Goldsmiths Departments, Centres and Research Units (28676)
Music (1717)
Unit for Sound Practice Research (321)
Number of items at this level: 321.
Noise: Debates, Strategies and Methodologies. (2007)
UNSPECIFIED
Reflections on Process in Sound Issue 3. (2014)
UNSPECIFIED
Reflections on Process in Sound Issue 4. (2015)
UNSPECIFIED
Reflections on Process in Sound Issue 5. (2017)
UNSPECIFIED
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Special Issue on Sound Curating. (2018)
UNSPECIFIED
Special issue: ‘Arts And Ecology: Emerging Uses For Digital Technologies’. (2015)
UNSPECIFIED
An Evening with Sound and Radio Artist Christian Calon. (2003)
Abtan, Freida
Fear of Flight. (2012)
Abtan, Freida
Flight of Birds (Remix). (2016)
Abtan, Freida
Heartstrings: A String Quartet. (2007)
Abtan, Freida
The Illusion of Pure Music. (2010)
Abtan, Freida
My Heart is a River. (2020)
Abtan, Freida
A Phenomenological Time-Based Approach to Videomusic Composition. (2009)
Abtan, Freida
Where is She: Find the Women in Electronic Music Culture. (2016)
Abtan, Freida
description
The hands of the dancer. (2008)
Abtan, Freida
s_platters: spinning platters for audio control. (2014)
Abtan, Freida
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London College of Communication Visiting Practitioners Series: Freida Abtan. (2018)
Abtan, Freida and B.A. Sound Arts and Design, London College of Communication
Freida Abtan - Examining the relationship between art practice and technology design. (2018)
Abtan, Freida and JUCE, ROLI Inc.
F.A.S.T.: Dreams of Waking. (2010)
Abtan, Freida and Turner, Shane
Steam and Fiction – artist statement. (2010)
Abtan, Freida and Turner, Shane
Ground-breaking:Scientific and Sonic Perceptions of Environmental Change in the African Sahel. (2009)
Adderley, W. Paul and Young, Michael W.
Adagio sans quatuor. (2010)
Alessandrini, Patricia
description
Amplified trio for faculty ensemble. (2010)
Alessandrini, Patricia
Chœur de Chambre de Strasbourg. (2003)
Alessandrini, Patricia
Commission for Ensemble Dal Niente. (2014)
Alessandrini, Patricia
Dynamic Physical Modelling Synthesis Piloted by Instruments and Voices. (2008)
Alessandrini, Patricia
Festival Acanthes. (2005)
Alessandrini, Patricia
For cARRASCo+zEa=gUITAr+electronics. (2009)
Alessandrini, Patricia
For large ensemble, interactive video and electronics. (2012)
Alessandrini, Patricia
Inclusive music project with electronics. (2014)
Alessandrini, Patricia
Installation for the Festival Agora at the centquatre. (2010)
Alessandrini, Patricia
La Nuit de l’Itinéraire. (2005)
Alessandrini, Patricia
Music for the series Carnet de Bals. (2002)
Alessandrini, Patricia
Musikfestival Heidelberger Frühling. (2014)
Alessandrini, Patricia
Resisting reproduction in the digital age: notes on a sonic arts practice. (2016)
Alessandrini, Patricia
description
Syntono Project. (2004)
Alessandrini, Patricia
Work for Arditti Quartet with live electronics. (2007)
Alessandrini, Patricia
Work for Ensemble Vortex with live electronics. (2008)
Alessandrini, Patricia
Work for Voz Nueva with live electronics and interactive video. (2011)
Alessandrini, Patricia
Work for cellist Séverine Ballon with live electronics. (2007)
Alessandrini, Patricia
Mondgewächse. (2014)
Alessandrini, Patricia and Abtan, Freida
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Mondgewächse. (2014)
Alessandrini, Patricia and Abtan, Freida
ICElab. (2012)
Alessandrini, Patricia and Carreño, Juan Pablo
Mapping and Dimensionality of a Cloth-based Sound Instrument. (2007)
Birnbaum, David; Xin Wei, Sha; Abtan, Freida and Wanderley, Marcelo M.
