dissonance in Found Footage Films’. (2017) Rogers, Holly description
  • The Pianoforte at the Great Exhibition of 1851: Investigating Cultural Value. (2017) Smith, Bethan Evie
  • Bebop [r]evolution: understanding the new sound of jazz in Postwar France. (2017) Spillane, Jeremiah
  • [Book Review] Blue Rhythm Fantasy: Big Band jazz Arranging in the Swing Era, by John Wriggle. University of Illinois Press. (2017) Spillane, Jeremiah
  • Djangology: Examining the posthumous influence of Django Reinhardt and the formation of “Gypsy Jazz” through pedagogy and performance online. (2017) Spillane, Jeremiah
  • Foundations of Modern Cello Technique; Creating the Basis for a Pedagogical Method. (2017) Welbanks, Valerie
  • Nightcore and the Virtues of Virtuality. (2017) Winston, Emma description
  • Sergei Prokofiev’s Violin Sonatas Op. 80 and 94bis: a historical and comparative study of manuscripts, early editions and interpretations by David Oistrakh and Joseph Szigeti. (2017) Zora, Viktoria
    • 2016
  • Music and/as Process. (2016)
  • Music, Sound, and the Moving Image, Volume 10, Issue 1, Spring 2016. (2016)
  • Thomas Arne, Judith: an Oratorio. (2016)
  • Flight of Birds (Remix). (2016) Abtan, Freida
  • Where is She: Find the Women in Electronic Music Culture. (2016) Abtan, Freida description
  • Resisting reproduction in the digital age: notes on a sonic arts practice. (2016) Alessandrini, Patricia description
  • Review: 'Wagner in Russia, Poland and the Czech Lands: Musical, Literary, and Cultural Perspectives, ed. by Stephen Muir and Anastasia Beiina-Johnson'. (2016) Alexander, Tamsin html
  • Aural Auras and Haunting Echoes: Places with complex biographies. (2016) Antoniou, Antonis
  • The British Library’s Francis Chagrin Collection: Joining the Dots. (2016) Bennett, Alexis
  • Review: "Culture and Propaganda in World War II: Music, Film and the Battle for National Identity", John Morris. (2016) Bennett, Alexis
  • Review: "Folk City: New York and the American Folk Music Revival", Stephen Petrus & Ronald D. Cohen. (2016) Bennett, Alexis
  • Review: John Richardson, An Eye for Music: Popular Music and the Audio-Visual Surreal. (2016) Bennett, Alexis
  • 'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. (2016) Bulley, James
  • Tactus: Sound Scores for the Blind and Visually Impaired. (2016) Bulley, James
  • Still Point. (2016) Bulley, James and Feshareki, Shiva
  • Planning and Producing Artworks in the Natural Environment. (2016) Bulley, James; Jones, Daniel; Forestry Commission England and Sound and Music
  • Music Encoding Initiative (Digital and Multimedia Scholarship). (2016) Crawford, Tim and Lewis, Richard
  • Spreadsheets as User Interfaces. (2016) Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert
  • Sanitary tones: ayre #2. [Dan Dryer]. (2016) Drever, John L. description
  • Porth Dances & Sings. (2016) Drever, John L. and Upton, Lawrence
  • Lauschen. (2016) Garrelfs, Iris
  • Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music. (2016) Graham, Stephen
  • Introduction. (2016) Hawes, V and Redhead, L
  • 'Becoming One Again': Music and Transnationalism in London's Sri Lankan Tamil Diaspora. (2016) Hornabrook, Jasmine
  • I Will Leave You Now and this Loudspeaker Will Take My Place. (2016) Johnston, Nessa and Kampman, Anneke picture_as_pdf
  • Eleventh Stanley Sadie Memorial Lecture. 'Handel and London's Playhouse Stars' 7 March 2016. Handel & Hendrix House in London. (2016) Joncus, Berta
  • Record Review. BBC Radio 3, ‘Handel: Alcina’. (2016) Joncus, Berta
  • Scoring for Celebrity: The Authority of the Vocalist in Love in a Village (1762). (2016) Joncus, Berta
  • Where Blips of Light Called Players Disintegrate. (2016) Kampman, Anneke
  • Inside and outside the institution: Women Pioneers of Electronic Music. (2016) Kampman, Anneke and Dickson, Jane
  • Transition: Performance System. (2016) Kirby, Jenn
  • Swansea Laptop Orchestra: Composing for Laptops. (2016) Kirby, Jenn and Kilshaw, Simon
  • Motivating Stroke Rehabilitation Through Music: A Feasibility Study Using Digital Musical Instruments in the Home. (2016) Kirk, Pedro; Grierson, Mick; Bodak, Rebeka; Ward, Nick; Brander, Fran; Kelly, Kate; Newman, Nicholas and Stewart, Lauren
  • Scriabin Sonata-Fantasy op. 19 n. 2 on Record: A Comparative Study of Sound Recordings and Piano Rolls. (2016) Kounadi, Anna
  • "Ghost Writing”: an Exploration of Presence and Absence in Lucia di Lammermoor (1835)’. (2016) Matsumoto, Naomi
  • The Prince of Wales, Giardini and Pleyel: Searching for the Source of the Public String Quartet in London Concert Life. (2016) McVeigh, Simon
  • The Cadenzas to Beethoven’s Piano Concertos: Compositional Processes and Early Performance Traditions. (2016) Mosley, Kathryn J
  • The Mediations of Music and Alcohol. (2016) Negus, Keith and Street, John
  • External Examiner for Music programmes at K.M. Music Conservatory in Chennai, India, validated by Middlesex University (2012-16). (2016) Norton, Barley
  • 'Music, Ethnicity and Heritage: A Comparison of Then and Lên đồng Rituals in Vietnam (Âm nhạc, Tộc người và Di Sản: So sánh giữa nghi lễ Then và Lên đồng của Việt Nam)'. (2016) Norton, Barley
  • Review of "Sounding Out Heritage: Cultural Politics and the Social Practice of Quan Ho Folk Song in Northern Vietnam" by Lauren Meeker (University of Hawaii Press, 2013). (2016) Norton, Barley
  • Review of the CD 'Khmer Rouge Survivors: They Will Kill You, If You Cry', Glitterbeat Records. (2016) Norton, Barley
  • FEATUR.UX: exploiting multitrack information for artistic visualization. (2016) Olowe, Ireti; Barthet, Mathieu; Grierson, Mick and Bryan-Kinns, Nick
  • Historical consultant, Things Called Jazz that are Not Jazz. BBC Radio 4. (2016) Perchard, Tom
  • The Look of Listening: Audio Technology and the British Home, 1955-70. (2016) Perchard, Tom
  • Programme guest, Jazz Now. BBC Radio 3. (2016) Perchard, Tom
  • Towards a History of Pop Music in the British Home. (2016) Perchard, Tom
  • Utopia in the Living Room. (2016) Perchard, Tom
  • Bot Party. (2016) Perry, Phoenix and Abtan, Freida
  • On the Nature of Subjectivity in Music Analysis: some observations on analysing an early score by Philip Glass. (2016) Potter, Keith; Wilkins, Suzie and Wiggins, Geraint
  • Graffiti for solo soprano sax. (2016) Redgate, Roger
  • String Quartet No. 4. (2016) Redgate, Roger picture_as_pdf
  • Ijereja - Music as an interative process performance lecture. (2016) Redhead, L video_file
  • Notation as Process: 
Interpretation of Open Scores 
and the ‘Journey Form’. (2016) Redhead, L
  • for Luc Brewaeys. (2016) Redhead, L
  • ijereja. (2016) Redhead, L
  • The Organ as Live Interface. (2016) Redhead, L and Zaldua, Alistair
  • ‘The Public Will Only Believe the Truth If It Is Shot in 3D’ Michel van der Aa, ‘Nine Years in an Ophanage’ (Zenna), Sunken Garden, Scene 6. (2016) Rogers, Holly description
  • Beyoncé’s Lemonade: She Dreams in Both Worlds. (2016) Rogers, Holly; Vernallis, Carol and Perott, Lisa
  • New Approaches to Sound, Music and Media. (2016) Rogers, Holly; Vernallis, Carol and Perrott, Lisa
  • Intermezzo 1, for live electronics. (2016) Rosani, Silvia
  • Intermezzo 1, for live electronics (6 channels). (2016) Rosani, Silvia
  • Intermezzo 2, for live electronics (4 channels). (2016) Rosani, Silvia
  • Intermezzo 2, for live electronics. (2016) Rosani, Silvia
  • Intermezzo 3, for live electronics. (2016) Rosani, Silvia
  • Intermezzo 3, for live electronics (6 channels). (2016) Rosani, Silvia
  • Li Rin. (2016) Rosani, Silvia
  • Li Rin, for soprano and piano. (2016) Rosani, Silvia
  • Magnifying lenses: How the spectral analysis of the voice – human and animal – can be used to strengthen the connection between text and music. (2016) Rosani, Silvia
  • No doubt they can feel pain. (2016) Rosani, Silvia
  • No doubt they can feel pain. (2016) Rosani, Silvia audio_file
  • T-O for five voices, performed at Onassis Cultural Centre in Athens by the Neue Vocalsolisten. (2016) Rosani, Silvia html
  • T-O for five voices, performed by the Neue Vocalsolisten at the Onassis Cultural Centre in Athens (Greece). (2016) Rosani, Silvia
  • T-O for five voices. Performed by Neue Vocalsolisten at Centro Kursaal (San Sebastian). (2016) Rosani, Silvia
  • White Mask, for solo cello. (2016) Rosani, Silvia
  • White Mask, for solo cello. (2016) Rosani, Silvia
  • Controller. (2016) Rosani, Silvia; Tóth, Kinga and Bolm, Andreas
  • Controller, video and stereo fixed media. (2016) Rosani, Silvia; Tóth, Kinga and Bolm, Andreas description
  • Transatlantic Swing: The Influence of Louis Armstrong on Django Reinhardt and the Development of Jazz in France. (2016) Spillane, Jeremiah
  • Open in Action: Music, Computing and Open Data. (2016) Spillane, Jeremiah; Givan, Benjamin; Hannum, Andrew and Bulley, James
  • Composing with Schizo-narratives and Sonic Chorographies: The Territory of Disembodied Voices and the Perception of Acousmatic Identities. (2016) Spinelli, Emmanuel
    • 2015
  • Music, Sound, and the Moving Image, Volume 9, Issue 1, Spring 2015. (2015)
  • Staging Verdi and Wagner. (2015) picture_as_pdf
  • Decentralising via Russia: Glinka’s A Life for the Tsar in Nice, 1890. (2015) Alexander, Tamsin
  • Review: 'A Musician Divided: Andre Tchaikowsky in his own words'. (2015) Alexander, Tamsin
  • Tales of Cultural Transfer: Russian Opera Abroad, 1866-1906. (2015) Alexander, Tamsin
  • /’(h)weTH: VOICE - BREATH - BODY - FORM/S. (2015) Armstrong, R and Redhead, L
  • Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part II. (2015) Artamonova, Elena
  • Basic Channel and Timelessness: Negotiating Canonisation, Resemblance and Repetition in House and Techno. (2015) Assiter, Ben
  • Music Directors And Composers In British Cinema Of The 1930s: The Creative Process And Working Musical Relationships. (2015) Bennett, Alexis
  • Re-question, Reset : Portfolio of compositions accompanied by a written commentary. (2015) Bosnic, Maja
  • Tactus No.1. (2015) Bulley, James
  • Sanitary Soundscapes: The Noise Effects From Ultra-Rapid “Ecological” Hand Dryers On Vulnerable Subgroups In Publicly Accessible Toilets. (2015) Drever, John L.
  • Sensitive Hearing in an Auraltypical World. (2015) Drever, John L.
  • Sublime-sound-of-the-one-hand [Ryōan-ji]. (2015) Drever, John L.
