Items where Division is "Unit for Sound Practice Research"

  • Goldsmiths Departments, Centres and Research Units (28675)
  • Music (1717)
  • Unit for Sound Practice Research (321)
    Number of items at this level: 321.
    2025
  • Fostering Sensory Divergences in Ambiance Theory: from auraldiversity discourse towards multisensory experience(s). (2025) Drever, John L.; Rosas-Pérez, Carmen; Radicchi, Antonella and Cobianchi, Mattia picture_as_pdf
    • 2024
  • Lily Greenham: An Art of Living. (2024) Bulley, James
  • Practice research. (2024) Bulley, James
  • Aural Diverse Spatial Perception: From Paracusis to Panacusis Loci. (2024) Drever, John L.
  • Hearing and Listening with Eevee – bridging the auraldiversity of a dog and a human. (2024) Drever, John L.
  • On Listening Back to “Soundscapes in Particular [Autumn 2023]". (2024) Drever, John L. picture_as_pdf
  • Panel on Sonic Diversity. (2024) Drever, John L.
  • The Listening Wall at Distrito 350 Gallery, Guadalajara, Mexico. (2024) Garrelfs, Iris
  • Musings on mycelic creative practice. (2024) Garrelfs, Iris grid_on
  • Viv Corringham and Iris Garrelfs live. (2024) Garrelfs, Iris and Corringham, Viv
  • The Body in Digital Musical Instrument Design. (2024) Kirby, Jenn
  • Spiral: a two-player entangled performance system. (2024) Kirby, Jenn
    • 2023
  • Testimony. (2023) Bulley, James
  • Enclave FESTIVAL DE POESÍA EXPERIMENTAL EDICIÓN 2023. (2023) Ceron, Rocio and Garrelfs, Iris
  • Cats Like Plain Crisps. (2023) Clover, Catherine
  • Auraldiversity and Urban Sound. (2023) Drever, John L.
  • Auraltypical/Auraldiverse: from hearing as universal to hearing in particular. (2023) Drever, John L.
  • BBC Radio 3 Sunday Feature – Tuner of the World. (2023) Drever, John L.
  • Deptford Soundwalk. (2023) Drever, John L.
  • On Acoustic Ecology. (2023) Drever, John L.
  • Paracusis Loci to Otoloci– Spatial Perception in Auraldiversity. (2023) Drever, John L.
  • Re-Walking and Re-Hearing the Deptford Soundwalk. (2023) Drever, John L.
  • The Rest Is Just Noise: Auraldiversity with John Drever. (2023) Drever, John L.
  • Setting Foot on the Dreams of Euclid. (2023) Drever, John L.
  • Timothy Drever / Tim Robinson – nature and nurture. (2023) Drever, John L.
  • Auraldiversity: Do you hear differently? (2023) Drever, John L. and Bharat, Vinita
  • Paisajes sonoros en particular [Otoño 2023] / Soundscapes in Particular [Autumn 2023]. (2023) Drever, John L. and Lara, Rossana
  • Infinity Kisses 23. (2023) Garrelfs, Iris
  • Infinity Kisses 23 Live. (2023) Garrelfs, Iris
  • Scores for Listening #5: What does yellow sound like? (2023) Garrelfs, Iris
  • Artists' Syllabus - Cats Like Plain Crisps. (2023) Garrelfs, Iris; Clover, Catherine and Bartley, Roseanne
  • Carolee Schneemann’s Cats. (2023) Garrelfs, Iris; Clover, Catherine; Yang, Yeung; Jones, Shauna; Corringham, Viv; Bartley, Roseanne and Roseanne, Johanna
  • Approaches for Working with the Body in the Design of Electronic Music Performance Systems. (2023) Kirby, Jenn
  • BBC Radio 3, New Music Show - Performance. (2023) Kirby, Jenn
  • Body Fragmented. (2023) Kirby, Jenn
  • DataFlex: a DIY motion-sensing glove. (2023) Kirby, Jenn
  • Melding Streams. (2023) Kirby, Jenn video_file
    • 2022
  • Aural Diverse: Hearing within Responsible Soundscapes of Tourism and Hospitality. (2022) Drever, John L.
