Goldsmiths Departments, Centres and Research Units (28676)
Music (1717)
Popular Music Research Unit (95)
Number of items at this level: 95.
Article
From dancefloors to tables: socially distanced clubbing, temporary urbanism, and the gentrification of London's nightlife. (2024)
Assiter, Ben
Mogućnost društvene promene i popularna muzika
u Srbiji: Studija slučaja - Šobaja i "Tri poljupca". (2011)
Brkić, Aleksandar
Guest Curator: Lisa Busby. (2013)
Busby, Lisa
Like so many things I both know and don't know. (2017)
Busby, Lisa
The X Factor and Reality Television: Beyond Good and Evil. (2017)
Graham, Stephen
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Authorship and the Popular Song. (2011)
Negus, Keith
Belonging and detachment - musical experience and the limits of identity. (2002)
Negus, Keith
Bob Dylan's Phonographic Imagination. (2010)
Negus, Keith
Book Review: Made in Hong Kong: Studies in Popular Music. (2025)
Negus, Keith
Cultural production and the corporation: musical genres and the strategic management of creativity in the US recording industry. (1998)
Negus, Keith
Digital divisions and the changing cultures of the music industries (or, the ironies of the artefact and invisibility). (2015)
Negus, Keith
Elvis Costello at 50. (2005)
Negus, Keith
From creator to data: the post-record music industry and the digital conglomerates. (2019)
Negus, Keith
Living, Breathing Songs: Singing Along With Bob Dylan. (2007)
Negus, Keith
Musicians on Television at the BBC, 1936-1972. (2018)
Negus, Keith
Musicians on Television: Visible, Audible and Ignored. (2006)
Negus, Keith
Narrative Time and the Popular Song. (2012)
Negus, Keith
Narrative, Interpretation and the Popular Song. (2012)
Negus, Keith
Nation-states, transnational corporations and cosmopolitans in the global popular music economy. (2019)
Negus, Keith
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Perspectives on cultural economy: personal, institutional, historical. (2024)
Negus, Keith
Recordings, Rights and Risks: Intermediaries and the Changing Music Industries. (2014)
Negus, Keith
The South Korean Music Industry: A Literature Review. (2015)
Negus, Keith
The Work of Cultural Intermediaries and the Enduring Distance between Production and Consumption. (2002)
Negus, Keith
Authenticity, empathy, and the creative imagination. (2022)
Negus, Keith and Astor, Pete
Songwriters and song lyrics: architecture, ambiguity and repetition. (2015)
Negus, Keith and Astor, Pete
The sampling continuum: musical aesthetics and ethics in the age of digital production. (2017)
Negus, Keith; Behr, Adam and Street, John
Eurasian entanglements: notes towards a planetary perspective of popular music histories. (2021)
Negus, Keith and Shin, Hyunjoon
Postcolonial paths of pop: a suburban psychogeography of George Michael and Wham! (2022)
Negus, Keith and Sledmere, Adrian
Introduction: the mediations of music and alcohol. (2016)
Negus, Keith and Street, John
The Mediations of Music and Alcohol. (2016)
Negus, Keith and Street, John
Copy rights: The politics of copying and creativity. (2018)
Negus, Keith; Street, John and Behr, Adam
Copying, copyright and originality; imitation, transformation and popular musicians. (2017)
Negus, Keith; Street,, John and Behr, Adam
Doing Musical Fieldwork with James G. Spady. (2013)
Perchard, Tom
Growing Old Together: Pop Studies and Music Sociology Today. (2017)
Perchard, Tom
Mid-Century Modern Jazz: Music and Design in the Postwar Home. (2017)
Perchard, Tom
New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century. (2015)
Perchard, Tom
Technology, Listening and Historical Method: Placing Audio in the Post-War British Home. (2017)
Perchard, Tom
Introduction: The Critical Imperative. (2017)
Powers, Devon and Perchard, Tom
[Book Review] 'When Genres Collide: Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock' By Matt Brennan. 2017, Bloomsbury Academic. (2020)
Spillane, Jeremiah
Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu. (2015)
Spillane, Jeremiah
East Asian pop music idol production and the emergence of data fandom in China. (2020)
Zhang, Qian and Negus, Keith
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From cultural intermediaries to platform adaptors: the transformation of music planning and artist acquisition in the Chinese music industry. (2024)
Zhang, Qian and Negus, Keith