  • Acoustic ecology of great places. (2015) Drever, John L. and Cook, Christopher
  • Listening Outside of Time. (2015) Exarchos, Dimitris
  • Breathing Through Wires. (2015) Garrelfs, Iris
  • Boogie Nights: Joe Cutler, Danserye: Michael Wolters, Kathrine and Peter Play the Recorder: Michael Wolters (CD Review). (2015) Graham, Stephen
  • Frank Zappa and the And. Edited by Paul Carr (Book Review). (2015) Graham, Stephen
  • Historical Documents of the Irish Avant-Garde. (2015) Graham, Stephen
  • Annual Awards Jury Member, BBC Music Magazine. (2015) Joncus, Berta
  • Critic. BBC Music Magazine. Renaissance and Baroque music. (2015) Joncus, Berta
  • Critic. International Record Review. Renaissance and Baroque music. (2015) Joncus, Berta
  • From Salon to Stage: The Genius of Female Baroque Musicians. Keynote at the London Festival of Baroque Music. 15 May 2015. (2015) Joncus, Berta
  • Handel and His Eighteenth-Century Performers. Tenth Triennial Handel Institute Council. 21–23 November 2015. (2015) Joncus, Berta
  • Opera on 3. BBC Radio 3. ‘Mozart's Idomeneo’. Live broadcast from the Royal Opera House, hosted by Martin Handley. (2015) Joncus, Berta
  • Proms Extra Bach's Organ Works. BBC Proms 2015. Live broadcast with organist Daniel Hyde from the Royal College of Music. Hosted by Ian Skelly. (2015) Joncus, Berta
  • Women In Baroque Music. Woman’s Hour. BBC Radio 4. (2015) Joncus, Berta
  • Using Interactive Machine Learning to Support Interface Development Through Workshops with Disabled People. (2015) Katan, Simon; Grierson, Mick and Fiebrink, Rebecca description
  • Composing Perceivable Time. (2015) Kirby, Jenn
  • In Situ Listening:Soundscape, Site and Transphonia. (2015) Leadley, Marcus
  • English Flute School Performance Aesthetics (1706–1972): A National Style? (2015) Lewis, Lis
  • Ventriloquial Acts: Critical reflections on the art of Foley and the role of sound in social space. (2015) Lewis, Matt
  • Developing an Urban Art Music. (2015) March, Neil
  • Book Review: James Kennaway (ed.), Music and the Nerves, 1700–1900 (Basingstoke: Palgrave Macmillan, 2014),. (2015) Matsumoto, Naomi
  • Charles Marshall’s “Dioramic” Scenery: Staging Verdi in Victorian London. (2015) Matsumoto, Naomi
  • Performing Sicilianos: Selected Chamber Works and Concerto for Violin and Orchestra. (2015) Mavroudis, Anastasios Ruper Arthur
  • Ca Trù Singing in Vietnam: Revival and Innovation. (2015) Norton, Barley
  • Review of the CD 'Radio Vietnam', compiled by Mark Gergis. Sublime Frequencies. (2015) Norton, Barley
  • Roundtable contributor. (2015) Perchard, Thomas
  • Popular Music teaching at Goldsmiths. (2015) Perchard, Tom
  • The Train. (2015) Peyton Jones, Jeremy
  • Obituary: 'Roger Smalley; Composer, pianist and pupil of Karlheinz Stockhausen who became a leading figure of the European avant-garde'. (2015) Potter, Keith
  • Ausgangspunkte. (2015) Redgate, Roger
  • The New Cello, Vol 2: European Composers. (2015) Redgate, Roger and Cox, Franklin
  • The Beautiful and the Political. (2015) Redhead, L
  • 'New Music' as Patriarchal Category. (2015) Redhead, L
  • boxmusic. (2015) Redhead, L
  • parergons. (2015) Redhead, L
  • Diapason: Music for Organ and Electronics. (2015) Redhead, L and Zaldua, Alistair
  • ‘Beethoven’s Myth Sympathy: Hollywood’s Reconstruction’. (2015) Rogers, Holly description
  • ‘Colour, Tone and Improvisation: Peter Donebauer’s Musicalisation of Video’. (2015) Rogers, Holly
  • Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu. (2015) Spillane, Jeremiah
  • "Les Yeux Noirs": Django Reinhardt’s encounters with visual art. (2015) Spillane, Jeremiah
  • "Les Yeux Noirs": Django Reinhardt’s encounters with visual art. (2015) Spillane, Jeremiah
  • Russian Post-Minimalist Music: A Semiological Investigation into the Narrative Approaches employed by Alexander Knaifel between 1978 and 1994. (2015) Wilson, Tara Jane
  • Music circle: designing educational social machines for effective feedback. (2015) Yee-King, Matthew; Krivenski, Maria; Brenton, Harry and d'Inverno, Mark
  • Jani Christou’s Strychnine Lady (1967): the development of an interpretative strategy in the context of the interdisciplinary ideas surrounding its genesis. (2015) Yerosimou, Maria
  • The Concept of the Meta-Instrument and its Implementation in Pre-Composition. (2015) Zaldua, Alistair
    • 2014
  • From Soul to Hip Hop (The Library of Essays on Popular Music). (2014)
  • Music and Sound in Documentary Film. (2014)
  • Music, Sound, and the Moving Image, Volume 8, Issue 1, Spring 2014. (2014)
  • Musical Borrowing and Quotation in the Twentieth and Twenty-First Centuries. (2014)
  • SHIZENGAKU: the Search for a Coming Aesthetic. (2014)
  • Histories, Theories and Practices of Sound Art. (2014) Aceti, Lanfranco; Jefferies, Janis K.; Sondergaard, Morten; Stallabrass, Julian; Bulley, James; Drever, John L.; Munro, Jonathan; Noy, Irene and Sahin, Ozden
  • Commission for Ensemble Dal Niente. (2014) Alessandrini, Patricia
  • Inclusive music project with electronics. (2014) Alessandrini, Patricia
  • Musikfestival Heidelberger Frühling. (2014) Alessandrini, Patricia
  • Too Russian for British Ears: La Vita per lo Czar at Covent Garden, 1887. (2014) Alexander, Tamsin
  • Alexander Grechaninov and the Viola. (2014) Artamonova, Elena
  • Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part I. (2014) Artamonova, Elena
  • 20 Years of Archive Fever (Freud Museum). (2014) Atkins, Guy and Bulley, James
  • Globalization, Indianness and Neo-traditionality in Indian Contemporary Experimental Music. (2014) Bora, Menaka
  • Sound and the City (Natural History Museum). (2014) Bulley, James; Sahin, Ozden; Spinelli, Emmanuel; Tanaka, Atau; Hosang, Georgina M.; Cubitt, Sean; Drever, John L. and Kanngieser, Anja
  • A Sound Encounter of En Creux: in-between Roni Horn, Alvin Lucier, and Robert Smithson. (2014) Chung, Hsiang Ying
  • Authority and Judgement in the Digital Archive. (2014) Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon and Ridgewell, Rupert
  • Ochlophonia Hong Kong SAR: audition, speech and feedback from within the crowded soundscape. (2014) Drever, John L.
  • Sublime-sound-of-the-one-hand [Ryōan-ji]. (2014) Drever, John L.
  • A Theory of Music Analysis: On Segmentation and Associative Organization by Dora A. Hanninen (review). (2014) Exarchos, Dimitris
  • 'To Entertain the Fancy': The Orchestral Concert song in England, 1740-1800. (2014) Foster, Stephen Charles
  • 45RPM. (2014) Gardiner, Ian R.
  • Justin Timberlake’s Two-Part Complementary Forms: Groove, Extension, and Maturity in Twenty-First-Century Popular Music. (2014) Graham, Stephen
  • Untroubled Pathways (Record Review). (2014) Graham, Stephen
  • Feminism@Goldsmiths. (2014) Greenan, Althea; George, Rosalyn P.; Joncus, Berta; Richmond, Vivienne and Wolf, Nicole
  • Intentions and Interpretations: Form, Narrativity and Performance Approaches to the 19th-Century Piano Ballade. (2014) Hadjiandreou, Andri
  • An Empirical Analysis of Musical Expression in Recordings by Selected Cellists. (2014) Hong, Ju-Lee
  • Audification and Non-Standard Synthesis in Construction in Self. (2014) Ikeshiro, Ryo
  • ENO Xerxes: Pre-Performance Talk. Christopher Cook in conversation with Berta Joncus and Michael Walling, revival director. (2014) Joncus, Berta
  • Opera librettos and British politics. (2014) Joncus, Berta
  • “The Queen’s lov’d presence to each step adds life”: Caroline of Ansbach’s Musical Patronage and Dance’s Theatre. (2014) Joncus, Berta
  • Review of Suzanne Aspden, 'The Rival Sirens: Performance and Identity on Handel’s Operatic Stage'. (2014) Joncus, Berta
  • Rule Britannia! Music, Mischief and Morals in the 18th Century. (2014) Joncus, Berta
  • Ballad Opera and British double entendre: Henry Fielding’s The Mock Doctor. (2014) Joncus, Berta and Rogers, Vanessa L.
  • Interactive Performance Systems Conceptual interacting strategies in forming electroacoustic sound identities. (2014) Kalodiki, Georgia
  • Space: Performance System. (2014) Kirby, Jenn
  • Perceiving individuality in harpsichord performance. (2014) Koren, Réka and Gingras, Bruno
  • Il plagio vs "una piacevole reminiscenza al nostro orecchio". The Siege of Rochelle (1835) di Michael Balfe e il "lavoro culturale" della critica estetica. (2014) Matsumoto, Naomi
  • Michael Costa at the Haymarket: the Establishment of the Modern Role of 'The Director of Music'. (2014) Matsumoto, Naomi picture_as_pdf
  • Nature in Music, Music in Nature: Imitation, Quotation and Representation. (2014) Matsumoto, Naomi
  • Calendar of London Concerts 1750-1800. (2014) McVeigh, Simon grid_on
  • Handel in Concert: Social, National and Cultural Roles in Later Eighteenth-Century Britain. (2014) McVeigh, Simon
  • CD Review of Nostalgique Vietnam: Chansons de charme, poèmes et prières 1937-1954, Buda Musique. (2014) Norton, Barley
  • Engendering Emotion and the Environment in Vietnamese Mediumship. (2014) Norton, Barley
  • Exhibition catalogue text for the installation - "Homelands: Working the Rice, Working the Forest" by the Landscape Quartet featuring Nguyen Thanh Thuy. (2014) Norton, Barley
  • Music Revival, Ca Trù Ontologies, and Intangible Cultural Heritage in Vietnam. (2014) Norton, Barley
  • Review of the CD 'The Don Cai Tai Tu: Chamber Music of the Mekong Delta', Inedit/Maison des Cultures du Monde. (2014) Norton, Barley
  • Review of the film "This is a Music! Reclaiming an Untouchable Drum" (2010, Directed by Zoe Sherinian, DVD, 74 minutes). (2014) Norton, Barley
  • Sound Production as Theatrical Action. (2014) Peyton Jones, Jeremy
  • The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the ‘Text’. (2014) Pryer, Anthony J.
  • ‘Real’ Nature, ‘Aesthetic’ Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration (in Japanese Translation). (2014) Pryer, Anthony J.
