3 Scores, 3 Rooms

Written between July and August 2015, these scores reflect my relationship with three domestic spaces in Wysing Arts Farmhouse.

Created as part of the 'Entanglement: The Multiversal Score' at the invitation of London based contemporary art organisation, Electra, who were organization in residence at Wysing for summer 2015.

'Entanglement: The Multiversal Score' had two prominent research interests for the residency. Firstly, a continued investigation into the feminist performance score: a form, perhaps inherently 'multiversal', full of potential to destabilise authorship, temporality and 'originality'. Secondly, the connection of this investigation to the work of theoretical particle physicist and queer feminist philosopher Karen Barad, whose concepts of 'intra-action' and 'agential realism' undermine the very notion of singular agency and collapse matter with meaning. As a response, they invited contibutions from a number of artists and composers with whom there had been an entanglement relating to this question of the feminist performance score.