  • Auraldiversity - from hearing as universal to hearing in particular. (2022) Drever, John L.
  • Clairaudience meets Auraldiversity. (2022) Drever, John L.
  • Creating A Buzz! (2022) Drever, John L.
  • Excuse英國腔! E49: London Street Noises. (2022) Drever, John L.
  • Field Recording and Noise Abatement. (2022) Drever, John L.
  • London Street Noises. (2022) Drever, John L.
  • Phonating Hand Dryers: exploits in product and environmental acoustics, and aural diverse composition and co-composition. (2022) Drever, John L.
  • Towards an auraldiverse practice. (2022) Drever, John L.
  • Auraltypical acoustics? A critical review of acoustical foundations, standards and practices. (2022) Drever, John L.; Cobianchi, Mattia and Pérez, Carmen Rosas
  • Aural Diversity. (2022) Drever, John L. and Hugill, Andrew
  • Aural Diversity: General Introduction. (2022) Drever, John L. and Hugill, Andrew
  • Mothratorium. (2022) Drever, John L. and Murdin, Alex
  • Field recordings an the Voice. (2022) Garrelfs, Iris
  • Fieldrecordings and the Voice: Framework - Resonance FM radio broadcast. (2022) Garrelfs, Iris
  • Fieldrecordings and the Voice: Framework - WGXC 90.7-FM radio broadcast. (2022) Garrelfs, Iris
  • Thameside Soundwalk - show. (2022) Garrelfs, Iris
  • Voice in field recording based practices. (2022) Garrelfs, Iris
  • Five Sonic Artists Practices and Experiences in Lock-down. (2022) Kirby, Jenn
  • Joy: a handheld controller. (2022) Kirby, Jenn
  • Ravel. (2022) Kirby, Jenn
  • music: a movement. (2022) Kirby, Jenn
  • AtmosActions: An Interactive Audiovisual Installation for a Human/Weather Interface. (2022) Okumura, Hiromi; Williams, Valerie; Kirby, Jenn; Jobson, Thomas B and Vaughan, Joseph
    • 2021
  • Acoustic Environments of Place, Heritage and Wellbeing. (2021) Drever, John L.
  • Hearing in Particular: From Auraltypical to Auraldiverse Practice. (2021) Drever, John L.
  • Overlooked histories of acoustic ecology and field/ soundscape recording. (2021) Drever, John L.
  • Sound Art: Hearing in Particular. (2021) Drever, John L.
  • Integrating soundscape in healthy urban design and planning: perspectives for sustainable futures. (2021) Drever, John L.; Cobianchi, Mattia and Lavia, Lisa
  • London Street Noises – A historical armchair soundwalk in Beauchamp Place. (2021) Drever, John L.; Cobianchi, Mattia and Yildirim, Aysegul
  • London Street Noises: A Ground-Breaking Field Recording Campaign from 1928. (2021) Drever, John L.; Cobianchi, Mattia and Yildirim, Aysegul
  • Sounding the River Quaggy. (2021) Drever, John L.; Jackson, Emma; Rondel, Louise; Weleminsky, Carter Joseph; Cook, Christopher; Cobianchi, Mattia and Leadley, Marcus
  • Listening In on a Dawn Springtime Walk by the River Dart with John Levack Drever and Alice Oswald. (2021) Drever, John L. and Oswald, Alice html
  • "Breathing Through Wires" at THE HORSE IMPROVISED MUSIC CLUB. (2021) Garrelfs, Iris
  • Fieldrecordings and the Voice. (2021) Garrelfs, Iris
  • "The Listening Wall" at Polymedialer Ponyhof, Berlin, Germany. (2021) Garrelfs, Iris
  • Thameside Soundwalk. (2021) Garrelfs, Iris
  • "The Listening Wall" at Polymedialer Ponyhof, PERFORMANCE Berlin, Germany. (2021) Garrelfs, Iris and Emler, Katrin
  • Legacy is. (2021) Kirby, Jenn audio_file
  • Performer Agency in Live Electronic Music. (2021) Kirby, Jenn
  • Sonic Diaspora: Exploring Migration Through Interdisciplinary Soundscape Composition. (2021) Weleminsky, Carter Joseph
    • 2020
  • My Heart is a River. (2020) Abtan, Freida
  • Activist Sound: Field Recording, Phonography, and Soundscapes of Protest. (2020) DeLaurenti, Christopher
  • Covid Crepusculars #1. (2020) Drever, John L. audio_file
  • Listening as Methodological Tool: Sounding Soundwalking Methods. (2020) Drever, John L.