BBC Proms Profile: Daphne Oram. (2018)
Bulley, James
BBC Proms Profile: Still Point. (2018)
Bulley, James
Lily Greenham: An Art of Living. (2024)
Bulley, James
Living Symphonies. (2017)
Bulley, James
OSKA (Mini-Oramics). (2018)
Bulley, James
Practice research. (2024)
Bulley, James
'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. (2016)
Bulley, James
'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. (2018)
Bulley, James
'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. (2017)
Bulley, James
Realising Daphne Oram’s Still Point (1948). (2018)
Bulley, James
Sounding Materiality : Explorations In Resonant Practice. (2018)
Bulley, James
Sounding Materiality: Explorations with music, natural systems and touch-sound-landscapes. (2018)
Bulley, James
Tactus No.1. (2015)
Bulley, James
Tactus: Sound Scores for the Blind and Visually Impaired. (2016)
Bulley, James
Testimony. (2023)
Bulley, James
Still Point. (2018)
Bulley, James and Feshareki, Shiva
Still Point. (2016)
Bulley, James and Feshareki, Shiva
Still Point. (2018)
Bulley, James and Feshareki, Shiva
RDM in the Performing Arts: Living Symphonies by Daniel Jones & James Bulley (Unit for Sound Practice Research, Goldsmiths, University of London). (2017)
Bulley, James and Gray, Andrew
Radio Reconstructions. (2013)
Bulley, James and Jones, Daniel
Variable 4: A Dynamical Composition for Weather Systems. (2011)
Bulley, James and Jones, Daniel
Planning and Producing Artworks in the Natural Environment. (2016)
Bulley, James; Jones, Daniel; Forestry Commission England and Sound and Music
The Talking Drum. (2018)
Bulley, James and Price, Astra
Sound and the City (Natural History Museum). (2014)
Bulley, James; Sahin, Ozden; Spinelli, Emmanuel; Tanaka, Atau; Hosang, Georgina M.; Cubitt, Sean; Drever, John L. and Kanngieser, Anja
3 Scores, 3 Rooms. (2015)
Busby, Lisa
Fingers in the Gloss. (2015)
Busby, Lisa
Future//Past: a series of interventions into The Greatest Hits of The Spice Girls. (2015)
Busby, Lisa
Guest Curator: Lisa Busby. (2013)
Busby, Lisa
I begin alone in this action: a series of sounding zones. (2014)
Busby, Lisa
video_file
Negotiating with the dead: A self-help programme for composers. (2014)
Busby, Lisa
Ovarium. (2016)
Busby, Lisa
Enclave FESTIVAL DE POESÍA EXPERIMENTAL EDICIÓN 2023. (2023)
Ceron, Rocio and Garrelfs, Iris
A Sound Encounter of En Creux: in-between Roni Horn, Alvin Lucier, and Robert Smithson. (2014)
Chung, Hsiang Ying
Cats Like Plain Crisps. (2023)
Clover, Catherine
Activist Sound: Field Recording, Phonography, and Soundscapes of Protest. (2020)
DeLaurenti, Christopher
Acoustic Environments of Place, Heritage and Wellbeing. (2021)
Drever, John L.
Architect-Sonics: Heritage of Sound, Music and Architecture. (2006)
Drever, John L.
Architectural Soundmarks. (2004)
Drever, John L.
Audio-Vision: Cause and Effect? (2004)
Drever, John L.
Aural Diverse Spatial Perception: From Paracusis to Panacusis Loci. (2024)
Drever, John L.
Aural Diverse: Hearing within Responsible Soundscapes of Tourism and Hospitality. (2022)
Drever, John L.
Auraldiversity - from hearing as universal to hearing in particular. (2022)
Drever, John L.