  • Sgraffito. (2014) Redgate, Roger picture_as_pdf
  • False relationships: Nicola Lefanu, I am Bread. (2014) Redhead, L
  • Quotation and Psychogeographic Experience as Repetition in the Music of Bernhard Lang and Chico Mello. (2014) Redhead, L
  • Sound and Space: Music for Organ and Electronics. (2014) Redhead, L picture_as_pdf
  • concerto. (2014) Redhead, L
  • entoptic landscape. (2014) Redhead, L audio_file
  • ‘Music, Sound and the Nonfiction Aesthetic’. (2014) Rogers, Holly description
  • ‘The Musical Script: Norman McLaren, Animated Sound and Audiovisuality’. (2014) Rogers, Holly description
  • ‘Review: Unruly Media: YouTube, Music Video and the New Digital Cinema (Carol Vernallis); and An Eye for Music: Popular Music and the Audiovisual Surreal (John Richardson)’. (2014) Rogers, Holly
  • ‘Twisted Synaesthesia: Visual Artists and the Music Video’. (2014) Rogers, Holly picture_as_pdf
  • Silvia Rosani: T-O for two sopranos, countertenor, tenor and bass (2013). Premiere. The composition has been created within a cooperation scholarship of the Akademie Schloss Solitude. (2014) Rosani, Silvia description
  • T-O for five voices. Performed by the Neue Vocalsolisten at Biennale Venice 2014. (2014) Rosani, Silvia
  • T-O for five voices. Performed by the Neue Vocalsolisten at MATA Festival 2014. (2014) Rosani, Silvia
  • T-O for five voices. Performed by the Neue Vocalsolisten at Teatro de la Zarzuela (Madrid). (2014) Rosani, Silvia
  • Hybridized cultural musical expressions and their impact on creative musical expressions. An examination of Musette and its impact on Django Reinhardt’s creative vision and stylistic development. (2014) Spillane, Jeremiah
  • Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu. (2014) Spillane, Jeremiah
  • Mapping hybridities: exploring indigenous popular precursors to gypsy jazz. (2014) Spillane, Jeremiah
  • Forming a Musical Discourse: ‘Voice Interchangeability’ and Prolongation as Structural Devices and Means of Development. (2014) Statherou, Stamatia
  • New Approaches to Performance and the Practical Application of Techniques from Non-Western and Electro-acoustic Musics in Compositions for Solo Cello since 1950: A Personal Approach and Two Case Studies. (2014) Turner, Rebecca
  • Portfolio of Compositions for Creative Musicians and Accompanying Commentary. (2014) Wigens, Jeremy
  • Introduction: Musical Borrowing and Quotation in the Twentieth and Twenty-first Centuries. (2014) ap Sion, Pwyll and Redhead, L
    • 2013
  • Alfred Schnittke: collected works. (2013)
  • The Ashgate Research Companion on Minimalist and Postminimalist Music. (2013)
  • Music and Protest in 1968. (2013)
  • Music, Sound and the Moving Image. (2013)
  • Music, Sound, and the Moving Image, Volume 7, Issue 1, Spring 2013. (2013)
  • Music, Sound, and the Moving Image, Volume 7, Issue 2, Autumn 2013. (2013)
  • Reflections on Process in Sound Issue 2. (2013)
  • Music with a British Accent: Underscoring in British Films of the 1930s. (2013) Bennett, Alexis
  • Review: "Teaching Film, Lucy Fischer" and Patrice Petro (eds). (2013) Bennett, Alexis
  • From Design to Decline: Boosey & Hawkes and Clarinet Manufacturing in Britain, 1879-1986. (2013) Brand, Jennifer May
  • Radio Reconstructions. (2013) Bulley, James and Jones, Daniel
  • Guest Curator: Lisa Busby. (2013) Busby, Lisa
  • Charing X. (2013) Gardiner, Ian R.
  • Kaira - Ensemble version. (2013) Gardiner, Ian R.
  • Toumani Diabaté Adaptations. (2013) Gardiner, Ian R. and Diabaté, Toumani html
  • The Encyclopaedia of Music in Ireland. (2013) Graham, Stephen
  • 'Popular Music and Television in Britain' Ian Inglis (ed.). (Book Review). (2013) Graham, Stephen
  • The Smooth Space of Field Recording : Four Projects - Sonicinteractions, Doublerecordings, “Dense Boogie” and ‘For the Birds’. (2013) Hawkins, Ruth
  • Studio Composition: Live Audiovisualisation Using Emergent Generative Systems. (2013) Ikeshiro, Ryo
  • Benjamin Britten: The Complete Music for Cello Solo and Cello with Piano. (2013) Ivashkin, Alexander V.
  • John Cage in Soviet Russia 'Tempo', 66 ( 266), 2013: 1- 10. (2013) Ivashkin, Alexander V.
  • Stravinsky and Khrennikov: An Unlikely Alliance. (2013) Ivashkin, Alexander V.
  • ‘Ballad Opera’, ‘Beard, John’, ‘Beggar’s Opera’, ‘Clive, Catherine’, ‘Gay, John'. (2013) Joncus, Berta
  • Review: Stefanie Tcharos, Opera's Orbit: Musical Drama and the Influence of Opera in Arcadian Rome. (2013) Joncus, Berta
  • ‘To Propagate Sound for Sense’: Music for Diversion and Seduction at Ranelagh Gardens. (2013) Joncus, Berta
  • “United voices formed the very perfection of harmony”: Music and the Invention of Harriett Abrams (c1758–1821)’,. (2013) Joncus, Berta
  • 'United voices formed the very perfection of harmony': Music and the invention of Harriett Abrams (c.1758-1821). (2013) Joncus, Berta and Rogers, Vanessa
  • ‘Feeding back’ in musical performance: Exploring feedback practice in relation to students’ and tutors’ learning and teaching experience. (2013) Krivenski, Maria
  • The London Symphony Orchestra: the First Decade Revisited. (2013) McVeigh, Simon
  • The Composition of New Music Inspired by Music Philosophy and Musical Theoretical Writings from Ancient Greece. (2013) Morsink, Coreen
  • The Business of Musical-Instrument Making in Early Industrial London. (2013) Nex, Jennifer Susan
  • Committee Member for the Society for Ethnomusicology's 2013 Alan Merriam Prize for the most distinguished, published English-language monograph in the field of ethnomusicology. (2013) Norton, Barley
  • Engendering Emotion and the Environment in Vietnamese Music and Ritual. (2013) Norton, Barley
  • Music, Protest & the Vietnam War. (2013) Norton, Barley html
  • Vietnamese Popular Song in ‘1968’: War, Protest and Sentimentalism. (2013) Norton, Barley
  • Eric Drott, Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968-1981 (Book Review). (2013) Perchard, Tom
  • Composing music for The Zero Hour. (2013) Peyton Jones, Jeremy
  • Soundtrack for The Zero Hour. (2013) Peyton Jones, Jeremy
  • Le Minimalisme. (2013) Potter, Keith
  • Mapping Early Minimalism. (2013) Potter, Keith
  • Introduction: experimental, minimalist, postminimalist? Origins, definitions, communities. (2013) Potter, Keith; Gann, Kyle and ap Sion, Pwyll
  • Hanslick, Legal Processes and Scientific Methodologies: How Not to Construct an Ontology of Music. (2013) Pryer, Anthony J. description
  • 'Real' Nature, 'Aesthetic' Nature and the Making of Artworks: Some Challenges of Cross-Cultural Collaboration. (2013) Pryer, Anthony J.
  • ‘“Betwixt and Between” Worlds: Spatial and Temporal Liminality in Video Art-Music’. (2013) Rogers, Holly description
  • Composing with Reality: Digital Sound and Music in Documentary Film. (2013) Rogers, Holly
  • Early Music Videos and the Visual Music Scene. (2013) Rogers, Holly
  • Multimedia Art: Video Art-Music. (2013) Rogers, Holly picture_as_pdf
  • Sound and Vision. (2013) Rogers, Holly
  • Sounding the Gallery: Video and the Rise of Art Music. (2013) Rogers, Holly
  • ‘Spatial Reconfiguration in Interactive Video Art-Music’. (2013) Rogers, Holly picture_as_pdf
  • Video Art Primer. (2013) Rogers, Holly
  • Resistance music finds new shapes. (2013) Rosani, Silvia
  • Portfolio and Exegesis: Composing Through a Spectral Scope. (2013) Sophocleous, Charalambos
  • A phonomusicological approach to investigating the stylistic development Django Reinhardt. (2013) Spillane, Jeremiah
  • World Music, Creative Reinterpretation, and the East Moldavian Roma Tradition. (2013) Toledo, Alejandro
  • Forming an interpretation of the violin works of Boulez, Cage, Nono : a comparative study. (2013) Yamamoto, Mizuka
    • 2012
  • Contemplating Shostakovich: Life, Music and Film. (2012)
  • Contemplating Shostakovich: Life, Music and Film. (2012) picture_as_pdf
  • Reflections on Process in Sound Issue 1. (2012)
  • Fear of Flight. (2012) Abtan, Freida
  • For large ensemble, interactive video and electronics. (2012) Alessandrini, Patricia
  • ICElab. (2012) Alessandrini, Patricia and Carreño, Juan Pablo
  • 'An “Extraordinary Engagement”: A Russian Opera Company in Britain, 1888’. (2012) Alexander, Tamsin
  • Portfolio of compositions. (2012) Alvarez Munoz, Pedro
  • Unknown Sergey Vasilenko and his Viola compositions. (2012) Artamonova, Elena
  • Music, Memory and Belonging: Oral Tradition and Archival Engagement Among the Somali Community of London’s King’s Cross. (2012) Brinkhurst, Emma picture_as_pdf
  • Entrainment of Premotor Cortex Activity by Ambiguity in Musical Metre. (2012) Cameron, Daniel; Lindsen, Job P.; Pearce, Marcus; Wiggins, Geraint; Potter, Keith and Bhattacharya, Joydeep
  • Perception of Rhythmic Similarity in Reich’s Clapping Music: Factors and Models. (2012) Cameron, Daniel; Potter, Keith; Wiggins, Geraint and Pearce, Marcus T.
  • Schools at Home: Parental Support for Learning Mandarin as a Second or Foreign Language. (2012) Chung, Yu-Chiao
  • Shizengaku. (2012) Drever, John L.; Ishikawa, Ryo and Okada, Shuji
  • “Xenakis, Sound, and the City" [in Greek]. (2012) Exarchos, Dimitris
  • Arranger: Conlon Nancarrow, Study No. 6. (2012) Gardiner, Ian R.
  • putting two and two together. (2012) Gardiner, Ian R.
  • spinning and weaving (1st version). (2012) Gardiner, Ian R.
  • spinning and weaving (final version). (2012) Gardiner, Ian R.
  • Notes from the underground: a cultural, political, and aesthetic mapping of underground music. (2012) Graham, Stephen
  • 'Italiani in Russia: Presenza fisica e influenza virtuale sulla Musica' [ Italians in Russia: Physical Presence and Virtual Influence on Music], in Rinascimento e Antirinascimento, Gabinetto Scientifico Letterario G.P. Vieusseux. Studi, vol. 22, ed. Lucia Tonini. Firenze: Casa Editrice Leo S.Olschki, 2012, 209-218. (2012) Ivashkin, Alexander V.
  • Live Performance. (2012) Ivashkin, Alexander V. html
  • Nikolai Korndorf: Complete Music for Cello, including world premiere recordings. Compact Disc (with own liner notes). (2012) Ivashkin, Alexander V.
  • Radio Broadcast. (2012) Ivashkin, Alexander V.
  • Shostakovich, old believers and new minimalists. (2012) Ivashkin, Alexander V.
  • ‘Shostakovich. Second Cello Concerto.’ In D.D. Shostakovich, New Collected Works Critical Edition, vol. 49. Moscow: DSCH, 2012, 83–124. (2012) Ivashkin, Alexander V.