  • Primacy of the Ear – But Whose Ear?: The Case for Auraldiversity in Sound and Music Practice and Discourse. (2020) Drever, John L.
  • Sanitary Soundscapes: The Noise Effects From Ultra-Rapid “Ecological” Hand Dryers on Vulnerable Subgroups. (2020) Drever, John L.
  • Sound Summit 3: Are you listening? Acoustic environments and the politics of sound, noise and silence. (2020) Drever, John L.
  • "Breathing Through Wires" at BEASTdome/ CrossCurrents+ The Dome mini festival, The Bramall, Birmingham University. (2020) Garrelfs, Iris
  • "Virtual Listening Wall" at the 56th RMA annual conference, part of the "Listening Wall" project. (2020) Garrelfs, Iris
  • Being Time. (2020) Kirby, Jenn
  • Dichotomies of Lockdown. (2020) Kirby, Jenn
  • Hear to Listen. (2020) Kirby, Jenn
  • Hear to Listen: Performance System. (2020) Kirby, Jenn
  • Live Electronics: Performer Agency and Audience Reception. (2020) Kirby, Jenn
    • 2019
  • Phonating Hand Dryers: exploits in aural diverse composition and co-composition. (2019) Drever, John L.
  • ‘Primacy of the Ear’ – But Whose Ear?: the case for auraldiversity in sonic arts practice and discourse. (2019) Drever, John L.
  • Sanitary Tones: Ayre #3 [Kelston]. (2019) Drever, John L. audio_file
  • Sanitary Tones: Ayre #3 [Leicester]. (2019) Drever, John L.
  • Soundscape Composition: Listening to Context and Contingency. (2019) Drever, John L.
  • Vacilar: The Entanglement of Self-expression and its Outside. (2019) Fontaine, Gregorio
  • Electropixel 2019. (2019) Garrelfs, Iris
  • "Lauschen" at Iklectik. (2019) Garrelfs, Iris
  • "Lauschen" by Iris Garrelfs at Fly By Night, Hundred Years Gallery, December 2019. (2019) Garrelfs, Iris
  • Lauschen: improvised voice and wearable electronics in mobile performance. (2019) Garrelfs, Iris
  • The Listening Wall, at Musikkens Hus, Aalborg, Denmark. (2019) Garrelfs, Iris
  • bodily interaction in vocal performance. (2019) Garrelfs, Iris
  • override: An experiment in interrupting the congruity of audio-visual relationships‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬. (2019) Garrelfs, Iris
  • Defining and Evaluating the Performance of Electronic Music. (2019) Kirby, Jenn
  • Design Considerations for Digital Instruments. (2019) Kirby, Jenn
  • Digital Instrument Design. (2019) Kirby, Jenn
  • Listening to Stories. (2019) Kirby, Jenn
  • The Phonetics Project. (2019) Kirby, Jenn
  • Aural Architecture Practice: Creative Approaches for an Ecology of Affect. (2019) Martinho, Claudia
    • 2018
  • Special Issue on Sound Curating. (2018)
  • London College of Communication Visiting Practitioners Series: Freida Abtan. (2018) Abtan, Freida and B.A. Sound Arts and Design, London College of Communication
  • Freida Abtan - Examining the relationship between art practice and technology design. (2018) Abtan, Freida and JUCE, ROLI Inc.