Auraldiversity and Urban Sound. (2023)
Drever, John L.
Auraltypical/Auraldiverse: from hearing as universal to hearing in particular. (2023)
Drever, John L.
BBC Radio 3 Sunday Feature – Tuner of the World. (2023)
Drever, John L.
Bump in the Night: Some Reflections on Night Listening. (2005)
Drever, John L.
The Case For Auraldiversity In Acoustic Regulations And Practice: The Hand Dryer Noise Story. (2017)
Drever, John L.
Cattle Grids of Dartmoor. (2006)
Drever, John L.
Clairaudience meets Auraldiversity. (2022)
Drever, John L.
Close to the Literal. (2005)
Drever, John L.
Covid Crepusculars #1. (2020)
Drever, John L.
audio_file
Creating A Buzz! (2022)
Drever, John L.
Deptford Soundwalk. (2023)
Drever, John L.
The Dilemma of Noise. (2007)
Drever, John L.
Disappearing Soundmarks. (2007)
Drever, John L.
Excuse英國腔! E49: London Street Noises. (2022)
Drever, John L.
Field Recording Centered Composition Practices: negotiating the “out-there” with the “in-here". (2017)
Drever, John L.
Field Recording and Noise Abatement. (2022)
Drever, John L.
Field Work: From Arm-chair to Open-air Research in Sonic Arts. (2006)
Drever, John L.
Hearing and Listening with Eevee – bridging the auraldiversity of a dog and a human. (2024)
Drever, John L.
Hearing in Particular: From Auraltypical to Auraldiverse Practice. (2021)
Drever, John L.
Impact on vulnerable sub-groups from ultra-rapid hand dryers. (2013)
Drever, John L.
picture_as_pdf
John Levack Drever: Creative Sound Thresholds. (2014)
Drever, John L.
“The Language of Place: Festival Walk, Harbour City”, Field Recordings selected by Duncan Whitley for ‘The language of place', Audiolab10, March 2010. (2010)
Drever, John L.
Listening as Methodological Tool: Sounding Soundwalking Methods. (2020)
Drever, John L.
Litany of the Hand Dryers. (2013)
Drever, John L.
London Street Noises. (2022)
Drever, John L.
Loo Roles. (2011)
Drever, John L.
Nostophonics: approaches to grasping everyday sounds from a British perspective. (2007)
Drever, John L.
Ochlophonia Hong Kong SAR: audition, speech and feedback from within the crowded soundscape. (2011)
Drever, John L.
Ochlophonia Hong Kong SAR: audition, speech and feedback from within the crowded soundscape. (2014)
Drever, John L.
Ochlophonic Study: Hong Kong.
Drever, John L.
Ochlophonic Study: Hong Kong. (2016)
Drever, John L.
Ochlophonic Study: Hong Kong (Brudenell Social Club, Leeds). (2005)
Drever, John L.
Ochlophonic Study: Hong Kong (Camden People’s Theatre). (2005)
Drever, John L.
Ochlophonic Study: Hong Kong (EAR-plugged Festival of Electro-acoustic Music). (2007)
Drever, John L.
Ochlophonic Study: Hong Kong (Faire une ambiance / Creating an Atmosphere). (2008)
Drever, John L.
Ochlophonic Study: Hong Kong (Launch of Sound Practice Research). (2008)
Drever, John L.
Ochlophonic Study: Hong Kong (Music, Sound, and the Re-configuration of Public and Private Space’ CRASSH Symposium). (2008)
Drever, John L.
Ochlophonic Study: Hong Kong (School of Creative Media). (2008)
Drever, John L.
Ochlophonic Study: Hong Kong (Sound Practice). (2006)
Drever, John L.
Ochlophonic Study: Hong Kong (Urban Episodes). (2008)
Drever, John L.
Ochlophonics Hong Kong: everyday sound practices within the crowd. (2008)
Drever, John L.
