Items where Division is "Theatre and Performance (TAP)"

  • Goldsmiths Departments, Centres and Research Units (28675)
  • Theatre and Performance (TAP) (1111)
  • The Pinter Centre for Performance and Creative Writing (PCPCW) (72)
    Number of items at this level: 1084.
    2027
  • Spectres of Empire: Performing Postcoloniality in France (provisional title). (2027) Finburgh Delijani, Clare
  • Becoming a Dramaturg: Possibilities for an Ethical and Expanded Practice. (2027) Graham, Fiona
    • 2025
  • Decadent scenography: Angel Rose Denman, Hollywood Goth. (2025) Alston, Adam picture_as_pdf
  • Cruel Futurity in Euripides’ "Bacchae". (2025) Bell, Marcus
  • Dance, Tragedy and the Dying Act: Pina Bausch’s "Rite of Spring". (2025) Bell, Marcus
  • Queer Ruins at the End of the World: Gisèle Vienne’s "Crowd". (2025) Bell, Marcus
  • Review: Ocean Hester Stefan Chillingworth, Blood Show, Battersea Arts Centre, 12-23 November 2024: Transition, violence, and the choreographic. (2025) Bell, Marcus
  • “I’d like to shoot the brutes who worked against me in the way Hitler shot German conspirators”: Edward Gordon Craig’s Violent War Against the British Theatre. (2025) Burt, Philippa
  • 'Are you sick, yet? / Are you disgusted, yet?': Watching torture in Dennis Kelly's works. (2025) Finburgh Delijani, Clare
  • In the Ruins of Tragedy: Action, Inactivity and Ecology in the Césaires’ Theatre and Thought. (2025) Finburgh Delijani, Clare
  • ‘A knotted primitive unity’. Negritude and Theatre as Ecological Rite. (2025) Finburgh Delijani, Clare
  • Girlspeak. (2025) Hilevaara, Katja picture_as_pdf
  • The Ridge Salon. (2025) Hilevaara, Katja picture_as_pdf
  • Flying with the bone mothers: the curious story of the girl with a bird in her mouth. (2025) Hilevaara, Katja and Orley, Emily
  • Sensing Performance: Disability and the Aesthetics of Access. (2025) Joseph, Grace picture_as_pdf
  • Performing Touch: The Politics and Economics of Kin and Transmission in Somatics and Beyond. (2025) Lannen, Maud picture_as_pdf
  • The Healer and the Witch: Performative Transitions in the Theatre of Friel and Carr. (2025) Levitas, Ben picture_as_pdf
  • Leak. (2025) McPhee, Molly picture_as_pdf
  • "It's just the persuading bit": Children, Performance and Climate Action. (2025) Newberry, Rachael picture_as_pdf
  • Masks, Museums, and Memory. (2025) Twitchin, Mischa
  • Theatre Making "Space for the Unassimilable". (2025) Twitchin, Mischa
    • 2024
  • Decadent Plays, 1890-1930. (2024)
  • A New History of Theatre in France. (2024)
  • On Repertoire. (2024)
  • The Oxford Handbook of the Global Stage Musical. (2024)
  • Wittgenstein and Performance. (2024)
  • "It is the spectator, and not life, that art really mirrors": Dorian Gray 2.0. (2024) Alston, Adam
  • ‘Dance against the void’: Derek Jarman, dance, queer classical receptions. (2024) Bell, Marcus
  • "I’ve been looking for things that last”. (2024) Bell, Marcus picture_as_pdf
  • “May amnesia never kiss us on the mouth”: An Aesthetics of Fracture. (2024) Bell, Marcus picture_as_pdf
  • Edward Gordon Craig as Teacher-Dictator. (2024) Burt, Philippa
  • Embodying Performance Histories in everything that rises must dance. (2024) Burt, Philippa
  • Ensembles and Companies. (2024) Burt, Philippa picture_as_pdf
  • Dialogue: The Role of the Editor. (2024) Burt, Philippa and Shevtsova, Maria
  • In Our Sites: A Personal View of the Writer’s Role in Place-Making Theatre with, by, and for Communities. (2024) Clifford, Sara picture_as_pdf
  • Performing in a Dominated Body: Redefining The One Thousand and One Nights' Narrative Identity through Praxis. (2024) El Ansary, Chirine
  • Nollywood Cinema: A Disputed Taxonomy and the Analogy to Black American Cinema. (2024) Emelonye, Reginald Obidyke
  • “La Puissance de la présence et de l’action me flingue toujours”, entretien avec Rébecca Chaillon réalisé par Clare Finburgh Delijani. (2024) Finburgh Delijani, Clare
  • "Olivia C. Harrison, Natives Against Nativism: Antiracism and Indigenous Critique in Postcolonial France". (2024) Finburgh Delijani, Clare picture_as_pdf
  • « Élargir le cercle » Le Public théâtral au XVIe siècle et aujourd’hui. (2024) Finburgh Delijani, Clare
  • Reflections on Jarman Garden. (2024) Fleming, Cass
  • That Special Relationship: Dolores Gray, Mary Martin, and Elaine Stritch on the Postwar London Stage. (2024) Gordon, Robert J.
  • An Experiment in Six Voices. (2024) Hilevaara, Katja
  • Girlspeak in Six Voices: A performed reading. (2024) Hilevaara, Katja
  • Holding the Line And Then Crossing It. (2024) Hilevaara, Katja; Orley, Emily; Chard, Jo; Henry, Susannah and Roche, Gilly
  • A Bran Nue Dae? Decolonising the Musical Theatre Curriculum. (2024) Karantonis, Pamela picture_as_pdf
  • Performing the Perfect on Instagram: Applied Theatrical Interventions with Young Women. (2024) Kilroy, Eleanor
  • The Dissimulation Game: Power play and choice in the performer-audience exchange as modelled on Capoeira Angola. (2024) Louzioti, Dafni
  • Appropriating the Victorian Past in African-American Theatre. (2024) Morosetti, Tiziana
  • Between Representation and Agency: Black Artists in the UK, 1900-1950. (2024) Morosetti, Tiziana
  • Staging Blackness and Race in 19th-century British and American Performance. (2024) Morosetti, Tiziana picture_as_pdf
  • Finding Spirituality: a critical revaluation of English drama since 1935 through the medium of the dramatic text. (2024) O'Shaughnessy, Christopher
  • Criticizing Sondheim. (2024) Rogers, Bradley
  • The Monkees and the Manufactured Musical. (2024) Rogers, Bradley picture_as_pdf
  • Marie-Gabrielle Rotie: Blodeuwedd: she's neither owls nor flowers. (2024) Rotie, Marie-Gabrielle image
  • Between "object lessons" and "omissions". (2024) Twitchin, Mischa
  • Drawing a Line. (2024) Twitchin, Mischa
  • Exposed memory. (2024) Twitchin, Mischa
  • Introduction - "On Repertoire". (2024) Twitchin, Mischa
  • Mnemotechnics, Echo and the Discrete Voice. (2024) Twitchin, Mischa
  • On the 'reflexivity of forms of experience' (Foucault). (2024) Twitchin, Mischa
  • On the Subject of Chance Remarks: Practising Patience. (2024) Twitchin, Mischa
  • On ‘a certain convocation of politic worms’ (Hamlet). (2024) Twitchin, Mischa
  • Philosophical Problems and Stochastic Parrots: Between Aphorism and Algorithm. (2024) Twitchin, Mischa picture_as_pdf
  • Photographic Memories. (2024) Twitchin, Mischa
  • Prelude 1. (2024) Twitchin, Mischa
  • Prelude 2. (2024) Twitchin, Mischa
  • The Site of Shadows. (2024) Twitchin, Mischa
  • The Space Between. (2024) Twitchin, Mischa picture_as_pdf
  • A Spectre is Haunting Europe... (2024) Twitchin, Mischa picture_as_pdf
  • Staging the gaze in museum ethnography. (2024) Twitchin, Mischa
  • Suffocating Meaning. (2024) Twitchin, Mischa
  • "Taking the piss" (or the "scandal of realism"). (2024) Twitchin, Mischa
  • Wittgenstein and Performance: Introduction. (2024) Twitchin, Mischa picture_as_pdf
  • Tragedy and the Gender of Sacrifice: On "The Difference between Poetry and Rhetoric". (2024) Twitchin, Mischa and Gruszczynski, Piotr
    • 2023
  • Critical Stages Issue 28: Postmillennial Dramaturgies in Australia and Aotearoa / New Zealand. (2023)
  • Face au passé colonial. (2023)
  • Decadence and the Antitheatrical Prejudice. (2023) Alston, Adam
  • Staging Decadence: Dress to Kill. (2023) Alston, Adam
  • Staging Decadence: Theatre, Performance, and the Ends of Capitalism. (2023) Alston, Adam
  • Nando Messias: decadence, performance and the archive (Staging Decadence residency - Goldsmiths). (2023) Alston, Adam; Messias, Nando and Williams, Sam
  • Encountering Absence: Queer Traces, Ghosts, and Performance Otherwise. (2023) Bell, Marcus picture_as_pdf
  • American 'Invasions'. (2023) Burt, Philippa
  • In Conversation in Apocalyptic Times. (2023) Butusov, Yury and Shevtsova, Maria
  • Countering the Colonial Exhibition: Contemporary Performance in France. (2023) Finburgh Delijani, Clare
  • "Latifa Laâbissi, 'J’ai besoin de faire feu de tout bois', entretien réalisé par Clare Finburgh Delijani". (2023) Finburgh Delijani, Clare
  • Le « grin » de Fanon et le théâtre postcolonial en France. (2023) Finburgh Delijani, Clare
  • 'Faculti - Playing Outside the Frame' film by Faculti Academic Streaming. (2023) Fleming, Cass
  • The Chekhov Collective Practice Research Centre - Research Object. (2023) Fleming, Cass and Mitchell, Roanna
  • Liquid Dramaturgy in Aotearoa: Interview with Nisha Madhan and Julia Croft. (2023) Graham, Fiona
  • The Finch Girl Project. (2023) Hilevaara, Katja
  • The Letter Cloth: Sensory Modes of the Epistolary in Prison Theatre Practice. (2023) McPhee, Molly
  • Critical Readings of Femi Osofisan’s ‘Adaptations’ of the Classics. (2023) Morosetti, Tiziana
  • “Waiting in the Wings”: The Economics and Ethereality of Theatrical Space in Angela Carter's Nights at the Circus. (2023) Newberry, Rachael
  • On Becoming Place; acts of meditation and metamorphosis. (2023) Reid, Alexa
  • Becoming Nothing: Butoh and the use of Poetic Textual Scores or Eating the darkness, in the mud of the self. (2023) Rotie, Marie-Gabrielle
  • Movement Choreography for Nosferatu (creation period 2023 with UK release 2025). (2023) Rotie, Marie-Gabrielle description
  • Movement Direction Portfolio. (2023) Rotie, Marie-Gabrielle
  • Movement Direction/ Research: The Witcher: Series 3, Episode 5, The Art of the Illusion. (2023) Rotie, Marie-Gabrielle
  • Dramatherapy-informed facilitation in opera outreach for adults with learning disabilities. (2023) Seubert, Florian J
  • The 2023 Theatre Olympics in Budapest. (2023) Shevtsova, Maria
  • “Music, singing, word, action”: the Opera-Dramatic Studio 1935–1938. (2023) Shevtsova, Maria
  • Teatr ZAR's Song Theatre as Spiritual Knowledge. (2023) Shevtsova, Maria
  • Addressing ‘the Cultural Level of an Average European’ (Kafka). (2023) Twitchin, Mischa picture_as_pdf
  • Baffling Dramaturgy: Between the Obvious and the Obtuse. (2023) Twitchin, Mischa
  • Between a “Poetical Phrase” and Being “Led into Error” in "The Interpretation of Dreams". (2023) Twitchin, Mischa
  • Concerning the "wisdom" of dramaturgy. (2023) Twitchin, Mischa
  • 'Do we still remember?' (Warsaw, June 2022). (2023) Twitchin, Mischa picture_as_pdf
  • Enduring Touch. (2023) Twitchin, Mischa
  • Kantor’s encounters with a rhinoceros: ‘Costumology’ between material and metaphor. (2023) Twitchin, Mischa
  • 'Keeping the Magic Alive': Some Arcane Speculations. (2023) Twitchin, Mischa picture_as_pdf
  • On Relationality and Repair: Museums in the Time of Restitution. (2023) Twitchin, Mischa
  • Remembering (in) the absence of memorials. (2023) Twitchin, Mischa
  • The Space Between. (2023) Twitchin, Mischa
  • 'There is nothing like a dead man to demand existence' (Antonin Artaud). (2023) Twitchin, Mischa picture_as_pdf
  • Translation, memory, and an “aesthetics of care”. (2023) Twitchin, Mischa
  • The Warsaw Ghetto. (2023) Twitchin, Mischa
  • What’s Hamlet to us? (Or us to Hecuba?). (2023) Twitchin, Mischa
  • Bodies Out of Place: Performance, Space, Gender and Transgression in Contemporary Iran. (2023) Zavarei, Saba
    • 2022
  • Alleyne Dance, Far From Home, Official Trailer 2023. (2022) Alleyne, Sade; Alleyne, Kristina and Graham, Fiona
  • Decadence @ Iklectik. (2022) Alston, Adam; Condé, Alice and Prashar-Savoie, Anjali
  • Staging Decadence (Documentary). (2022) Alston, Adam and Parry, Owen image
  • Staging Decadence (salon). (2022) Alston, Adam; Parry, Owen and Rich Mix, Arts Centre
  • Reading Feminism, New Materialism and Post-colonial thought through Costume in Performance: Materiality, Culture and the Body. (2022) Barbieri, Donatella
  • Bell, M. (2022) Review of Gianvittorio-Ungar, L. and K. Schlapbach (eds.) Choreonarratives: dancing stories in Greek and Roman antiquity and beyond. (2022) Bell, Marcus
  • "This Island's Mine": University Teaching as Inclusive Dramaturgy. (2022) Braverman, Danny
  • ‘The Best Thing I Ever Did on the Stage’: Edward Gordon Craig and the Purcell Operatic Society. (2022) Burt, Philippa
  • A Theatre of Applied Performativity: Play and the aesthetics of the Scripted Performance Workshop in Peer-facilitated Relationships and Sex Education. (2022) Evans, David
  • Absence: Chloé Déchery’s A Duet Without You and Marguerite Duras. (2022) Finburgh Delijani, Clare
  • The Afterlives of Enslavement: Histories of Racial Injustice in Contemporary Black British Theatre. (2022) Finburgh Delijani, Clare
  • The Ghosts of Slavery in Contemporary Theatre from the Francosphere. (2022) Finburgh Delijani, Clare
  • “Nobody’s ever held the door open and invited women, Black people or disabled people in”: confronting discrimination in Marie NDiaye’s theater. (2022) Finburgh Delijani, Clare
  • Portes fermées, possibilités ouvertes dans le théâtre de Marie NDiaye. (2022) Finburgh Delijani, Clare
  • The Archangel Gabriel's Flight Training. (2022) Hilevaara, Katja
  • 'Pretending' to do Research: a transformational actor-researcher’s heuristic collaboration with character via costume and makeup. (2022) LaMontagne-Schenck, Benjamin
  • ”All that pride and that humility”: W. B. Yeats and Lady Gregory. (2022) Levitas, Ben picture_as_pdf
  • The Importance of Being Earnest (1895) by Oscar Wilde. (2022) Levitas, Ben
  • ‘Don’t level up or down - remove barriers’. (2022) McPhee, Molly
  • Completing the Mosaic: Sara Baartman and the Archive. (2022) Morosetti, Tiziana
  • “On Abyssinian Princes and Cannibal Queens”: Linguistic and Visual Representations of “Africanness” on the British Stage, 1850s-60. (2022) Morosetti, Tiziana
