Items where Division is "Popular Music Research Unit"

  • Goldsmiths Departments, Centres and Research Units (28675)
  • Music (1717)
  • Popular Music Research Unit (95)
    Number of items at this level: 95.
    2025
  • Book Review: Made in Hong Kong: Studies in Popular Music. (2025) Negus, Keith
    • 2024
  • From dancefloors to tables: socially distanced clubbing, temporary urbanism, and the gentrification of London's nightlife. (2024) Assiter, Ben
  • Scores for Listening #8: How does one blade of grass sound. (2024) Garrelfs, Iris
  • The Critical Song of Serge Gainsbourg. (2024) Kennedy-McCracken, Caroline
  • Perspectives on cultural economy: personal, institutional, historical. (2024) Negus, Keith
  • From cultural intermediaries to platform adaptors: the transformation of music planning and artist acquisition in the Chinese music industry. (2024) Zhang, Qian and Negus, Keith
    • 2023
  • Guochao music and new Chinese identities: Gender, generation, and nation. (2023) Chen, Yuting and Negus, Keith
  • Leverhulme Trust Major Research Fellowship (£145,059): Popular Music in the British Home, 1945-90: Technology, Experience and Daily Life. (2023) Perchard, Tom
  • Creating an Oriental Fantasy: Transnational Game Production and New Nationalism in Honor of Kings. (2023) Zheng, Zhou and Negus, Keith
    • 2022
  • Authenticity, empathy, and the creative imagination. (2022) Negus, Keith and Astor, Pete
  • Postcolonial paths of pop: a suburban psychogeography of George Michael and Wham! (2022) Negus, Keith and Sledmere, Adrian
    • 2021
  • The Singles: A Playlist for Framing Dylan's Recording Art. (2021) Negus, Keith
  • Eurasian entanglements: notes towards a planetary perspective of popular music histories. (2021) Negus, Keith and Shin, Hyunjoon
  • Stages, platforms, streams: the economies and industries of live music after digitalization. (2021) Zhang, Qian and Negus, Keith picture_as_pdf
    • 2020
  • Virtual Listening Wall for the Royal Musical Association´s 56th Annual Conference. (2020) Garrelfs, Iris
  • When A Mouth Is A Gun: Complicating Gendered Bodies In Song-based Work. (2020) Kennedy-McCracken, Caroline
  • [Book Review] 'When Genres Collide: Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock' By Matt Brennan. 2017, Bloomsbury Academic. (2020) Spillane, Jeremiah
  • Jazz Manouche. (2020) Spillane, Jeremiah
  • East Asian pop music idol production and the emergence of data fandom in China. (2020) Zhang, Qian and Negus, Keith picture_as_pdf
    • 2019
  • From creator to data: the post-record music industry and the digital conglomerates. (2019) Negus, Keith
  • Nation-states, transnational corporations and cosmopolitans in the global popular music economy. (2019) Negus, Keith picture_as_pdf
  • The Vocalized Tone. (2019) Perchard, Tom
  • Codifying Jazz Manouche: A Brief History and Definition of Jazz Manouche in Relation to the Belgian and Dutch Manouche community. (2019) Spillane, Jeremiah
  • Documenting jazz manouche: understanding the posthumous influence of Django Reinhardt and the ongoing interpretation and codification of his music through community and performance online. (2019) Spillane, Jeremiah
  • Documenting ‘Gypsy jazz’: understanding the posthumous influence of Django Reinhardt and the ongoing interpretation and codification of his music through pedagogy and performance online. (2019) Spillane, Jeremiah
  • Lines on Music [Podcast]: Ep. 1 - Menace & Influence. (2019) Spillane, Jeremiah audio_file
  • Lines on Music [podcast]: Ep. 3 - London Django Collective. (2019) Spillane, Jeremiah audio_file
    • 2018
  • Musicians on Television at the BBC, 1936-1972. (2018) Negus, Keith
  • Copy rights: The politics of copying and creativity. (2018) Negus, Keith; Street, John and Behr, Adam
    • 2017
  • Special Issue: The Critical Imperative. (2017)
  • Collage, cut up and pop mantra: Post-digital approaches to songwriting. (2017) Busby, Lisa
  • Like so many things I both know and don't know. (2017) Busby, Lisa
  • The X Factor and Reality Television: Beyond Good and Evil. (2017) Graham, Stephen description
  • The gendered narratives of nobodies and somebodies in the popular music economy. (2017) Negus, Keith
  • The sampling continuum: musical aesthetics and ethics in the age of digital production. (2017) Negus, Keith; Behr, Adam and Street, John
  • Copying, copyright and originality; imitation, transformation and popular musicians. (2017) Negus, Keith; Street,, John and Behr, Adam
  • Growing Old Together: Pop Studies and Music Sociology Today. (2017) Perchard, Tom
  • Mid-Century Modern Jazz: Music and Design in the Postwar Home. (2017) Perchard, Tom
  • Technology, Listening and Historical Method: Placing Audio in the Post-War British Home. (2017) Perchard, Tom
  • Introduction: The Critical Imperative. (2017) Powers, Devon and Perchard, Tom
  • Djangology: Examining the posthumous influence of Django Reinhardt and the formation of “Gypsy Jazz” through pedagogy and performance online. (2017) Spillane, Jeremiah