  • 'The Assemblage of every female Folly': Lavinia Fenton, Kitty Clive and the Genesis of Ballad Opera. (2012) Joncus, Berta
  • Early Music Show. BBC Radio 3, ‘Kitty Clive’, with Berta Joncus. hosted by Lucy Skeaping. (2012) Joncus, Berta
  • Editorial. (2012) Joncus, Berta
  • 'Nectar if you taste and go, poison if you stay': struggling with the Orient in eighteenth-century British musical theatre. (Forthcoming). (2012) Joncus, Berta
  • Live Electronics in Live Performance: A Performance Practice Emerging from the piano+ used in Free Improvisation. (2012) Lexer, Sebastian
  • Anonymous: Lo Spedale. (2012) Matsumoto, Naomi
  • Instrumental Music and the Industrial Revolution. (2012) Matsumoto, Naomi
  • Liner notes to Angelo Ephrikian (dir.), Jacopo Peri: L’Euridice. (2012) Matsumoto, Naomi
  • Liner notes to Cappella Marciana, Voce Mea ad Dominum: Celebrations of the 400th Anniversary of the death of G. Croce da Chioggia. (2012) Matsumoto, Naomi
  • Liner notes to Paolo Cammozzo (dir.), Laudate Dominum: Masters of the Chapel of St Mark’s. (2012) Matsumoto, Naomi
  • Liner notes to Quintetto Vocale Italiano, Gesualdo. (2012) Matsumoto, Naomi
  • Performance in the 'Long Eighteenth Century': an Overview. (2012) McVeigh, Simon
  • The Symphony in Britain. (2012) McVeigh, Simon
  • Trial by Dining Club: the Instrumental Music of Haydn, Clementi and Mozart at London's Anacreontic Society. (2012) McVeigh, Simon
  • Demystifying Galina Ustvolskaya: Critical Examination and Performance Interpretation. (2012) Nalimova, Elena
  • Narrative Time and the Popular Song. (2012) Negus, Keith
  • Narrative, Interpretation and the Popular Song. (2012) Negus, Keith
  • Review of the CD 'Saigon Rock and Soul: Vietnamese Classic Tracks 1968-1974'. SF060. (2012) Norton, Barley
  • Review of the CD 'Song Hanh' by Onno Krijn and Ngo Hong Quang. Noon Records. (2012) Norton, Barley
  • Review of the CD 'Tree of Dreams' by Huong Thanh. Buda Musique. (2012) Norton, Barley
  • Musical tradition and change on the island of Crete. (2012) Pavlopoulou, Argyro
  • AHRC Early Career Fellowship (£64,800). Jazz in France, 1934-75: Contesting the Politics of Nation, Art and World through Music. (2012) Perchard, Tom
  • Going Cold on Cool: Miles Davis and Ascenseur pour l’échafaud’. (2012) Perchard, Tom
  • Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. (2012) Perchard, Tom
  • Hugues Panassié contra Walter Benjamin: Bodies, masses and the iconic jazz recording in mid-century France. (2012) Perchard, Tom
  • Jazz Trumpet and the Semiotics of Vulnerability. (2012) Perchard, Tom
  • Miles Davis’s Music for Louis Malle’s Ascenseur pour l’échafaud (1958): Improvisation, Realism and Ideology. (2012) Perchard, Tom
  • Monk Meets the French Critics. (2012) Perchard, Tom
  • “We must expand the domain of jazz so we never have to leave it”: André Hodeir and the search for a European jazz art. (2012) Perchard, Tom
  • Claudio Monteverdi: Sacrae Cantiunculae; Madrigali Spirituali; Canzonette a 3 Voci. (2012) Pryer, Anthony J.
  • ‘Death for Five Voices: Gesualdo’s “poetic truth”’. (2012) Rogers, Holly picture_as_pdf
  • I Thought I Grew An Ear in My Stomach: The Phenomenological Experience of the Art Event as Sublime Encounter. (2012) Sandys, Kathrine
  • Reconstructing Beethoven: Mauricio Kagel’s Ludwig van. (2012) Stavlas, Nikolaos
  • Tableaux Vivants. (2012) Young, Michael W.
  • Exposure: Living in Extreme Environments: Video. (2012) Young, Michael W. and Adderley, Paul
    • 2011
  • Music, Sound and the Moving Image. (2011)
  • Music, Sound and the Moving Image. (2011)
  • Work for Voz Nueva with live electronics and interactive video. (2011) Alessandrini, Patricia
  • Across the Border: Afghan musicians exiled in Peshawar. (2011) Baily, John S.
  • "Music is in Our Blood": Gujarati Muslim Musicians in the UK. (2011) Baily, John S.
  • Music, migration and war: the BBC’s interactive music broadcasting to Afghanistan and the Afghan diaspora. (2011) Baily, John S.
  • Songs from Kabul: The Spiritual Music of Ustad Amir Mohammad. (2011) Baily, John S.
  • The Ghost of Early Music in Walton's "Hamlet". (2011) Bennett, Alexis picture_as_pdf
  • Portfolio of Compositions and Accompanying Commentary. (2011) Brafman, Ricardo picture_as_pdf
  • Mogućnost društvene promene i popularna muzika u Srbiji: Studija slučaja - Šobaja i "Tri poljupca". (2011) Brkić, Aleksandar
  • Variable 4: A Dynamical Composition for Weather Systems. (2011) Bulley, James and Jones, Daniel
  • Sleeps in Oysters: Lo! (2011) Busby, Lisa and Harries, John
  • Morton Feldman: Dimensions of Graph Music. (2011) Cline, David picture_as_pdf
  • Beyond the Postmodern: Music and Theory at the Start of History. (2011) Graham, Stephen
  • David Toop, Sinister Resonance: The Mediumship of the Listener (2010) (Book Review). (2011) Graham, Stephen
  • Ronald Schleifer, Modernism and Popular Music (Cambridge: 2011) (Book Review). (2011) Graham, Stephen
  • Alexander Raskatov's 'A Dog's Heart'. (2011) Ivashkin, Alexander V. description
  • Amerikanskii vzgliad na Sovetskuiu muzyku [American View on Soviet Music]. (2011) Ivashkin, Alexander V.
  • Dmitrii Shostakovich. Cello Concerto N0. 1 . (2011) Ivashkin, Alexander V.
  • 'Kod Schnittke' ['The Schnittke Code']. Al'fredu Schnittke posviashchaetsia [Dedicated to Alfred Schnittke: Schnittke Yearbook, 8], ed. Alla Bogdanova and Elena Dolinskaia. Moscow: Kompozitor, 2011: 13-24. (2011) Ivashkin, Alexander V.
  • New Cello Concertos, Collaborations with Composers (portfolio), 2011 + 2013. (2011) Ivashkin, Alexander V.
  • Clive, Catherine. (2011) Joncus, Berta
  • Handel in the Pleasure Gardens. (2011) Joncus, Berta
  • “In Wit Superior as in Fighting”: Kitty Clive and the Conquest of a Rival Queen. (2011) Joncus, Berta
  • Listening to portraits: music and the eighteenth-century opera celebrity. (2011) Joncus, Berta
  • London Stage Music in Transition: 'Kathryn Lowerre, Music and Musicians on the London Stage, 1695-1705' [Book Review]. (2011) Joncus, Berta
  • Music Matters, Funding Cuts to HEI Music Teaching. (2011) Joncus, Berta
  • Seventy-seventh Annual Meeting of the American Musicological Society, San Francisco. ‘Listening to Portraits: Music and the Eighteenth-Century Opera Celebrity’. 10-13 Nov 2011. (2011) Joncus, Berta
  • "The Stage's Glory": John Rich (1692-1761). (2011) Joncus, Berta
  • Beyond 'The Beggar’s Opera': John Rich and English Ballad Opera. (2011) Joncus, Berta and Rogers, Vanessa L.
  • The Aural and the Quotidian: Everyday Experience in Listening and Practice. (2011) Keenan, Jeremy
  • Manacled Freedom: 19th-Century Vocal Improvisation and the Flute-Accompanied Cadenza in Donizetti’s Lucia di Lammermoor. (2011) Matsumoto, Naomi picture_as_pdf
  • Pierto A. Ziani: Le fortune di Damira e Rodope. (2011) Matsumoto, Naomi
  • Pio Enea degli Obizzi and the Opera Torneo Genre – Towards an Understanding of the Commercialisation of Early Italian Opera’. (2011) Matsumoto, Naomi
  • Authorship and the Popular Song. (2011) Negus, Keith
  • Producing Pop: Culture and Conflict in the Popular Music Industry. (2011) Negus, Keith
  • Huong Thanh - Vietnam's Song Bird. (2011) Norton, Barley
  • Review of the CD "Burma: Classical Theatre Music". VDE-Gallo. (2011) Norton, Barley
  • Four Histories of 20th-Century Music. (2011) Perchard, Tom
  • Hip Hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. (2011) Perchard, Tom
  • Hip hop Samples Jazz: Dynamics of Cultural Memory and Musical Tradition in the African American 1990s. (2011) Perchard, Tom
  • Ideologies of Improvisation: Miles Davis’ music for Ascenseur pour l’échafaud. (2011) Perchard, Tom
  • Programme guest, BBC Radio 3, 'Jazz Library: Barney Wilen'. (2011) Perchard, Tom
  • Re-reading Primitivism in Hugues Panassié’s Writing on Jazz. (2011) Perchard, Tom
  • Thelonious Monk Meets the French Critics: Art and Entertainment, Improvisation, and its Simulacrum. (2011) Perchard, Tom
  • Thelonious Monk meets the French critics: Art and Entertainment, Improvisation, and its Simulacrum. (2011) Perchard, Tom
  • Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié’s writing on jazz. (2011) Perchard, Tom
  • Monteverdi, Two Sonnets and a Letter. (2011) Pryer, Anthony J.
  • Benjamin Britten's Creative Relationship with Russia. (2011) Pyke, Cameron
  • ‘Review: A History of Film Music (Mervyn Cooke)’. (2011) Rogers, Holly
  • ‘The Unification of the Senses: Intermediality in Video Art-Music’. (2011) Rogers, Holly
  • Resonating bodies: an artist's enquiry into sympathies between the audible and the material. (2011) Scarfe, Dawn
    • 2010
  • The Illusion of Pure Music. (2010) Abtan, Freida
  • F.A.S.T.: Dreams of Waking. (2010) Abtan, Freida and Turner, Shane
  • Steam and Fiction – artist statement. (2010) Abtan, Freida and Turner, Shane
  • Adagio sans quatuor. (2010) Alessandrini, Patricia description
  • Amplified trio for faculty ensemble. (2010) Alessandrini, Patricia
  • Installation for the Festival Agora at the centquatre. (2010) Alessandrini, Patricia
  • Afghan Music in Australia. (2010) Baily, John S.
  • The Circulation of Music Between Afghanistan and the Afghan Diaspora. (2010) Baily, John S.
  • Modi operandi in the making of 'world music' recordings. (2010) Baily, John S.
  • Mosiqi Afghanistan wa Honarmandan Herfawai shaehre Herat. (2010) Baily, John S.
  • Tools of the Trade: The Afghan Rubab. (2010) Baily, John S.
  • Two Different Worlds: Afghan Music for Afghanistanis and Kharejis. (2010) Baily, John S.
  • Shit! I can DJ. (2010) Busby, Lisa
  • The Structural and Aesthetic Capacity of Sonic Matter: Remarks on Sonic Dramaturgy. (2010) Chrysakis, Thanos picture_as_pdf
  • -scape [Goodwins] – making horizontal. (2010) Drever, John L.; Thatcher, Tony and Redding, Emma
  • Forging the 'Lady's Hammer': A Profile of Influence in the Life and Music of Galina Ustvolskaya. (2010) Foulds, Rachel
  • (Un)Popular Avant-Gardes: Underground Popular Music and the Avant-Garde. (2010) Graham, Stephen
  • Alfred Schnittke: discoveries. (2010) Ivashkin, Alexander V.
  • Concert in memory of Noelle Mann at Queen Elizabeth Hall, London. (2010) Ivashkin, Alexander V.
  • Such freedom, if only musical: unofficial Soviet music during the Thaw, by Peter Schmelz. (2010) Ivashkin, Alexander V.