Of Click and Glitch. (2005)
Drever, John L.
On Acoustic Ecology. (2023)
Drever, John L.
On Listening Back to “Soundscapes in Particular [Autumn 2023]". (2024)
Drever, John L.
picture_as_pdf
Overlooked histories of acoustic ecology and field/ soundscape recording. (2021)
Drever, John L.
Panel on Sonic Diversity. (2024)
Drever, John L.
Paracusis Loci to Otoloci– Spatial Perception in Auraldiversity. (2023)
Drever, John L.
Phonating Hand Dryers: exploits in aural diverse composition and co-composition. (2019)
Drever, John L.
Phonating Hand Dryers: exploits in product and environmental acoustics, and aural diverse composition and co-composition. (2022)
Drever, John L.
Phonographies of Exeter. (2003)
Drever, John L.
Phonographies: Glasgow, Frankfurt, Exeter. (2003)
Drever, John L.
Phonographies: Practical and Theoretical Explorations into Composing with Disembodied Sound. (2001)
Drever, John L.
Plenary Speaker. (2009)
Drever, John L.
Primacy of the Ear – But Whose Ear?: The Case
for Auraldiversity in Sound and Music Practice and Discourse. (2020)
Drever, John L.
‘Primacy of the Ear’ – But Whose Ear?: the case for auraldiversity in sonic arts practice and discourse. (2019)
Drever, John L.
Proceedings of 'Sound Practice: the 1st UKISC conference on sound, culture and environments'. (2001)
Drever, John L.
Q&A with an acoustic ecologist, BBC World Service. (2009)
Drever, John L.
Re-Walking and Re-Hearing the Deptford Soundwalk. (2023)
Drever, John L.
The Rest Is Just Noise: Auraldiversity with John Drever. (2023)
Drever, John L.
Review: Barry Blesser and Linda-Ruth Salter, Spaces Speak, Are You Listening?: Experiencing Aural Architecture. (2008)
Drever, John L.
Review: Steven Johnson (ed.), The New York School of Music and Visual Arts. (2004)
Drever, John L.
The Role of Improvisation in Auraldiverse Soundwalking. (2018)
Drever, John L.
Round table discussion. (2009)
Drever, John L.
Round table discussion. (2009)
Drever, John L.
Round table discussion. (2010)
Drever, John L.
SHIZENGAKU [BIWA/BIWAKO]: SONIC COMPLEMENT, COUNTERPOINT OR INTERPENETRATION? (2014)
Drever, John L.
html
Sanitary Ambiance: a study of current auditory ambiances of public toilets in England. (2011)
Drever, John L.
Sanitary Ambiance: the noise effects of high speed hand dryers. (2012)
Drever, John L.
Sanitary Soundscapes: The Noise Effects From Ultra-Rapid “Ecological” Hand Dryers On Vulnerable Subgroups In Publicly Accessible Toilets. (2015)
Drever, John L.
Sanitary Soundscapes: The Noise Effects From Ultra-Rapid “Ecological” Hand Dryers on Vulnerable Subgroups. (2020)
Drever, John L.
Sanitary Soundscapes: the noise effects from ultra-rapid energy-efficient hand dryers on vulnerable subgroups – a listening approach. (2013)
Drever, John L.
Sanitary Soundscapes: the noise effects from ultra-rapid “ecological” hand dryers on vulnerable subgroups in publicly accessible toilets. (2013)
Drever, John L.
Sanitary Soundscapes: the noise effects of high-speed hand dryers. (2013)
Drever, John L.
Sanitary Tones: Ayre #3 [Kelston]. (2019)
Drever, John L.
audio_file
Sanitary Tones: Ayre #3 [Leicester]. (2019)
Drever, John L.
Sensitive Hearers and Particular Hearing Requirements Within the Urban Soundscape. (2014)
Drever, John L.
Sensitive Hearing in an Auraltypical World. (2015)
Drever, John L.
