Items where Division is "The Pinter Centre for Performance and Creative Writing (PCPCW)"

  • Goldsmiths Departments, Centres and Research Units (28675)
  • Theatre and Performance (TAP) (1111)
  • The Pinter Centre for Performance and Creative Writing (PCPCW) (72)
    Number of items at this level: 72.
    2025
  • Flying with the bone mothers: the curious story of the girl with a bird in her mouth. (2025) Hilevaara, Katja and Orley, Emily
    • 2022
  • The Importance of Being Earnest (1895) by Oscar Wilde. (2022) Levitas, Ben
    • 2021
  • The Palgrave Handbook of Theatre and Race. (2021)
  • Aspects of Intercultural Performance Aesthetics in Femi Òsófisán’s Drama. (2021) Adeyemi, Sola
  • Representing and Re-presenting Others in Yorùbá Performance. (2021) Adeyemi, Sola
  • Introduction. (2021) Morosetti, Tiziana and Okagbue, Osita
  • In the Prison of their Skins: Performing Race in Caribbean Theatre. (2021) Okagbue, Osita
  • Theatre and Performance in East Africa. (2021) Okagbue, Osita and Kasule, Samuel description
    • 2019
  • Vision of Change in African Drama: Fémi Osófisan's Dialectical Reading of History and Politics. (2019) Adeyemi, Sola
  • “‘Déborder le cadre’. L’Internationale situationniste, le théâtre et la performance”. (2019) Finburgh Delijani, Clare
  • create-news-26-anna-furse-i-am-not-a-piece-of-meat. (2019) Furse, Anna F. D. and Bosch, Susanne html
  • Dust of the Zulu: Ngoma Aesthetics after Apartheid. By Louise Meintjes, with photographs by T. J. Lemon. Durham, NC and London: Duke University Press, 2017. Pp. xiv + 338 + 142 illus. $94.95 Hb; $26.95 Pb. (2019) Okagbue, Osita
  • Playing with Our Ancestors: Culture and Communal Memory in Igbo Masquerade Theatre. (2019) Okagbue, Osita
  • Monstrosity: the face of war. (2019) Twitchin, Mischa
  • Reflections on the Disclosing - or Framing - of Things. (2019) Twitchin, Mischa html
  • Tervuren 1(i). (2019) Twitchin, Mischa
  • Tervuren 1(ii). (2019) Twitchin, Mischa
  • Tervuren 1(iii). (2019) Twitchin, Mischa
  • Tervuren 2(i). (2019) Twitchin, Mischa
  • Tervuren 3. (2019) Twitchin, Mischa
  • Toxicity at Work. (2019) Twitchin, Mischa
  • Tragic consequences. (2019) Twitchin, Mischa
    • 2018
  • I write as a pan-African: A Conversation with Oladipo Agboluaje. (2018) Adeyemi, Sola
  • Review of Iyunolu Osagie, "African Modernity and the Philosophy of Culture in the Works of Femi Euba". (2018) Adeyemi, Sola
  • All That Jazz: the difficult journey of Chicago from stage to screen. (2018) Gordon, Robert J.
  • The Creative Critic Events. (2018) Hilevaara, Katja and Orley, Emily
  • Playing With Our Ancestors: Culture and Communal Memory in Igbo Masquerade Theatre. Osita Okagbue. (2018) IgboConference, Igbo Conference and Okagbue, Osita
  • 'The Dancer and the Heart's Desire: W. B. Yeats and the Theatre of Modernity'. (2018) Levitas, Ben
  • Feedback from Peterborough DECORUM. (2018) Mayo, Sue
  • Press Coverage/Decorum Southend. (2018) Mayo, Sue image
  • Decorum Participant Feedback Tower Hamlets. (2018) Mayo, Sue and Lowry, Chuck Blue
  • How Estonian is it? (2018) Twitchin, Mischa
  • Kantor after Duchamp. (2018) Twitchin, Mischa
    • 2017
  • The Oxford Handbook of the British Musical. (2017)
  • Many Colours of an African Performative Ritual. (2017) Adeyemi, Sola
  • Mitlerin Sahnelenmesi, Cagdsligin Rituellesmesil: Performing Myths, Ritualising Modernity. (2017) Adeyemi, Sola
  • Performing Arts. (2017) Adeyemi, Sola
  • The Theatre of Modernity. (2017) Levitas, Ben
  • Reasons to be Cheerful: resilience , structure and care-fulness in socially engaged practice. (2017) Mayo, Sue description
  • Reflections on the Gratitude Enquiry. (2017) Mayo, Sue description
  • Sites of Research or ‘no layers of the onion’: Phantom Europe. (2017) Twitchin, Mischa description
    • 2016
  • ‘Kept Alive by Amateurs: White Horse Inn in Britain’. (2016) Gordon, Robert J.