  • BBC Proms Profile: Daphne Oram. (2018) Bulley, James
  • BBC Proms Profile: Still Point. (2018) Bulley, James
  • OSKA (Mini-Oramics). (2018) Bulley, James
  • 'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. (2018) Bulley, James
  • Realising Daphne Oram’s Still Point (1948). (2018) Bulley, James
  • Sounding Materiality : Explorations In Resonant Practice. (2018) Bulley, James
  • Sounding Materiality: Explorations with music, natural systems and touch-sound-landscapes. (2018) Bulley, James
  • Still Point. (2018) Bulley, James and Feshareki, Shiva
  • Still Point. (2018) Bulley, James and Feshareki, Shiva
  • The Talking Drum. (2018) Bulley, James and Price, Astra
  • The Role of Improvisation in Auraldiverse Soundwalking. (2018) Drever, John L.
  • Sound Affects: Exploring the connections between sound and wellbeing - RNTNEH. (2018) Drever, John L.
  • Sound Affects: Sound & Wellbeing – Brighton. (2018) Drever, John L.
  • Sound Affects: Sound & Wellbeing – Manchester. (2018) Drever, John L.
  • Liveable Listenable Cities: Human-Centred Planning and Appraisal of Applied Soundscape Design for an Auraldiverse Population — An Introduction. (2018) Drever, John L. and Cobianchi, Mattia
  • Fountain 17. (2018) Garrelfs, Iris
  • Iris Garrelfs live at Salon Des Refuses 2018. (2018) Garrelfs, Iris
  • "Lauschen", performance in Bath. (2018) Garrelfs, Iris
  • "Listening Wall" at QSS Gallery, Belfast 2018. (2018) Garrelfs, Iris
  • The Listening Wall: A journey into scored listening. (2018) Garrelfs, Iris
  • Live voice/laptop performance. (2018) Garrelfs, Iris
  • Performance of Lauschen at Fusion Arts, Oxford, by Iris Garrelfs. (2018) Garrelfs, Iris
  • Stepping into Stillness. (2018) Kirby, Jenn
    • 2017
  • Reflections on Process in Sound Issue 5. (2017) html
  • Living Symphonies. (2017) Bulley, James
  • 'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. (2017) Bulley, James
  • RDM in the Performing Arts: Living Symphonies by Daniel Jones & James Bulley (Unit for Sound Practice Research, Goldsmiths, University of London). (2017) Bulley, James and Gray, Andrew
  • The Case For Auraldiversity In Acoustic Regulations And Practice: The Hand Dryer Noise Story. (2017) Drever, John L.
  • Field Recording Centered Composition Practices: negotiating the “out-there” with the “in-here". (2017) Drever, John L.
  • Listening Wall. (2017) Garrelfs, Iris
  • Listening Wall at Chinese Open, London, 2017. (2017) Garrelfs, Iris
  • Listening Wall at Linear Obsessional Festival 2017. (2017) Garrelfs, Iris
  • "Listening Wall" at Supernormal Festival 2017. (2017) Garrelfs, Iris image
  • "ListeningWall" at Points Of Listening#37, London College of Communication, October 2017. (2017) Garrelfs, Iris
  • Scores for Listening. (2017) Garrelfs, Iris
  • Phonetics: Performance System. (2017) Kirby, Jenn
  • Sonic Choreosophia: a cross-disciplinary investigation on sound and movement practices. (2017) Perego, Tommaso
    • 2016
  • Flight of Birds (Remix). (2016) Abtan, Freida
  • Where is She: Find the Women in Electronic Music Culture. (2016) Abtan, Freida description
  • Resisting reproduction in the digital age: notes on a sonic arts practice. (2016) Alessandrini, Patricia description
  • 'Progress Music': Daphne Oram, Geoffrey Jones and 'Trinidad and Tobago'. (2016) Bulley, James
  • Tactus: Sound Scores for the Blind and Visually Impaired. (2016) Bulley, James
  • Still Point. (2016) Bulley, James and Feshareki, Shiva
  • Planning and Producing Artworks in the Natural Environment. (2016) Bulley, James; Jones, Daniel; Forestry Commission England and Sound and Music
  • Ovarium. (2016) Busby, Lisa
  • Ochlophonic Study: Hong Kong. (2016) Drever, John L.