  • Reimagining the Victorian Past in African and in Black Diasporic Theatre. (2022) Morosetti, Tiziana
  • A Four and a Half Minute Manifesto for the Creative Critical. (2022) Orley, Emily and Hilevaara, Katja
  • Theoretical objects, inventiveness and creative-critical writing: Searching for the spaces of inventiveness in between. (2022) Orley, Emily and Hilevaara, Katja
  • The Emergence of the Integrated Musical: Otto Harbach, Oratorical Theory, and the Cinema. (2022) Rogers, Bradley
  • Lawrence Welk: Champagne Music, Ovaltine Politics. (2022) Rogers, Bradley
  • Becoming Animal. (2022) Rotie, Marie-Gabrielle description
  • Movement Choreography for The Northman (2020/2021). (2022) Rotie, Marie-Gabrielle image
  • States of Possession. (2022) Rotie, Marie-Gabrielle description
  • The Garden 2014 to 2023. (2022) Rotie, Marie-Gabrielle and Ikeuchi, Keiko
  • Music Theatre without Voice: Facilitating and directing diverse participation for opera, musical, and pantomime. (2022) Seubert, Florian J
  • ‘Sanitise your hands with rainbows!’ Encouraging self-representation in times of crisis: inclusive reflections on Covid-19, together with women with learning disabilities from East London. (2022) Seubert, Florian J
  • Artistic Processes and Characteristics: Key Problems of the Sociology of the Theatre. In Dialogue with Pierre Bourdieu. (2022) Shevtsova, Maria
  • Beyond Satire: Friedl, Red Peter, and "the cultural level of the average European". (2022) Twitchin, Mischa
  • Disturbing things. (2022) Twitchin, Mischa
  • Do we remember? (2022) Twitchin, Mischa
  • Lehmann's Voice(s). (2022) Twitchin, Mischa
  • On Repair: Between Cosmopolitics and Decoloniality. (2022) Twitchin, Mischa
  • On the Subject of Chance Remarks. (2022) Twitchin, Mischa
  • Refracting Implication: The question of silence in (A)pollonia. (2022) Twitchin, Mischa
  • Review of "No More Masterpieces: Modern Art After Artaud" by Lucy Bradnock. (2022) Twitchin, Mischa
  • Review of "Theatremachine: Tadeusz Kantor in Context", eds. Magda Romanska and Kathleen Cioffi. (2022) Twitchin, Mischa
  • Sprechen Sie Loewe? (2022) Twitchin, Mischa
  • "A kind of warning to the West" - Vaclav Havel today. (2022) Twitchin, Mischa
  • "...striking on stone clocks" (Mandelstam). (2022) Twitchin, Mischa
  • Covid Conversations 5: Robert Wilson. (2022) Wilson, Robert and Shevtsova, Maria
    • 2021
  • The Palgrave Handbook of Theatre and Race. (2021)
  • Volupté: Interdisciplinary Journal of Decadence Studies, Volume 4, Issue 2 (Winter 2021): Decadence and Performance. (2021)
  • Aspects of Intercultural Performance Aesthetics in Femi Òsófisán’s Drama. (2021) Adeyemi, Sola
  • Representing and Re-presenting Others in Yorùbá Performance. (2021) Adeyemi, Sola
  • ‘Burn the witch’: Decadence and the occult in contemporary feminist performance. (2021) Alston, Adam picture_as_pdf
  • Carnal acts: Decadence in theatre, performance and live art. (2021) Alston, Adam picture_as_pdf
  • Survival of the sickest: On decadence, disease and the performing body. (2021) Alston, Adam picture_as_pdf
  • Decadent Plays. (2021) Alston, Adam; Desmarais, Jane H. and Meth, Jonathan
  • HERE RAW: Staging Decadence. (2021) Alston, Adam; Parry, Owen and HERE, Arts Centre
  • Performances of the Sufi Ascent in Ibn ‘Arabī’s Metaphysics, Tunisian Ḥaḍra and DhikrRituals, and Three Sufi Plays: Journeys in God’s Vast Earth. (2021) Barghouti, Dia
  • INFERNO: Catastrophically Queer. (2021) Bell, Marcus
  • Covid Conversations 2: Anne Bogart. (2021) Bogart, Anne and Shevtsova, Maria
  • Young People, Musical Theatre and Identity. (2021) Braverman, Danny
  • 'The Meaning of Ensemble in the History of British Theatre'. (2021) Burt, Philippa
  • Performing the Nation: Identity, Violence and The Search for Plurality in Bangladesh. (2021) Chakraborthy, Sudip
  • Konstantin Stanislavski and Michael Chekhov: tracing the two practitioners’ “lures” for emotional activation. (2021) Evangelatou, Aphrodite
  • Jean Genet and the Sanctuary of the Sea. (2021) Finburgh Delijani, Clare
  • Le Passage du milieu dans le théâtre britannique. (2021) Finburgh Delijani, Clare
  • "Marie NDiaye, 'Lectrice plutôt que spectatrice', entretien réalisé par Clare Finburgh Delijani". (2021) Finburgh Delijani, Clare
  • Rire orchestré et révolte dans Les Nègres de Jean Genet. (2021) Finburgh Delijani, Clare
  • Introduction to Dennis Kelly's DNA. (2021) Finburgh Delijani, Clare and Kelly, Dennis
  • Master-less: Women Teaching Physical Theatre. (2021) Fleming, Cass
  • Michael Chekhov: Imagination and Community. (2021) Fleming, Cass
  • Suzanne Bing: The Interior Rhythm and Musicality of Play. (2021) Fleming, Cass
  • UM CONSTANTE PROCESSO DE EXPANSÃO [A Constant Process of Expansion]. (2021) Fleming, Cass
  • Dear Body. (2021) Furse, Anna F. D.
  • Ephemeral Arts in a world of Science. (2021) Furse, Anna F. D. picture_as_pdf
  • Staying in Touch. (2021) Furse, Anna F. D.
  • Remediating the female voice in extremis(m): The Human Voice (1966) in The Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions. (2021) Karantonis, Pamela
  • Abdelfattah Kilito, Archeologies: Twelve Miniatures, translated by Clare Finburgh Delijani and Marina Warner. (2021) Kilito, Abdelfattah; Finburgh Delijani, Clare and Warner, Marina
  • Covid Conversations 4: Stacy Klein. (2021) Klein, Stacy and Shevtsova, Maria
  • Covid Conversations 3: Elizabeth LeCompte and Kate Valk. (2021) LeCompte, Elizabeth; Valk, Kate and Shevtsova, Maria
  • Insubordinate Costume. (2021) Marshall, Susan
  • Dal Medio Oriente all’America: Linguaggi dell’“Africa” sul palcoscenico inglese fra Sette e Ottocento. (2021) Morosetti, Tiziana
  • Introduction. (2021) Morosetti, Tiziana and Okagbue, Osita
  • In the Prison of their Skins: Performing Race in Caribbean Theatre. (2021) Okagbue, Osita
  • Theatre and Performance in East Africa. (2021) Okagbue, Osita and Kasule, Samuel description
  • The Potent Object Laboratory. (2021) Reid, Alexa
  • Mujokan. (2021) Rotie, Marie-Gabrielle
  • Artefact 4: Tokyo Remix Ashmolean Museum in Oxford. (2021) Rotie, Marie-Gabrielle and Parkin, Nick
  • Covid Conversations 1: Peter Sellars. (2021) Sellars, Peter and Shevtsova, Maria
  • Moscow’s Golden Mask Festival: The Russian Case (Online, 2021). (2021) Shevtsova, Maria
  • Robert Wilson's Sonosphere. (2021) Shevtsova, Maria
  • Giving a local habitation to the dead. (2021) Twitchin, Mischa picture_as_pdf
  • Terezin - Photographic Memories. (2021) Twitchin, Mischa
  • ‘A blank page ... ’ or ‘Ten years since language left ... ’ (Artaud). (2021) Twitchin, Mischa
    • 2020
  • Special Issue Theatre, Dance and Performance Training 'Against the Canon'. (2020)
  • Staging Decadence (project website). (2020) Alston, Adam and Ideh, Amelia
  • A Different Way - Evaluation. (2020) Braverman, Danny grid_on
  • Creating Community Resilience: Theatre for Young Audiences and the Mental Health Crisis. (2020) Braverman, Danny and Hunt, Ava
  • The Gender Politics of Performance in Post-Agreement Northern Ireland: Reckoning with Interdependence. (2020) Coupe, Alexander
  • The Embodied Practitioner: Towards A Decolonised Cross-Cultural Performance Practice Within A Glocal Singapore Context. (2020) De Roza, Elizabeth
  • Teaching with the Special Issue ‘Against the Canon’. Theatre, Dance and Performance Training Journal Blog. (2020) Evans, Mark; Fleming, Cass; Loukes, Rebecca; Reed, Sara and Russell, Amy
  • Editorial, Special Issue 'Against the Canon'. (2020) Evans, Mark; Fleming, Cass and Reed, Sara
  • The Anti-Monumental Cemetery: Ghosts in Jean Genet’s ‘Quatre heures à Chatila’. (2020) Finburgh Delijani, Clare
  • In Memoriam: Christian Biet (1952-2020). (2020) Finburgh Delijani, Clare
  • Introduction Chekhov Technique: Past, Present and Future. (2020) Fleming, Cass
  • Michael Chekhov Technique in the Twenty-First Century: New Pathways. (2020) Fleming, Cass
  • Playing outside the frame: revealing the hidden contributions of the women in the French tradition of actor training. (2020) Fleming, Cass
  • Theatre of the Future: Chekhov Technique for Devised Theatre and Catalyst Directing. (2020) Fleming, Cass
  • Cross Currents and Conclusions. (2020) Fleming, Cass and Cornford, Tom
  • The Third Space. (2020) Fleming, Cass and Mitchell, Roanna
  • Birth, Copulation and Death: Feminist Theatre and Performance Practice across Four Decades. (2020) Furse, Anna F. D.
  • Foreword. (2020) Furse, Anna F. D.
  • Foreword. (2020) Furse, Anna F. D.
  • Jorge Crecis. (2020) Furse, Anna F. D.
  • Performing Nerves: Four Plays, Four Essays, On Hysteria. (2020) Furse, Anna F. D. description
  • Sounds of collective memories: A decolonial counter-representation of Afro-Ecuadorian Marimba Esmeraldeña and Bomba del Chota. (2020) López Yánez, María Gabriela
  • The gratitude enquiry: investigating reciprocity in three community projects. (2020) Mayo, Sue
  • Miasmas in the theatre: Encountering carceral atmospherics in Pests (2014). (2020) McPhee, Molly
  • Theatre as Collective Casework: Clean Break Theatre Company's Charged (2010). (2020) McPhee, Molly
  • Quaderni del '900. (2020) Morosetti, Tiziana
  • “The Last Rolo”: Love, Conflict and War in Anthony Neilson’s Penetrator. (2020) Newberry, Rachael
  • Black British Writing: Benjamin Zephaniah’s Didactic Poetics. (2020) Osborne, Deirdre
  • "Civis Romana sum”: Bernardine Evaristo’s The Emperor’s Babe and the Emancipatory Poetics of (Multi-) Cultural Citizenship. (2020) Osborne, Deirdre
  • ‘”Hearing Voices” and Performing the Mind in debbie tucker green’s Dramatic-Poetics’. (2020) Osborne, Deirdre
  • 'Routes: a Critical Commentary'. (2020) Osborne, Deirdre
  • Parys Mountain: Alchemy of Landscape. (2020) Rotie, Marie-Gabrielle and Parkin, Nick
  • Exercising Freedom: An Arendtian clown training utopia. (2020) Saner, Göze
  • Music in selected play productions of Wole Soyinka and Femi Osofisan. (2020) Sotimirin, Olatunji Samson
  • Angels in Poland. (2020) Twitchin, Mischa
  • Between 'Counter-movement' (Ingold) and 'Living with Ghosts' (Demos). (2020) Twitchin, Mischa picture_as_pdf
  • Cologne, 25.1.20. (2020) Twitchin, Mischa
  • A Dice Thrower. (2020) Twitchin, Mischa
  • Merthyr Tydfil, 24.12.19. (2020) Twitchin, Mischa
  • Mnemotechnics and the Discrete Voice. (2020) Twitchin, Mischa
  • Modernism, medium and memory. (2020) Twitchin, Mischa
  • On the Memory of Ethnography. (2020) Twitchin, Mischa description
  • On the ‘heritage’ of objects: between racism and restitution. (2020) Twitchin, Mischa
  • "Perspective(s)". (2020) Twitchin, Mischa
  • Refracting Implication: the Uses of Silence. (2020) Twitchin, Mischa
  • Review of "Necroperformance: Cultural Reconstructions of the War Body" by Dorota Sajewska (trans. Simon Wloch). (2020) Twitchin, Mischa picture_as_pdf
  • Review of 'The Polish Theatre of the Holocaust' by Grzegorz Niziolek. (2020) Twitchin, Mischa
  • Sokolowsko. (2020) Twitchin, Mischa
  • Can the Conventions of Indigenous Kunqu Opera Training be Useful for the Contemporary Actor? (2020) Xiang, Yunlin
    • 2019
  • Internationale situationniste. Théâtre, Performance. (2019)
  • On Animism. (2019)
  • Vision of Change in African Drama: Fémi Osófisan's Dialectical Reading of History and Politics. (2019) Adeyemi, Sola
  • Holstein’s hair: The Politics of Decadence in The Famous Lauren Barri Holstein’s Splat! (2019) Alston, Adam description
  • Immersive theatre in austerity Britain: Les Enfants Terribles’ riot in the Saatchi Gallery and the liquidation of differencEngine. (2019) Alston, Adam description
  • Taking Care: the Art of Kindness. (2019) Amidu, Maria; Andrews, Tom; Corri, Tina; Flynn, Liz; Fox, Sarah; Mayo, Sue and McGuiness, Janice
  • Re-igniting the radical legacy in Theatre for Young Audiences (TYA): How the work of David Johnston and Theatre Centre in the 1980s can inform current practice. (2019) Braverman, Danny description
  • Towards Community Resilience: Theatre for Young Audiences and the Mental Health Crisis. (2019) Braverman, Danny and Hunt, Ava
  • Harley Granville Barker as Director-Teacher. (2019) Burt, Philippa
  • Waste. (2019) Burt, Philippa
  • (Re)Shaping The Body: Reinventing Traditions in Contemporary Shakespeare Performances in Asia. (2019) Choi, Bo Ram
  • Digesting Ritual. (2019) Couch, Amanda and Alston, Adam
  • Stanislavsky’s Creative State on the Stage. A spiritual approach to the ‘system’ through practice as research. (2019) Curpan, Gabriela
  • Awakening the Actor’s Emotional Expressivity: A Psychophysical Approach. (2019) Evangelatou, Aphrodite
  • Awakening the Actor’s Emotional Expressivity: A Work Demonstration. (2019) Evangelatou, Aphrodite
  • Beyond Exercise: The Pedagogy of Actor Training. (2019) Evangelatou, Aphrodite
  • On Actor Training and Pedagogy: Enhancing Students’ Learning Though Encouraging the Accessing of the Flow State. (2019) Evangelatou, Aphrodite
  • Rhythm and Musicality as Tools for Accessing Acted Emotion. (2019) Evangelatou, Aphrodite
  • “‘Ces portes entrouvertes qui filtrent le monde’. Graeme Miller : Entretien avec Clare Finburgh Delijani”. (2019) Finburgh Delijani, Clare
  • “Un metteur en scène, un théâtre, un continent, un monde. Thomas Ostermeier et la Schaubühne. Entretien réalisé par Clare Finburgh”. (2019) Finburgh Delijani, Clare
  • “‘Élargir la part non médiocre de la vie’. La situation construite et le théâtre Contemporain”. (2019) Finburgh Delijani, Clare
  • MICHA and the Chekhov Matriarchy. (2019) Fleming, Cass
  • Careful the Spell You Cast: Disillusionment and Maturity in the Musical Theatre of Stephen Sondheim. (2019) Francis, Benjamin
  • MUSCLE. (2019) Furse, Anna F. D.