Session 9 reflections: Listening to and sounding soundscapes. (2011)
Drever, John L.
Setting Foot on the Dreams of Euclid. (2023)
Drever, John L.
Silent Soundwalking: an urban pedestrian soundscape methodology. (2013)
Drever, John L.
Sound Affects: Exploring the connections between sound and wellbeing - RNTNEH. (2018)
Drever, John L.
Sound Affects: Sound & Wellbeing – Brighton. (2018)
Drever, John L.
Sound Affects: Sound & Wellbeing – Manchester. (2018)
Drever, John L.
Sound Art Curator as de facto Acoustician. (2014)
Drever, John L.
Sound Art: Hearing in Particular. (2021)
Drever, John L.
Sound Fetish Tendencies. (2004)
Drever, John L.
Sound Summit 3: Are you listening? Acoustic environments and the politics of sound, noise and silence. (2020)
Drever, John L.
Sound effect – object – event. Endemic and exogenous electro-acoustic sound practices in theatre. (2009)
Drever, John L.
Sounding Dartmoor. (2002)
Drever, John L.
Sounding Dartmoor - a public soundscape study. (2009)
Drever, John L.
Sounding Dartmoor: A case study on the soundscapes of rural England at the opening of the 21st Century. (2002)
Drever, John L.
Sounding Soundscape Composition. (2001)
Drever, John L.
Sounding Space & Public Space. (2013)
Drever, John L.
Soundscape Composition: Listening to Context and Contingency. (2019)
Drever, John L.
Soundscape sensibilities as expressed and betrayed in composition. (2007)
Drever, John L.
Soundscapes and acoustic ecology - origins and prospects. (2007)
Drever, John L.
Soundscape composition: the convergence of ethnography and
acousmatic music. (2002)
Drever, John L.
Soundwalking as compositional practice? (2009)
Drever, John L.
Soundwalking in the City: a socio-spatio-temporal sound practice. (2011)
Drever, John L.
Soundwalking: Aural Excursions into the Everyday. (2009)
Drever, John L.
Soundwalking: methods of listening in situ to the city. (2007)
Drever, John L.
The Sublime in Acousmatic Music: Listening to the Unpresentable. (2001)
Drever, John L.
Sublime-sound-of-the-one-hand [Ryōan-ji]. (2015)
Drever, John L.
Timothy Drever / Tim Robinson – nature and nurture. (2023)
Drever, John L.
Topophonics & Nostophonics: the role of sound in the golden era of British documentary film. (2005)
Drever, John L.
Topophonique, Ochlophonique, Nostophonique et Pataphonique: trois études de cas. (2005)
Drever, John L.
Topophonophilia and Topophonophobia. (2008)
Drever, John L.
Topophonophilia: a study on the relationship between the sounds of Dartmoor and the people who live there. (2007)
Drever, John L.
Topophonophilia: a study on the relationship between the sounds of Dartmoor and the people who live there. (2005)
Drever, John L.
Topophonophilia: the rapport between place, space, sentiment and sound’. (2007)
Drever, John L.
Topophonophilia: the relationship between sound, sentiment and place. (2004)
Drever, John L.
Topophonophobia – the space and place of acute hearing. (2015)
Drever, John L.
Towards an auraldiverse practice. (2022)
Drever, John L.
What would you like your city to sound like?: ideological and ethical musings on urban soundscape design in 2010. (2010)
Drever, John L.
audience : hearing. (2007)
Drever, John L.
The exploitation of 'tangible ghosts': conjectures on soundscape recording and its reappropriation in sound art. (1999)
Drever, John L.
sanitary tones: ayre #1[Airblade]. (2013)
Drever, John L.
-scape [Goodwin Sands]. (2006)
Drever, John L.
The sound of cattle grids. (2008)
Drever, John L.
The vagaries of sound fx: supposed sounding and listening through the history of recorded sound. (2009)
Drever, John L.