  • Lauschen. (2016) Garrelfs, Iris
  • Transition: Performance System. (2016) Kirby, Jenn
  • Swansea Laptop Orchestra: Composing for Laptops. (2016) Kirby, Jenn and Kilshaw, Simon
  • Bot Party. (2016) Perry, Phoenix and Abtan, Freida
    • 2015
  • Reflections on Process in Sound Issue 4. (2015)
  • Special issue: ‘Arts And Ecology: Emerging Uses For Digital Technologies’. (2015)
  • Tactus No.1. (2015) Bulley, James
  • 3 Scores, 3 Rooms. (2015) Busby, Lisa
  • Fingers in the Gloss. (2015) Busby, Lisa
  • Future//Past: a series of interventions into The Greatest Hits of The Spice Girls. (2015) Busby, Lisa
  • Sanitary Soundscapes: The Noise Effects From Ultra-Rapid “Ecological” Hand Dryers On Vulnerable Subgroups In Publicly Accessible Toilets. (2015) Drever, John L.
  • Sensitive Hearing in an Auraltypical World. (2015) Drever, John L.
  • Sublime-sound-of-the-one-hand [Ryōan-ji]. (2015) Drever, John L.
  • Topophonophobia – the space and place of acute hearing. (2015) Drever, John L.
  • Breathing Through Wires. (2015) Garrelfs, Iris
  • Composing Perceivable Time. (2015) Kirby, Jenn
    • 2014
  • Reflections on Process in Sound Issue 3. (2014)
  • s_platters: spinning platters for audio control. (2014) Abtan, Freida html
  • Commission for Ensemble Dal Niente. (2014) Alessandrini, Patricia
  • Inclusive music project with electronics. (2014) Alessandrini, Patricia
  • Musikfestival Heidelberger Frühling. (2014) Alessandrini, Patricia
  • Mondgewächse. (2014) Alessandrini, Patricia and Abtan, Freida html
  • Mondgewächse. (2014) Alessandrini, Patricia and Abtan, Freida
  • Sound and the City (Natural History Museum). (2014) Bulley, James; Sahin, Ozden; Spinelli, Emmanuel; Tanaka, Atau; Hosang, Georgina M.; Cubitt, Sean; Drever, John L. and Kanngieser, Anja
  • I begin alone in this action: a series of sounding zones. (2014) Busby, Lisa video_file
  • Negotiating with the dead: A self-help programme for composers. (2014) Busby, Lisa
  • A Sound Encounter of En Creux: in-between Roni Horn, Alvin Lucier, and Robert Smithson. (2014) Chung, Hsiang Ying
  • John Levack Drever: Creative Sound Thresholds. (2014) Drever, John L.
  • Ochlophonia Hong Kong SAR: audition, speech and feedback from within the crowded soundscape. (2014) Drever, John L.
  • SHIZENGAKU [BIWA/BIWAKO]: SONIC COMPLEMENT, COUNTERPOINT OR INTERPENETRATION? (2014) Drever, John L. html
  • Sensitive Hearers and Particular Hearing Requirements Within the Urban Soundscape. (2014) Drever, John L.
  • Sound Art Curator as de facto Acoustician. (2014) Drever, John L.
  • Space: Performance System. (2014) Kirby, Jenn
    • 2013
  • Radio Reconstructions. (2013) Bulley, James and Jones, Daniel
  • Guest Curator: Lisa Busby. (2013) Busby, Lisa
  • Impact on vulnerable sub-groups from ultra-rapid hand dryers. (2013) Drever, John L. picture_as_pdf
  • Litany of the Hand Dryers. (2013) Drever, John L.
  • Sanitary Soundscapes: the noise effects from ultra-rapid energy-efficient hand dryers on vulnerable subgroups – a listening approach. (2013) Drever, John L.