  • OTHER MOTHERS. (2019) Furse, Anna F. D.
  • Triptych: Three Plays for Young People Inspired by the Art of Paula Rego. (2019) Graham, Fiona
  • Clip 10. "The Ivy which had hid" lab excerpt: breathing into metaphor. (2019) Hurrell, Christopher
  • Clip 11. "I thus neglecting worldly ends" Lab excerpt: mid-line breaths and 'lifting-on' enjambments. (2019) Hurrell, Christopher
  • Clip 12. "Now he was the ivy.." Practice Excerpt: Identifying the T/D nexus. (2019) Hurrell, Christopher audio_file
  • Clip 13. "If by your art" Practice Lab: Sounding the dissonant bass notes. (2019) Hurrell, Christopher
  • Clip 14. "If by your art" Practice lab - Sounding the secondary sound cluster. (2019) Hurrell, Christopher
  • Clip 15. "If by your art" Practice Lab: "Oh I have suffered". (2019) Hurrell, Christopher
  • Clip 16. "If by your art" Practice lab: Embodying the sounds in interpretation. (2019) Hurrell, Christopher
  • Clip 19. "I must eat my dinner" - Practice Lab: Sounding out Caliban. (2019) Hurrell, Christopher
  • Clip 20. "Full Fathom Five" Practice laboratory: arrangement for solo voice and digital looping. (2019) Hurrell, Christopher audio_file
  • Clip 21. "Come Unto These Yellow Sands" - Practice Lab. Testing the tune of 'Full Fathom Five'. (2019) Hurrell, Christopher audio_file
  • Clip 22. "Solemn music" - Practice Lab: testing juxtaposition with "Ye Elves" and "A Solemn Ayre". (2019) Hurrell, Christopher
  • Clip 23. "Where the bee sucks.." - Practice Lab: testing different interpretative approaches. (2019) Hurrell, Christopher
  • Clip 24. "Now my charmes..." Practice laboratory: sounding out the epilogue. (2019) Hurrell, Christopher audio_file
  • Clip 26. "Mi-Ti-Gab" vocal sound circuit. Soundscape track from "Hear My Soul Speak". (2019) Hurrell, Christopher audio_file
  • Clip 27. Sonic Analysis Practice Laboratory - "Miranda". (2019) Hurrell, Christopher video_file
  • Clip 4. "Ye Elves of Hills" - Example #1. (2019) Hurrell, Christopher description
  • Clip 5. "Ye Elves of Hills" Example #2. (2019) Hurrell, Christopher audio_file
  • Clip 6. "Ye Elves of Hills" - Example #3. (2019) Hurrell, Christopher audio_file
  • Clip 7. "Ye Elves of Hills" - Example #4. (2019) Hurrell, Christopher audio_file
  • Clip 8. 'Ye Elves of Hills' Example #5. (2019) Hurrell, Christopher audio_file
  • Clip 9. "To Trash For O'er topping" - Testing various breath points. (2019) Hurrell, Christopher audio_file
  • “Hear My Soul Speak” – Finding Prospero in the Verbal Music of Shakespeare’s The Tempest. (2019) Hurrell, Christopher
  • “Bridge of Glass”: Modernist Legacies in Druid’s Epic Forms. (2019) Levitas, Ben picture_as_pdf
  • W, B. Yeats and the Daughters of Herodias: Ireland, Performative Theatre and the Age of Catastrophe. (2019) Levitas, Ben picture_as_pdf
  • 'I don't know why she's crying': Contagion and Criminality in Clean Break's Dream Pill and Little on the inside. (2019) McPhee, Molly
  • Sara Baartman and the Archive. (2019) Morosetti, Tiziana
  • Dust of the Zulu: Ngoma Aesthetics after Apartheid. By Louise Meintjes, with photographs by T. J. Lemon. Durham, NC and London: Duke University Press, 2017. Pp. xiv + 338 + 142 illus. $94.95 Hb; $26.95 Pb. (2019) Okagbue, Osita
  • Playing with Our Ancestors: Culture and Communal Memory in Igbo Masquerade Theatre. (2019) Okagbue, Osita
  • ‘From Institutional Exclusion to Institutionalisation: “Decolonising” Literary Curricula’. (2019) Osborne, Deirdre
  • ‘Hearing and Sounding Voices: In the “silence of ink and paper”’(Mills, 2009). (2019) Osborne, Deirdre
  • ‘Landmark Poetics’. (2019) Osborne, Deirdre
  • The Magnitude of Mothertext. (2019) Osborne, Deirdre
  • ‘Mixed Messages’. (2019) Osborne, Deirdre
  • ‘Complex Coalitions: Sex, Gender, Race and Class’. (2019) Osborne, Deirdre and Hassan, Leila
  • The London International Festival of Theatre (LIFT) in Context, 1947-2016. (2019) Patey-Ferguson, Phoebe
  • Little House 2. (2019) Reid, Alexa image
  • In Sutherlands Footsteps. (2019) Rotie, Marie-Gabrielle
  • Designing Performer Training: Digital Encounters with Things and People. (2019) Saner, Göze and Robinson, Scott
  • Innovative Practices: Stanislavsky Directs Chekhov and Gorky. (2019) Shevtsova, Maria description
  • Interdisciplinary Performance Practices and Interdisciplinary Analysis. (2019) Shevtsova, Maria
  • Rediscovering Stanislavsky. (2019) Shevtsova, Maria
  • ‘Small Forms’ and Large: the Russian Case at the Golden Mask, 2019. (2019) Shevtsova, Maria
  • In Search of the Performer’s Way: The Work of Jerzy Grotowski from the Perspective of Daoism. (2019) Song, Jong Hyuk
  • Concerning "the Eurocentric African Problem" (Meschac Gaba). (2019) Twitchin, Mischa
  • Considering Square Circles. (2019) Twitchin, Mischa
  • Dr Faustroll's Pataphysical Ethnography in Dresden. (2019) Twitchin, Mischa
  • Dr Faustroll's Pataphysical Ethnography in Dresden 2. (2019) Twitchin, Mischa
  • Dr Faustroll's Pataphysical Ethnography in Dresden 3. (2019) Twitchin, Mischa
  • In and Out of the Dark: Exposing the ‘immersive’ theatrically. (2019) Twitchin, Mischa
  • Performance, Parable, and Paradox. (2019) Twitchin, Mischa
  • Philosophical Phantasms: ‘the Platonic Differential’ and ‘Zarathustra’s Laughter'. (2019) Twitchin, Mischa
  • Poem Films: “…not only in your theatre but also in the world” (Brecht). (2019) Twitchin, Mischa
  • Red Peter and Josephine. (2019) Twitchin, Mischa
  • Shunt: A performance collective. (2019) Twitchin, Mischa picture_as_pdf
  • Skipping Between Text and Performance: Some Questions of "Realism". (2019) Twitchin, Mischa
  • Sokolowsko, 28.07.2019. (2019) Twitchin, Mischa
  • Tartu, 14.9.2019. (2019) Twitchin, Mischa
  • Tartu, 15.09.2019. (2019) Twitchin, Mischa
  • Terezin - contemporaries. (2019) Twitchin, Mischa
  • Terezin 1. (2019) Twitchin, Mischa
  • Terezin 2. (2019) Twitchin, Mischa
  • Terezin 3. (2019) Twitchin, Mischa
  • Tervuren 2(ii). (2019) Twitchin, Mischa
  • This Artwork is Having a Rest. (2019) Twitchin, Mischa
  • "Time crystals". (2019) Twitchin, Mischa
  • The Voice of Things. (2019) Twitchin, Mischa
  • The Voice of Things. (2019) Twitchin, Mischa picture_as_pdf
  • On Animism: Introduction. (2019) Twitchin, Mischa and Lavery, Carl
    • 2018
  • Africa on the Contemporary London Stage. (2018)
  • The Creative Critic: Writing As/About Practice. (2018)
  • The Great Stage Directors, volume 6: Littlewood, Planchon, Strehler. (2018)
  • I write as a pan-African: A Conversation with Oladipo Agboluaje. (2018) Adeyemi, Sola
  • Review of Iyunolu Osagie, "African Modernity and the Philosophy of Culture in the Works of Femi Euba". (2018) Adeyemi, Sola
  • Danny Braverman - Spare Tyre Interview. (2018) Braverman, Danny html
  • My Kind of Michael. (2018) Braverman, Danny and Cassenbaum, Nick html
  • Pushing The Boundaries. (2018) Braverman, Danny and Hunt, Ava
  • Colluding to Protect the State? The Case of the Arts Council, Special Branch and Theatre Workshop. (2018) Burt, Philippa description
  • From the Western Front to the East Coast: Barker's Trojan Women in the USA. (2018) Burt, Philippa description
  • 'The mind goes back to the golden fairies...' Granville Barker's Choral Work. (2018) Burt, Philippa description
  • Towards Vivencia: A dance training methodology that generates a peak performative state through the ritualisation of actions. (2018) Crecis, Jorge
  • Reflections on the IPPT Ghent 2018. (2018) Evangelatou, Aphrodite
  • Michael Chekhov in the 21st Century: New Pathways Project. (2018) Fleming, Cass and Cornford, Tom
  • 'Jacques Copeau' in The Great European Stage Directors, Vol 3, Copeau, Komisarjevsky and Guthrie. (2018) Fleming, Cass and Evans, Mark
  • An Anatomy Act: On death, anatomy and the status of the cadaver. (2018) Furse, Anna F. D.
  • Anna Furse Performs An Anatomy Act: A Show and Tell. (2018) Furse, Anna F. D.
  • Anna Furse Performs An Anatomy Act: A Show and Tell - UK and International Touring 2018. (2018) Furse, Anna F. D.
  • Being Touched - Theatre as Ethical Practice. (2018) Furse, Anna F. D.
  • The Body Spectacular: Hysteria, Subfertility, Anatomy and the Prosthetic Gaze. (2018) Furse, Anna F. D.
  • Fertility Fest 2018. (2018) Furse, Anna F. D.
  • Her Spectacular Body: hysteria, subfertility, anatomy and the prosthetic gaze. (2018) Furse, Anna F. D.
  • I Am Not A Piece Of Meat. (2018) Furse, Anna F. D.
  • Interiority: Workshop with Professor Anna Furse. (2018) Furse, Anna F. D.
  • Interiority: Writing the Body. (2018) Furse, Anna F. D.
  • Keynote Address: Performance in the Medical Gaze. (2018) Furse, Anna F. D.
  • Our Bodies Our Selves. (2018) Furse, Anna F. D.
  • Residency. (2018) Furse, Anna F. D.
  • SHOCKS TO THE SYSTEM. (2018) Furse, Anna F. D.
  • Shocks (To the System). (2018) Furse, Anna F. D.
  • Spectacular Body. (2018) Furse, Anna F. D.
  • Theatre as a Model of Collaborative Process and Ethical Framework. (2018) Furse, Anna F. D.
  • The Theatre of Our Bodies. (2018) Furse, Anna F. D.