Auraldiversity: Do you hear differently? (2023)
Drever, John L. and Bharat, Vinita
Liveable Listenable Cities: Human-Centred Planning and
Appraisal of Applied Soundscape Design for an Auraldiverse
Population — An Introduction. (2018)
Drever, John L. and Cobianchi, Mattia
Integrating soundscape in healthy urban design and planning: perspectives for
sustainable futures. (2021)
Drever, John L.; Cobianchi, Mattia and Lavia, Lisa
Auraltypical acoustics? A critical review of acoustical foundations,
standards and practices. (2022)
Drever, John L.; Cobianchi, Mattia and Pérez, Carmen Rosas
London Street Noises – A historical armchair soundwalk in Beauchamp Place. (2021)
Drever, John L.; Cobianchi, Mattia and Yildirim, Aysegul
London Street Noises: A Ground-Breaking Field Recording Campaign from 1928. (2021)
Drever, John L.; Cobianchi, Mattia and Yildirim, Aysegul
Aural Diversity. (2022)
Drever, John L. and Hugill, Andrew
Aural Diversity: General Introduction. (2022)
Drever, John L. and Hugill, Andrew
Sounding the River Quaggy. (2021)
Drever, John L.; Jackson, Emma; Rondel, Louise; Weleminsky, Carter Joseph; Cook, Christopher; Cobianchi, Mattia and Leadley, Marcus
Paisajes sonoros en particular [Otoño 2023] / Soundscapes in Particular [Autumn 2023]. (2023)
Drever, John L. and Lara, Rossana
Electroacoustic performance interfaces that learn from their users. (2005)
Drever, John L.; Melo, Andres and Wiggins, Geraint
Mothratorium. (2022)
Drever, John L. and Murdin, Alex
Listening In on a Dawn Springtime Walk by the River Dart with John Levack Drever and Alice Oswald. (2021)
Drever, John L. and Oswald, Alice
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Fostering Sensory Divergences in Ambiance Theory: from auraldiversity discourse towards multisensory experience(s). (2025)
Drever, John L.; Rosas-Pérez, Carmen; Radicchi, Antonella and Cobianchi, Mattia
picture_as_pdf
-scape [Goodwins] - making horizontal. (2010)
Drever, John L. and Thatcher, Tony
-scape [Goodwins] - making horizontal (The Pavilion Gallery). (2010)
Drever, John L. and Thatcher, Tony
-scape [Goodwins] – making horizontal. (2010)
Drever, John L.; Thatcher, Tony and Redding, Emma
Vacilar: The Entanglement of Self-expression and its Outside. (2019)
Fontaine, Gregorio
Breathing Through Wires. (2015)
Garrelfs, Iris
"Breathing Through Wires" at BEASTdome/ CrossCurrents+ The Dome mini festival, The Bramall, Birmingham University. (2020)
Garrelfs, Iris
"Breathing Through Wires" at THE HORSE IMPROVISED MUSIC CLUB. (2021)
Garrelfs, Iris
Electropixel 2019. (2019)
Garrelfs, Iris
Field recordings an the Voice. (2022)
Garrelfs, Iris
Fieldrecordings and the Voice. (2021)
Garrelfs, Iris
Fieldrecordings and the Voice: Framework - Resonance FM radio broadcast. (2022)
Garrelfs, Iris
Fieldrecordings and the Voice: Framework - WGXC 90.7-FM radio broadcast. (2022)
Garrelfs, Iris
Fountain 17. (2018)
Garrelfs, Iris
Infinity Kisses 23. (2023)
Garrelfs, Iris
Infinity Kisses 23 Live. (2023)
Garrelfs, Iris
Iris Garrelfs live at Salon Des Refuses 2018. (2018)
Garrelfs, Iris
Lauschen. (2016)
Garrelfs, Iris
"Lauschen" at Iklectik. (2019)
Garrelfs, Iris