  • British Musical Theatre since 1950. (2016) Gordon, Robert J.; Jubin, Olaf and Taylor, Millie
  • The Abbey and the Idea of a Theatre. (2016) Levitas, Ben
    • 2015
  • Telling the Tale: Adaptation as Interpretation. (2015)
  • Making Making Matter: Paper as Paradox in Practice-as-Research. (2015) Hilevaara, Katja and Orley, E html
  • The Kwagh-hir Theater: A Weapon for Social Action. By Iyorwuese Hagher. Lanham, MD: University Press of America, 2014. Pp. xxx + 256. \$80 Hb; \$34.99 Pb. (2015) Okagbue, Osita
    • 2014
  • The Oxford Handbook of Sondheim Studies. (2014)
  • Performative Inter-Actions in African Theatre 1, 2 and 3. (2014) grid_on
  • Working with Wole Soyinka [Tunji Oyelana in conversation with Sola Adeyemi],. (2014) Adeyemi, Sola
  • Are You Allergic to the 21st Century? HOME, Manchester. (2014) Carter, Claire Makhlouf
  • Progenies of Idemili: Ogonna Agu and I. (2014) Okagbue, Osita
  • Mise-en-scene: Beckett's 'Field of Memory'. (2014) Twitchin, Mischa
    • 2013
  • Diaspora Representations and the Interweaving of Cultures: Performative Inter-Actions in African Theatre Volume 1. (2013)
  • Innovation, Creativity & Social Change: Performative Inter-Actions in African Theatre 2. (2013)
  • Colonial Alienation and the Ideology of Resistance: Femi Osofisan's Tegonni (An African Antigone). (2013) Adeyemi, Sola picture_as_pdf
  • Interpreting the Interpreters: The Narratives of the Postcolony in Wole Soyinka's The Interpreters. (2013) Adeyemi, Sola
  • Composing music for The Zero Hour. (2013) Peyton Jones, Jeremy
  • Soundtrack for The Zero Hour. (2013) Peyton Jones, Jeremy
    • 2012
  • A gazelle of the Savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria : theatre, culture, literature, art. (2012) Omoera, Osakue S.; Adeyemi, Sola and Binebai, Ben
    • 2011
  • Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. (2011) Adelugba, Dapo; Oni, Duro and Adeyemi, Sola
  • Language and Accessibility in Femi Osofisan’s Drama. (2011) Adeyemi, Sola
  • Fracturing the Insularity of the Global State: War and Conflict in Moira Buffini's Welcome to Thebes. (2011) Adeyemi, Sola and Olasope, Olakunbi
  • SEA/WOMAN. (2011) Furse, Anna F. D.
  • Pinter: In Other Rooms. (2011) Gordon, Robert J.
    • 2009
  • Iago and the Swart Gevaar: The Problems and Pleasures of a (Post)colonial Othello. (2009) Gordon, Robert J.
    • 2007
  • Agony, Antigone and the Dialectics of Resistance in African Performance. (2007) Adeyemi, Sola
    • 2006
  • Portraits for an eagle: a festschrift in honour of Femi Osofisan. (2006) Osofisan, Femi and Adeyemi, Sola
    • 2005
  • Photography and Literature in the Twentieth Century. (2005)
    • 2004
  • Making Colours, Remaking Life: Subversion in the Writing of Femi Osofisan. (2004) Adeyemi, Sola
    • 2002
  • The Dictating Currents and the Questioning of Tyranny in Africa: An Intertextual Study of Fémi Osófisan's Yungba-Yungba and the Dance Contest. (2002) Adeyemi, Sola
    • 1999
  • Goddess of the storm and other stories: — a compilation of short stories by Nigerian authors Vol. 1. (1999) Adeyemi, Sola