  • Workshop: I Am Not A Piece Of Meat: Writing the Body. (2018) Furse, Anna F. D. html
  • Catalysing Change: The Creative Interventions of the Dramaturge Project. (2018) Graham, Fiona
  • SIGHTINGS. (2018) Graham, Fiona; McDowell, Miriama and Su'a, Denise description
  • The Creative Critic Companion Site. (2018) Hilevaara, Katja and Orley, E html
  • The Creative Critic and Selected Writings. (2018) Hilevaara, Katja and Orley, E
  • An Introduction in Five Acts. (2018) Hilevaara, Katja and Orley, E
  • Clip 17. "A Solemn Air" - Identifying the 'pinch'd' sound cluster. (2018) Hurrell, Christopher audio_file
  • Clip 18. "A Solemn Air" - Final Reading. (2018) Hurrell, Christopher audio_file
  • Clip 25. "Hear My Soul Speak" - Performance. (2018) Hurrell, Christopher video_file
  • Playing With Our Ancestors: Culture and Communal Memory in Igbo Masquerade Theatre. Osita Okagbue. (2018) IgboConference, Igbo Conference and Okagbue, Osita
  • 'The Dancer and the Heart's Desire: W. B. Yeats and the Theatre of Modernity'. (2018) Levitas, Ben
  • Why use the arts in intergenerational practice? (2018) Mayo, Sue
  • Decorum Southend Participant feedback. (2018) Mayo, Sue and Blue Lowry, Chuck
  • DECORUM: ACCEPT/REJECT. (2018) Mayo, Sue and Lowry, Chuck Blue
  • Decorum: web page with links to three short films. (2018) Mayo, Sue and Lowry, Chuck Blue html
  • Miasmatic Performance: Women and resilience in carceral climates. (2018) McPhee, Molly
  • An Investigation into How Engagement with the Context and Processes of Collaborative Devising Affects the Praxis of the Playwright: A Practice-as-Research PhD. (2018) Morash, Karen
  • Introduction. (2018) Morosetti, Tiziana
  • ‘On One of Those Sunday Nights’: 50 Years of Africa at the Royal Court Theatre. (2018) Morosetti, Tiziana
  • 'Gourmand or Glutton?' Thackeray's Vanity Fair and Representations of the Corpulent in a Climate of Want. (2018) Newberry, Rachael
  • Billy Blue and “Billy Skywonkie”: representing intra-colonial blackness and inter-raciality in nineteenth-century Australia. (2018) Osborne, Deirdre
  • Didactic Poetics : Critical, Creative, Consequentialist. (2018) Osborne, Deirdre
  • Ego-histoire and Adoption Aesthetics. (2018) Osborne, Deirdre
  • Lorraine Hansberry (1930-1965). (2018) Osborne, Deirdre
  • On Whose Terms?: Ten Years On... (in Critical Negotiations in Black British Literature and the Arts). (2018) Osborne, Deirdre and Neumann, Birgit
  • Theatricalizing Dissent: An Examination of the Methodology and Efficacy of Performance in Contemporary Political Protest. (2018) Rees, Sian
  • Encounters with Landscape Research Labs Series: Pembrokeshire. (2018) Rotie, Marie-Gabrielle and Parkin, Nick
  • An Actor’s Attempt at Sisyphus’ Stone: Memory, Performance, and Archetype. (2018) Saner, Göze
  • Attempts. (2018) Saner, Göze
  • Echoes. (2018) Saner, Göze
  • Migrant Steps: Interview with Göze Saner. (2018) Saner, Göze and Yeni, Naz
  • Dialogue between Maria Shevtsova and Aleksander Chepurov on the Fiftieth Anniversary of the Artistic Work of Valery Fokin at the Aleksandrinsky Theatre, St Petersburg – in Russian. (2018) Shevtsova, Maria
  • Interview on Stanislavsky's Context for Essential Drama. (2018) Shevtsova, Maria
  • Problematics and Methodology of the Sociology of the Theatre – delivered in Russian. (2018) Shevtsova, Maria
  • Robert Wilson (Second Edition). (2018) Shevtsova, Maria
  • ‘Stanislavsky: Founder of Modern Acting’, broadcast on the programme ‘The Forum’ for BBC Radio 4. (2018) Shevtsova, Maria
  • Valery Fokin's European Theatre. (2018) Shevtsova, Maria
  • Towards the Potential Space: Addressing the influences that hamper and occlude an actor’s potency and their remediation through psychophysical approaches to learning. (2018) Smart, Roger
  • Aging Without Age. (2018) Twitchin, Mischa
  • Between Truth and the Inexplicable. (2018) Twitchin, Mischa
  • The Critical Attitude (English version). (2018) Twitchin, Mischa
  • The Critical Attitude (Polish version). (2018) Twitchin, Mischa
  • Estonia, May-June 1939. (2018) Twitchin, Mischa
  • The Estonian Theatre Festival, Tartu 2018: A 'Tale of the Century’. (2018) Twitchin, Mischa
  • The Human Face 2. (2018) Twitchin, Mischa
  • "In the name of your image" (Senghor). (2018) Twitchin, Mischa
  • Indifference or irony? (2018) Twitchin, Mischa
  • Kantor after Duchamp. (2018) Twitchin, Mischa
  • Letters from Europe. (2018) Twitchin, Mischa description
  • "Not all art is magic, nor is all magic art." (A Museum of World Culture 5: Wyatt MacGaffey.). (2018) Twitchin, Mischa
  • On "an ethnography of relation" (a Museum of World Culture 3). (2018) Twitchin, Mischa
  • On 'drawing unexpected analogies' (Attia); or on 'living with ghosts' (Demos). (2018) Twitchin, Mischa
  • On 'the eye that listens' (Claudel). (2018) Twitchin, Mischa
  • On Judging (English version). (2018) Twitchin, Mischa
  • On Judging (Polish version). (2018) Twitchin, Mischa
  • On “a discourse related to the historical dynamics of its time” (Araeen). (2018) Twitchin, Mischa
  • "Phantom Africa" (Museum of World Cultures 2). (2018) Twitchin, Mischa
  • Portrayal of Past and Present in One (Brecht). (2018) Twitchin, Mischa
  • Portrayal of Past and Present in One (Polish version). (2018) Twitchin, Mischa
  • Reading Brecht in Nanterre 6: The Theatre of Dreams (German version). (2018) Twitchin, Mischa
  • Reading Brecht in Nanterre: On Judging (German version). (2018) Twitchin, Mischa
  • Reading Brecht in Nanterre: Portrayal of Past and Present in One (German version). (2018) Twitchin, Mischa
  • Reading Brecht in Nanterre: The Critical Attitude (German version). (2018) Twitchin, Mischa
  • Theatre 'between returns to diversity' and 'memory laws'. (2018) Twitchin, Mischa
  • The Theatre of Dreams (Polish version). (2018) Twitchin, Mischa
  • The Theatre of Dreams. (2018) Twitchin, Mischa
  • What chance failure? (2018) Twitchin, Mischa picture_as_pdf
  • A "museum of world cultures": the writing of a phantasm. (2018) Twitchin, Mischa
  • "A world after its own image". (2018) Twitchin, Mischa
  • A "world in their own image" (a Museum of World Cultures 4). (2018) Twitchin, Mischa
    • 2017
  • Stages of Embodiment in Postcolonial Theatre. (2017)
  • Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. (2017) picture_as_pdf
  • Many Colours of an African Performative Ritual. (2017) Adeyemi, Sola
  • Mitlerin Sahnelenmesi, Cagdsligin Rituellesmesil: Performing Myths, Ritualising Modernity. (2017) Adeyemi, Sola
  • Performing Arts. (2017) Adeyemi, Sola
  • Immersive theatre and the aesthetics of decadence: on the ruined worlds of Punchdrunk, SHUNT and Hammer Film Productions. (2017) Alston, Adam description
  • Dialogue Across Difference: A Dramaturgical Framework. (2017) Braverman, Danny description
  • Barker, Euripides and the War Effort in North America. (2017) Burt, Philippa description
  • Stanislavsky’s system as an enactive guide to embodied cognition? (2017) Clare, Ysabel description
  • Performing trauma in post-conflict Northern Ireland: ethics, representation and the witnessing body. (2017) Coupe, Alexander description
  • Théâtres de violence : Les nouvelles écritures théâtrales britanniques. (2017) Finburgh, Clare
  • ‘Violence without Violence’: Spectacle, War and Lola Arias’s MINEFIELD (CAMPO MINADO). (2017) Finburgh, Clare
  • Eric Bentley at 100: on Brecht, Politics and Writing. (2017) Furse, Anna F. D.
  • Other People's Shoes. (2017) Furse, Anna F. D.
  • Interiority: an exploration of the inward gaze 3 interdisciplinary talks. (2017) Furse, Anna F. D. and Kemp, Dawn
  • Dramaturge for LOST AND FOUND (DANCES OF EXILE). (2017) Graham, Fiona
  • The Nomadic Dramaturge: Negotiating Subjectivity, Multicultural Translation, and Dramaturgical Composition. (2017) Graham, Fiona picture_as_pdf
  • Performing Dramaturgy. (2017) Graham, Fiona
  • Performing Dramaturgy. (2017) Graham, Fiona picture_as_pdf
  • 'The Pā Collective: Developing Dramaturgical Intersections, Collaborations and Performing Layers of Place Post-Empire'. (2017) Graham, Fiona and Brown, Carol picture_as_pdf
  • Introduction. Postcolonial Embodiments in Contemporary Performance. (2017) Guarracino, Serena and Morosetti, Tiziana
  • Nuclear Catastrophes and the Theatre in Tokyo, 1945-2016. (2017) Iwaki, Kyoko
  • The Theatre of Modernity. (2017) Levitas, Ben
  • The Gratitude Enquiry. (2017) Mayo, Sue and Lowry, Chuck Blue image
  • ‘Etc. Etc.’: Replicating the ‘Exotic’ Body on the Nineteenth-Century British Stage. (2017) Morosetti, Tiziana
  • On Sozaboy’s Darkness: Ken Saro-Wiwa and the Biafra War. (2017) Morosetti, Tiziana
  • Triggering Thriller(s): Eddie Iroh’s 48 Guns for the General. (2017) Morosetti, Tiziana
  • Becoming and Un-becoming: Securing ‘selves’ in the memoir-fiction of Maxine Beneba Clarke. (2017) Osborne, Deirdre
  • Mothertext: Restoring the Mixed Matrilineal Routes to Heritage. (2017) Osborne, Deirdre
  • You think remembering me is enough. It’s not” (from ‘At the Grave of the Unknown African, Henbury Parish Church’): The Landmark Poetics of Fred D’Aguiar and Dorothea Smartt. (2017) Osborne, Deirdre
  • 'hang' by debbie tucker green. (2017) Osborne, Deirdre
  • Challenging the Characterizations of Military Service: A Critical Comparison of British and American Counter-Recruitment Efforts. (2017) Rowe, Cami
  • Performance and Politics Fifty Years After ‘Society of the Spectacle’. (2017) Rowe, Cami description
  • Containers of Practice: Would you step into my shell? (2017) Saner, Göze
  • Orozco Lourdes and Parker-Starbuck Jennifer, ed. Performing Animality: Animals in Performance Practices Basingstoke; New York: Palgrave, 2015. 225 p. £55.00. ISBN: 978-1-137-37312-0. [Review]. (2017) Saner, Göze
  • Turkish/Kurdish Women’s Migrant Steps in London: Public Walks/Personal Returns. (2017) Saner, Göze and Dedeoğlu, Saniye
  • Audiobooks as Artworks : A Framework for Analysis & Appreciation. (2017) Sheinberg, David
  • Contemporary Intercultural Theatre. (2017) Shevtsova, Maria
  • Interdisciplinary Approaches and the Sociology of Theatre Practices. (2017) Shevtsova, Maria description
  • Performances With No End in Sight. (2017) Shevtsova, Maria
  • Peter Brook: Method and Style. (2017) Shevtsova, Maria
  • President of the Jury of the 2017 Belgrade International Festival of Theatre (BITEF). (2017) Shevtsova, Maria
  • Revolutions Remembered: the Golden Mask Festival in Moscow 2017. (2017) Shevtsova, Maria description
  • Stanislavski et Lev Dodin: à la recherche d’un acteur (co-) créateur (Stanislavsky and Lev Dodin: Searching for an Actor (Co-) Creator) – delivered in French. (2017) Shevtsova, Maria
  • ‘Stanislavsky: Founder of Modern Acting’, broadcast on the programme ‘The Forum’ for BBC World Service. (2017) Shevtsova, Maria
  • Theatres of Long Duration – delivered in Russian. (2017) Shevtsova, Maria
  • Between Phantom and Phantasm. (2017) Twitchin, Mischa
  • Digital Catoptrics. (2017) Twitchin, Mischa
  • Exposing ‘People’. (2017) Twitchin, Mischa
  • From "Ignorance". (2017) Twitchin, Mischa
  • In and Out of the Dark. (2017) Twitchin, Mischa
  • Loving Memory: Anamnesis and Hypomnesis. (2017) Twitchin, Mischa description
  • ‘The Mirror and the Corpse…’: Some Reflections on the Phantasm of the Subject. (2017) Twitchin, Mischa
  • Modelling International Relations: Ethnographic Museums and the ‘Authority’ of Objects. (2017) Twitchin, Mischa
  • Of What Stuff Are European Dreams Made On? (2017) Twitchin, Mischa
  • On Some ‘Documents of Euro-African Contact’ (MacGregor). (2017) Twitchin, Mischa
  • On ‘observing oneself as an instrument of observation’ (Levi-Strauss). (2017) Twitchin, Mischa
  • Performance? Art? (English version). (2017) Twitchin, Mischa
  • Performance? Art? (Polish version). (2017) Twitchin, Mischa
  • Reading Brecht in Nanterre. (2017) Twitchin, Mischa
  • Reading Brecht in Nanterre 2: Performance? Art? (German version). (2017) Twitchin, Mischa
  • Reading Brecht in Nanterre: Showing Shown (German version). (2017) Twitchin, Mischa
  • Reading Brecht: Polish-German (1). (2017) Twitchin, Mischa
  • Showing Shown (English version). (2017) Twitchin, Mischa
  • Showing Shown (Polish version). (2017) Twitchin, Mischa
  • Sites of Research or ‘no layers of the onion’: Phantom Europe. (2017) Twitchin, Mischa description
  • What's Wrong with Participation? (2017) Twitchin, Mischa
  • “The ‘missing people’: philosophical masks and Afro-European encounters”. (2017) Twitchin, Mischa
    • 2016
  • The Cambridge Companion to British Black and Asian Literature (1945–2010). (2016)
  • Staging the Other in Nineteenth-Century British Drama. (2016)
  • Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation. (2016) Alston, Adam picture_as_pdf
  • Making Mistakes in Immersive Theatre: Spectatorship and Errant Immersion. (2016) Alston, Adam description
  • The Promise of Experience: Immersive Theatre in the Experience Economy. (2016) Alston, Adam description
  • 'Tell no-one': Secret Cinema and the Paradox of Secrecy. (2016) Alston, Adam description
  • The Making of Wot? No Fish!! - Translating Outsider Art Into Theatrical Storytelling. (2016) Braverman, Danny html
  • Something Inside So Strong. (2016) Braverman, Danny
  • Bubble Schmeisis. (2016) Braverman, Danny and Cassenbaum, Nick html
  • Something Inside So Strong. (2016) Braverman, Danny and Siffre, Labi html
  • Something Inside So Strong - Script. (2016) Braverman, Danny and Siffre, Labi
  • The Merry Wives of Moscow: Komisarjevsky, Shakespeare, and Russophobia in the British Theatre. (2016) Burt, Philippa
  • Stanislavsky’s quest for the Ideal Actor: the System as Socratic encounter. (2016) Clare, Ysabel description
  • A system behind the system: but is it Stanislavski? (2016) Clare, Ysabel description
  • Genet mis en scène : Table ronde avec Philippe Adrien, Antoine Bourseiller, Frédéric Fisbach et Sébastien Rajon. (2016) Finburgh, Clare
  • Jean Genet et l’art du comédien: Un jeu maladroit. (2016) Finburgh, Clare
  • Chekhov Technique for Catalyst Direction. (2016) Fleming, Cass
  • Chekhov Technique for Catalyst Direction. Practice Research Project Lecture, Young Vic Theatre. (2016) Fleming, Cass
  • The Little Prince. (2016) Fleming, Cass
  • Master Class and Research Presentation, Young Vic Theatre. (2016) Fleming, Cass
  • Practice Research: Master Classes and Research Presentations on Michael Chekhov Technique for Professional Directors (2013-2016). (2016) Fleming, Cass
  • Public Research and Development Performance of The Little Prince. (2016) Fleming, Cass
  • Public scratch performance of The Little Prince. (2016) Fleming, Cass
  • Public work in progress performance of The Little Prince. (2016) Fleming, Cass
  • Michael Chekhov Technique for Devised Theatre and Catalyst Direction. (2016) Fleming, Cass and Mitchell, Roanna
  • The Anatomy Act. (2016) Furse, Anna F. D. description
  • Convulsive Beauty. (2016) Furse, Anna F. D.