  • Ballad Operas Online (BOPO): Tuning in to Eighteenth-Century Popular Song. (2010) Joncus, Berta
  • Beard- Borosini- Fabri: The Three Baroque Tenors. (2010) Joncus, Berta
  • Beard- Borosini- Fabri: The Three Baroque Tenors. (2010) Joncus, Berta
  • Beard- Borosini- Fabri: The Three Baroque Tenors. (2010) Joncus, Berta
  • CD Review: Pergolesi, Missa S. Emidio et al. (2010) Joncus, Berta
  • Fourteenth Biennial International Conference, on Baroque Music. (2010) Joncus, Berta
  • ‘“Ich bin eine Engländerin, zur Freyheit geboren”: Blonde and the Enlightened Female in Mozart’s Entführung aus dem Serail’. (2010) Joncus, Berta
  • Join the Conversation Live! Handel’s 'Radamisto'. (2010) Joncus, Berta
  • Martha Feldman: Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy [Review]. (2010) Joncus, Berta
  • "Poison if you taste and go, Nectar if you stay": Struggling with the Orient in Eighteenth-Century British Musical Theatre. (2010) Joncus, Berta
  • Scientific Committee Member. Fourteenth Biennial International Conference, on Baroque Music (Belfast, 2010). (2010) Joncus, Berta
  • Ian Bostridge and the Three Tenors: Beard, Borosini, Fabri. (2010) Joncus, Berta and Bostridge, Ian
  • Englishness and Burlesque on the London Stage: the Case of The Dragon of Wantley. (2010) Matsumoto, Naomi
  • 'As the Sand on the Sea Shore': Women Violinists in London’s Concert Life around 1900. (2010) McVeigh, Simon
  • Industrial and Consumer Revolutions in Instrumental Music: Markets, Efficiency, Demand. (2010) McVeigh, Simon
  • Sibyl's Leaves: Understanding Musical Performance Issues in Jani Christou's Anaparastasis III: The Pianist. (2010) Minou, Andriana
  • Bob Dylan's Phonographic Imagination. (2010) Negus, Keith
  • Hanoi Eclipse: The Music of Dai Lam Linh. (2010) Norton, Barley
  • “Nhân Học Âm Nhạc Việt?” (“The Anthropology of Vietnamese Music?”). (2010) Norton, Barley
  • Review of Music, National Identity and the Politics of Location: Between the Global and the Local, edited by Ian Biddle and Vanessa Knights. (2010) Norton, Barley
  • Programme guest, BBC Radio 3, 'Jazz Library: Clifford Brown'. (2010) Perchard, Tom
  • Philip Glass: First Classics, 1968-1969. (2010) Potter, Keith
  • Profile of John Adams for BBC Proms. (2010) Potter, Keith
  • The Ontology of Music and the Challenge of Performance: Identity versus Variety, and the Persistence of the "Text". (2010) Pryer, Anthony J.
  • Review of 'Lydia Goehr and Daniel Herwitz, eds., The Don Giovanni Moment: Essays on the Legacy of an Opera' (New York: Columbia University Press, 2006). (2010) Pryer, Anthony J.
  • Tehom for bass clarinet, cello and trombone. (2010) Redgate, Roger
  • Visualising Music: Audio-Visual Relationships in Avant-Garde Film and Video Art. (2010) Rogers, Holly
  • Commentary on the Submitted Portfolio of Compositions. (2010) Sarcich, Paul
  • Investigating Performer Uniqueness: The Case of Jascha Heifetz. (2010) Sarlo, Dario
  • Interrogating Talent: Struggles and Strategies in the Popular Music Industry. (2010) Sledmere, Adrian picture_as_pdf
  • Identity and Intimacy in Human-Computer Improvisation. (2010) Young, Michael W.
  • piano_prosthesis2 (live performance). (2010) Young, Michael W.
  • Clap-along: A negotiation strategy for creative musical interaction with computational systems. (2010) Young, Michael W. and Bown, Oliver
    • 2009
  • Eighteenth-Century Music. (2009)
  • A Phenomenological Time-Based Approach to Videomusic Composition. (2009) Abtan, Freida
  • Ground-breaking:Scientific and Sonic Perceptions of Environmental Change in the African Sahel. (2009) Adderley, W. Paul and Young, Michael W.
  • For cARRASCo+zEa=gUITAr+electronics. (2009) Alessandrini, Patricia
  • The Art of the ‘Fieldwork Movie’: 35 Years of Making Ethnomusicological Films. (2009) Baily, John S.
  • Crossing the Boundary: From Experimental Psychology to Ethnomusicology. (2009) Baily, John S.
  • Music and censorship in Afghanistan, 1973-2003. (2009) Baily, John S.
  • Rebuilding Kabul’s art music culture in the post-Taliban era. (2009) Baily, John S.
  • Sound effect – object – event. Endemic and exogenous electro-acoustic sound practices in theatre. (2009) Drever, John L.
  • The Piano Music of York Bowen. (2009) Driver, Danny
  • The Sieves of Iannis Xenakis. (2009) Exarchos, Dimitris
  • Culture and Development: Practical illustrations from the Commonwealth. (2009) Firmin, Andrew; Sobol, Jennifer and Spillane, Jeremiah
  • listen . . . move . . . dance. (2009) Gardiner, Ian R.
  • Kaira - recording of orchestral version. (2009) Gardiner, Ian R. and Diabaté, Toumani description
  • Kaira - score of orchestral version. (2009) Gardiner, Ian R. and Diabaté, Toumani
  • August Halm, A Critical and Creative Life in Music (University of Rochester Press, 2009) (Book Review). (2009) Graham, Stephen
  • Alfred Schnittke: Concerto for Electric Instruments. (2009) Ivashkin, Alexander V.
  • Alfred Schnittke: cello concerto no 2 performed with London Philharmonic Orchestra. (2009) Ivashkin, Alexander V.
  • Cooling the volcano: Prokofiev's Cello Concerto Op. 58 and Symphony-Concerto Op. 125. (2009) Ivashkin, Alexander V.
  • Symbols, Metaphors and Irrationalities in Twentieth-Century Music. (2009) Ivashkin, Alexander V.
  • Pacific voyage. (2009) Ivashkin, Alexander V.; Barlow, Ora and Halliday, Kim
  • Berta Joncus presents Building a Library. BBC Radio 3, ‘Handel: Messiah’ [part of the BBC Radio 3’s 250th anniversary Handel Celebrations]. (2009) Joncus, Berta
  • Building a Library: Handel’s 'Messiah'. (2009) Joncus, Berta
  • Communications: on Ballad Operas Online (BOPO). (2009) Joncus, Berta
  • Handel's 'Arianna in Creta'. (2009) Joncus, Berta
  • 'A Likeness Where None Was To Be Found': Imagining Kitty Clive (1711-1785). (2009) Joncus, Berta picture_as_pdf
  • Liner notes, 'Handel in the playhouse'. (2009) Joncus, Berta
  • 'The Monthly Mask of Vocal Music, 1702-1711: a Facsimile Edition', edited by Olive Baldwin and Thelma Wilson (Aldershot: Ashgate, 2007) [Book Review]. (2009) Joncus, Berta
  • Music Matters: Bach’s 'Sacred Cantatas'. (2009) Joncus, Berta
  • Music Matters: Handel’s 'Cantatas'. (2009) Joncus, Berta
  • Performance on Radio 3: Handel’s Italian cantatas. (2009) Joncus, Berta
  • Private Music in Public Spheres: Chamber Cantata and Song. (2009) Joncus, Berta
  • Proms on Radio 3: Handel’s 'Samson'. (2009) Joncus, Berta
  • 'This glorious Approbation of Sounds': Handel, Purcell and London’s Eighteenth-Century Entertainments. (2009) Joncus, Berta
  • 'Women's Song in Georgian England' [Book Review]. (2009) Joncus, Berta
  • Music for the Common Man: Handel, Purcell and London’s Eighteenth-Century Entertainments. (2009) Joncus, Berta; Rogers, Vanessa and Ozmo, Žak
  • The dating of MS, GB-Lcm: n. 927, The Dragon of Wantley. (2009) Matsumoto, Naomi
  • Concerto of the Individual. (2009) McVeigh, Simon
  • External Examiner for UNESCO for the nomination file "Ca tru singing of the Viet people". (2009) Norton, Barley
  • Review of the CD 'Saiyuki' by Nguyen Le, ACT 9483-2. (2009) Norton, Barley
  • Songs for the Spirits: Music and Mediums in Modern Vietnam. (2009) Norton, Barley
  • Vietnam: Music on the Move. (2009) Norton, Barley and Blackburn, Philip
  • Hugues Panassié and Readings of Primitivism in Early French Jazz Criticism. (2009) Perchard, Tom
  • Lee Morgan: La vita, la musica e il suo tempo. (2009) Perchard, Tom
  • Programme guest, BBC Radio 3, 'Jazz Library: Booker Little'. (2009) Perchard, Tom
  • Robin D. G. Kelley, 'Thelonious Monk: The Life and Times of an American Original’ (Book Review). (2009) Perchard, Tom
  • Thelonious Monk Meets the French Critics: Improvisation and its Simulacra. (2009) Perchard, Tom
  • Review of 'Jessica Waldoff, Recognition in Mozart’s Operas' (New York: Oxford University Press, 2006). (2009) Pryer, Anthony J.
  • Concerto for Improvising Soloist and Two Ensembles. (2009) Redgate, Roger
  • TAG for soprano sax and guitar. (2009) Redgate, Roger
  • Interpreting Cycles of Preludes and Fugues by Soviet Composers: Problems of Performance and Perception. (2009) Ursova, Tetyana description
  • Creative Computers, Improvisation and Intimacy. (2009) Young, Michael W.
  • piano_prosthesis: indicative score. (2009) Young, Michael W.
    • 2008
  • The hands of the dancer. (2008) Abtan, Freida
  • Dynamic Physical Modelling Synthesis Piloted by Instruments and Voices. (2008) Alessandrini, Patricia
  • Work for Ensemble Vortex with live electronics. (2008) Alessandrini, Patricia
  • Ethnomusicology, Intermusability, and Performance Practice. (2008) Baily, John S.
  • Ustad Rahim. Heart’s Rubab Maestro. (2008) Baily, John S.
  • Moths Wings/The Incredible Adventures of M. Courage, or What if you were already as important as the person you’re trying to be? (2008) Busby, Lisa
  • Manchester. (2008) Diabaté, Toumani and Gardiner, Ian R. description
  • Benjamin Cooke (1734-93), Composer and Academician:Science, Ancient Authority and the Advancement of English Music. (2008) Eggington, Timothy John
  • Iannis Xenakis and Sieve Theory: An Analysis of the Late Music (1984-1993). (2008) Exarchos, Dimitrios
  • Araftu Beirut. (2008) Gardiner, Ian R. and Al Kawas, Hiba
  • Li Anni Ahiya. (2008) Gardiner, Ian R. and Al Kawas, Hiba
  • Kaira. (2008) Gardiner, Ian R. and Diabaté, Toumani description
  • Mamadou Boutiquier. (2008) Gardiner, Ian R. and Diabaté, Toumani description
  • Mamadou Kanda Keita (previously Mamadou Boutiquier). (2008) Gardiner, Ian R. and Diabaté, Toumani
  • Critical success factors in cello training – a comparative study. (2008) Gerber, Anzél
  • Thesis with Commentary on the Portfolio of Original Compositions. (2008) Glover, Martin Stewart
  • Academic Advisor. Handel and the Divas, Handel House Museum, 30 April–16 Nov 2008. (2008) Joncus, Berta
  • Berta Joncus presents Building a Library: J S Bach: Partitas for Solo Violin. (2008) Joncus, Berta
  • CD Review: Handel’s 'Riccardo Primo'. (2008) Joncus, Berta
  • CD Review: J.S Bach’s 'Sacred Cantatas'. (2008) Joncus, Berta
  • "Curse them all for a Parcel of Italian Bitches": The Prima Donna versus the English Singer-Actress. (2008) Joncus, Berta
  • Diva Thursday Live: Kitty Clive (15 May 2008). (2008) Joncus, Berta
  • Divas Off-stage, 6 July 2008. (2008) Joncus, Berta
  • Handel and the Divas. (2008) Joncus, Berta
  • "Of all the arts that sooth": Imagining Kitty Clive (1711-1785). (2008) Joncus, Berta
  • The Polly Row, 25 May 2008. (2008) Joncus, Berta
  • “The Power of Sound and Sing-Song”: The Production of Star Tenor John Beard. (2008) Joncus, Berta
  • "To propagate Sound for Sense": Music for Diversion and Seduction at Ranelagh Gardens. (2008) Joncus, Berta
  • Ballad Opera Online. (2008) Joncus, Berta; Burden, Michael; Rogers, Vanessa L. and Lipinski, Thaddeus
  • The Identity of the librettist of Monteverdi’s Il ritorno d’Ulisse in patria. (2008) Matsumoto, Naomi
  • Motoo Ohtaguro interviews Prokofiev. (2008) Matsumoto, Naomi
  • The Constrained Entrepreneur: Concert Promotion in Eighteenth-Century London. (2008) McVeigh, Simon
  • Bob Dylan. (2008) Negus, Keith
  • Book review of P’ungmul: South Korean Drumming and Dance by Nathan Hesselink, University of Chicago Press. (2008) Norton, Barley
  • CD Review: Huong Thanh, Cai Luong Music. (2008) Norton, Barley
  • Ca Tru Restoration: Issues and Challenges. (2008) Norton, Barley
  • Review of the CD "Fragile Beauty" by Huong Thanh and Nguyen Le. ACT 94512. (2008) Norton, Barley
  • Programme guest, BBC Radio 3, 'Jazz Library: Lee Morgan'. (2008) Perchard, Tom
  • Philip Glass: the compositions and some contexts. (2008) Potter, Keith
  • Programme Notes. (2008) Potter, Keith
  • Chamber Music by Brian Ferneyhough. (2008) Redgate, Roger
  • Roger Redgate: works for piano solo. (2008) Redgate, Roger
  • String Quartet No 3. (2008) Redgate, Roger
  • ‘Audio-Visual Biography: Music and Image in Derek Jarman’s Caravaggio’. (2008) Rogers, Holly
  • ‘“Noises, Sounds and Sweet Airs”: Singing the Film Space in Prospero’s Books’. (2008) Rogers, Holly
  • “Beethoven Op18 and six more” Brodsky Quartet: Smirnov: Quartet No 6. (2008) Smirnov, Dmitri
  • Folk Vocal Techniques of Pontos and Epirus in Modern Greece: a Study in Reflexive Musical Ethnography. (2008) Tsachouridis, Konstantinos
  • Listening/Learning Improv System. (2008) Young, Michael W.