  • Sanitary Soundscapes: the noise effects from ultra-rapid “ecological” hand dryers on vulnerable subgroups in publicly accessible toilets. (2013) Drever, John L.
  • Sanitary Soundscapes: the noise effects of high-speed hand dryers. (2013) Drever, John L.
  • Silent Soundwalking: an urban pedestrian soundscape methodology. (2013) Drever, John L.
  • Sounding Space & Public Space. (2013) Drever, John L.
  • sanitary tones: ayre #1[Airblade]. (2013) Drever, John L.
  • The Smooth Space of Field Recording : Four Projects - Sonicinteractions, Doublerecordings, “Dense Boogie” and ‘For the Birds’. (2013) Hawkins, Ruth
  • Studio Composition: Live Audiovisualisation Using Emergent Generative Systems. (2013) Ikeshiro, Ryo
    • 2012
  • Fear of Flight. (2012) Abtan, Freida
  • For large ensemble, interactive video and electronics. (2012) Alessandrini, Patricia
  • ICElab. (2012) Alessandrini, Patricia and Carreño, Juan Pablo
  • Sanitary Ambiance: the noise effects of high speed hand dryers. (2012) Drever, John L.
  • Reflections on Process in Sound. (2012) Garrelfs, Iris
  • Live Electronics in Live Performance: A Performance Practice Emerging from the piano+ used in Free Improvisation. (2012) Lexer, Sebastian
  • I Thought I Grew An Ear in My Stomach: The Phenomenological Experience of the Art Event as Sublime Encounter. (2012) Sandys, Kathrine
  • Exposure: Living in Extreme Environments: Video. (2012) Young, Michael W. and Adderley, Paul
    • 2011
  • Work for Voz Nueva with live electronics and interactive video. (2011) Alessandrini, Patricia
  • Variable 4: A Dynamical Composition for Weather Systems. (2011) Bulley, James and Jones, Daniel
  • Loo Roles. (2011) Drever, John L.
  • Ochlophonia Hong Kong SAR: audition, speech and feedback from within the crowded soundscape. (2011) Drever, John L.
  • Sanitary Ambiance: a study of current auditory ambiances of public toilets in England. (2011) Drever, John L.
  • Session 9 reflections: Listening to and sounding soundscapes. (2011) Drever, John L.
  • Soundwalking in the City: a socio-spatio-temporal sound practice. (2011) Drever, John L.
  • The Aural and the Quotidian: Everyday Experience in Listening and Practice. (2011) Keenan, Jeremy
  • Resonating bodies: an artist's enquiry into sympathies between the audible and the material. (2011) Scarfe, Dawn
  • NAMELY for Peter Manson. (2011) Upton, Lawrence and Drever, John L. description
    • 2010
  • The Illusion of Pure Music. (2010) Abtan, Freida
  • F.A.S.T.: Dreams of Waking. (2010) Abtan, Freida and Turner, Shane
  • Steam and Fiction – artist statement. (2010) Abtan, Freida and Turner, Shane
  • Adagio sans quatuor. (2010) Alessandrini, Patricia description
  • Amplified trio for faculty ensemble. (2010) Alessandrini, Patricia
  • Installation for the Festival Agora at the centquatre. (2010) Alessandrini, Patricia
  • “The Language of Place: Festival Walk, Harbour City”, Field Recordings selected by Duncan Whitley for ‘The language of place', Audiolab10, March 2010. (2010) Drever, John L.
  • Round table discussion. (2010) Drever, John L.
  • What would you like your city to sound like?: ideological and ethical musings on urban soundscape design in 2010. (2010) Drever, John L.
  • -scape [Goodwins] - making horizontal. (2010) Drever, John L. and Thatcher, Tony
  • -scape [Goodwins] - making horizontal (The Pavilion Gallery). (2010) Drever, John L. and Thatcher, Tony
  • -scape [Goodwins] – making horizontal. (2010) Drever, John L.; Thatcher, Tony and Redding, Emma
  • Identity and Intimacy in Human-Computer Improvisation. (2010) Young, Michael W.