  • Performance Making Intensive Laboratory with Anna Furse. (2016) Furse, Anna F. D.
  • Yerma's Eggs / Subfertility. (2016) Furse, Anna F. D.
  • Yerma's Eggs 2003. (2016) Furse, Anna F. D.
  • The Dao of writing: transcultural literary identity in Gao Xingjian's novel Soul Mountain. (2016) Fusini, Letizia description
  • The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960s. (2016) Greatorex, Francesca Mary
  • Orange Dogs and Memory Responses: Creativity in Spectating and Remembering. (2016) Hilevaara, Katja
  • The Abbey and the Idea of a Theatre. (2016) Levitas, Ben
  • A Temper of Misgiving: W. B. Yeats and the Ireland of Synge’s Time. (2016) Levitas, Ben
  • DECORUM: Project Description. (2016) Mayo, Sue description
  • I live in it/Programme. (2016) Mayo, Sue picture_as_pdf
  • Rooms with a View participant feedback. (2016) Mayo, Sue picture_as_pdf
  • The spaces in between: Relationships in participatory work. (2016) Mayo, Sue description
  • I live in it/Gratitude Enquiry invitation. (2016) Mayo, Sue and Magic, Me
  • Rooms with a View: Disrupting and Developing Narratives of Community through Intergenerational practice. (2016) McAvinchey, Caoimhe and Mayo, Sue
  • Stigma: the Work of the Straightener. (2016) McPhee, Molly
  • Constructing the Zulus: The “African” Body and Its Narrative. (2016) Morosetti, Tiziana
  • Introduction. (2016) Morosetti, Tiziana
  • On the Island of Poetry: Literary Awards and the Canonization of African Creativity. (2016) Morosetti, Tiziana
  • Beyond Mary Prince: Black Women in Dialogue. (2016) Osborne, Deirdre
  • ‘Black British Comedy: Desmond’s and the Changing Face of Television’. (2016) Osborne, Deirdre
  • Genre and its ‘Diss-contents’: Twenty-First-Century Black British Writing on Page and Stage. (2016) Osborne, Deirdre
  • ‘Introduction’. (2016) Osborne, Deirdre
  • Little House. (2016) Reid, Alexa
  • Iraq Veterans Against the War: "That Whole Gender Paradigm". (2016) Rowe, Cami
  • Sharing Training. (2016) Saner, Göze and Robinson, Scott
  • The Baltic House Theatre Festival, St Petersburg: Twenty-Five Years On. (2016) Shevtsova, Maria description
  • Political Theatre in Europe: East to West, 2007–2014. (2016) Shevtsova, Maria description
  • Robert Wilson. (2016) Shevtsova, Maria description
  • Theatres of War: Contemporary Scenes. (2016) Shevtsova, Maria
  • Trends in Contemporary European Theatre. (2016) Shevtsova, Maria
  • "Between Documentation and Living Archive: What Becomes of the Avant-Garde?". (2016) Twitchin, Mischa
  • Dahlem Dorf, Chapter 1. (2016) Twitchin, Mischa
  • Dahlem Dorf, Chapter 2. (2016) Twitchin, Mischa
  • Dahlem Dorf, Chapter 3. (2016) Twitchin, Mischa
  • Dahlem Dorf, Chapter 4. (2016) Twitchin, Mischa
  • Dahlem Dorf, Chapter 5. (2016) Twitchin, Mischa
  • Dahlem Dorf, Prologue. (2016) Twitchin, Mischa
  • "Future Pasts". (2016) Twitchin, Mischa
  • How to Explain Pictures to a Dead Hare? (2016) Twitchin, Mischa
  • The Human Face (English version). (2016) Twitchin, Mischa
  • Le Corps, lien d'utopies (French version). (2016) Twitchin, Mischa
  • Le Visage Humain (French version). (2016) Twitchin, Mischa
  • "Loving Memory: Anamnesis and Hypomnesis". (2016) Twitchin, Mischa
  • Métro: Trocadéro. (2016) Twitchin, Mischa
  • "'Object Lessons' at the British Museum's Africa Galleries". (2016) Twitchin, Mischa
  • On the Contexts Festival of Ephemeral Art (Sokolowsko) [Review]. (2016) Twitchin, Mischa
  • "Pedagogic Materials: Tylor and Godard". (2016) Twitchin, Mischa
  • Phantom Europe 1: Return to the Postcolony. (2016) Twitchin, Mischa
  • Phantom Europe 2: Living with Ghosts. (2016) Twitchin, Mischa
  • The Theatre of Death - the Uncanny in Mimesis: Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor. (2016) Twitchin, Mischa
  • "This Craze for Explicitation...". (2016) Twitchin, Mischa
  • The Utopian Body (English version). (2016) Twitchin, Mischa
  • A View from the 2015 Malta Festival (Poznan) [Review]. (2016) Twitchin, Mischa
  • "We Have Somehow to Believe That Culture Will Save Us." (Interview with David Lan). (2016) Twitchin, Mischa
  • "We went with this text to Stuttgart". (2016) Twitchin, Mischa
  • "What gets differentiated - or repeated - in an 'ontology of performance'?". (2016) Twitchin, Mischa
    • 2015
  • Rethinking the Theatre of the Absurd: Ecology, the Environment and the Greening of the Modern Stage. (2015)
  • Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the ethics of failure. (2015)
  • Performing labour in Look Left Look Right's Above and Beyond. (2015) Alston, Adam description
  • Framing Black British Drama: Past to Present. (2015) Brewer, Mary F.; Goddard, Lynette and Osborne, Deirdre
  • The Ideal of Ensemble Practice in Twentieth-century British Theatre, 1900-1968. (2015) Burt, Philippa
  • Theatre, Performance and Representation: African Diasporic Identity on the British Stage. (2015) Ekumah-Asamoah, Rachel Ekua
  • Mises en scène de l’événement historique: la Terreur dans le théâtre anglais contemporain. (2015) Finburgh, Clare
  • Michael Chekhov in the Twenty First Century: New Pathways – The Little Prince in process. (2015) Fleming, Cass; Mitchell, Roanna and Cornford, Tom
  • Dramaturge for PAH. (2015) Graham, Fiona
  • Dramaturge for THE MOONCAKE AND THE KUMARA. (2015) Graham, Fiona
  • ‘Punk’s dead, Michael’: Artifice, independence and authenticity in Leigh Bowery’s self-fashioned post-punk performative. (2015) Karantonis, Pamela description
  • "Transcribing Vocality: Voice at the Border of Music After Modernism". (2015) Karantonis, Pamela picture_as_pdf
  • Speak as You Find flyer. (2015) Magic, Me and Mayo, Sue
  • The Barometer of My Heart. (2015) Mark, Storor and Anna, Ledgard
  • 'A Marvelous Experiment': Exploring ideas of temporary Community in intergenerational Performance Projects in East London. (2015) Mayo, Sue description
  • A Marvelous Experiment: Intergenerational practice. (2015) Mayo, Sue
  • Pinning Butterflies Friday Edit 1. (2015) Mayo, Sue description
  • Rooms with a view banner design. (2015) Mayo, Sue
  • Speak As you find Audience Feedback excel. (2015) Mayo, Sue grid_on
  • Speak as You find programme notes. (2015) Mayo, Sue description
  • Speak as you find table host feedback. (2015) Mayo, Sue description
  • Rooms with a View/Love East London Flyer. (2015) Mayo, Sue and Magic, Me
  • Desiring the Bodies of Ruan Lingyu and Linda Lin Dai. (2015) Mazzilli, Mary
  • Gao Xingjian’s Post-Exile Plays: Transnationalism and Postdramatic Theatre. (2015) Mazzilli, Mary
  • Gender in Gao Xingjian’s Between Life and Death: The Notion of Originary Self and the Use of Tripartition. (2015) Mazzilli, Mary
  • From Byron to Byron: Mazeppa and the Tartars in Nineteenth-Century British Theatre. (2015) Morosetti, Tiziana
  • Review: The Fishermen by Chigozie Obioma. (2015) Morosetti, Tiziana
  • The Kwagh-hir Theater: A Weapon for Social Action. By Iyorwuese Hagher. Lanham, MD: University Press of America, 2014. Pp. xxx + 256. \$80 Hb; \$34.99 Pb. (2015) Okagbue, Osita
  • ‘Being alone together’ (Pinney 2006): Ego-histoire and Black British Writers’ Adoption Aesthetics. (2015) Osborne, Deirdre
  • Male Authors and their Female Spies in Novels of Occupied France. (2015) Osborne, Deirdre
  • Resisting the Standard and Displaying her Colours: debbie tucker green at British Drama’s Vanguard. (2015) Osborne, Deirdre
  • Black Rams and Extravagant Strangers: Shakespeare’s Othello and its Rewritings, from Nineteenth-Century Burlesque to Post-Colonial Tragedy. (2015) Rosario, Catherine
  • Forest for little man: Homage to Tarkovsky 2015 /Marie-Gabrielle Rotie. (2015) Rotie, Marie-Gabrielle
  • 'Seems He A Dove?' The Scripted and Unscripted Masquerades of Conscientious Objection. (2015) Rowe, Cami description
  • 'Seems he a dove?': Masquerades of Conscientious Objection. (2015) Rowe, Cami
  • Drifting as a Migrant Woman. (2015) Saner, Göze
  • Training Grounds: Answer the Questions 'What are your/the tools of training?'. (2015) Saner, Göze; Kokkali, Alexia; Walker, Liz and Roberts, Brian html
  • Alive, Kicking – and Kicking Back: Russia's Golden Mask Festival 2015. (2015) Shevtsova, Maria description
  • Interdisciplinary Approaches and the Sociology of Theatre Practices. (2015) Shevtsova, Maria
  • Living Archives and Politics: The Case of Recent Russian Theatre. (2015) Shevtsova, Maria
  • Living Archives and Politics: The Case of Recent Russian Theatre. (2015) Shevtsova, Maria description
  • Animating Masks. (2015) Twitchin, Mischa
  • Animating Phantasms: Pensive Phantoms. (2015) Twitchin, Mischa
  • "Between the Rubbish Dump and Eternity". (2015) Twitchin, Mischa
  • On Shunt. (2015) Twitchin, Mischa
  • Performing Presence: Interpreting Catastrophe. (2015) Twitchin, Mischa
  • "The Post-Traumatic Theatre of Grotowski and Kantor: History and the Holocaust in Akropolis and Dead Class" by Magda Romanska; and "Tadeusz Kantor Today", eds. Katarzyna Fazan, Anna Burzynska, and Marta Brys. [Review]. (2015) Twitchin, Mischa
  • Re-Enchantment. (2015) Twitchin, Mischa
  • What is 'Living' in Archives? (2015) Twitchin, Mischa
    • 2014
  • Cathy Berberian: Pioneer of Contemporary Vocality. (2014) picture_as_pdf
  • Migration. (2014)
  • Modern and Contemporary Black British Drama. (2014)
  • Performative Inter-Actions in African Theatre 1, 2 and 3. (2014) grid_on
  • Popular Musical Theatre in London and Berlin, 1890 to 1939. (2014)
  • Working with Wole Soyinka [Tunji Oyelana in conversation with Sola Adeyemi],. (2014) Adeyemi, Sola
  • Punishing the Outsiders: Theatre Workshop and the Arts Council. (2014) Burt, Philippa description
  • A Study of the Structure of Subjective Experience in Stanislavsky’s 'An Actor Prepares'. (2014) Clare, Ysabel
  • The Pleasure of Performing Grief: A Study on the Connections between Erotic Pleasure and Sadness in Performance. (2014) Evangelatou, Aphrodite
  • Derrière l’écran : La Guerre à la télévision sur la scène anglaise. (2014) Finburgh, Clare
  • Entries on Jean Genet, Eugène Ionesco and Michel Vinaver. (2014) Finburgh, Clare
  • Jean Genet Eugène Ionesco, Michel Vinaver. (2014) Finburgh, Clare
  • Press, Patrols and Power: The British Army in Recent UK Theatre. (2014) Finburgh, Clare
  • Theatre’s Other: Event and Testimony in British Verbatim Plays. (2014) Finburgh, Clare
  • Genealogies of Actor Training: The work of Suzanne Bing. (2014) Fleming, Cass
  • Anna Furse on Leaving the Ballet for The Beatles. (2014) Furse, Anna F. D.
  • Artist Talk on collaboration. (2014) Furse, Anna F. D.
  • Artist Talk: Createʼs National Networking Day. (2014) Furse, Anna F. D.
  • Hospital Drama: Visual Theatres of the Medical Rendezvous from Asylum to Hospital with Reference to Specific Works by Anna Furse. (2014) Furse, Anna F. D. picture_as_pdf
  • When We Were Birds. (2014) Furse, Anna F. D.