  • oboe_prosthesis (live performance). (2008) Young, Michael W. audio_file
  • piano_prosthesis (live performance). (2008) Young, Michael W. audio_file
  • Goldsmiths Electronic Music Studios: 40 Years. (2008) Young, Michael W.; Drever, John L.; Grierson, Mick and Stonehouse, Ian
    • 2007
  • Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm. (2007)
  • Heartstrings: A String Quartet. (2007) Abtan, Freida
  • Work for Arditti Quartet with live electronics. (2007) Alessandrini, Patricia
  • Work for cellist Séverine Ballon with live electronics. (2007) Alessandrini, Patricia
  • Scenes of Afghan Music: London, Kabul, Hamburg, Dublin. (2007) Baily, John S.
  • The circulation of ‘New Music’ between Afghanistan and its transnational community. (2007) Baily, John S.
  • Contemporary tombak playing in Iran: an ethnographic experience of practice, interaction and music making. (2007) Balandina, Alexandra
  • Mapping and Dimensionality of a Cloth-based Sound Instrument. (2007) Birnbaum, David; Xin Wei, Sha; Abtan, Freida and Wanderley, Marcelo M.
  • Local bimusicality among London's freelance musicians. (2007) Cottrell, Stephen J.
  • Transcription of the Dresden Manuscript of the lute works of S. L. Weiss (1687-1750), Parts 1 and 2. (2007) Crawford, Tim
  • Nostophonics: approaches to grasping everyday sounds from a British perspective. (2007) Drever, John L.
  • audience : hearing. (2007) Drever, John L.
  • Gottlieb Freiherr von Tuchers 'Kirchengesaenge der beruehmtesten aelteren italiaenischen Meister' (1827/28) und die Wiederentdeckung der Alten Musik [Gottlieb Freiherr von Tucher's 'Kirchengesaenge der beruehmtesten aelteren italiaenischen Meister' (1827/28) and the Rediscovery of Early Music]. (2007) Eichner, Barbara
  • In traeumerischer Entrueckung auf pfadlosen Wegen: Verwandlungsmusiken in Der Ring des Nibelungen und Parsifal [In dreamlike transport on pathless ways: transformation music in The Ring of the Nibelung and Parsifal]. (2007) Eichner, Barbara
  • Rose Oil and Pineapples: Julius Cyriax's Friendship with Wagner and the Early Years of the London Wagner Society. (2007) Eichner, Barbara and Houghton, Guy
  • Injecting Periodicities: Sieves as Timbres. (2007) Exarchos, Dimitris
  • L'escalier en spirale. (2007) Gardiner, Ian R.
  • ROSE HOBART (score for the 1936 film by Joseph Cornell). (2007) Gardiner, Ian R.
  • VORMITTAGSSPUK. (2007) Gardiner, Ian R.
  • NOISESCAPE: AN INTERACTIVE 3D AUDIOVISUAL MULTI-USER COMPOSITION ENVIRONMENT. (2007) Grierson, Mick
  • CD recording and other projects relating to Alfred Schnittke. (2007) Ivashkin, Alexander V.
  • Rostropovich. (2007) Ivashkin, Alexander V.
  • "And Fashion makes me Sing": Eighteenth-century English Ballad Opera and the Birth of a Popular Music Industry. (2007) Joncus, Berta
  • Musicological choices: Gender, Prestige, and the Power of Subject Specialization. (2007) Joncus, Berta
  • Producing Stars in dramma per musica. (2007) Joncus, Berta
  • PhD in Composition. (2007) Kalodikis, Georgia
  • Agency and Change: Berlioz in Britain, 1870-1920. (2007) Langley, Leanne
  • Building an Orchestra, Creating an Audience: Robert Newman and The Queen's Hall Promenade Concerts, 1895-1926. (2007) Langley, Leanne
  • 1001 Classical Recordings. (2007) Matsumoto, Naomi
  • A Free Trade in Music: London during the Long 19th Century in a European Perspective. (2007) McVeigh, Simon
  • Living, Breathing Songs: Singing Along With Bob Dylan. (2007) Negus, Keith
  • Own version of 'Improvvisazione finale' of Luigi Nono's Das Atmende Klarsein. (2007) Nielinger-Vakil, Carola
  • CD Review: Que Huong (Homeland). (2007) Norton, Barley
  • CD Review: The Rough Guide to the Music of Vietnam. (2007) Norton, Barley
  • CD Review: Vietnam: Vocal music from the Northern Plains. (2007) Norton, Barley
  • Feature article "Postcard from Hanoi, Vietnam". (2007) Norton, Barley
  • A Review Essay on Recordings of Music from Vietnam. (2007) Norton, Barley
  • Writing Jazz Biography: Race, Research and Narrative Representation. (2007) Perchard, Tom
  • 1976 and All That: Minimalism and Postminimalism, Analysis and Listening Strategies. (2007) Potter, Keith
  • An Objective Basis for Music Theory: Information-Dynamic Analysis of Minimalist Music. (2007) Potter, Keith; Wiggins, Geraint and Pearce, Marcus T.
  • Approaching Monteverdi: His Cultures and Ours, Chapter 1. (2007) Pryer, Anthony J.
  • Koan. (2007) Redgate, Roger
  • ‘Review: EcoMedia (Sean Cubitt)’. (2007) Rogers, Holly
  • ‘Review: The Museum of Modern Art and the Birth of Art Cinema (Haidee Wasson)’. (2007) Rogers, Holly
  • The Pontic lyra in contemporary Greece. (2007) Tsahourides, Matthaios
  • Brian Wilshere: The Drummer as Composer. (2007) Wilshere, Brian
  • NN Music: Improvising with a 'Living' Computer. (2007) Young, Michael W.
  • Here is Now and There the Sound of the Land: 'Ground-breaking'. (2007) Young, Michael W. and Adderley, Paul
  • Schoenberg: Complete Piano Music (also Organ Music). (2007) Zolinsky, Andrew
    • 2006
  • Jankélévitch the obscure(d). (2006) Ayrey, Craig L. html
  • Music, Time, and Dance in Orchestral Performance: The Conductor as Shaman. (2006) Cottrell, Stephen J.
  • Dimensionality Reduction in Harmonic Modeling for Music Information Retrieval. (2006) Crawford, Tim; Pickens, J. and Wiggins, Geraint
  • Charles Tessier, Oeuvres completes/Complete Works: Chansons, Airs, Villanelles. (2006) Dobbins, Frank
  • Strophic and Epigrammatic Forms in the French Chanson and Air of the Sixteenth Century. (2006) Dobbins, Frank
  • -scape [Goodwin Sands]. (2006) Drever, John L.
  • Ruth Gipps: Anti-Modernism, Nationalism and Difference in English Music. (2006) Halstead, Jill
  • 'Charm’d with the sprightly Innocence of Nell’: Re-Reading The Devil to Pay. (2006) Joncus, Berta
  • Curse them all for a parcel of Italian bitches’: the seduction of mimicry on the mid-eighteenth-century London stage. (2006) Joncus, Berta
  • Handel at Drury Lane: Ballad Opera and the Production of Kitty Clive. (2006) Joncus, Berta
  • Ars Perfecta: toward perfection in musical performance? (2006) Kivy, Peter
  • The Performance of Reading: an essay in the philosophy of literature. (2006) Kivy, Peter
  • An anonymous setting of L’Ospedale and the question of an “asylum opera” genre. (2006) Matsumoto, Naomi
  • Viotti and London Violinists during the 1790s: A Calendar of Performances. (2006) McVeigh, Simon
  • Musicians on Television: Visible, Audible and Ignored. (2006) Negus, Keith
  • Between Memorial and Political Manifesto: Nono's Anti-fascist Pieces, 1951-1966. (2006) Nielinger-Vakil, Carola
  • Between Memorial and Political Manifesto: Nono's Anti-fascist Works, 1951-1966. (2006) Nielinger-Vakil, Carola
  • Intolleranza 1960. (2006) Nielinger-Vakil, Carola
  • 'The Song Unsung': Luigi Nono's Il canto sospeso. (2006) Nielinger-Vakil, Carola
  • Effeminate’ Men and ‘Hot-Tempered’ Women: The Performance of Music and Gender in Vietnamese Mediumship. (2006) Norton, Barley
  • Lee Morgan: His Life, Music and Culture. (2006) Perchard, Tom
  • Writer and presenter, Resonance FM series, 'Memoir City'. (2006) Perchard, Tom
  • Obituary: 'James Tenney; Musical Maverick'. (2006) Potter, Keith
  • Programme notes for works by Steve Reich (London Symphony Orchestra and Chorus/Xian Zhang). (2006) Potter, Keith
  • Programme notes for works by Steve Reich (Los Angeles Master Chorale/Grant Gershon). (2006) Potter, Keith
  • Acoustic Architecture: Music and Space in the Video Installations of Bill Viola. (2006) Rogers, Holly description
  • 'Beethoven’s Myth Sympathy: Hollywood’s Biographical Reconstruction'. (2006) Rogers, Holly
  • The 'objets sonores': Rethinking Structural Conventions in Schaeffer, Boulez, Grisey. (2006) Siclari, Alessio
  • My Shostakovich (English). (2006) Smirnov, Dmitri
  • My Shostakovich (Russian). (2006) Smirnov, Dmitri
  • Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form. (2006) Van Allen-Russell, Ann Renee
  • Ebbs. (2006) Young, Michael W.
  • Unsuk Chin: Piano Concerto. (2006) Zolinsky, Andrew
    • 2005
  • Festival Acanthes. (2005) Alessandrini, Patricia
  • La Nuit de l’Itinéraire. (2005) Alessandrini, Patricia
  • Pousseur’s Scambi (1957), and the new problematics of the open work. (2005) Ayrey, Craig L.
  • So Near, So Far: Kabul's Music in Exile. (2005) Baily, John S.
  • Rudall, Rose and Carte: The development of the flute in London, 1821-1939. (2005) Bigio, Robert
  • The Chansons of Thomas Crecquillon - Literary and Musical Sources and "Thomas Crecquillon: Chansons Principal Sources and Concordances". (2005) Dobbins, Frank
  • Jacotin, Chansons. (2005) Dobbins, Frank
  • Close to the Literal. (2005) Drever, John L.
  • Inside/Outside Time: Metabolae in Xenakis’s Tetora. (2005) Exarchos, Dimitris
  • Toccata, Canzona, Ricercare. (2005) Gardiner, Ian R.
  • The Night Mrs Baker Made History: Conducting, Display and the Interruption of Masculinity. (2005) Halstead, Jill
  • She Composes in the Kitchen: Ruth Gipps 1921-1999: An English Reactionary and Radical. (2005) Halstead, Jill
  • Giya Kancheli: Simi and Mourned by the Wind (for cello and orchestra). (2005) Ivashkin, Alexander V.