  • piano_prosthesis2 (live performance). (2010) Young, Michael W.
  • Clap-along: A negotiation strategy for creative musical interaction with computational systems. (2010) Young, Michael W. and Bown, Oliver
    • 2009
  • A Phenomenological Time-Based Approach to Videomusic Composition. (2009) Abtan, Freida
  • Ground-breaking:Scientific and Sonic Perceptions of Environmental Change in the African Sahel. (2009) Adderley, W. Paul and Young, Michael W.
  • For cARRASCo+zEa=gUITAr+electronics. (2009) Alessandrini, Patricia
  • Plenary Speaker. (2009) Drever, John L.
  • Q&A with an acoustic ecologist, BBC World Service. (2009) Drever, John L.
  • Round table discussion. (2009) Drever, John L.
  • Round table discussion. (2009) Drever, John L.
  • Sound effect – object – event. Endemic and exogenous electro-acoustic sound practices in theatre. (2009) Drever, John L.
  • Sounding Dartmoor - a public soundscape study. (2009) Drever, John L.
  • Soundwalking as compositional practice? (2009) Drever, John L.
  • Soundwalking: Aural Excursions into the Everyday. (2009) Drever, John L.
  • The vagaries of sound fx: supposed sounding and listening through the history of recorded sound. (2009) Drever, John L.
  • Creative Computers, Improvisation and Intimacy. (2009) Young, Michael W.
  • piano_prosthesis: indicative score. (2009) Young, Michael W.
    • 2008
  • The hands of the dancer. (2008) Abtan, Freida
  • Dynamic Physical Modelling Synthesis Piloted by Instruments and Voices. (2008) Alessandrini, Patricia
  • Work for Ensemble Vortex with live electronics. (2008) Alessandrini, Patricia
  • Ochlophonic Study: Hong Kong (Faire une ambiance / Creating an Atmosphere). (2008) Drever, John L.
  • Ochlophonic Study: Hong Kong (Launch of Sound Practice Research). (2008) Drever, John L.
  • Ochlophonic Study: Hong Kong (Music, Sound, and the Re-configuration of Public and Private Space’ CRASSH Symposium). (2008) Drever, John L.
  • Ochlophonic Study: Hong Kong (School of Creative Media). (2008) Drever, John L.
  • Ochlophonic Study: Hong Kong (Urban Episodes). (2008) Drever, John L.
  • Ochlophonics Hong Kong: everyday sound practices within the crowd. (2008) Drever, John L.
  • Review: Barry Blesser and Linda-Ruth Salter, Spaces Speak, Are You Listening?: Experiencing Aural Architecture. (2008) Drever, John L.
  • Topophonophilia and Topophonophobia. (2008) Drever, John L.
  • The sound of cattle grids. (2008) Drever, John L.
  • oboe_prosthesis (live performance). (2008) Young, Michael W. audio_file
  • piano_prosthesis (live performance). (2008) Young, Michael W. audio_file
  • Goldsmiths Electronic Music Studios: 40 Years. (2008) Young, Michael W.; Drever, John L.; Grierson, Mick and Stonehouse, Ian
    • 2007
  • Noise: Debates, Strategies and Methodologies. (2007)
  • Heartstrings: A String Quartet. (2007) Abtan, Freida
  • Work for Arditti Quartet with live electronics. (2007) Alessandrini, Patricia
  • Work for cellist Séverine Ballon with live electronics. (2007) Alessandrini, Patricia
  • Mapping and Dimensionality of a Cloth-based Sound Instrument. (2007) Birnbaum, David; Xin Wei, Sha; Abtan, Freida and Wanderley, Marcelo M.
  • The Dilemma of Noise. (2007) Drever, John L.
  • Disappearing Soundmarks. (2007) Drever, John L.
  • Nostophonics: approaches to grasping everyday sounds from a British perspective. (2007) Drever, John L.
  • Ochlophonic Study: Hong Kong (EAR-plugged Festival of Electro-acoustic Music). (2007) Drever, John L.