  • World Humanism(s), the Divine Comedy, Lao She's "灵的文学与佛教" ("Literature of the Soul and Buddhism"), and Gao's Soul Mountain. (2014) Fusini, Letizia
  • Stories without numbers | Sue Mayo | TEDxSWPS. (2014) Mayo, Sue
  • Never flying solo:The Collaborative, Ordinary Heroes. (2014) Mayo, Sue and Low, Katherine description
  • Progenies of Idemili: Ogonna Agu and I. (2014) Okagbue, Osita
  • A Conversation with Bonnie Greer. (2014) Osborne, Deirdre
  • Embodiment and Embedding: the MA in Black British Writing; Through a Pedagogy of Blackness. (2014) Osborne, Deirdre
  • Genre and its “Diss”contents: Teaching Twenty-First Century Black British Writing on Page and Stage. (2014) Osborne, Deirdre
  • Landmark Poetics: Cultural Capital and the Capital. (2014) Osborne, Deirdre
  • The Wake of the Caliph. (2014) Reid, Alexa
  • The Theatrical Vision of Count Harry Kessler and its Impact on the Strauss-Hofmannsthal Partnership. (2014) Reynolds, Michael
  • Göçmen Adımlar / Migrant Steps. (2014) Saner, Göze html
  • Migrant Steps / Göçmen Adımlar. (2014) Saner, Göze
  • Göçmen Adımlar / Migrant Steps: Walking and Socially Engaged Performance. (2014) Saner, Göze and Erdogan, Alev html
  • You Looking at Me. (2014) Saner, Göze; Hodge, Alison and Dineen, Molly
  • Jacques et Jerzy. (2014) Saner, Göze and Robinson, Scott html
  • Performing Animal: A Dialogue. (2014) Saner, Göze; Zaroulia, Marilena and Clements, Rachel html
  • Yes, these Eyes are the Windows - scenographic fine detail. (2014) Saskia, Olde Wolbers and Reid, Alexa
  • Alternative Dramaturgies? (2014) Shevtsova, Maria
  • Getting a Grip in the Theatre Houses of Europe. (2014) Shevtsova, Maria
  • Odin at Fifty. (2014) Shevtsova, Maria
  • The Seagull Directed by Oskaras Korsunovas. (2014) Shevtsova, Maria
  • Shakespeare in Gyula: Report on the Gyula Shakespeare Festival 2014. (2014) Shevtsova, Maria description
  • Social Practice. (2014) Shevtsova, Maria description
  • Stanislavsky to Grotowski: Actor to Performer/Doer. (2014) Shevtsova, Maria description
  • When is an Agent not an Agent? (2014) Shevtsova, Maria
  • Whose Shakespeare is Contemporary? (2014) Shevtsova, Maria
  • The Actor's Voice as a Creative Role in Solo Performance of Playwright Neil Labute’s Medea Redux. (2014) Stone, Emily picture_as_pdf
  • Loving memory (English version). (2014) Twitchin, Mischa
  • Loving memory (French version). (2014) Twitchin, Mischa
  • On the "Difference between preaching an ideal and giving artistic form to the historical tension inherent in it". (2014) Twitchin, Mischa
  • Performing European Memories: Trauma, Ethics, Politics by Milija Gluhovic [Review]. (2014) Twitchin, Mischa
    • 2013
  • Diaspora Representations and the Interweaving of Cultures: Performative Inter-Actions in African Theatre Volume 1. (2013)
  • El desig teatral d'Europa. (2013)
  • Innovation, Creativity & Social Change: Performative Inter-Actions in African Theatre 2. (2013)
  • Making Space, Rethinking Drama and Theatre in Africa: Performative Inter-Actions in African Theatre Volume 3. (2013)
  • Colonial Alienation and the Ideology of Resistance: Femi Osofisan's Tegonni (An African Antigone). (2013) Adeyemi, Sola picture_as_pdf
  • Interpreting the Interpreters: The Narratives of the Postcolony in Wole Soyinka's The Interpreters. (2013) Adeyemi, Sola
  • Itàn Ogìnìntìn, the winter's tale: Shakespeare meets Yoruba gods. (2013) Adeyemi, Sola
  • Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre. (2013) Alston, Adam
  • Politics in the Dark: Risk Perception, Affect and Emotion in Lundahl and Seitl’s Rotating in a Room of Images. (2013) Alston, Adam description
  • The Secret's Out: How Deaf and disabled artists working outdoors can build on the successes of 2012. (2013) Braverman, Danny
  • Standing on the Shoulders of Giants. (2013) Braverman, Danny
  • Storyteller, Medic or Missionary. (2013) Braverman, Danny picture_as_pdf
  • Wot? No Fish!! (2013) Braverman, Danny
  • Dramaturgical use of sound in the work of Hermann Nitsch: Havana, Cuba 2012/Leipzig, Germany, 2013. (2013) Cusumano, Andrea
  • Petit Cheval Blanc. (2013) Cusumano, Andrea
  • A Genealogy of the Embodied Theatre Practices of Suzanne Bing and Michael Chekhov: The Use of Play in Actor Training. (2013) Fleming, Cass
  • Master Class and Research Presentation, Royal National Theatre Studio. (2013) Fleming, Cass
  • ‘The Michael Chekhov Centre UK Past, Present and Future: an Inter-Generational Dialogue.’ An edited selection of interviews with Sarah Kane, Graham Dixon and Martin Sharp. Co authors: Tom Cornford, Cass Fleming and Sinéad Rushe in Franc Chamberlain and Andrey Kirillov (eds), ‘Michael Chekhov in the Twenty-first Century: New Sources, New Contexts, New Perspectives.’. (2013) Fleming, Cass
  • Independent Theatre as a Political Position. (2013) Furse, Anna F. D.
  • Retracing Our Steps... On When We Were Birds, A Work in Progress. (2013) Furse, Anna F. D. picture_as_pdf
  • Estrangement techniques with Chinese characteristics. The dialectics of Ver/Ent-fremdung in the drama of Gao Xingjian: Brechtian reminiscences in existentialist disguise. (2013) Fusini, Letizia
  • Dance Marathon at Steel Pier. (2013) Gordon, Robert J.; Jackuliak, Ján and Formánková, Anna Marie
  • Dramaturge for HUSH and BE/LONGING. (2013) Graham, Fiona
  • A Conversation on The Wooster Group's Hamlet. (2013) LeCompte, Elizabeth; Valk, Kate; Fliakos, Ari and Shevtsova, Maria
  • A Conversation on The Wooster Group's Troilus and Cressida with the RSC. (2013) LeCompte, Elizabeth; Valk, Kate and Shevtsova, Maria
  • Aspectes del teatre a Mallorca durant la Guerra. (2013) London, John
  • Wild Wild Women: Ten Years of Intergenerational Arts Practice at The Women’s Library led by Magic Me in collaboration with Mulberry School for Girls and local, older women. 2004 – 2013. (2013) Mayo, Sue; McAvinchey, Caoimhe and Langford, Susan
  • Defining Cold Theatre. (2013) Mazzilli, Mary
  • ‘All is not how it appears to the naked eye’: Creative Agency and Staging Blackness in Contemporary British and Australian Dramatic Literature. (2013) Osborne, Deirdre
  • Determination, Dedication, Dynamism: An Interview with Diane Abbott. (2013) Osborne, Deirdre
  • Skin Deep, a Self-Revealing Act: Monologue, Monodrama, and Mixedness in the Work of SuAndi and Mojisola Adebayo. (2013) Osborne, Deirdre
  • Towards a Movement Practice of Attunement: An Incorporation of Elements from Song of the Goat Theatre and Contact Improvisation. (2013) Papadelli, Vasiliki
  • Composing music for The Zero Hour. (2013) Peyton Jones, Jeremy
  • Soundtrack for The Zero Hour. (2013) Peyton Jones, Jeremy
  • The Drowned Man: A Hollywood Fable. (2013) Punchdrunk and Barrett, Felix
  • Voices and Silences (Pamplona 7 July 2008). (2013) Rotie, Marie-Gabrielle and Arróniz Lacunza, Sandra
  • The Politics of Protest and US Foreign Policy: Performative Construction of the War on Terror. (2013) Rowe, Cami
  • Theatre and Integration Politics in France 1999-2011. (2013) Shapiro, Rachel
  • The Dance Hybrids of Sidi Larbi Cherkaoui. (2013) Shevtsova, Maria
  • The Maly Drama Theatre of St Petersburg, Chekhov and Uncle Vanya. (2013) Shevtsova, Maria
  • Meyerholdian Dimensions in the Work of Contemporary Directors. (2013) Shevtsova, Maria
  • Notes on 'Noteworthy' Productions at the Berlin Theatertreffen, 2013. (2013) Shevtsova, Maria
  • Politics and Dance. (2013) Shevtsova, Maria
  • Postdramatic, Non-aesthetic, and Other Signs of the Times. (2013) Shevtsova, Maria description
  • Postdramatic, Non-theatre, and Other Signs of the Times. (2013) Shevtsova, Maria
  • Russian Plays and Novels in Contemporary German Theatre (in Russian). (2013) Shevtsova, Maria
  • Russian Theatre Seen Through the Eyes of Foreign Critics (in Russian). (2013) Shevtsova, Maria
  • Shakespeare in Summer: Report on the Gyula Shakespeare Festival, 2013. (2013) Shevtsova, Maria
  • Stanislavsky's Ghost in Britain (in Russian). (2013) Shevtsova, Maria
  • Teatr ZAR's Journey of the Spirit. (2013) Shevtsova, Maria
  • Teatr ZAR's Research Expeditions. (2013) Shevtsova, Maria
  • The Tempest: Declan Donnellan and Oskaras Korsunovas Look Backwards into the Abyss of Time. (2013) Shevtsova, Maria
  • Theatrical Newspeak. (2013) Shevtsova, Maria
  • To Be or Not To Be: That May Well Be the Question. (2013) Shevtsova, Maria
  • The Cambridge Introduction to Theatre Directing. (2013) Shevtsova, Maria and Innes, Christopher
  • The Role of the Writer and Authorship in New Collaborative Performance-Making in the United Kingdom from 2001-2010. (2013) Sigal, Sarah
  • The Choreography of Space: Merce Cunningham and William Forsythe in Context. (2013) Stanger, Arabella
  • Anachronism. (2013) Twitchin, Mischa
  • In Search of an Audience. (2013) Twitchin, Mischa
  • On ‘Man and Machine’ at the 2013 Malta Festival, Poznań [Review]. (2013) Twitchin, Mischa
  • “On ‘the live effigy of man emerging out of the shadows...’”. (2013) Twitchin, Mischa
    • 2012
  • Hidden Gems Volume II. (2012)
  • I Stand Corrected. (2012) Adebayo, Mojisola
  • Damocles and the Plucked: Audience Participation and Risk in Half Cut. (2012) Alston, Adam
  • Funding, Product Placement and Drunkenness in Punchdrunk's The Black Diamond. (2012) Alston, Adam
  • Reflections on Intimacy and Narcissism in Ontroerend Goed's Personal Trilogy. (2012) Alston, Adam description
  • Contemporary Theatre "Philanthropy" and the Purchase of Participatory Privilege. (2012) Alston, Adam and Daker, Rebecca
  • Inclusive Theatre for Young Audiences. (2012) Braverman, Danny
  • Granville Barker’s Ensemble as a Model of Fabian Theatre. (2012) Burt, Philippa description
  • French Theatre ‘dans la merde’. (2012) Finburgh, Clare
  • Quel est le rôle des Nègres de Genet à Londres en 2007 ? The Blacks Remixed au Theatre Royal Stratford East. (2012) Finburgh, Clare
  • Jean Genet. (2012) Finburgh, Clare and Bradby, David
  • Fugard, Kani, Ntshona's The Island: Antigone as South African Drama. (2012) Gordon, Robert J.
  • Harold Pinter: The Theatre of Power. (2012) Gordon, Robert J.
  • The Gratitude Enquiry documentaries. (2012) Mayo, Sue and Lowry, Chuck Blue html
  • Detail and Daring : Research into the art and the craft of intergenerational work. (2012) Mayo, Sue; O’Dair, Charlotte and McAvinchey, Caoimhe M.
  • East-Asian Cinema 1900 to present days. (2012) Mazzilli, Mary
  • “Gao Xingjian ‘leng juchang’ zhong de kuaguo jingshen: dui Gao xingjian bufen juzuo de zhexue fenxi”. (Gao Xingjian’s cold theatre and the exploration of the spiritual: an analysis of Gao Xingjian’s theatre work). (2012) Mazzilli, Mary
  • Performance Beyond Borders in Twentieth-First Century Prague: Topography of a New Theatre-Making Context. (2012) McFadden, Rebecca
  • African Theatres and Performances. (2012) Okagbue, Osita
  • A gazelle of the Savannah: Sunday Ododo and the framing of techno-cultural performance in Nigeria : theatre, culture, literature, art. (2012) Omoera, Osakue S.; Adeyemi, Sola and Binebai, Ben
  • Introduction to Hidden Gems Volume II. (2012) Osborne, Deirdre
  • An Overview of Theatertreffen in Berlin, 2012. (2012) Shevtsova, Maria
  • Reasons for Joy and Reflection: Engaging with Shakespeare at the Craiova Festival. (2012) Shevtsova, Maria
  • Researching Directors. (2012) Shevtsova, Maria
  • Stanislavsky to Grotowski and Teatr ZAR. (2012) Shevtsova, Maria
  • This Step Before the Next One: Teatr ZAR. (2012) Shevtsova, Maria
  • “Making Sense of ‘Seeing’”. (2012) Twitchin, Mischa
  • “What kind of play is it?”. (2012) Twitchin, Mischa
    • 2011
  • Lorraine Hansberry: A Raisin in the Sun [Critical Edition]. (2011)
  • A Raisin in the Sun. (2011)
  • THEATRE IN PIECES: POLITICS, POETICS AND INTERDISCIPLINARY COLLABORATION. AN ANTHOLOGY OF PLAY TEXTS, 1966-2010. (2011)
  • Developments in the theory and practice of contemporary Nigerian drama and theatre: a festschrift in honour of Dapo Adelugba. (2011) Adelugba, Dapo; Oni, Duro and Adeyemi, Sola
  • Language and Accessibility in Femi Osofisan’s Drama. (2011) Adeyemi, Sola
  • Fracturing the Insularity of the Global State: War and Conflict in Moira Buffini's Welcome to Thebes. (2011) Adeyemi, Sola and Olasope, Olakunbi
  • Acting Tragedy in Twentieth-Century Greece: The Case of Electra by Sophocles. (2011) Antoniou, Michaela
  • Clover's Lost Petal. (2011) Cusumano, Andrea
  • Contemporary French Theatre and Performance. (2011) Finburgh, Clare
  • “Display and Disguise in Michel Vinaver’s 11 septembre 2001”. (2011) Finburgh, Clare
  • Jean Genet et le théâtre de l’‘ornement’. (2011) Finburgh, Clare
  • La Théâtralisation de l’attentat : la représentation du terrorisme dans le théâtre britannique contemporain. (2011) Finburgh, Clare
  • Le théâtre britannique contemporain post-11 septembre 2001: du théâtre verbatim à l’allégorie. (2011) Finburgh, Clare
  • Translating Contemporary French Theatre: How ‘Linguistic Translation’ becomes ‘Stage Translation’. (2011) Finburgh, Clare
  • “‘Vérité’ ou ‘mensonge’ ? Le Théâtre politique en Grande-Bretagne post-11 septembre”. (2011) Finburgh, Clare
  • Being touched. (2011) Furse, Anna F. D. picture_as_pdf
  • Gorgeous. (2011) Furse, Anna F. D.