  • 'Charm’d with the sprightly innocence of Nell’: Re-reading The Devil to Pay. (2005) Joncus, Berta
  • ‘His Spirit is in Action Seen’: Milton, Mrs Clive and the Simulacra of the Pastoral in Comus. (2005) Joncus, Berta
  • One God, so many Farinellis: Mythologising the Star Castrato. (2005) Joncus, Berta
  • The operatic mad scene: its origins and early development up to c.1700. (2005) Matsumoto, Naomi
  • Elvis Costello at 50. (2005) Negus, Keith
  • When the artist meets the audience: amour, anxiety and ambivalence. (2005) Negus, Keith
  • Review of 6 CD Box Set , “Vietnam – Mother Mountain and Father Sea, an Introduction to the Traditional Music of Vietnam”. White Cliffs Media WCM 9991. (2005) Norton, Barley
  • Singing the Past: Vietnamese Ca Tru, Memory and Mode. (2005) Norton, Barley picture_as_pdf
  • Website on Vietnamese Ca Tru. (2005) Norton, Barley
  • AHRB/C PhD award (2002-5). (2005) Perchard, Tom
  • Eithne Quinn, 'Nuthin’ but a “G” Thang: The Culture and Commerce of Gangsta Rap’ (Book Review). (2005) Perchard, Tom
  • Obituary: 'Carla Hinrichsen; Music Publisher at Peters Music'. (2005) Potter, Keith
  • Obituary: 'Hugh Davies; Iconoclastic innovator in electronic music'. (2005) Potter, Keith
  • +R. (2005) Redgate, Roger
  • Alternative Models of Music-Image Interaction in Film. (2005) Rogers, Holly
  • ‘Review: Cinema’s Illusions, Opera’s Allure (David Schroeder) / Hollywood Theory, Non-Hollywood Practice (Annette Davison)’. (2005) Rogers, Holly
  • Duo for Violin and Bass Clarinet. (2005) Silkstone, Francis
  • Is this Raag? and Is this Raag too? (2005) Silkstone, Francis
  • Melos of Prokofiev’s Visions: On the thematic patterns of his “Visions fugitives”. (2005) Smirnov, Dmitri
  • “Prokofjew and Schostakowich (in German). (2005) Smirnov, Dmitri
  • String Quartet No. 7. (2005) Smirnov, Dmitri
    • 2004
  • Concert Life in Eighteenth-Century Britain. (2004)
  • Syntono Project. (2004) Alessandrini, Patricia
  • Self-Organised Music. (2004) Blackwell, Tim and Young, Michael W.
  • Professional Music-Making in London. (2004) Cottrell, Stephen J.
  • Imaginierte Laien. Die Macht der Vorstellung in wissenschaftlichen Expertisen. (2004) Gisler, Priska; Guggenheim, Michael; Maranta, Alessandro; Nowotny, Helga and Pohl, Christian
  • Third World Warhol. (2004) Grierson, Mick
  • Von Nah und Fern. Wie sich Umweltdienstleistungsfirmen Laien vorstellen. (2004) Guggenheim, Michael
  • The 'Virtuosi Instromenti' and the Milanese Concerto in the Early Eighteenth Century. (2004) Hirshberg, Jehoash and McVeigh, Simon
  • Rachmaninov - Complete Works for Cello and Piano. (2004) Ivashkin, Alexander V.
  • Eating Pigeon-Pye: Handel and the 'Sweet Bird' of Drury Lane. (2004) Joncus, Berta
  • Music, Language and Cognition: which doesn't belong? (2004) Kivy, Peter
  • The String Quartet in London Concert Life, 1769–1799. (2004) McFarlane, Meredith and McVeigh, Simon
  • An Audience for High-Class Music: Concert Promoters and Entrepreneurs in Nineteenth-Century London. (2004) McVeigh, Simon
  • The Italian Solo Concerto, 1700-1760: Rhetorical Strategies and Style History. (2004) McVeigh, Simon and Hirshberg, J.
  • Lên đồng Việt Nam: Cấu tạo âm nhạc của thần thánh (Vietnamese mediumship rituals: the musical construction of the spirits). (2004) Norton, Barley
  • Creativity, Communication & Cultural Value. (2004) Pickering, M. and Negus, Keith
  • What's The Score? (2004) Potter, Keith
  • Mozart's Operatic Audition. The Milan Concert, 12 March 1770: A reappraisal and revision. (2004) Pryer, Anthony J.
  • Vivaldi's Four Seasons and the Globalization of Musical Taste. (2004) Pryer, Anthony J.
  • Mirlitonnades. (2004) Redgate, Roger
  • écart. (2004) Redgate, Roger
  • ruins true refuge. (2004) Redgate, Roger
  • …still…. (2004) Redgate, Roger
  • 'Fitzcarraldo’s Search for Aguirre: Music and Text in the Amazonian Films of Herzog'. (2004) Rogers, Holly
  • Double Raaga, Double Taala for String Quartet and Tabla. (2004) Silkstone, Francis
  • Sharing The Cooking Times: Alap-Jor-Jhala Concerto for Large Ensemble in Raga Chameleon. (2004) Silkstone, Francis
  • “Four generations of Russian composers” Aurelia Saxophone Quartet: Smirnov: Fantasia. (2004) Smirnov, Dmitri
  • Tri-o-Tri (Piano Trio No 3). (2004) Smirnov, Dmitri
  • Argrophylax. (2004) Young, Michael W.
    • 2003
  • An Evening with Sound and Radio Artist Christian Calon. (2003) Abtan, Freida
  • Chœur de Chambre de Strasbourg. (2003) Alessandrini, Patricia
  • A Kabul Music Diary. (2003) Baily, John S.
  • The Future of the Symphony Orchestra. (2003) Cottrell, Stephen J.
  • Phonographies of Exeter. (2003) Drever, John L.
  • Singing the Songs of Scotland: the German Musician Johann Rupprecht Durrner and Musical Life in Nineteenth-Century Edinburgh. (2003) Eichner, Barbara
  • Structure Interne. (2003) Grierson, Mick
  • Prokofiev: Complete Cello/piano Music. (2003) Ivashkin, Alexander V. and Lazareva, T.
  • A Star is Born: Kitty Clive and Female Representation in Eighteenth-Century English Musical Theatre. (2003) Joncus, Berta
  • Roots of a Tradition: The First Dictionary of Music and Musicians. (2003) Langley, Leanne
  • Polyphonic Score Retrieval Using Polyphonic Audio Queries: A Harmonic Modeling Approach. (2003) Pickens, Jeremy; Bello, Juan Pablo; Monti, Giuliano; Sandler, Mark; Crawford, Tim and Dovey, Matthew
  • A Conversation with James Dillon. (2003) Potter, Keith
  • “Dodecamania” of Pierre Boulez or The notes on his “Notations”. (2003) Smirnov, Dmitri
  • “Dodecamania” of Pierre Boulez or The notes on his “Notations”. (2003) Smirnov, Dmitri
  • A Geometer of Sound Crystals: a book on Philip Herschkowitz. (2003) Smirnov, Dmitri
  • Marginalia quasi una Fantasia: on the Second Violin Sonata by Alfred Schnittke in “Shostakovich and the Consequences”. (2003) Smirnov, Dmitri
  • Song from Underground, Booklet of the Festival "Masterpieces of the Russian Underground" (in English). (2003) Smirnov, Dmitri
  • Triple Concerto No. 2 for violin, harp, double bass and orchestra, op.139. (2003) Smirnov, Dmitri
    • 2002
  • Red Ritual: Ritual Music and Communism. (2002)
  • A Schnittke Reader. (2002)
  • Music for the series Carnet de Bals. (2002) Alessandrini, Patricia
  • Nomos/Nomos: Law, Melody and the Deconstructive in Webern's 'Leichteste Bürden der Bäume' Cantata II Op. 31. (2002) Ayrey, Craig L.
  • Stravinsky in analysis: the anglophone traditions. (2002) Ayrey, Craig L.
  • Facsimile and introductory study of the Dresden Manuscript of lute works by S. L. Weiss, Parts 1 and 2. (2002) Crawford, Tim
  • Claudio Montiverdi, Scherzi musicali a tre voci (1607). (2002) Dobbins, Frank
  • Claudio Monteverdi, Scherzi musicali a una e due voci (1632). (2002) Dobbins, Frank and Vacchelli, A.
  • Über Parallelen zwischen Kochen und Denken oder weshalb schlechte Symposien gute Esser zeitigen. (2002) Guggenheim, Michael and Heller, Florian
  • Introduction: Ritual Music and Communism. (2002) Harris, Rachel and Norton, Barley
  • Global Presentations of Madness in Musical Theatres: a Comparative Study of Britten’s Curlew River and Juro Motomasa’s Sumidagawa. (2002) Matsumoto, Naomi
  • Clementi, Viotti and the London Philharmonic Society. (2002) McVeigh, Simon
  • The Musician as Concert-Promoter in London, 1780-1850. (2002) McVeigh, Simon
  • The Modernisation of London Concert Life Around 1900. (2002) McVeigh, Simon and Ehrlich, C.
  • Belonging and detachment - musical experience and the limits of identity. (2002) Negus, Keith
  • The Work of Cultural Intermediaries and the Enduring Distance between Production and Consumption. (2002) Negus, Keith
  • The Moon Remembers Uncle Ho: The Politics of Music and Mediumship in Northern Vietnam. (2002) Norton, Barley
  • Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass. (2002) Potter, Keith
  • 'Hi-tech tales for a weird, wired world'. (2002) Potter, Keith
  • Obituary: 'Earle Brown: Innovative and Influential Composer.'. (2002) Potter, Keith
  • Review of 'Collean Reardon, Holy Concord Within Sacred Walls: Nuns and Music in Siena, 1575-1700' (Oxford: Oxford University Press, 2002). (2002) Pryer, Anthony J.
  • Review of 'Reinhard Strohm and Bonnie Blackburn, eds., Music as Concept and Practice in the Late Middle Ages, The New Oxford History of Music, Vol.III, part 1' (Oxford: Oxford Uiversity Press, 2002). (2002) Pryer, Anthony J.
  • Thirty items for the revised edition of the Oxford Companion to Music: Braille Notation, Chironomy, Coloration, Corona, Degree, Durum, Diastematic Neumes, Franconian Notation, Graphic Notation, Half-Coloration, Ligatures, Mensural Music, Mensural Notation, Middle C Modus, Mollis, Prolatio, Shape Note, Tempus, Accidental, Clef, Dot, Intabulation, Intavolatura, Liquescent Nuemes, Mensurstrich, Musica Ficta, Notation, Tablature, Time Signature. (2002) Pryer, Anthony J.
  • Marginalia quasi una Fantasia: on the Second Violin Sonata by Alfred Schnittke. (2002) Smirnov, Dmitri
  • Musical Idea: About the Mystery of creation processes in music. (2002) Smirnov, Dmitri
  • Urban Ethnomusicology in the City of Thessaloniki (Greece): The Case of Rebetiko Song Revival Today. (2002) Tragaki, Dafni
  • 1. Loss of Face and 2. New World Circus. (2002) Young, Michael W. and Goto, J.
    • 2001
  • Can You Stop the Birds Singing? The Censorship of Music in Afghanistan. (2001) Baily, John S.
  • Sofia Gubaidulina and Cello: In croce, Quaternion, Ten Preludes. (2001) Ivashkin, Alexander V.
  • The Unknown Prokofiev. (2001) Ivashkin, Alexander V.
  • Nikolai Korndorf: IN HONOUR OF ALFRED SCHNITTKE, PASSACAGLIA, ARE YOU READY, BROTHER. (2001) Ivashkin, Alexander V.; Kopachinskaya, P.; Raiskin, D. and Sokolov, I.
  • Roslavets: Complete Music for Cello and Piano. (2001) Ivashkin, Alexander V. and Lazareva, T.
  • Sergei Prokofiev: Complete Music for Cello and Piano. (2001) Ivashkin, Alexander V. and Vesmas, T.