  • Soundscape sensibilities as expressed and betrayed in composition. (2007) Drever, John L.
  • Soundscapes and acoustic ecology - origins and prospects. (2007) Drever, John L.
  • Soundwalking: methods of listening in situ to the city. (2007) Drever, John L.
  • Topophonophilia: a study on the relationship between the sounds of Dartmoor and the people who live there. (2007) Drever, John L.
  • Topophonophilia: the rapport between place, space, sentiment and sound’. (2007) Drever, John L.
  • audience : hearing. (2007) Drever, John L.
  • Here is Now and There the Sound of the Land: 'Ground-breaking'. (2007) Young, Michael W. and Adderley, Paul
    • 2006
  • Architect-Sonics: Heritage of Sound, Music and Architecture. (2006) Drever, John L.
  • Cattle Grids of Dartmoor. (2006) Drever, John L.
  • Field Work: From Arm-chair to Open-air Research in Sonic Arts. (2006) Drever, John L.
  • Ochlophonic Study: Hong Kong (Sound Practice). (2006) Drever, John L.
  • -scape [Goodwin Sands]. (2006) Drever, John L.
    • 2005
  • Festival Acanthes. (2005) Alessandrini, Patricia
  • La Nuit de l’Itinéraire. (2005) Alessandrini, Patricia
  • Bump in the Night: Some Reflections on Night Listening. (2005) Drever, John L.
  • Close to the Literal. (2005) Drever, John L.
  • Ochlophonic Study: Hong Kong (Brudenell Social Club, Leeds). (2005) Drever, John L.
  • Ochlophonic Study: Hong Kong (Camden People’s Theatre). (2005) Drever, John L.
  • Of Click and Glitch. (2005) Drever, John L.
  • Topophonics & Nostophonics: the role of sound in the golden era of British documentary film. (2005) Drever, John L.
  • Topophonique, Ochlophonique, Nostophonique et Pataphonique: trois études de cas. (2005) Drever, John L.
  • Topophonophilia: a study on the relationship between the sounds of Dartmoor and the people who live there. (2005) Drever, John L.
  • Electroacoustic performance interfaces that learn from their users. (2005) Drever, John L.; Melo, Andres and Wiggins, Geraint
    • 2004
  • Syntono Project. (2004) Alessandrini, Patricia
  • Architectural Soundmarks. (2004) Drever, John L.
  • Audio-Vision: Cause and Effect? (2004) Drever, John L.
  • Review: Steven Johnson (ed.), The New York School of Music and Visual Arts. (2004) Drever, John L.
  • Sound Fetish Tendencies. (2004) Drever, John L.
  • Topophonophilia: the relationship between sound, sentiment and place. (2004) Drever, John L.
    • 2003
  • An Evening with Sound and Radio Artist Christian Calon. (2003) Abtan, Freida
  • Chœur de Chambre de Strasbourg. (2003) Alessandrini, Patricia
  • Phonographies of Exeter. (2003) Drever, John L.
  • Phonographies: Glasgow, Frankfurt, Exeter. (2003) Drever, John L.
    • 2002
  • Music for the series Carnet de Bals. (2002) Alessandrini, Patricia
  • Sounding Dartmoor. (2002) Drever, John L.
  • Sounding Dartmoor: A case study on the soundscapes of rural England at the opening of the 21st Century. (2002) Drever, John L.
  • Soundscape composition: the convergence of ethnography and  acousmatic music. (2002) Drever, John L.
    • 2001
  • Phonographies: Practical and Theoretical Explorations into Composing with Disembodied Sound. (2001) Drever, John L.
  • Proceedings of 'Sound Practice: the 1st UKISC conference on sound, culture and environments'. (2001) Drever, John L.
  • Sounding Soundscape Composition. (2001) Drever, John L.
  • The Sublime in Acousmatic Music: Listening to the Unpresentable. (2001) Drever, John L.
    • 1999
  • The exploitation of 'tangible ghosts': conjectures on soundscape recording and its reappropriation in sound art. (1999) Drever, John L.