  • In Every Litre of Seawater There are Two Tablespoons of Salt… On Making SEA/WOMAN. (2011) Furse, Anna F. D.
  • Making A Spectacle of Herself: Charcot’s Augustine and the Hysteric Dance. (2011) Furse, Anna F. D.
  • Making a Spectacle of Herself: Charcot’s Augustine and the hysteric dance. (2011) Furse, Anna F. D.
  • SEA/WOMAN. (2011) Furse, Anna F. D.
  • Your Essential Infertility Companion. (2011) Furse, Anna F. D.
  • The vital importance of being present: writer development for theatre in a mediatised age. (2011) Ginman, John
  • Pinter: In Other Rooms. (2011) Gordon, Robert J.
  • Shylock’s Ghosts: The Afterlife of Shakepeare’s Jew. (2011) Gordon, Robert J. and Peimer, David
  • Dramaturge for Slip: I am not Falling, I am Just Hanging on for as long as You Can Hold Me. (2011) Graham, Fiona
  • Censorship and Self-Censure in the Plays of Synge. (2011) Levitas, Ben
  • Reading and the Irish Revival, 1891-1922. (2011) Levitas, Ben
  • “Theoretical studies of China: Comparative literature, the debate on postmodernism in China and the quest for a ‘transnational’ intellectual.”. (2011) Mazzilli, Mary
  • Black British Drama. (2011) Osborne, Deirdre
  • ‘Black British Drama: debbie tucker green and Kwame Kwei-Armah’. (2011) Osborne, Deirdre
  • British Asian Theatre by Dominic Hingorani. (2011) Osborne, Deirdre
  • Feminist Stages and Subaltern Sightlines. (2011) Osborne, Deirdre
  • How Do We Get the Whole Story?: Contra-dictions and Counter-Narratives in debbie tucker green’s Dramatic Poetics. (2011) Osborne, Deirdre
  • “I ain’t British though / Yes you are. You’re as English as I am”: Staging Belonging and Unbelonging in Black British Drama. (2011) Osborne, Deirdre
  • Roy Williams. (2011) Osborne, Deirdre
  • “Set in Stone”: Lemn Sissay and SuAndi’s Landmark Poetics. (2011) Osborne, Deirdre
  • “Trading Places: New Definitions of ‘Here’ and ‘There’ in Diasporic Drama”. (2011) Osborne, Deirdre
  • Social Performing Groups and the Building of Community: Odin Teatret, Gardzienice, and Song of the Goat Theatre. (2011) Porubcansky, Anna
  • Melodrama: Metropolis: Modernity. (2011) Reid, Margaret
  • ‘Memory, Performance and Archetype: Sisyphus’ Stone’. (2011) Saner, Göze
  • A Bite of BITE at the Barbican. (2011) Shevtsova, Maria
  • Deborah Warner Directs Hedda Gabler: Mercurial Pistols. (2011) Shevtsova, Maria
  • Directors Invent 'Theatricality': Focus on Vsevolod Meyerhold and Ariane Mnouchkine. (2011) Shevtsova, Maria
  • The Gyula Shakespeare Festival 2011. (2011) Shevtsova, Maria
  • On Double Edge Theatre. Stacy Klein in Conversation with Maria Shevtsova. (2011) Shevtsova, Maria
  • Pytor Semak. (2011) Shevtsova, Maria
  • White and Black Magic: Robert Wilson's 'Einstein on the Beach' and 'The Black Rider'. (2011) Shevtsova, Maria
  • "Puppet: An Essay on Uncanny Life" by Kenneth Gross [Review]. (2011) Twitchin, Mischa
    • 2010
  • Gender Forum: Gender and Performance. (2010)
  • Gender and Performance: Theatre / Dance / Technology. (2010)
  • La recepció del teatre contemporani. (2010)
  • La recepció del teatre contemporani,. (2010)
  • W. B. Yeats in Context. (2010)
  • 48 Minutes for Palestine. (2010) Adebayo, Mojisola
  • Desert boy. (2010) Adebayo, Mojisola
  • Croisements. (2010) Finburgh, Clare
  • Internal and External Dramaturgies: The French Context. (2010) Finburgh, Clare
  • La Vue d'ailleurs. (2010) Finburgh, Clare
  • Don.Juan.Who?/ Don.Juan. Kdo?: From Cyberspace to Theatre Space. (2010) Furse, Anna F. D.
  • Acting to Actuality The impact of the ludic on performer training. (2010) Kendrick, Lynne
  • The Censoring of The Ginger Man, London and Dublin 1959, or, the “nipple nuttiness” of J. P. Donleavy. (2010) Levitas, Ben picture_as_pdf
  • Contextos de Joan Brossa: l'acció, la imatge i la paraula. (2010) London, John
  • Contextos de Joan Brossa: l'acció, la imatge i la paraula. (2010) London, John
  • Text, Lies, and Linguistic Rape: Rewriting Theatre History in the Light of Dramatic Translations. (2010) London, John picture_as_pdf
  • The Body of Text Meets the Body as Text: Staging (I)dentity in the Work of SuAndi and Lemn Sissay. (2010) Osborne, Deirdre
  • “Diasporic Voices and Aesthetic Choices: Contemporary Black British Women Dramatists’ Experiential and Linguistic Innovations”. (2010) Osborne, Deirdre
  • ‘“Felt queer all the morning and had to lie down”: (pre)maternal and (pre)natal aesthetics in George Egerton and Barbara Baynton’s short stories’. (2010) Osborne, Deirdre
  • “The Page is the Stage: An Exploration of debbie tucker green’s Dramatic Poetics”. (2010) Osborne, Deirdre
  • “Set in Stone”. (2010) Osborne, Deirdre
  • Women, Creativity and Dissidence: A Three-day Workshop with Nawal el Saadawi. (2010) Osborne, Deirdre
  • debbie tucker green e Dona Daley: duas dramaturgas britânicas negras do novo milênio (debbie tucker green and Dona Daley: Two Neo-millennial Black British Women Playwrights). (2010) Osborne, Deirdre
  • Mythic. (2010) Rotie, Marie-Gabrielle
  • Mythic: Solo. (2010) Rotie, Marie-Gabrielle
  • what happened to the tyrant. (2010) Saner, Göze
  • BITE at the Barbican. (2010) Shevtsova, Maria
  • 'Elementy i zasady'. (2010) Shevtsova, Maria
  • Maria Shevtsova in Conversation with Anna Zubrzycki and Grzegorz Bral, 'Song of the Goat Theatre: Finding Flow and Connection'. (2010) Shevtsova, Maria
  • Multimedia and Performance: Decoration and Invention. (2010) Shevtsova, Maria
  • Continuity. (2010) Sirera, Rodolph
    • 2009
  • African Theatre: Diasporas. (2009)
  • Contemporary Black British Women’s Writing Special Issue for Women: A Cultural Review. (2009)
  • W. B. Yeats In Context. (2009)
  • ‘No Straight Answers’: Writing in the Margins, Finding Lost Heroes. (2009) Adebayo, Mojisola; Mason-John, Valerie and Osborne, Deirdre
  • The Bitter Belief of Cotrone the Magician. (2009) Cusumano, Andrea
  • Le ali della farfalla [The Wings of a Butterfly]. (2009) Cusumano, Andrea and Formenti, Marino
  • Michael Chekhov's Embodied Play Methodology. (2009) Fleming, Cass
  • In the Realm of the Senses. (2009) Furse, Anna F. D.
  • Sick of Love. (2009) Furse, Anna F. D.
  • Iago and the Swart Gevaar: The Problems and Pleasures of a (Post)colonial Othello. (2009) Gordon, Robert J.
  • 'Dramaturge as Midwife: The Writing Process within a New Zealand community theatre project'. (2009) Graham, Fiona
  • J. M. Synge: European encounters. (2009) Levitas, Ben picture_as_pdf
  • The Playboy of the Western World. (2009) Levitas, Ben
  • Catalan Theater without Catalan? Plays and Performances: 1939-1945. (2009) London, John
  • Introduzione al teatro nigeriano di lingua inglese. (2009) Morosetti, Tiziana
  • Culture and Identity in African and Caribbean Theatre. (2009) Okagbue, Osita
  • Progress and Utopia in Bode Sowande's Babylon Trilogy. (2009) Okagbue, Osita picture_as_pdf
  • “The Frontline and the Front Room: Representing Black British Domestic Space in Contemporary Writing”. (2009) Osborne, Deirdre
  • Introduction: Longevity and Critical Legitimacy: the So-Called Literary Tradition vs. the Actual Cultural Network. (2009) Osborne, Deirdre
  • Lemn Sissay. (2009) Osborne, Deirdre
  • “Mixed Messages: Representing Mixed Heritages in Contemporary British Literature”. (2009) Osborne, Deirdre
  • One body, Many voices: Upon ‘Getting the Whole Story’ in the Monodramas of debbie tucker green and Mojisola Adebayo. (2009) Osborne, Deirdre
  • Race in the Modern World: An International Conference on Race Discourses and Contemporary Identities. (2009) Osborne, Deirdre
  • ‘Attuning the Eyes to the Dark: In Search of an Archetypal Mode of Agency in Performance’. (2009) Saner, Göze
  • ‘Remembering the Archetype: Mask and the Subtle Body in Ancient Pantomime and Commedia dell’Arte’. (2009) Saner, Göze
  • the truth about the tyrant. (2009) Saner, Göze
  • the world rests on a tortoise. (2009) Saner, Göze and Hilevaara, Katja
  • Cross-cultural Fields: Korean Shakespeare Productions in Global Context. (2009) Shevtsova, Maria
  • Lev Dodin Directs Grossman, O'Neill and Shakespeare. (2009) Shevtsova, Maria
  • Maria Shevtsova in Conversation with Anatoli Vassiliev, 'Studio Theatre, Laboratory Theatre'. (2009) Shevtsova, Maria
  • Maria Shevtsova in Conversation with Jatinder Verma, 'The Generations of the Diaspora and Multiculturalism in Britain'. (2009) Shevtsova, Maria
  • Maria Shevtsova in Conversation with Lev Dodin at Goldsmiths (conducted in Russian). (2009) Shevtsova, Maria
  • Maria Shevtsova in Conversation with Thomas Richards and Mario Biagini, 'With and After Grotowski'. (2009) Shevtsova, Maria
  • Sociology of Theatre and Performance. (2009) Shevtsova, Maria
  • The Valery Fokin Festival at the Alexandrinsky Theatre, St Petersburg. (2009) Shevtsova, Maria
  • Directors/Directing: Conversations on Theatre. (2009) Shevtsova, Maria and Innes, Christopher
    • 2008
  • Hidden Gems. (2008)
  • Pages of madness. (2008) Ajaykumar
  • Women in Howard Barker’s Theatre: Object or Subject? (2008) Finburgh, Clare
  • Committed to the Other: The Ethics of Puppetry. (2008) Furse, Anna F. D.
  • DON JUAN.WHO? / DON JUAN.KDO? (2008) Furse, Anna F. D.
  • The Peach Child. (2008) Furse, Anna F. D.
  • Staged Photography and the Performance of Autofacture: Cross-Genre Impersonation in Cindy Sherman’s Self-Portraits. (2008) Karantonis, Pamela
  • Cameron Mackintosh and the McDonaldization of Musical Theatre Marketing. (2008) Lee, Charles Richard Stuart
  • The Abbey Opens: A First Night Revisited. (2008) Levitas, Ben
  • Artist in Collaboration. (2008) Mayo, Sue
  • Deviants and Outcasts: Power and Politics in Hausa Bori Performances. (2008) Okagbue, Osita
  • Images and Memories of Home: African Video Movies in the Diaspora. (2008) Okagbue, Osita picture_as_pdf
  • Conceiving the Nation: Visions and Versions of Colonial Pre-natality. (2008) Osborne, Deirdre
  • Fair trade?: debbie tucker green and sex tourism. (2008) Osborne, Deirdre
  • Lemn Sissay’s Life’s Source: An Interview and Commentary. (2008) Osborne, Deirdre
  • Staging Black Feminisms by Lynette Goddard. (2008) Osborne, Deirdre
  • On Whose Terms?: Critical Negotiations in Black British Literature and the Arts. (2008) Osborne, Deirdre; Brandt, Godfrey and Stein, Mark
  • Peter Brook. (2008) Shevtsova, Maria
  • Robert Wilson’s Theatre as Visual Art. (2008) Shevtsova, Maria
  • Angustias: After Lorca. (2008) The Quick and the Dead
  • “The Invisible Theatre of Antonin Artaud”. (2008) Twitchin, Mischa
  • “Shunt”, an article on Shunt and the ‘avant-garde’. (2008) Twitchin, Mischa
  • Power Relationships and Open Source Theatre. (2008) Young, Michèle Anne Odette
    • 2007
  • African Performance Review. (2007)
  • Irish Theatre in England. (2007)
  • Agony, Antigone and the Dialectics of Resistance in African Performance. (2007) Adeyemi, Sola
  • Radio play. (2007) Ajaykumar
  • Toward Other Epistemologies of Interface Culture: Dependent Origination, Tantra and Relational Being in an Age of Digital Reproduction. (2007) Ajaykumar
  • The Cultural Aspects of Social Exclusion ands the Stereotyping of Adolescent Males. (2007) Clements, Paul
  • Les Mille plateaux de Noëlle Renaude : Par les routes. (2007) Finburgh, Clare
  • Un monstre bariolé : Les Paravents de Jean Genet, mis en scène par Frédéric Fisbach. (2007) Finburgh, Clare
  • Voix/Voie/Vie: The Voice in Contemporary French Theater. (2007) Finburgh, Clare
  • Don Juan Who? (2007) Furse, Anna F. D.
  • My Glass Body. (2007) Furse, Anna F. D.
  • Hydroponic: Ivan, Safe, For One Night Only, The Ressurection of Rosco Powell, Shah Mat or The King is Dead, Thirteen Months, Four Seasons. (2007) Gbadamosi, Gabriel
  • Wetin Dey. (2007) Gbadamosi, Gabriel
  • Liberty, Equality, Fraternity. (2007) Gbadamosi, Gabriel; Foix, A. and Ghazali, A.