  • The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius. (2001) Kivy, Peter
  • Dictionary entries on English music critics and criticism. (2001) Langley, Leanne
  • Italian Violinists in Eighteenth-Century London. (2001) McVeigh, Simon
  • Ca tru: the music of north Vietnam. (2001) Norton, Barley
  • Entries on 20th-century British composers and other subjects: 'Minimalism'; 'Bedford, David', 'Bryars, Gavin', 'Fitkin, Graham', 'Martland, Steve', 'Montague Stephen', 'Skempton, Howard'. (2001) Potter, Keith
  • Entry on David Bedford. (2001) Potter, Keith
  • Four revised articles on contemporary American composers: 'Adams, John', 'Glass, Philip', 'Monk, Meredith' and 'Reich, Steve'; also versions of previously published entries on 'Kagel, Mauricio' and 'Schnittke, Alfred'. (2001) Potter, Keith
  • 'Klinghoffer Resurrected' (Concert Review). (2001) Potter, Keith
  • Programme notes for the British premieres of Philip Glass's Second and Third Symphonies (BBC Symphony Orchestra/Marin Alsop). (2001) Potter, Keith
  • Review of 'Fiona Kisby, ed., Music and Musicians in Renaissance Cities and Towns' (Cambridge: Cambridge University Press, 2001). (2001) Pryer, Anthony J.
  • Review of 'Ian Spink, Henry Lawes: Cavalier Songwriter' (Oxford, Oxford University Press; 2001). (2001) Pryer, Anthony J.
  • Brian Ferneyhough's etudes transcendantales. (2001) Redgate, Roger
  • “An Introduction to Dmitri Smirnov”: Elegy, String of Destiny, Es ist…, Piano Trio 1, Cello sonata, Postlude. (2001) Smirnov, Dmitri
  • Postlude in memory of Schnittke Op112 – Composer's note (Russian). (2001) Smirnov, Dmitri
  • Schnittke’s choral music of 70-80s – Sleeve note for the CD Schnittke, Choir Concerto, Minnesang, Voices of Nature, Holst Singers, Stephen Layton, Hyperion, 2001. (2001) Smirnov, Dmitri
  • Old, new, borrowed, blue: a series of three solo piano recitals. (2001) Zolinsky, Andrew
    • 2000
  • The Making of a Ritornello Movement: Compositional Strategy and Selection in Tessarini’s 'Opera prima'. (2000) Hirshberg, Jehoash and McVeigh, Simon
  • Freemasonry and Musical Life in London in the late Eighteenth Century. (2000) McVeigh, Simon
  • The Society of British Musicians (1834-1865) and the Campaign for Native Talent. (2000) McVeigh, Simon
  • Vietnamese Mediumship Rituals: The Musical Construction of the Spirits. (2000) Norton, Barley
  • Booklet essay for Philip Glass: Violin Concerto, Prelude and Dance from Akhnaten and Company (Naxos 8 554568). (2000) Potter, Keith
  • 'Notes on Cage'. (2000) Potter, Keith
  • A ripe harvest of Eastern promise. (2000) Potter, Keith
  • Machaut and the Moderns: A Distant Mirror. (2000) Pryer, Anthony J.
  • Review of 'John Whenham, Monteverdi Vespers 1610 (Cambridge University Press, 1998)' and 'Claudio Monteverdi: Songs and Madrigals, trans. Denis Stevens, (Long Barn Books, 1999)'. (2000) Pryer, Anthony J.
  • Review of 'Julie E. Cumming, The Motet in the Age of Du Fay' (Cambridge University Press, 1999). (2000) Pryer, Anthony J.
  • Review of 'Robert Spaethling, editor and translator, Mozart's Letters, Mozart's Life (London: Faber and Faber, 2000)'. (2000) Pryer, Anthony J.
  • Review of 'Victor Crowther, The Oratorio in Bologna, 1650-1730 (Oxford: Oxford University Press, 2000)'. (2000) Pryer, Anthony J.
  • Review of Der Stein der Weisen, singspiel by Mozart, Henneberg, Schack, Gerl and Schikaneder, performed at St Jude on the Hill, Hampstead. (2000) Pryer, Anthony J.
  • Marginalisierung und Subversion. (2000) Redgate, Roger
  • Beethoven on Film. (2000) Rogers, Holly
  • “Etude Philharmonique” Peter Sheppard Skærved (Violin): Smirnov: Two Fugues. (2000) Smirnov, Dmitri
    • 1999
  • A critical edition of the concert overtures of Hector Berlioz, with particular reference to the historical and literary background. (1999) Bickley, Diana
  • The Benefit Concert in Nineteenth-Century London: From 'tax on the nobility' to 'monstrous nuisance'. (1999) McVeigh, Simon
  • Music Genres and Corporate Cultures. (1999) Negus, Keith
  • Review of 'Dolores Pesce, ed., Hearing the Motet: Essays on the Motet of the Middle Ages and the Renaissance' (Oxford: Oxford University Press, 1998). (1999) Pryer, Anthony J.
  • Review of 'Jerrold Levinson, Music in the Moment (Ithaca, NY; Cornell University Press, 1999)'. (1999) Pryer, Anthony J.
  • Review of 'Jessie Ann Owens, Composers at Work: the Craft of Musical Composition 1450-1600' (Oxford University Press, 1998). (1999) Pryer, Anthony J.
  • Trouble in Arcadia: Music Aesthetics and the Bounds of Culture. (1999) Pryer, Anthony J.
  • Neue Musik in Grossbritannien: Ein Situationsbericht. (1999) Redgate, Roger
  • arc. (1999) Redgate, Roger
  • The Panic in the United Kingdom: On music by Harrison Birtwistle. (1999) Smirnov, Dmitri
  • Symbolism in the Flute Concerto by Edison Denisov (Russian). (1999) Smirnov, Dmitri
    • 1998
  • Cultural production and the corporation: musical genres and the strategic management of creativity in the US recording industry. (1998) Negus, Keith
  • 'Curators and Creators'. Review of 'Bernard Sherman, Inside Early Music (New York and Oxford, 1997)', and 'Paul Henry Lang, Musicology and Performance (New Haven, 1997)'. (1998) Pryer, Anthony J.
  • 'Groomed for Notoriety'. Review of 'Margaret Bent and Andrew Wathey, eds., Fauvel Studies (Oxford, 1998)', and 'Timothy McGee,The Sound of Medieval Song (Oxford, 1998)'. (1998) Pryer, Anthony J.
  • Review of 'Kenneth Levy, Gregorian Chant and the Carolingians (Princeton, 1998)'. (1998) Pryer, Anthony J.
  • Review of 'Nicholas Cook, Music: A Very Short Introduction (Oxford, 1998)'. (1998) Pryer, Anthony J.
  • Michael Finnissy: The Chamber Music, in Uncommon Ground: The Music of Michael Finnissy. (1998) Redgate, Roger
  • On the Symphony by Anton Webern (Russian). (1998) Smirnov, Dmitri
  • Shostakovich, Symphony No, 1. (1998) Smirnov, Dmitri
    • 1997
  • Rostrospektive: zum Leben und Werk von Mstislaw Rostropowitsch. On the life and achievement of Mstislav Rostropovich. (1997) Ivashkin, Alexander V. and Oerhlein, Josef
  • Doing Cultural Studies: The Story of the Sony Walkman. (1997) Negus, Keith; Du Gay, Paul; Hall, Stuart; Janes, Linda and Mackay, Hugh
  • Introduction to the Complete Secular Music of Guillaume Dufay (c. 1400-1474). (1997) Pryer, Anthony J. description
  • Monteverdi, two sonnets and a letter. (1997) Pryer, Anthony J.
  • Review of 'Lawrence Kramer, Classical Music and Postmodern Knowledge (University of Claifornia Press, 1995)'. (1997) Pryer, Anthony J.
  • Review of 'Luis Gasser, Luis Milan on Sixteenth-Century Performance Practice (Bloomington, Indiana University Press; 1997)'. (1997) Pryer, Anthony J.
  • Review of 'Robert L Kendrick Celestial Sirens: Nun's Music in Early Modern Milan (Clarendon Press, Oxford; 1996)'. (1997) Pryer, Anthony J.
  • Review of 'Roger Scruton, The Aesthetics of Music (Oxford, 1997)'. (1997) Pryer, Anthony J.
  • moments and contacts (Film Soundtrack). (1997) Redgate, Roger
    • 1996
  • Alfred Schnittke. (1996) Ivashkin, Alexander V.
  • London Newspapers 1750 to 1800: a Checklist and Guide for Musicologists. (1996) McVeigh, Simon
  • Globalization and the Music of the Public Spheres. (1996) Negus, Keith
  • The pursuit of the unimaginable by the unnarratable, or some potentially telling developments in non-developmental music. (1996) Potter, Keith
  • Authentic Performance, Authentic Experience and "Pur ti miro" from Poppea. (1996) Pryer, Anthony J.
  • Nattiez's 'Music and Discourse': Situating the Philosophy. (1996) Pryer, Anthony J.
  • Review of 'Iain Fenlon, Music, Print and Culture in Early Sixteenth-Century Italy (British Library, 1994)'. (1996) Pryer, Anthony J.
  • Settling Old Scores: The Authentic Performance Argument. (1996) Pryer, Anthony J.
  • 'That Quality of Charm and Grace'. Review of 'Martha Feldman, City Culture and the Madrigal at Venice (California UP, 1996)' and 'Iain Fenlon and Tim Carter (eds.), Con che soavità: studies in Italian opera, song and dance, 1580-1740 (Oxford, Clarendon Press, 1995)'. (1996) Pryer, Anthony J.
  • trace. (1996) Redgate, Roger
  • Going beyond the borders – On Brian Ferneyhough (Russian). (1996) Smirnov, Dmitri
  • A formal view of social dependence networks. (1996) d'Inverno, Mark and Luck, Michael
    • 1995
  • Zarb Dances. (1995) Gardiner, Ian R.
  • Alfred Schnittke, Music for Cello and Piano. (1995) Ivashkin, Alexander V. and Vesmas, T.
  • 'Cornelius Cardew: some (Postmodern?) reflections on Experimental Music and political music. (1995) Potter, Keith
  • Atemkristall. (1995) Redgate, Roger
  • Ferneyhough as teacher. (1995) Redgate, Roger
  • On the Symphony by Anton Webern (Russian). (1995) Smirnov, Dmitri
  • “Winter Journey” Peter Sheppard Skærved (Violin): Smirnov: Partita. (1995) Smirnov, Dmitri
    • 1994
  • Re-thinking History. (1994) Pryer, Anthony J.
  • Blue Scars (Film Soundtrack). (1994) Redgate, Roger
  • Celan Songs. (1994) Redgate, Roger
    • 1993
  • Monument. (1993) Gardiner, Ian R. description
  • Concert Life in London from Mozart to Haydn. (1993) McVeigh, Simon
  • The Current Musical Scene. (1993) Potter, Keith
  • The British Male Voice Choir: A History and Contemporary Assessment. (1993) Wiltshire, Christopher Robin
    • 1992
  • The Violinists of the Baroque and Classical Periods. (1992) McVeigh, Simon
  • Beuys. (1992) Redgate, Roger
    • 1991
  • “Moscow Contemporary Music Ensemble, Vol.2”: Smirnov: Sonata for flute and harp. (1991) Smirnov, Dmitri
    • 1990
  • Inventio. (1990) Redgate, Roger
    • 1989
  • The Professional Concert and Rival Subscription Series in London, 1783-93. (1989) McVeigh, Simon
  • The Violinist in London’s Concert Life, 1750-1784: Felice Giardini and his Contemporaries. (1989) McVeigh, Simon
    • 1988
  • Music and Lock Hospital in the 18th Century. (1988) McVeigh, Simon
  • Eperons. (1988) Redgate, Roger
    • 1987
  • “Works By Modern Composers Of Moscow”: Smirnov: Solo For Harp. (1987) Smirnov, Dmitri
    • 1985
  • Eidos. (1985) Redgate, Roger
    • 1983
  • Felice Giardini: a Violinist in Late Eighteenth-Century London. (1983) McVeigh, Simon
    • 1979
  • The Violinist in London’s Concert Life, 1750-1784: Felice Giardini and his Contemporaries. (1979) McVeigh, Simon
    • 1977
  • Guillaume de Machaut, c. 1300-1377. (1977) Pryer, Anthony J.