Stages, platforms, streams: the economies and industries of live music after digitalization. (2021)
Zhang, Qian and Negus, Keith
picture_as_pdf
Book
From Soul to Hip Hop (The Library of Essays on Popular Music). (2014)
UNSPECIFIED
Bob Dylan. (2008)
Negus, Keith
Music Genres and Corporate Cultures. (1999)
Negus, Keith
Producing Pop: Culture and Conflict in the Popular Music Industry. (2011)
Negus, Keith
Doing Cultural Studies: The Story of the Sony Walkman. (1997)
Negus, Keith; Du Gay, Paul; Hall, Stuart; Janes, Linda and Mackay, Hugh
After Django: Making Jazz in Postwar France. (2015)
Perchard, Tom
Creativity, Communication & Cultural Value. (2004)
Pickering, M. and Negus, Keith
Book Section
Collage, cut up and pop mantra: Post-digital approaches to songwriting. (2017)
Busby, Lisa
Editions of You: A DIY Archive of DIY Practice. (2015)
Busby, Lisa
Guochao music and new Chinese identities: Gender, generation, and nation. (2023)
Chen, Yuting and Negus, Keith
Scores for Listening #8: How does one blade of grass sound. (2024)
Garrelfs, Iris
The Critical Song of Serge Gainsbourg. (2024)
Kennedy-McCracken, Caroline
When A Mouth Is A Gun: Complicating Gendered Bodies In Song-based Work. (2020)
Kennedy-McCracken, Caroline
Globalization and the Music of the Public Spheres. (1996)
Negus, Keith
‘Numérisation et proliferation d’intermédiares: le cas de la musique’. (2014)
Negus, Keith
Philip Tagg and the semiotic dialogues of the popular song. (2015)
Negus, Keith
The Singles: A Playlist for Framing Dylan's Recording Art. (2021)
Negus, Keith
The gendered narratives of nobodies and somebodies in the popular music economy. (2017)
Negus, Keith
The symbolic and material presence of music in Buffy the Vampire Slayer. (2010)
Negus, Keith
More Than a Performance: Song Lyrics and the Practices of Songwriting. (2014)
Negus, Keith and Astor, Pete
Creativity, Communication and Musical Experience. (2002)
Negus, Keith and Pickering, Michael
'Introduction'. (2014)
Perchard, Tom
The Vocalized Tone. (2019)
Perchard, Tom
Jazz Manouche. (2020)
Spillane, Jeremiah
Creating an Oriental Fantasy: Transnational Game Production and New Nationalism in Honor of Kings. (2023)
Zheng, Zhou and Negus, Keith
Conference or Workshop Item
Virtual Listening Wall for the Royal Musical Association´s 56th Annual Conference. (2020)
Garrelfs, Iris
When the artist meets the audience: amour, anxiety and ambivalence. (2005)
Negus, Keith
‘“A Good Jazzman is a Dead Jazzman”: the History, Memory and Materiality of a French Jazz Past’. (2014)
Perchard, Tom
‘New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic” and Music Theory in the 21st-Century’. (2014)
Perchard, Tom
Panel respondent, Voice, Memory, Song symposium, University of Oxford. November 2014. (2014)
Perchard, Tom
Codifying Jazz Manouche: A Brief History and Definition of Jazz Manouche in Relation to the Belgian and Dutch Manouche community. (2019)
Spillane, Jeremiah
Djangology: Examining the posthumous influence of Django Reinhardt and the formation of “Gypsy Jazz” through pedagogy and performance online. (2017)
Spillane, Jeremiah
Documenting jazz manouche: understanding the posthumous influence of Django Reinhardt and the ongoing interpretation and codification of his music through community and performance online. (2019)
Spillane, Jeremiah
Documenting ‘Gypsy jazz’: understanding the posthumous influence of Django Reinhardt and the ongoing interpretation and codification of his music through pedagogy and performance online. (2019)
Spillane, Jeremiah
Hybridized cultural musical expressions and their impact on creative musical expressions. An examination of Musette and its impact on Django Reinhardt’s creative vision and stylistic development. (2014)
Spillane, Jeremiah
Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu. (2014)
Spillane, Jeremiah
"Les Yeux Noirs": Django Reinhardt’s encounters with visual art. (2015)
Spillane, Jeremiah
"Les Yeux Noirs": Django Reinhardt’s encounters with visual art. (2015)
Spillane, Jeremiah
Mapping hybridities: exploring indigenous popular precursors to gypsy jazz. (2014)
Spillane, Jeremiah
Transatlantic Swing: The Influence of Louis Armstrong on Django Reinhardt and the Development of Jazz in France. (2016)
Spillane, Jeremiah
A phonomusicological approach to investigating the stylistic development Django Reinhardt. (2013)
Spillane, Jeremiah