"Lauschen" by Iris Garrelfs at Fly By Night, Hundred Years Gallery, December 2019. (2019)
Garrelfs, Iris
"Lauschen", performance in Bath. (2018)
Garrelfs, Iris
Lauschen: improvised voice and wearable electronics in mobile performance. (2019)
Garrelfs, Iris
Listening Wall. (2017)
Garrelfs, Iris
Listening Wall at Chinese Open, London, 2017. (2017)
Garrelfs, Iris
The Listening Wall at Distrito 350 Gallery, Guadalajara, Mexico. (2024)
Garrelfs, Iris
Listening Wall at Linear Obsessional Festival 2017. (2017)
Garrelfs, Iris
"The Listening Wall" at Polymedialer Ponyhof, Berlin, Germany. (2021)
Garrelfs, Iris
"Listening Wall" at QSS Gallery, Belfast 2018. (2018)
Garrelfs, Iris
"Listening Wall" at Supernormal Festival 2017. (2017)
Garrelfs, Iris
image
The Listening Wall, at Musikkens Hus, Aalborg, Denmark. (2019)
Garrelfs, Iris
The Listening Wall: A journey into scored listening. (2018)
Garrelfs, Iris
"ListeningWall" at Points Of Listening#37, London College of Communication, October 2017. (2017)
Garrelfs, Iris
Live voice/laptop performance. (2018)
Garrelfs, Iris
Musings on mycelic creative practice. (2024)
Garrelfs, Iris
grid_on
Performance of Lauschen at Fusion Arts, Oxford, by Iris Garrelfs. (2018)
Garrelfs, Iris
Reflections on Process in Sound. (2012)
Garrelfs, Iris
Scores for Listening. (2017)
Garrelfs, Iris
Scores for Listening #5: What does yellow sound like? (2023)
Garrelfs, Iris
Thameside Soundwalk. (2021)
Garrelfs, Iris
Thameside Soundwalk - show. (2022)
Garrelfs, Iris
"Virtual Listening Wall" at the 56th RMA annual conference, part of the "Listening Wall" project. (2020)
Garrelfs, Iris
Voice in field recording based practices. (2022)
Garrelfs, Iris
bodily interaction in vocal performance. (2019)
Garrelfs, Iris
override: An experiment in interrupting the congruity of audio-visual relationships. (2019)
Garrelfs, Iris
Artists' Syllabus - Cats Like Plain Crisps. (2023)
Garrelfs, Iris; Clover, Catherine and Bartley, Roseanne
Carolee Schneemann’s Cats. (2023)
Garrelfs, Iris; Clover, Catherine; Yang, Yeung; Jones, Shauna; Corringham, Viv; Bartley, Roseanne and Roseanne, Johanna
Viv Corringham and Iris Garrelfs live. (2024)
Garrelfs, Iris and Corringham, Viv
"The Listening Wall" at Polymedialer Ponyhof, PERFORMANCE Berlin, Germany. (2021)
Garrelfs, Iris and Emler, Katrin
The Smooth Space of Field Recording : Four Projects - Sonicinteractions, Doublerecordings, “Dense Boogie” and ‘For the Birds’. (2013)
Hawkins, Ruth
Studio Composition: Live Audiovisualisation Using Emergent Generative Systems. (2013)
Ikeshiro, Ryo
The Aural and the Quotidian: Everyday Experience in Listening and Practice. (2011)
Keenan, Jeremy
Approaches for Working with the Body in the Design of Electronic Music Performance Systems. (2023)
Kirby, Jenn
BBC Radio 3, New Music Show - Performance. (2023)
Kirby, Jenn
Being Time. (2020)
Kirby, Jenn
Body Fragmented. (2023)
Kirby, Jenn
The Body in Digital Musical Instrument Design. (2024)
Kirby, Jenn
Composing Perceivable Time. (2015)
Kirby, Jenn
DataFlex: a DIY motion-sensing glove. (2023)
Kirby, Jenn
Defining and Evaluating the Performance of Electronic Music. (2019)
Kirby, Jenn