    • 2016
  • Ovarium. (2016) Busby, Lisa
  • Introduction: the mediations of music and alcohol. (2016) Negus, Keith and Street, John
  • The Mediations of Music and Alcohol. (2016) Negus, Keith and Street, John
  • Transatlantic Swing: The Influence of Louis Armstrong on Django Reinhardt and the Development of Jazz in France. (2016) Spillane, Jeremiah
    • 2015
  • 3 Scores, 3 Rooms. (2015) Busby, Lisa
  • Editions of You: A DIY Archive of DIY Practice. (2015) Busby, Lisa
  • Fingers in the Gloss. (2015) Busby, Lisa
  • Future//Past: a series of interventions into The Greatest Hits of The Spice Girls. (2015) Busby, Lisa
  • Digital divisions and the changing cultures of the music industries (or, the ironies of the artefact and invisibility). (2015) Negus, Keith
  • Philip Tagg and the semiotic dialogues of the popular song. (2015) Negus, Keith
  • The South Korean Music Industry: A Literature Review. (2015) Negus, Keith
  • Songwriters and song lyrics: architecture, ambiguity and repetition. (2015) Negus, Keith and Astor, Pete
  • After Django: Making Jazz in Postwar France. (2015) Perchard, Tom
  • New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century. (2015) Perchard, Tom
  • Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu. (2015) Spillane, Jeremiah
  • "Les Yeux Noirs": Django Reinhardt’s encounters with visual art. (2015) Spillane, Jeremiah
  • "Les Yeux Noirs": Django Reinhardt’s encounters with visual art. (2015) Spillane, Jeremiah
    • 2014
  • From Soul to Hip Hop. (2014)
  • From Soul to Hip Hop (The Library of Essays on Popular Music). (2014)
  • I begin alone in this action: a series of sounding zones. (2014) Busby, Lisa video_file
  • Negotiating with the dead: A self-help programme for composers. (2014) Busby, Lisa
  • ‘Numérisation et proliferation d’intermédiares: le cas de la musique’. (2014) Negus, Keith
  • Recordings, Rights and Risks: Intermediaries and the Changing Music Industries. (2014) Negus, Keith
  • More Than a Performance: Song Lyrics and the Practices of Songwriting. (2014) Negus, Keith and Astor, Pete
  • ‘“A Good Jazzman is a Dead Jazzman”: the History, Memory and Materiality of a French Jazz Past’. (2014) Perchard, Tom
  • 'Introduction'. (2014) Perchard, Tom
  • ‘New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic” and Music Theory in the 21st-Century’. (2014) Perchard, Tom
  • Panel respondent, Voice, Memory, Song symposium, University of Oxford. November 2014. (2014) Perchard, Tom
  • Hybridized cultural musical expressions and their impact on creative musical expressions. An examination of Musette and its impact on Django Reinhardt’s creative vision and stylistic development. (2014) Spillane, Jeremiah
  • Hybridizing the intangible: unraveling Django Reinhardt's socio-cultural milieu. (2014) Spillane, Jeremiah
  • Mapping hybridities: exploring indigenous popular precursors to gypsy jazz. (2014) Spillane, Jeremiah
    • 2013
  • Guest Curator: Lisa Busby. (2013) Busby, Lisa
  • Doing Musical Fieldwork with James G. Spady. (2013) Perchard, Tom
  • A phonomusicological approach to investigating the stylistic development Django Reinhardt. (2013) Spillane, Jeremiah
    • 2012
  • Narrative Time and the Popular Song. (2012) Negus, Keith
  • Narrative, Interpretation and the Popular Song. (2012) Negus, Keith
    • 2011
  • Mogućnost društvene promene i popularna muzika u Srbiji: Studija slučaja - Šobaja i "Tri poljupca". (2011) Brkić, Aleksandar
  • Authorship and the Popular Song. (2011) Negus, Keith
  • Producing Pop: Culture and Conflict in the Popular Music Industry. (2011) Negus, Keith
    • 2010
  • Bob Dylan's Phonographic Imagination. (2010) Negus, Keith
  • The symbolic and material presence of music in Buffy the Vampire Slayer. (2010) Negus, Keith
    • 2008
  • Bob Dylan. (2008) Negus, Keith
    • 2007
  • Living, Breathing Songs: Singing Along With Bob Dylan. (2007) Negus, Keith
    • 2006
  • Musicians on Television: Visible, Audible and Ignored. (2006) Negus, Keith
    • 2005
  • Elvis Costello at 50. (2005) Negus, Keith
  • When the artist meets the audience: amour, anxiety and ambivalence. (2005) Negus, Keith
    • 2004
  • Creativity, Communication & Cultural Value. (2004) Pickering, M. and Negus, Keith
    • 2002
  • Belonging and detachment - musical experience and the limits of identity. (2002) Negus, Keith
  • The Work of Cultural Intermediaries and the Enduring Distance between Production and Consumption. (2002) Negus, Keith
  • Creativity, Communication and Musical Experience. (2002) Negus, Keith and Pickering, Michael
    • 1999
  • Music Genres and Corporate Cultures. (1999) Negus, Keith
    • 1998
  • Cultural production and the corporation: musical genres and the strategic management of creativity in the US recording industry. (1998) Negus, Keith
    • 1997
  • Doing Cultural Studies: The Story of the Sony Walkman. (1997) Negus, Keith; Du Gay, Paul; Hall, Stuart; Janes, Linda and Mackay, Hugh
    • 1996
  • Globalization and the Music of the Public Spheres. (1996) Negus, Keith