  • Guilty secrets and cultural blind spots: Miller's plays in South Africa. (2007) Gordon, Robert J.
  • Transcending the Individual Sphere: the work of Jerzy Grotowski. (2007) Lee, Fu-Ping
  • Contemporary Catalan Drama in English: Some Aspirations and Limitations. (2007) London, John
  • Spanish Film, Theatre and Literature in the Twentieth Century. (2007) London, John and George
  • African Theatres and Performance. (2007) Okagbue, Osita
  • Through Other Eyes and Voices: Women in Koteba and Mmonwu Performances. (2007) Okagbue, Osita
  • Angela Y. Davis. (2007) Osborne, Deirdre
  • Blackness and (Un)Belonging in Britain. (2007) Osborne, Deirdre
  • The Body of Text Meets the Body as Text: the Monodramas of SuAndi and Lemn Sissay. (2007) Osborne, Deirdre
  • “ ‘Know Whence you Came’: Dramatic Art and Black British Identity”. (2007) Osborne, Deirdre
  • Not 'In-Yer-Face' But What Lies Beneath: Experiential and Aesthetic Inroads in the Drama of debbie tucker green and Dona Daley. (2007) Osborne, Deirdre
  • “ ‘Our Mothers, Ourselves’: Staging (I)dentity politics in SuAndi’s The Story of M and Lemn Sissay’s Something Dark”. (2007) Osborne, Deirdre
  • “Passing the Baton in Athletic Poetics: debbie tucker green's Linguistic Legacy”. (2007) Osborne, Deirdre
  • Staging Indigenous Identities in contemporary Black British Drama. (2007) Osborne, Deirdre
  • Maria Shevtsova in Conversation with Ann-Christen Rommen, Experiencing the Movement. (2007) Shevtsova, Maria
  • Maria Shevtsova in Conversation with Eugenio Barba, Reinventing Theatre. (2007) Shevtsova, Maria
  • Multiculturalism, Theatre and the Politics of Liberation: The Melbourne Workers Theatre and the Turkish Community. (2007) Shevtsova, Maria
  • Robert Wilson. (2007) Shevtsova, Maria
  • Robert Wilson Directs 'When We Dead Awaken', 'The Lady From The Sea' and 'Peer Gynt'. (2007) Shevtsova, Maria
  • “On the Dreamwork of Hearing”. (2007) Twitchin, Mischa
    • 2006
  • Jean Genet: Performance and Politics. (2006)
  • The Excluded Terms of Culture: Cultural Exclusion as Spectacle. (2006) Clements, Paul
  • 'Micro-treatise on a Mini-politics': Genet, Individualism and Collectivity. (2006) Finburgh, Clare
  • GLASS BODY: Reflecting on Becoming Transparent. (2006) Furse, Anna F. D.
  • Performing in Glass: Reproduction, Technology, Performance and the Bio-Spectacular. (2006) Furse, Anna F. D.
  • Cyber Studio. (2006) Furse, Anna F. D. and Plahuta, Marko html
  • The Purpose of Playing: Modern Acting Theories in Perspective. (2006) Gordon, Robert J.
  • Censorship and Self-Censure in the Plays of J. M. Synge. (2006) Levitas, Ben
  • Possible Fictions: An Investigation of Performance Interventions with Women in Prison. (2006) McAvinchey, Caoimhe M.
  • handheld. (2006) McAvinchey, Caoimhe M.; Hale, R. and Platun, Jan
  • African theatre entries. (2006) Okagbue, Osita
  • HIV/AIDS Prevention and Theatre: Devising a Culturally Appropriate Theatre-for-Development for Africa. (2006) Okagbue, Osita
  • Chair: “Promiscuous Dramaturgies”. (2006) Osborne, Deirdre
  • `I do not know about politics or government...I am a housewife': The Female Secret Agent and the Male War Machine in Occupied France (1942-5). (2006) Osborne, Deirdre
  • In Celebration: Profile on Dona Daley. (2006) Osborne, Deirdre
  • Judging a book by its cover: reading, race and the search for identity in Fix Up by Kwame Kwei-Armah. (2006) Osborne, Deirdre
  • “Not ‘in-yer-face’ but what lies beneath: experiential and aesthetic inroads in the drama of debbie tucker green and Dona Daley”. (2006) Osborne, Deirdre
  • The State of the Nation: Contemporary Black British Theatre and the Staging of the UK. (2006) Osborne, Deirdre
  • Writing Black Back: An Overview of Black Theatre and Performance in Britain. (2006) Osborne, Deirdre
  • Writing Black Back: An Overview of Black Theatre and Performance in Britain. (2006) Osborne, Deirdre
  • Portraits for an eagle: a festschrift in honour of Femi Osofisan. (2006) Osofisan, Femi and Adeyemi, Sola
  • And I raised my hand glorious. (2006) Saner, Göze
  • ‘Iconography in Training and Performance: A Work-Demonstration’. (2006) Saner, Göze
  • Potrei aver ucciso tutti. (2006) Saner, Göze
  • The Theatre of Genet in Sociological Perspective. (2006) Shevtsova, Maria
  • Jean Genet: Performance and Politics. (2006) Shevtsova, Maria; Finburgh, Clare and Lavery, Carl
    • 2005
  • Photography and Literature in the Twentieth Century. (2005)
  • The Tragedy of Optimism: Kateb Yacine's Le cadavre encercle and Les ancetres redoublent de ferocite. (2005) Finburgh, Clare
  • La nova Europa [Playtext]. (2005) London, John
  • Contemporary Black and Asian Women Playwrights in Britain by Gabriele Griffin Poetry Off the Page: Twentieth-Century British Women Poets in Performance by Laura Severin. (2005) Osborne, Deirdre
  • “ ‘I ain’t British though / Yes you are. You’re as English as I am’: Staging Indigenous Identities in contemporary Black British Drama.”. (2005) Osborne, Deirdre
  • Kwame Kwei-Armah’s Elmina’s Kitchen. (2005) Osborne, Deirdre
  • ‘Archetypal Action in Training: An Exercise in Focus’. (2005) Saner, Göze
  • ‘The Archetype of Acting, Acting Archetypes: Greek and Roman Pantomime Today’. (2005) Saner, Göze
  • Hear Me. (2005) Saner, Göze
  • Fifty Key Theatre Directors. (2005) Shevtsova, Maria and Mitter, Shomit
    • 2004
  • Making Colours, Remaking Life: Subversion in the Writing of Femi Osofisan. (2004) Adeyemi, Sola
  • Speech Without Acts: Politics and Speech-Act Theory in Genet's The Balcony. (2004) Finburgh, Clare
  • Unveiling the Void: The Presence of Absence in the Scenography of Jean Genet's The Screens. (2004) Finburgh, Clare
  • Jarman Garden. (2004) Fleming, Cass and Gove, B.
  • Mirror Up to Nurture: J. M. Synge and His Critics. (2004) Levitas, Ben
  • Le Théâtre pendant l'Holocauste: théâtre interdit, théâtre clandestin ou théâtre de propagande nazie?: questions et directions de recherche. (2004) London, John
  • Grotowski: Ecstasy and Initiation in Performance. (2004) Misopolinou, Anna
  • Surviving the Crossing: Theatre in the African Diaspora. (2004) Okagbue, Osita
  • BlackOUT – acts of ventriloquism and authenticity in representing indigenous women from Katie Langloh Parker to Leah Purcell. (2004) Osborne, Deirdre
  • The Body of Experience: Women Behind Bars in Contemporary British Drama. (2004) Osborne, Deirdre
  • Bringing up baby: food, nurture and childrearing at home and abroad. (2004) Osborne, Deirdre
  • Dogside Story Patricia Grace. (2004) Osborne, Deirdre
  • Not so lonely anymore: contemporary Black British writers and the legacy of Sam Selvon. (2004) Osborne, Deirdre
  • The State of the Nation – Contemporary Black British Drama and the Staging of the UK. (2004) Osborne, Deirdre
  • Lev Dodin and the Maly Drama Theatre: Process to Performance. (2004) Shevtsova, Maria
  • The Transplantation of Theatre-in-Education from Britain to Taiwan. (2004) Tsai, Chi-chang
    • 2003
  • Uses of 'ma': towards a methodology for transforming a Japanese aesthetic paradigm into trans-cultural forms. (2003) Ajaykumar
  • Art of A.R.T. (2003) Furse, Anna F. D. html
  • Gorgeous: A Journey of the Body. (2003) Furse, Anna F. D.
  • YERMA'S EGGS. (2003) Furse, Anna F. D.
  • Family Voices: Pirandello and Pinter. (2003) Gordon, Robert J.
  • Plumbing the Depths: Irish Realism and the Working Class from Shaw to O'Casey. (2003) Levitas, Ben
  • La imaginació i la realitat al teatre de Joan Brossa = Imagination and reality in the theatre of Joan Brossa. (2003) London, John
  • Conceiving the Nation: representations of late-nineteenth-century women and pregnancy in George Egerton and Barbara Baynton. (2003) Osborne, Deirdre
    • 2002
  • The Dictating Currents and the Questioning of Tyranny in Africa: An Intertextual Study of Fémi Osófisan's Yungba-Yungba and the Dance Contest. (2002) Adeyemi, Sola
  • Social and Moral Education Through Drama: A Force For Change. (2002) Al-Bustan, Lamees Ahmed
  • Theatre Design at the Royal Shakespeare Theatre (Stratford upon-Avon) (1963-1977) with Special Reference to the Work of Abd’Elkader Farrah. (2002) Al-Ghaith, Abdullah Hassan Ahmed
  • Playing a Part: Drama & Citizenship. (2002) Braverman, Danny
  • Shakespeare's Shrew: Orthodoxy and Carnival. (2002) De Freitas, Paulo Luís
  • Facets of Artifice: Rhythms in the Theater of Jean Genet, and the Painting, Drawing and Sculpture of Alberto Giacometti. (2002) Finburgh, Clare
  • Jean Genet and the Poetics of Palestinian Politics: Statecraft as Stagecraft in 'Quatre heures a Chatila'. (2002) Finburgh, Clare
  • Passed Between Us. (2002) Fleming, Cass and SJ, G.
  • Augustine (Big Hysteria). (2002) Furse, Anna F. D.
  • Those Who Can Do Teach. (2002) Furse, Anna F. D.
  • Le città invisibili. (2002) Gordon, Robert J.
  • The Theatre of Nation: Irish Drama and Cultural Nationalism 1890-1916. (2002) Levitas, Ben
  • A Drama of their Lives: Theatre-for-development in Africa. (2002) Okagbue, Osita
  • Secrets and Lies: Women Spies and their counterfeits in 1940s Occupied France. (2002) Osborne, Deirdre
  • Appropriating Pierre Bourdieu's champs and habitus for a sociology of stage productions. (2002) Shevtsova, Maria
  • The Russian Presence in Paris 1988–2000. (2002) Shevtsova, Maria
    • 2001
  • La Signature culturelle pendant le fascisme: Mussolini, Hitler et Franco. (2001) London, John
  • Exile and Home: Africa in Caribbean Theatre. (2001) Okagbue, Osita
  • Gender and Gaols: Some Critical Reflections upon Educational Praxis. (2001) Osborne, Deirdre
  • Secret Subversions: the Female Spy in life, Film and Literature (France 1940-45). (2001) Osborne, Deirdre
    • 2000
  • Modern Catalan Plays: Quarrelsome Party; the Audition; Desire; Fourplay. (2000)
  • Theatre under the Nazis. (2000)
  • Bleeding, Sweating, Crying and Jumping. (2000) Furse, Anna F. D.
  • A Spectacle of Suffering. (2000) Furse, Anna F. D.
  • “Coursing into the Mainstream: Recent Black British Fiction and its Critical Reception”. (2000) Osborne, Deirdre
  • Ida B. Wells: A Black New Woman currently out-of-print. (2000) Osborne, Deirdre
    • 1999
  • Goddess of the storm and other stories: — a compilation of short stories by Nigerian authors Vol. 1. (1999) Adeyemi, Sola
  • The Peach Child. (1999) Furse, Anna F. D.
  • The uncertainty of Fascist aesthetics: political ideology and historical reality. (1999) London, John
  • Curricula in Women’s Prisons. (1999) Osborne, Deirdre
  • Gender Relations, Drama and the Prison Space. (1999) Osborne, Deirdre
  • “A Literary Perspective on Australian Motherhood in the 1890s” Victorian Crime and Society University of London, Chair “Women in Prisons”. (1999) Osborne, Deirdre
    • 1998
  • Algunos montajes de Calderón en el Tercer Reich. (1998) London, John
  • 'Process or Product: Theories and Practices of Theatre-for-Development in Africa. (1998) Okagbue, Osita
  • Conceiving the Nation: Representations of Colonial M(other)hood in Fin-de-siecle Australian Literature. (1998) Osborne, Deirdre
  • Ida B. Wells and Angela Davis: Black ‘New’ Women. (1998) Osborne, Deirdre
  • “Imperial Housekeeping: Domestic Revisions in the Australian Colonial Context”. (1998) Osborne, Deirdre
  • First New Woman Conference: Gendering the Fin-de-Siecle. (1998) Osborne, Deirdre; Marcus, Laura; Parsons, Deborah; Richardson, Angelique and Willis, Chris
  • British Theatre Scenography: The Reification of Spectacle. (1998) White, Christine A.
    • 1997
  • AUGUSTINE (Big Hysteria). (1997) Furse, Anna F. D.
  • Happy Days Beckett in Short. (1997) Furse, Anna F. D.
  • Open Page (Vol 2) Theatre Women Lives. (1997) Furse, Anna F. D.
  • Reception and Renewal in Modern Spanish Theatre: 1939-1963. (1997) London, John
  • Bode Sowande. (1997) Okagbue, Osita
  • J. P. Clark. (1997) Okagbue, Osita
  • 'The Strange and the Familiar: Interculturalism in African and Caribbean Theatre. (1997) Okagbue, Osita
  • 'When the Dead Return: Play and Seriousness in African Masked Performances'. (1997) Okagbue, Osita
  • “A Recent Look at Black Women Playwrights”. (1997) Osborne, Deirdre
    • 1996
  • Contemporary Catalan Theatre: An Introduction. (1996)
  • The Unknown Federico García Lorca: Dialogues, Dramatic Projects, Unfinished Plays & a Filmscript. (1996)
    • 1994
  • Augustine (Big Hysteria): Writing the Body. (1994) Furse, Anna F. D.
    • 1993
  • Theatre and Cultural Interaction. (1993) Shevtsova, Maria
    • 1990
  • Claves de La verdad sospechosa, Juan Ruiz de Alarcón. (1990) London, John
    • 1989
  • Gramsci: His Thoughts and Influence. (1989)