Design Considerations for Digital Instruments. (2019)
Kirby, Jenn
Dichotomies of Lockdown. (2020)
Kirby, Jenn
Digital Instrument Design. (2019)
Kirby, Jenn
Five Sonic Artists Practices and Experiences in Lock-down. (2022)
Kirby, Jenn
Hear to Listen. (2020)
Kirby, Jenn
Hear to Listen: Performance System. (2020)
Kirby, Jenn
Joy: a handheld controller. (2022)
Kirby, Jenn
Legacy is. (2021)
Kirby, Jenn
audio_file
Listening to Stories. (2019)
Kirby, Jenn
Live Electronics: Performer Agency and Audience Reception. (2020)
Kirby, Jenn
Melding Streams. (2023)
Kirby, Jenn
video_file
Performer Agency in Live Electronic Music. (2021)
Kirby, Jenn
The Phonetics Project. (2019)
Kirby, Jenn
Phonetics: Performance System. (2017)
Kirby, Jenn
Ravel. (2022)
Kirby, Jenn
Space: Performance System. (2014)
Kirby, Jenn
Spiral: a two-player entangled performance system. (2024)
Kirby, Jenn
Stepping into Stillness. (2018)
Kirby, Jenn
Transition: Performance System. (2016)
Kirby, Jenn
music: a movement. (2022)
Kirby, Jenn
Swansea Laptop Orchestra: Composing for Laptops. (2016)
Kirby, Jenn and Kilshaw, Simon
Live Electronics in Live Performance: A Performance Practice Emerging from the piano+ used in Free Improvisation. (2012)
Lexer, Sebastian
Aural Architecture Practice: Creative Approaches for an Ecology of Affect. (2019)
Martinho, Claudia
AtmosActions: An Interactive Audiovisual Installation for a Human/Weather Interface. (2022)
Okumura, Hiromi; Williams, Valerie; Kirby, Jenn; Jobson, Thomas B and Vaughan, Joseph
Sonic Choreosophia: a cross-disciplinary investigation on sound and
movement practices. (2017)
Perego, Tommaso
Bot Party. (2016)
Perry, Phoenix and Abtan, Freida
I Thought I Grew An Ear in My Stomach:
The Phenomenological Experience of the Art Event
as Sublime Encounter. (2012)
Sandys, Kathrine
Resonating bodies: an artist's enquiry into sympathies between the audible and the material. (2011)
Scarfe, Dawn
NAMELY for Peter Manson. (2011)
Upton, Lawrence and Drever, John L.
description
Sonic Diaspora: Exploring Migration Through Interdisciplinary Soundscape
Composition. (2021)
Weleminsky, Carter Joseph
Argrophylax.
Young, Michael W.
Argrophylax (recordings).
Young, Michael W.
audio_file
Creative Computers, Improvisation and Intimacy. (2009)
Young, Michael W.
Identity and Intimacy in Human-Computer Improvisation. (2010)
Young, Michael W.
flute_prosthesis (two studio recordings).
Young, Michael W.
audio_file
oboe_prosthesis (live performance). (2008)
Young, Michael W.
audio_file
piano_prosthesis (live performance). (2008)
Young, Michael W.
audio_file
piano_prosthesis2 (live performance). (2010)
Young, Michael W.
piano_prosthesis: indicative score. (2009)
Young, Michael W.
Exposure: Living in Extreme Environments: Video. (2012)
Young, Michael W. and Adderley, Paul
Here is Now and There the Sound of the Land: 'Ground-breaking'. (2007)
Young, Michael W. and Adderley, Paul
Clap-along: A negotiation strategy for creative musical interaction with computational systems. (2010)
Young, Michael W. and Bown, Oliver
Goldsmiths Electronic Music Studios: 40 Years. (2008)
Young, Michael W.; Drever, John L.; Grierson, Mick and Stonehouse, Ian
